Tuesday, October 30, 2018

Checking Resources by S. L. Carlson








This week I read something which made me laugh out loud. On FaceBook was a quote from C. S. Lewis about politics, along with the reference. In the comments was something like, “He never wrote this. Check out (this Internet source) for what he actually wrote.”

What I found amusing was, why not send people to the original source? Pointing people to a secondary source certainly isn’t as accurate as reading it as it was originally printed, you know, like in that thing called a book. The quote was allegedly from The Screwtape Letters—a hysterical book on its own.

To me, sending people to a secondary source reminded me of the old game of Telephone, where kids sit in a circle. One person whispers a phrase in the next person’s ear. They keep whispering the phrase around the circle. The outcome is usually nothing like the original, and everyone falls over laughing. Why do the children burst into laughter? Because even if they didn’t know the original phrase or sentence, they know the words spoken out loud by the end of the circle could not have been anything like what the starter had said.

Would that we were as wise as children. And doesn’t this make you want to sit down with friends and play a whispering game ending in laughter?

Writers, as much as you can, instead of clicking for information on Google, please check out the original sources. Also, go find things to laugh about.

I unashamedly admit I checked online for research of the research for children laughing an average of three hundred times a day while adults laugh an average of 10 to find two interesting facts. 1) “Both adults and children laugh primarily during social interactions with others.”1  So, go interact. And, 2) the 300 times a day for children vs 10 for adults is an urban myth, although that may have come after a game of Telephone.



Lewis, C. S., The Screwtape Letters, HarperSanFrancisco, 1942

1  https://www.aath.org/do-children-laugh-much-more-often-than-adults-do

Monday, October 29, 2018

All Hallows' & New Covers







I'm excited about new covers!

Red Magic recently got a re-brand--a new cover and a re-title. It is now Zauberkraft~Red, just in time for Halloween.  It was initially hard to chose a title for this story, back when I was grappling with that. In my long ago 'tweens, I'd been a fan of Baroness Orczy and so it was tempting to try to write that niche-within-a-niche version of "historical romance." Alpine Austria isn't exactly a popular venue and the books are cross-genre.  I'm the first to admit the Zauberkraft series crosses the abyss from Zauberkraft-Red's witchy romance into the fantasy (with a nice red dollop of horror) that is Zauberkraft-Black.


Zauberkraft-Red began because I had a character who wouldn't stop talking. This was Constanze Mozart's lover from Mozart's Wife (now titled The Intimate Mozart.) This guy was already a tall, dark, handsome and rather dangerous leading man type, who, however, turned out to be have unexpectedly decent, warm-hearted center. By the end of the Mozart story, he is indeed The Rake Reformed. 




When this fellow's property-minded family insist upon his marriage to a pretty, horsey, immature cousin who is just sixteen, he, now on the rebound, decides his roving days are over. She, however, doesn't believe a word he says--as well she might. As you can imagine, there is a book's worth of relationship work ahead for both of them.


At his alpine estate, the young woman finds her surroundings decidedly creepy and lonely. The jagged, snow-capped mountain behind the manor is a palpable presence. The freeman peasants who work the estate celebrate the older, weirder holidays as well as the newer Christian ones. Sighting these, she begins to anxiously ruminate upon a frightening experience from her childhood.

On the day of her arrival, the heroine is given a house tour which ends with her husband's bed chamber, separate from her own. After getting over the shock of his Height-of-Fashion 18th Century French pornographic bed curtains, she finds someone she did not expect lounging on the pillows--a cat, who is large, black and fluffy.



As a proper 18th Century lady she is now surprised to discover that her hunky new husband has such a "feminine" pet. The cat's name is "Furst," which is German for "First," which was often the short-cut title for a leader. I'm not sure where the inspiration for Furst came from, except that I wanted to slightly blow up the image of a romance's leading man with a "wussy" fondness for cats.

Furst is not completely based upon an actual animal companion, as many of the other cats in my books are. He's most like my own over-the-rainbow Katter Murr, who was named for E.T.A. Hoffman's (of The Nutcracker fame) illustrious pet. Hoffman's cat was a gray tiger, but our Murr was a barn-found Maine-Coonish sort of feline.










Zauberkraft~Black  is is a no-holds-barred All Hallows' Eve story. Here, twenty+ years on from the first book, the now grown soldier son of the original couple returns to his childhood home, just after the last violent gasp of the Napoleonic Wars.

Goran has just left Vienna after discovering that his fiance has run off with an older and far wealthier nobleman. Not only that, but he's wounded from a decade's experience of the brutality of war. He's only twenty-seven, but he's grown utterly cynical about politics. His leader, the Austrian Emperor, switched sides when Vienna was threatened by Napoleon's forces. As a result, he, like other  Austrian military men, had been forced to fight first against Napoleon and then for him, a political decision which is firmly stuck in his craw.

As Goran arrives at at this rural estate where he grew up, he sees that things are in a bad way. Men left for the wars and many did not return, so barns and houses, left empty, are falling into ruin. Not only that, but here, in the mountainous back of beyond, there have been attacks by bandits and roaming gangs-- rogue soldiers for whom looting and killing has become a way of life.




Within hours of Goran's arrival, while he is taking a self-pitying ramble around the land, bottle in hand, he finds a May Day party being celebrated. He decides to party for a time with his tenants, and then, numbed with drink, begin the dreary task of listening to the old men complain about the state of things. Later that night, however, the celebrants let their young master into an ancient secret, one which brings all manner of bizarre changes into his life. Goran discovers that he has even more responsibilities and ties to this land--and to the people who live here than he--or even his parents before him--have hitherto imagined. 



Happy Halloween or Samhain or All Hallows' 
--your preference!



~~Juliet Waldron



See all my historical novels:




https://www.barnesandnoble.com/s/Juliet+Waldron?_requestid=1854149





Sunday, October 28, 2018

Flash Fiction/ Story Bites by Connie Vines

What exactly is Flash Fiction?  What the heck are story bites?

Flash Fiction: Stories under 2,000 words. ... Part poetry, part narrative, flash fiction–also known as sudden fiction, micro fiction, short-short stories, and quick fiction—is a genre that is deceptively complex. At the same time, writing these short shorts can be incredibly rewarding.

Why my sudden interests in Flash Fiction?

My writing career began in monthly publications.  I wrote children’s and YA fiction for the magazine market.  I also wrote a monthly column about the budding tech industry and nonfiction articles on various subjects.  This is why Flash Fiction intrigued me.  I knew I could use my Flash Fiction stories to tease my readers, much like my book trailers.  I also knew it would be a simple way for me to keep me from developing writer’s block.

Also, I knew I would be able to write in a new genre, or write about a subject which might not hold my interest long enough to write 60,000+ words.

Here are a few specific tricks (yes, it’s almost Halloween) and also a writing exercise about how to write flash fiction.

1. Take out all unnecessary words.

Practice on Twitter.  I speak from experience. Nothing shows you how to whittle down a sentence to the key elements better than Twitter. Pretend you only get one single solitary tweet to get the idea across. Can you do it?

Try this writing exercise and redo this sentence:

Pretend you only get one single solitary tweet to get the idea across convey your idea.
Pretend you only get one tweet to convey your idea.
Look, I just saved 3 words by editing that sentence. That’s GOLD in flash!

2. You don’t need all those adjectives and adverbs.

Use stronger nouns and verbs to do all the heavy lifting. For example, don’t say ‘walk leisurely’ when you can say ‘saunter’. Don’t say ‘small dog’ when you can say ‘Chihuahua’. Your specificity will build a better story with a smaller word count. The exception is for dialogue tags. You’re better off just using “said”, as other verbs related to speech tend to be distracting.

3. Pick a key emotion to color the story.

Readers love it when they feel something.

4. Pick a strong image.

Give us a meaningful and memorable visual. You want a movie example? Indiana Jones shoots the fancy swordsman in “Raiders of the Lost Ark”.

Or come up with your own favorite.  “Bell, Book, and Candle” when Kim Novak (a witch) falls in love with James Steward (a mortal) and becomes a mortal herself.

Now do that with words.

5. Limit your number of scenes.

Honestly, one scene might be best. Though I usually have two or three scenes. The key is choosing a small but powerful moment in a character’s life and placing your story there.

It’s the anti-epic story.

6. No more than one or two characters.
More than that and it gets difficult. Too much dialogue; too many interactions.
While twelve dancing princesses is suitable for a short story or novel.

One dancing princess is suitable for flash fiction.

7. You’re better off using a 1st person or 3rd person limited points of view which stick tightly to the protagonist.

Pick just one point of view for a short story and utilize that throughout. Head hopping and third person omniscient is too jarring in flash fiction.

8. Use a small idea.

Big ideas belong in BIG stories.

9. The same goes for a short story theme: you only have room for one.

10. Focus on one main conflict.

11. Start in the middle of the story, at the beginning of the conflict.

12. Yes, you must still have a character arc.

13. Choose an effective title.

Just like on a date, or job interview--First Impressions Count.

Don’t forget, writing in a new medium takes practice!

Let’s take this new genre for a Halloween Test Drive.  Let’s use six words or less to describe a picture.


But I’m scared of the dark




Can you feel the music?














Happy Halloween Everyone!

For a little not too scary Halloween Fun, download my novella, “Here Today, Zombie Tomorrow”.

Visit my personal blog site on 10/27/2018 for Halloween party treat recipes  and story teasers!





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