Saturday, November 30, 2024

Those Magnificent Riverboats by Eden Monroe

 



Find all of Eden Monroe's Books here

The age of riverboats began in the Eastern Canadian province of New Brunswick in the early 1800’s. Heretofore relying on sail or small personal crafts such as canoes, dugouts or rowboats, the steamboat era made for an elegant chapter in the province’s history.

It even found its way into the romantic suspense novel, Bound for Somewhere, Book One of The Kavenaghs (1870-1879):

“The woman, along with two hundred other passengers, made her way up the gangplank to board the stern-wheeler, The Bluebird, for the trip up the St. John River. It was a sultry August morning, with a mere wisp of a breeze to stir the air. It promised to get warmer as the day wore on, and they got further inland. Being on the water would be much more pleasant than travelling upcountry over rough dusty roads.

And then with a great bellow of steam they were on their way and a cheer went up from the crowd at the rail. Such was the jubilant mood of those onboard as they chugged out into the river headed toward Washademoak Lake. It was not a true lake at all, but a widening of the Canaan River the captain pointed out.

To say the scenery was breathtaking would be an understatement. The water was the deep blue of the finest aquamarine, a brilliance matched only by the sky above. Trees, of every shade of green stood proudly at shoreline, farmlands rolling back from the water’s edge every mile or so. She thought about being cooped up in that stuffy old stagecoach on her trip to St. John. This was absolutely heavenly compared to that.

        Luxury and comfort were at the passenger’s fingertips everywhere you looked. This was the way to travel! She joined a tour of the ship when it was offered, and passengers were treated to a seemingly never-ending abundance of sophistication. From the lushly carpeted dining room to the one hundred and fifty foot grand saloon with its marble topped tables and generously carpeted chairs for maximum comfort, the elegance was awe-inspiring. That included Victorian-influenced décor of tassels and fringes, even sofas were spared no detail of grand style. There was even an exquisite circular stairway, and she felt like a queen when she descended to the group that had gathered below to admire its unique construction.

        For lunch she was able to secure a coveted seat in the dining quarters on the saloon deck. There she could not only continue to appreciate unparalleled scenery and the clean fragrance of the river, but enjoy a mouthwatering luncheon menu as well.

        And at the end of it all awaited Garrett. This time she would not let him walk away. She would make it work.”

Riverboats were of course before my time, but my Great Uncle Walter who lived to be a hundred and six and a half, remembered them well. For many years he operated a general store at a place called The Narrows (now Cambridge-Narrows), and his supplies were delivered by riverboat on the Washademoak Lake. Actually a worldwide phenomenon, riverboats also became hugely popular with tourists in the province, and indeed those boats did more than carry passengers on idyllic cruises to various destinations along the picturesque waterways of New Brunswick. They also provided freight service, delivering goods to farmers and shopkeepers upriver, and carrying farmers’ wares to market back downriver.

    These boats plied several New Brunswick rivers during their heyday, including the Kennebecasis River.



The Kennebecasis River on a windy day.

        A rise in rail travel rang the death knell for the days of the riverboat in New Brunswick, the last of its kind, the SS Majestic, decommissioned in 1942. Some of those splendid old vessels met a difficult end, several destroyed by fire or other mishaps, while others just ran the course and were finished. Many became dance halls. To this day the rusted hull of the SS Majestic lies in shallow waters in Darlings Lake, Nauwigewauk, Kings County. It was towed to the area to become one of those popular riverboat dance halls, but was unfortunately the victim of a hurricane in 1946. An inglorious end indeed for such a distinguished piece of history.

        At one time the Majestic and her illustrious counterparts ruled New Brunswick waters, and stately hotels were erected nearby to accommodate their legions of passengers. The Washademoak Lodge and the Cambridge Hotel on the Washademoak Lake are both long gone now, as are most of the others. But the years have been kind to the Eveleigh Hotel (now Evandale Resort & Marina), still standing in all its Victorian charm on the beautiful St. John Rover at Evandale. It truly is a wonderful step back in time, with most of the old steamboat wharves still in place to remind us of those halcyon days.

        While there are those who currently conduct aquatic tours, and certainly countless pleasure craft enjoy the incomparable scenery along New Brunswick rivers, the years of those magnificent old riverboats (seventy-three in all over the years) was truly a high point in our history.

        And there is plenty of colourful history, much of it kept by those who were involved in this seasonal industry (May thru October). According to kingstonnb.ca/steamboat-stories, the following is one of those lively accounts:

         “This is a story by steamboat captain and historian Capt. Donald F. Taylor based on letters from Captain Fred Mabee.

        The captain and officers of the steamboat usually stayed the full season. In many cases the entire crew not only stayed the entire season but returned year after year.

        Occasionally did real illness necessitate that a person go ashore. Once such occasion arose on the Hampstead.

        Captain Maybee writes:

       ‘ It was mid summer 1896. The stewardess became quite ill during the night while the steamer was at Wickham and there was no time to get a girl even for a waitress on such short notice.

        ‘It so happened that our fireman had some restaurant experience and offered to help if a deck hand could assist him in maintaining the steam at its usual pressure. Very soon after leaving Saint John the fireman came to the wheelhouse and told me that there was a young lady on board that would make the trip up just to help out. “Very well”, said I, “you may tell her to go to work.”

        ‘The girl seemed to do very well. I told her that she could occupy the room used by the stewardess. In the middle of the night I was awakened by someone running around and around the saloon deck. It really sounded like two people having a race. After they went by my door twice I thought that I had better see what was going on. I opened my door and lo and behold the fireman was chasing the new table girl around the saloon deck outside the cabin in the moonlight. It was quite evident that both were nearly naked.

        ‘I shouted and spoke quite sharply to them. I told them that we were not going to have such antics going on and that a lot of unnecessary noise when others were trying to sleep must stop immediately. The turmoil was over and the performers disappeared very quickly and quietly….”

        For sure those were gentler times (usually), unhurried compared to how we are slaves to unrelenting punctuality today. Says cbc.ca/news/Canada/new-brunswick/roadside-history-ss-majestic:

        “While travel time was relatively quick on the steamship, a May 1946 Evening Times Glove interview with the Majestic’s final captain, M. C. McMurtry, illustrates how pastoral the line once was.

        “We were never in a hurry, and many times went back for folks who arrived late,” said McMurtry.

        “We even went back for the occasional hat which had blown overboard. We just considered that common courtesy, and usually recovered the hat before it got too wet.”

Friday, November 29, 2024

Hamilton Parking

 


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As I've been fascinated by Alexander Hamilton since my eleventh year, I've always known about his contributions to the founding of the American Republic. However, I've always been aware too that most of my countrymen hadn't a clue who the guy on the ten dollar bill was.  Our nation wouldn't have survived the first twenty years without his financial knowledge. The framework he set in place at the Treasury Department was so carefully thought out and implemented that even his Jeffersonian successor finally decided to just "go with it" because his creation did the job it was supposed to do. 

In short, the original government only functioned because of Hamilton's construction. Jefferson, Hamilton's great antagonist, would never have been able to finalize the Louisiana Purchase, which brought a good chunk of the center of the country, if Hamilton hadn't made the government solvent and also respected as a reliable client among the wealthy European financial markets, which had financed the Revolution. 

However, it was Jefferson who lived long years after the Revolution, and not Hamilton. "History" is written by the survivors/winners, as everyone knows. As a result, the star of this Founder set quickly. I used to take a perverse pleasure in asking people if they knew the identity of the man on the ten dollar bill, and watching them either shrug, or tell me "Benjamin Franklin" or something else equally wide of the mark.   

I wrote my novel back in the 90's, but it was roundly rejected with a lot of "who cares" or "you can't make a romantic hero out of a Founding Father" from editors. Books We Love took it up, though, and so my long labor of love did eventually get placed between covers. In the meantime, however, the brilliant artist Lin Manual Miranda had also been at work on his musical, and so, finally, the name of "Hamilton" made a triumphant return to public consciousness. 



A few days ago, a traveling NYC company brought the musical Hamilton here to my town. The tickets for that performance were being sold at more than twice the usual price, because even though this is not brand new, it is still in vogue, especially here in the country outside the Big City. On my trip to the grocery store, passing through town, I noticed signs over the restaurants that read "Welcome Hamilton." On my way back, I also saw traffic signs, assuring the folks who were coming to the theater that evening that this was the way to "Hamilton Parking." After all those years of obscurity, it tickled me to see my childhood hero's name all over my town, and to know that at least one version of his remarkable story had put his fame back in lights.

What political party of today could claim him? Probably neither, although one in particular would have been anathema to him. After all, he died in a duel with a man who, he firmly believed, wanted to overturn the Republic and crown himself King. 

Aaron Burr, whom he'd called "An embryo Caesar," made no bones about the fact that he wanted to kill Hamilton. No one really knows what exactly Burr, who was usually not particularly easy to rile, had against Hamilton, although they had years of vitriolic political rivalry behind them. To be fair to Burr, the offense that sparked the challenge must have been keenly felt and excruciatingly personal, as he pursued it to that fine July morning, when the gentlemen were rowed across the Hudson with their seconds, to fight in New Jersey where dueling remained legal.  

~~Juliet Waldron

Thursday, November 28, 2024

Thanksgiving Traditions: Family Gatherings, Canned Cranberry Sauce, and The Turkey Pardon By Connie Vines

 

Once again, it's that stressful yet joyous time of the year. A time we paw through the mountain of frozen turkeys at the local market, praying the one we select will thaw before Thanksgiving Eve. 

Each year, Americans in the United States celebrate Thanksgiving on the fourth Thursday of November.

The preparation of the turkey varies from family to family, state to state, and from traditional to new and improved. And then there is a time-honored tradition that I can't explain or truly understand. 

The Turkey Pardon

Each year at Thanksgiving, the president receives a gift of two live turkeys. At a White House ceremony, the president "pardons" the National Thanksgiving Turkeys so they live on a farm.

Fortunately, for the young children and miffed mothers, it takes place several days before the "families' turkey" roasts in the oven.





The Meal

Since my childhood was nomadic, my menu is a combo of southern cooking, cornbread dressing (I do not stuff the bird), collard-green with diced bacon, sweet potato pie, and mashed potatoes. However, my mother's family was Czech. In other years, I made potato dumplings topped with sour kraut, date snack, and my favorite cookies. Kolaches. It is not the yeast roll type in the southern states, but the buttery/creamy cookies you see in Chicago, IL. 

And a can of cranberry sauce...

The WishBone

We can delve into this tradition at another time. 

Let's focus, instead, on the can of cranberry sauce.

I was never a fan of canned cranberry sauce. Everyone is familiar with the Jelly-like creation, which slides, giggles, and slides off your plate when cut. 

The History: Marcus Urann, a Massachusetts farmer and lawyer, created the first canned cranberry sauce in 1912. It appeared on the market in 1941, allowing the product to be sold year-round.

As a child, it appeared on the dinner table every holiday. I vowed to banish it from the world when I became an adult.

Well, I'm sure you can guess what happened...

I married. My husband, from Louisiana, loved fried catfish and preferred canned cranberry sauce to my homemade version (which was delicious, by the way). We compromised. He never asked me to prepare or eat catfish. (It tasted like muddy water, even after I soaked it in buttermilk.) And I never complained about his canned cranberry sauce.

Of course, our sons loved the canned cranberry sauce but agreed with me about the catfish.


FUN FACTS:

🦃A ripe cranberry will bounce.

🦃All turkeys and chickens have wishbones.

🦃Canadians celebrate their own Thanksgiving every October.

🦃Abraham Lincoln declared a national day of Thanksgiving in 1863.

🦃The first Macy's Thanksgiving Day Parade was held in 1929.



  


I hope you enjoyed my post. 

Holiday shopping time and Black Friday Events with huge markdowns begin the day after Thanksgiving here in the US.


BWL is having a can't-be-beat sale on all of their EBooks!

From now until Christmas Day (at midnight), the Elves will be busy delivering your purchase. 🧝 🦌🎅🎄

Happy Reading and Happy Holidays,

XOXO

Connie

(the link is below the photo)


Holiday Book Sale!!


Where's Connie?

https://bookswelove.net/vines-connie/


Facebook, Twitter, Instagram, Blogger,  Website  and 

I'm also on Substack connievines.substack.com







Wednesday, November 27, 2024

Starting a new series: The Protectors – by Vijaya Schartz


Find more of my books on the BWL site HERE

I wrote many series, mainly science fiction and fantasy, and each time I say goodbye to one to start another, it’s a bittersweet experience. I am sad for leaving the angel ship Blue Phantom behind. It’s like letting go of grownup children so they can have their own life.

I wrote three series in the Azura universe, populated with strong heroines, brave heroes, and galactic supervillains: Azura Chronicles, Byzantium, and Blue Phantom. In that universe, Avenging Angels with special powers fought sinister entities to maintain the balance of good and evil throughout their galaxy. I find it difficult to leave that special world behind. But in this vast universe, I can imagine many worlds and civilizations coexisting very far apart. The new worlds I create now might even collide with the old ones at some point.

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Write about what you know is one of the golden rules of writing. I was always a Martial Artist, and maybe you can tell from my female warriors and epic battle scenes. But for well over a decade, I’ve also immersed myself in the world of Tai-Chi, the way of the peaceful warrior, and the energy of Chi-Gong. I studied, I practiced daily, and now, although I remain a lifetime student, I have also become a teacher.

Celebrating Global Tai-Chi Day in the park, with a few of my students.

So, I came up with a premise for a three-book series called THE PROTECTORS. The setting will be a post-apocalyptic planet after a cataclysmic event that wiped out most of the population. As the planet recovers slowly, the feudal society is reorganizing around the populated hubs, and among the surviving nobles, the race for power is on. Soldiers are recruited to fight the barbarians unfurling on the plains. Their weapons of choice are the sword, the spear, the bow, and they ride horses.



The heart of the series is a Tai-Chi temple built like a fortress atop a steep outcrop in the desert. At the main courtyard entrance, between two giant stone pillars, is a Celestial Gate, constructed eons ago by space travelers from other parts of the universe.

The Protectors are a special corps of elite warriors trained at the temple and sworn to protect the gate.

There will be plenty of action and adventure, some scary characters, a little romance, intrigue, and drama. Things and people are not always what they seem. But even if you get scared for the main characters, good will prevail over evil forces at the very end.

I’m enjoying plotting and writing this new series. The first book will be released in November 2025. You still have time to read my other books.

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Happy reading!

Vijaya Schartz, award-winning author
Strong Heroines, Brave Heroes, cats



Tuesday, November 26, 2024

On the Toxicity of Compliments by Byron Fry

 


https://byronfry.com/


What is it that makes artists recoil from compliments? I’m talking about ‘true’ artists here—people who take Art seriously, who live their lives in subordinate servitude to Art; not those who are in it specifically for recognition, admiration or success. We of The Craft have a name for that latter type: Posers. And this piece isn’t about them.

For true servants of The Craft, recognition and approval can de-legitimize Art; this is possibly a by-product of our disdain for critics and the foaming, vapid pop culture whose frenzy they stoke…as if our contribution has no value when the ignorami like our stuff. Mustn’t get that association on us; it’s a mark of disgrace, and might not wash off.

But if that’s the case, then what about compliments coming from quarters we regard as artistically legit? From people we admire, mentors, or fellow artists whose work we venerate. I occasionally receive a true compliment from someone who necessarily gets it—who understands The Process, who I know to have walked in my shoes—and even then, my knee-jerk response is to hurry past it, to turn my face away lest I get forced into accepting the kudos, or worse yet, facing the possibility that I may have actually, finally, done something good and right.

Like many of us, I’ve been deeply ingrained with the sense that accepting compliments, even inwardly—especially inwardly—is bad form. Those of you who live in the artistic culture know that of which I speak. We are painstakingly conditioned to believe that accepting compliments is toxic, and most of us take that conditioning to heart. To accept compliments jokingly is okay—“oh please, no no no (gimme more, gimme more…)”—but not seriously. That might lead to self-approval, which of course fosters incompetence and ends it all--a horrible, dishonorable death.

Is it that we have to hold ourselves to such high standards in order to be competent with The Craft, that acknowledging anything we’ve done right might encourage complacency, thereby threatening the sacred skill we bring to the table? Is our skill set that fragile?

Well, yes. Of course it is.

And I think that what might be at the root of this is the very real necessity to keep ego out of the way in order to hear (or see) what wants to be. Ego is not a bad thing, in the right ratio and context; it is the healthy, normal sense of self and a vital part of how we survive. It drives us to become who and what we are. Without it, no human can ‘become’. The human engine simply won’t run without ego.

But in the artistic process, there’s a very ticklish balance to be had between being the egoless blank canvas—removing self from the equation—so that we can be Her stylus, neither filtering nor discoloring what She wants, while at the same time we must be in command of our skill to the degree required to render Her wishes, which of course requires self and ego, in order for our skill set to be there at the table.

I think most of us agree that the artistic process requires a person who operates from a place of humility. Deep-down humility, the kind that makes us feel like we can never be good enough, never practice enough, never be truly blank enough to really hear (or see) EXACTLY what wants to be, so that we can bring it into the world with the excellence of form that She deserves from us. We’re all different, us artists, in how we create our Art, but for most of us it’s a very fragile process. And this means that recognition, compliments and success are a threat to our Art and well-being, like a rattlesnake in a baby’s crib.

There’s also the exacting criteria by which we must be approved by our peers and fellow practitioners of The Craft. If we’re seen practicing bad Art, or chasing admiration with our Art, it’s blasphemy. Worshiping a false prophet. Our reputation is ruined, as it should be. We must walk in that corridor of trueness that will win the respect and admiration of just the right people, just the right circles. A compliment for the wrong thing, or from the wrong quarters, is like a billboard advertising our disgrace. We must not only walk the line of being true to Her and bringing purity of process to The Craft; we must also be perceived by our peers as walking that line. To achieve success is to bring one’s self under scrutiny, as it’s a very suspicious thing.

There are, of course, those among who achieve huge success in the eyes of pop culture, and in the eyes of true artists alike; who can (if they’re capable of it) accept compliments without dishonor, because they haven’t sullied their Art and their love for Her in achieving that success. But they are vanishingly rare.

 

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