Friday, August 2, 2019
I Miss Camping - But so much more to do
Labels:
"Books We Love,
camping,
homes. yard work,
houses
Thursday, August 1, 2019
August New Releases from BWL Publishing and monthly Free Read
BWL PUBLISHING'S AUGUST RELEASES
visit http://bookswelove.net and click the book covers for book details and purchase information
August's free read is from Susan Calder
A Mystery set in Calgary, Alberta home of the world famous Calgary Stampede
visit http://bookswelove.net to download a free PDF of Ten Days In Summer
Wednesday, July 31, 2019
Revisiting and Revising by Prscilla Brown
From its first incarnation, this contemporary romance was ruthlessly reworked;
the character on the cover received a new name and personality.
I've been involved in a textile arts exhibition showcasing items which the artist has revisited, upcycled, recycled, remodelled, or transformed in some way. Think jeans cut off above the knee, rebirthed as shorts and decorated with bright fabric, or, with appropriate stitching, reappear
as a bag again embellished.A floral skirt way out of fashion is reconstructed into a shade for a table lamp; several kinds of textiles, fabrics, knitting, crochet, in pieces of carious sizes and colours, are hand-stitched together covering all surfaces of a second-hand wooden dining chair.
As I chopped up boring old scarves into sections and reassembled them onto a length of fabric, the new cloth to metamorphose into a wrap, I thought about how I use the rethinking terms for this kind of creativity in my fiction writing.
With all my novels, having reached what I initially consider to be the final draft, I print them out and put them aside for an indefinite time. I do enjoy editing and prefer to edit this "final version" on hard copy.
Write without fear. Edit without mercy.
(Quotation found on Internet, source unknown.)
For me, returning to a manuscript always reveals assorted plot holes, inconsistencies, repetitions,
weak characters and other glitches. Class Act (not its original name) remained in the drawer for the
longest period, four or five years. When I revisited it, I was shocked. Is this the best you can do? Too long. Too much detailed backstory. Too many secondary characters. Extraneous events and trivia. Unbelievable female protagonist (insufficient qualifications and experience for the job she's appointed to). I wrote this while I was working in the same environment as the story is set, and this version now read as if I'd wanted to include several incidents which did happen but which were entirely out of place in the novel.
A major revision was required.
The prologue had to go, all 4000 words of it. Necessary information was salvaged and worked where appropriate into the first and second chapters, which also better defined the personalities of the protagonists. Realising I was making more changes to her than to him and to some of the scenes together, I severely chopped up and altered her backstory, reassembling the pieces into a shorter and more credible version (her one-time Mexican lover was not necessary), and stitching bits into the story where relevant.
A number of secondary characters lost their places (she did not need to have a childhood nanny with whom she keeps in touch). I found several scenes which did not move the story along. Some were beyond redemption and permanently discarded (whyever did they go to the zoo?); those I had fun writing and wanted to keep received remodelling so that they did provide forward momentum (adding a thunderstorm while they were eating outside at a restaurant nudged their growing attraction up several notches); others could be reconstructed and their timewise position in the story relocated. These and many other repairs, including a re-vamped ending, in this extensive revision transformed both the energy and the length of Class Act, sending about 30 000 words to the bin.
And now, it's time to take out another manuscript from its incubation in the drawer. I'm wondering how much editing will be required for this one!
Enjoy your reading. Priscilla.
Tuesday, July 30, 2019
Bananas by Margaret Hanna
![]() |
Visit Margaret's BWL Author Page for Details and Buy Links |
Bananas!
Yes, the fruit.
Several years ago, I was
scheduled to present a paper at a conference in Winnipeg, Manitoba. In early
May.
Those of you who are familiar
with prairie weather know, only too well, that “spring” in the prairies can
bring any and all kinds of weather. Including blizzards. That’s exactly what
happened that spring.
Four days before the conference
was to begin, a blizzard hit the southern prairies. It raged for three days.
All highways, including the Trans-Canada Highway, were shut down. Nothing, not
even semi-trailers, moved. Traffic stacked up at both ends of the blizzard
zone.
By the second day, grocery
stores were running out of fresh produce. A woman roamed through my local
Safeway, crying, “Bananas! There are no bananas!” The manger informed her, “I don’t know when
we’ll get more, the trucks are stopped in Manitoba.”
The third day, the blizzard
began to blow itself out. The fourth day, the sky was blue and the highways
were clear. A friend and I jumped in the car and began the six-hour drive to
Winnipeg.
East-bound traffic was bad
enough, but the west-bound traffic was constant, and consisted mostly of
semi-trailers. Suddenly, the Safeway truck screamed past. We yelled,
simultaneously, “Bananas!” and laughed.
*
* *
Addie learned what a prairie
blizzard was like during her first winter on the homestead. Here’s an excerpt
from Chapter Nine: “First Winter” in “Our
Bull’s Loose in Town!” Tales from the Homestead.
The first blizzard came in early
January. The wind had been blowing from the southeast for a couple of days – a
keening wind that didn’t stop day or night. It whistled and whined around our
house and went straight through you. Abe brought extra coal into the house and
banked snow around walls. He strung a rope from the corner of the house all the
way over to the stable. “When the blizzard starts, sometimes the storm is so
bad you can’t see more than a couple of feet. People can get lost trying to
cross the prairies in a blizzard.” At first, I thought he was joking but he
certainly sounded quite serious. I began to get a little worried.
The day the blizzard hit started
off nice enough. There was hardly any wind and the sun was shining. “Seems that
blizzard you promised has decided to stay away,” I teased.
“Just you wait, it’ll be here
sometime today. Now come help me put extra bedding in the stable.”
We walked the few hundred yards
to the stable and pitched a wagon load of straw and extra feed in for the
livestock and chickens. It took only an hour or so, but the world changed in
that time. The wind was stronger, from the northwest, and it sent snow snaking
across the ground. And it was cold, much colder.
Then I saw the clouds, grey
ugly-looking things coming in fast. They hung low over the world and looked
angry. I wondered if this is how the last judgement would begin. The first
snowflakes were not those huge soft things that fall like feathers; they were
hard, stinging pellets that cut into your skin.
“It’s going to be a bad one,”
Abe said as we scurried back to the house.
Monday, July 29, 2019
Sympathy for the Devil
![]() |
http://amzn.com/B00P9TW046 |
In college, I read translations of
the Icelandic Eddas. These stories have none of Wagner's Ring Cycle Victorian
romantic overlay and many more god/demon characters. From these, I learned more
about Loki, one of those ambiguous, powerful trickster figures that inhabit
mythology world-wide. Loki, it seems, could be male or female at will. Sometimes, in the stories, he's helpful, usually pulling the wool over some
antagonist's eyes to help out a more obviously central figure, like the Father
God, Odin.
Loki, in different forms, had a
whole series of monster children. As a mare, he conceived Odin’s horse, the
eight legged Sleipner, but let’s not get bogged down in the fascinating details
of that story. J
The ones I’d like to discuss are Fenrir, a kind of wolf on steroids,
Jormungandr, a serpent—also on steroids—and a little girl, Hel. Hel would be
beautiful, if half of her face were not a skull. Hel gave her name to our Christian
Hell.
![]() |
http://amzn.com/B00FKKAN98 |
Fenrir is just a puppy when he is
taken. He longs for his mother and he longs for someone to love him, as puppies
do. The gods are all afraid of him, however, because of the prophecy. Only the
God Tyr is brave enough to feed him and be kind to him, and so Tyr becomes the
only god poor Fenrir trusts. The snake,
Jormungandr, Odin tosses into the ocean, but this doesn’t get rid of him or his
propensity to grow. Jormungandr goes on growing until, hidden beneath the sea,
he encircles the entire earth. Earth becomes his adoptive Mother, and he
becomes her secret protector and friend.
Meanwhile, Fenrir goes on growing. More
and more afraid of him, the gods go to the Dark Elves for a special magical chain
capable of holding him. When they return, they pretend to play a game with
Fenrir, putting on different chains and encouraging him to demonstrate how
strong he is by snapping them. Every time he does do, they clap exclaim at his strength
and power. At last, they bring out the Elven chain, but Fenrir senses their
duplicity. He refuses to allow them to put this one on until Tyr puts his sword
hand in Fenrir’s mouth as a show of good faith. “If you cannot break this
chain, you may do with me as you will.” Such a heart-breaking story! Tyr has sworn
loyalty to his master Odin but he’s also bonded with the wolf and he knows full
well when he puts his hand in that hot mouth, what is about to happen.
The great wolf, trusting Tyr, allows
the gods to “try out” the strength of their new chain. This one, so full of
magic, cannot be broken. Tyr loses both his sword hand and his monstrous
friend, while the hatred of Fenrir for the gods who have so abused him will now
grow ever stronger. This is one of the saddest tales in the long string of the broken
oaths and broken friendships which litter the ancient story.
Actions have consequences, although
it seems the gods have so far believed these could be avoided. Too
many rules have been broken, too many laws disregarded, and the finely balanced harmony
of the universe goes spinning out of control. The time comes when Fenrir, as
foretold, at last breaks even that magical chain. Then, he will kill the
oath-breaker Odin and finish his vengeance by swallowing the sun. Jormungandr will arise,
carrying the ocean over the land. Hel will unleash her army of the dead and the
world-wide apocalypse the Norse called Ragnorak will bring utter ruin to gods and men.
When I was younger, I remember only
being afraid of Fenrir, Jormungandr and Hel, those black monstrous terrors, that break down of order. The rationalizations
presented for Odin’s actions: “the ends justifies the means” seemed an inevitable
part of the cruel, cynical "realism" that was part of adulthood.
Now, re-visiting the story, I have had the dizzying experience of seeing the
old black and white change places. My heart breaks for Fenrir and the other stolen
children; I can better understand the natural forces they represent. With a shock of recognition, I see Odin’s lies, his self-service, his delusion of total control, and also have a spine-tingling vision of how some
forces are too huge for gods—or men—to imagine they can command.
Labels:
apocalypse,
books we love,
chaos,
Juliet Waldron,
Loki's children,
Norse myth,
Ragnarok,
Roan Rose,
Zauberkraft: Black

Sunday, July 28, 2019
The Art of Lying- (AKA Creating the Perfect Villain) by Connie Vines
A compulsive liar is defined as someone who lies out of habit. Lying is their normal and reflexive
way of responding to questions. Compulsive liars bend the truth about everything, large and small. For a compulsive liar, telling the truth is very awkward and uncomfortable while lying feels right.
So, you have your “perfect” hero and “perfect” heroine’s character sketches and novel outline at your fingertips. What about your “not-so-perfect” villain, aka the bad guy? He’s just the bad guy. Ah, but the villain is a key player in your novel. And, you’d like him to be a compulsive liar. However, you really want to keep the reader guessing. . .
In law enforcement, these actions are called “tells”.
How do you make the “perfect” liar? You need to know the rules before you can break them.
What will your villain have perfected? Why, the art of lying, of course.
Ten Tips your Villain Can Teach you about the art of lying
1. Keep your head up:
“In all shows, there is always that moment when the magician risks being discovered,” explains Jacques H. Paget*, illusionist and negotiations expert. For example, when he makes a ball “disappear” as it remains hidden in his other hand, he may tend to tilt his head to the side, a movement which, however small, may be unconsciously perceived by the viewer as an indicator of cheating. “This is an instinctive gesture that we all do when we are afraid of being caught.”
Conclusion: Your villain knows to keep his/her head straight up. This will prevent the other person from getting suspicious.
2. Use the phone:

Sometimes lying is much simpler over the phone. Deception makes our voices drop a pitch, in order to sound more stable and assured, but lying also exposes us to three negative emotions – fear of getting caught, shame and guilt – and these may just manifest in our voices. Your villain knows this. Your hero/heroine may believe the action was unintentional—the first time.
3. Repeat the scenario:
If you are telling a story, the villain knows he/she first needs to integrate it as a complete theatre role. Being an actress does not mean just to learn words. It is also necessary to be at one with your thoughts and emotions. These are the things that will generally reflect your words. And some techniques can better reflect what it feels like:
– Begin and end sentences clearly.
– Take note of punctuation marks, especially full-stops.
– Sustain consonants that make words ring.
– Speak clearly.
– Work on your expressive diction.
Playing your role with sincerity.
4. Control your actions:
“Our body speaks its own language and never lies,” says Dr. David J. Lieberman, hypnotherapist and a doctor in psychology. If you’re not careful, some little gestures will only end up betraying you.
Embarrassed by your hands, you slip them into your pockets or you lay them on your hips.
You sputter, your smile trembles and cracks as you declare how much you love the gift you received.
You touch your face, you scratch your ear, place a finger on your lips, you rub your eyes or nose to justify your delay in response.
Your face, your hands, your arms punctuate your words belatedly, and in a somewhat mechanical way.
You display a grimace instead of a grin while expressing your joy of learning promoting a colleague.
You pull a folder, a book and computer against your abdomen, as if it were a shield. Without understanding why your partner says there was something wrong with your story…
5. Do not say too much:
You call a friend to postpone a lunch for the third time. Listening to you presenting your perfectly oiled explanations, she begins to find this suspicious, there is just too much justification. To avoid getting caught, you think, better increase the size of your tale: the bigger it gets, the more credible it will seem. Because of its magnitude, it cannot possibly be invented. Your villain knows less is more. . .believable in this case.
6. Put on your sincere face:
Instead of looking your interviewer in the eye, aim for the tip of his nose. It is less destabilizing and you do not have the look diagonally, distant and elusive, whilst you spin your yarn. “Establishing good communication requires eye contact for 60-70% of the time of the dialogue,” says psychoanalyst Joseph Messinger. Also, be wary of your eyebrows wrinkling, your eyes crinkling and your eyelids blinking – they raise doubt.
7. Deviate from the truth:
A good lie always contains an element of truth. “In this case, the truth functions as a decoy.” For example: “I have an appointment with the dermatologist…” is a good primer. Then the embroidery comes in: “… to check my moles,” but you casually omit “…and to complete my Botox sessions.” It’s just a shot you have to take.
8. Do not say I:
Your villain knows to entrench himself/herself behind objective, impersonal, irrefutable facts. “My company recruits only its sales executives with a certain diploma/certificate” … that your friend’s son happens not to possess, of course.
9. Camouflage:
Sharpen a pencil. Hang a picture. Drink coffee. Practicing an activity to pass the time is unquestionably the best camouflage for a lie. Is what any expert in non-verbal communication will tell you. The ideal situation? Lying whilst you are behind some sort of wall or partition, in order to neutralize body language, which is less controllable than words. It is essentially a way of saying that those with mowing the lawn or trimming hedges are at an advantage for if they want to lie.
Little lies? Big lies? Huge lies?
It’s your story.

It’s your chance to create the “perfect” villain.
Here are a few of my fave classic villains in literature:
The Chronicles of Narnia by C.S. Lewis
The White Witch
Key quote: "You know that every traitor belongs to me as my lawful prey and that for every treachery I have a right to a kill... And so, that human creature is mine. His life is forfeit to me. His blood is my property."
The Final Problem by Sir Arthur Conan Doyle
Key quote: "[Moriarty] is the Napoleon of crime, Watson. He is the organizer of half that is evil and of nearly all that is undetected in this great city. He is a genius, a philosopher, an abstract thinker. He has a brain of the first order. He sits motionless, like a spider in the center of its web, but that web has a thousand radiations, and he knows well every quiver of each of them."
Dracula by Bram Stoker
Key quote: "We are in Transylvania, and Transylvania is not England. Our ways are not your ways, and there shall be to you many strange things"
Do you have a favorite villain?
Who was was your 'unexpected' villain is a story?
Happy Reading,
Shopping Links to Connie's Books:
BookBub
BWL
Smashwords
books2read
iBooks
Walmart
So, you have your “perfect” hero and “perfect” heroine’s character sketches and novel outline at your fingertips. What about your “not-so-perfect” villain, aka the bad guy? He’s just the bad guy. Ah, but the villain is a key player in your novel. And, you’d like him to be a compulsive liar. However, you really want to keep the reader guessing. . .
In law enforcement, these actions are called “tells”.
How do you make the “perfect” liar? You need to know the rules before you can break them.
What will your villain have perfected? Why, the art of lying, of course.
Ten Tips your Villain Can Teach you about the art of lying
1. Keep your head up:

Conclusion: Your villain knows to keep his/her head straight up. This will prevent the other person from getting suspicious.
2. Use the phone:

Sometimes lying is much simpler over the phone. Deception makes our voices drop a pitch, in order to sound more stable and assured, but lying also exposes us to three negative emotions – fear of getting caught, shame and guilt – and these may just manifest in our voices. Your villain knows this. Your hero/heroine may believe the action was unintentional—the first time.
3. Repeat the scenario:
If you are telling a story, the villain knows he/she first needs to integrate it as a complete theatre role. Being an actress does not mean just to learn words. It is also necessary to be at one with your thoughts and emotions. These are the things that will generally reflect your words. And some techniques can better reflect what it feels like:
– Begin and end sentences clearly.
– Take note of punctuation marks, especially full-stops.
– Sustain consonants that make words ring.
– Speak clearly.
– Work on your expressive diction.
Playing your role with sincerity.
4. Control your actions:
“Our body speaks its own language and never lies,” says Dr. David J. Lieberman, hypnotherapist and a doctor in psychology. If you’re not careful, some little gestures will only end up betraying you.
Embarrassed by your hands, you slip them into your pockets or you lay them on your hips.
You sputter, your smile trembles and cracks as you declare how much you love the gift you received.
You touch your face, you scratch your ear, place a finger on your lips, you rub your eyes or nose to justify your delay in response.
Your face, your hands, your arms punctuate your words belatedly, and in a somewhat mechanical way.
You display a grimace instead of a grin while expressing your joy of learning promoting a colleague.
You pull a folder, a book and computer against your abdomen, as if it were a shield. Without understanding why your partner says there was something wrong with your story…
5. Do not say too much:
You call a friend to postpone a lunch for the third time. Listening to you presenting your perfectly oiled explanations, she begins to find this suspicious, there is just too much justification. To avoid getting caught, you think, better increase the size of your tale: the bigger it gets, the more credible it will seem. Because of its magnitude, it cannot possibly be invented. Your villain knows less is more. . .believable in this case.
6. Put on your sincere face:
Instead of looking your interviewer in the eye, aim for the tip of his nose. It is less destabilizing and you do not have the look diagonally, distant and elusive, whilst you spin your yarn. “Establishing good communication requires eye contact for 60-70% of the time of the dialogue,” says psychoanalyst Joseph Messinger. Also, be wary of your eyebrows wrinkling, your eyes crinkling and your eyelids blinking – they raise doubt.
7. Deviate from the truth:
A good lie always contains an element of truth. “In this case, the truth functions as a decoy.” For example: “I have an appointment with the dermatologist…” is a good primer. Then the embroidery comes in: “… to check my moles,” but you casually omit “…and to complete my Botox sessions.” It’s just a shot you have to take.
8. Do not say I:
Your villain knows to entrench himself/herself behind objective, impersonal, irrefutable facts. “My company recruits only its sales executives with a certain diploma/certificate” … that your friend’s son happens not to possess, of course.
9. Camouflage:
Sharpen a pencil. Hang a picture. Drink coffee. Practicing an activity to pass the time is unquestionably the best camouflage for a lie. Is what any expert in non-verbal communication will tell you. The ideal situation? Lying whilst you are behind some sort of wall or partition, in order to neutralize body language, which is less controllable than words. It is essentially a way of saying that those with mowing the lawn or trimming hedges are at an advantage for if they want to lie.
Little lies? Big lies? Huge lies?
It’s your story.

It’s your chance to create the “perfect” villain.
Here are a few of my fave classic villains in literature:
The Chronicles of Narnia by C.S. Lewis
The White Witch
Key quote: "You know that every traitor belongs to me as my lawful prey and that for every treachery I have a right to a kill... And so, that human creature is mine. His life is forfeit to me. His blood is my property."
The Final Problem by Sir Arthur Conan Doyle
Key quote: "[Moriarty] is the Napoleon of crime, Watson. He is the organizer of half that is evil and of nearly all that is undetected in this great city. He is a genius, a philosopher, an abstract thinker. He has a brain of the first order. He sits motionless, like a spider in the center of its web, but that web has a thousand radiations, and he knows well every quiver of each of them."
Dracula by Bram Stoker
Key quote: "We are in Transylvania, and Transylvania is not England. Our ways are not your ways, and there shall be to you many strange things"
Do you have a favorite villain?
Who was was your 'unexpected' villain is a story?
Happy Reading,
Shopping Links to Connie's Books:
BookBub
BWL
Smashwords
books2read
iBooks
Walmart
Labels:
@connievines_author,
#BWL Author Blog,
#CowboyRomance,
#WritingTips,
NativeAmericanRomance,
RomanceGems,
The Art of Lying,
villains
Saturday, July 27, 2019
Are cats telepathic? Or is it just me? By Vijaya Schartz
![]() |
Find NOAH's ARK and other BWL titles by Vijaya Schartz HERE |
I have been accused of having a wild imagination, and I plead guilty. I’m a writer. It comes with the territory. I write strong heroines, brave heroes, and cats.
You may not know it, but in my world, real and imagined, most cats are telepathic and exhibit all kinds of special powers. Some are very judgmental, others just loving, and others yet very food motivated. They can read people’s thoughts and intentions and sense whether a person is good or evil. They can disappear from a room and reappear through closed doors, or vanish entirely… until they decide to re-materialize… usually around meal time.
Jasmine never misses a meal, no matter how invisible she has become. |
As I revisit the Chronicles of Kassouk for their second edition through BWL Publishing, I am thrown again into the sci-fi fantasy world I created for the series, Humans and their cats, fighting for their freedom against technologically advanced aliens with their own agenda.
In the world of Kassouk, as you can tell by the book covers, cats are an important part of the culture. In Noah’s Ark, the hero’s companion is a fierce domestic cat named Viking. But all the following books eminently feature large felines, kept as pets and trained for battle. These cats are usually loyal companions, often heroic to a fault.
Noah’s Ark is set against the dramatic background of Human scientists, runaways, fugitives, and settlers crashing on a wintry planet. The title of each following novel is the warrior name of its hero or heroine. White Tiger is the heroine of her book and all the stories after that have a corresponding big cat as a secondary character. In this series, each novel is a complete standalone with its own set of characters, its own romantic story and satisfying ending, and can be read independently from the others.


As the population of Kassouk evolves, however, a few long-lived characters and continuing story threads develop through several novels, and have repercussions in more than one story. So, it helps to know what happened before. And if you are like me, you’ll want to read the Chronicles of Kassouk in the right order.
I am thrilled with the republication of this series. NOAH’S ARK was just released in July 2019. WHITE TIGER is on pre-order, to be released August 1, 2019. And the following titles will come out back to back over the summer – RED LEOPARD – BLACK JAGUAR – BLUE LIONESS – SNOW CHEETAH.
Here are the specifics of the first two novels currently available. Enjoy the read.
NOAH'S ARK
Chronicles of Kassouk - Prequel
Chronicles of Kassouk - Prequel
Exclusive on amazon for a short time HERE
When Trixie's starfreighter, Noah's Ark, drops out of jump space in an uncharted part of the universe, she believes the Earth-like planet on her viewer represents hope and salvation for her motley crew and the ragtag settlers aboard her ship.
Kostas, ex Space Marine, the expert survivalist recruited for this expedition, doesn't believe in coincidences, and knows that when something looks too good to be true, it usually is.
Everyone on this voyage to seed a new planet with life, is running from something, and harbors dangerous secrets... including Trixie, who vowed to never let a man control her life again. As for Kostas, he would get lynched on the spot if anyone suspected who he really is.
But on this seemingly abandoned planet, others are watching, herding them for evil purposes... And when the truth emerges and secrets unravel, Trixie and Kostas will have to fight for survival, for freedom, and for the right to love...
"Filled with action, adventure, greed, betrayal, and love..." 5-stars on amazon.
WHITE TIGER
Chronicles of Kassouk Book One
Exclusive on amazon for a short time HERE
On the frozen plains of Kassouk, where a few aliens rule a medieval Human world, Tora, Human warrior trained by tigers, seeks her father’s murderer. But what she finds at the point of her sword confuses her. How dare Dragomir, the handsome Mutant, question her bloodline and her loyalties? And could a new enemy control the savage hordes of the fringe?
Dragomir offers to help, but Humans and Mutants are forbidden to fraternize under penalty of death... Should Tora trust her mind, her instincts, or her heart?
In the vortex of war, treason and intrigue, among blizzards, avalanches and ambushes, Tora sets out to solve the mystery of her father’s death. When she unveils the secret of her birth, she realizes Dragomir is the key, and together, they must save their planet from the invaders and fulfill their destiny... if they can survive dire persecutions from those they mean to protect.
"...an exceptional tale that belongs in a place of honor on keeper shelves everywhere." Coffee Time Romance - 5-cups
"...this is one futuristic that you do not want to miss!" Fallen Angels Reviews - 5 angels - Recommended Read
HAPPY READING!
Vijaya Schartz, author
Strong heroines, brave heroes, romance with a kick
http://www.vijayaschartz.com
amazon - B&N - Smashwords - Kobo - FB
Strong heroines, brave heroes, romance with a kick
http://www.vijayaschartz.com
amazon - B&N - Smashwords - Kobo - FB
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