Flash Fiction/ Story Bites by Connie Vines

What exactly is Flash Fiction?  What the heck are story bites?

Flash Fiction: Stories under 2,000 words. ... Part poetry, part narrative, flash fiction–also known as sudden fiction, micro fiction, short-short stories, and quick fiction—is a genre that is deceptively complex. At the same time, writing these short shorts can be incredibly rewarding.

Why my sudden interests in Flash Fiction?

My writing career began in monthly publications.  I wrote children’s and YA fiction for the magazine market.  I also wrote a monthly column about the budding tech industry and nonfiction articles on various subjects.  This is why Flash Fiction intrigued me.  I knew I could use my Flash Fiction stories to tease my readers, much like my book trailers.  I also knew it would be a simple way for me to keep me from developing writer’s block.

Also, I knew I would be able to write in a new genre, or write about a subject which might not hold my interest long enough to write 60,000+ words.

Here are a few specific tricks (yes, it’s almost Halloween) and also a writing exercise about how to write flash fiction.

1. Take out all unnecessary words.

Practice on Twitter.  I speak from experience. Nothing shows you how to whittle down a sentence to the key elements better than Twitter. Pretend you only get one single solitary tweet to get the idea across. Can you do it?

Try this writing exercise and redo this sentence:

• Pretend you only get one single solitary tweet to get the idea across convey your idea.
• Pretend you only get one tweet to convey your idea.
Look, I just saved 3 words by editing that sentence. That’s GOLD in flash!

2. You don’t need all those adjectives and adverbs.

Use stronger nouns and verbs to do all the heavy lifting. For example, don’t say ‘walk leisurely’ when you can say ‘saunter’. Don’t say ‘small dog’ when you can say ‘Chihuahua’. Your specificity will build a better story with a smaller word count. The exception is for dialogue tags. You’re better off just using “said”, as other verbs related to speech tend to be distracting.

3. Pick a key emotion to color the story.

Readers love it when they feel something.

4. Pick a strong image.

Give us a meaningful and memorable visual. You want a movie example? Indiana Jones shoots the fancy swordsman in “Raiders of the Lost Ark”.

Or come up with your own favorite.  “Bell, Book, and Candle” when Kim Novak (a witch) falls in love with James Steward (a mortal) and becomes a mortal herself.

Now do that with words.

5. Limit your number of scenes.

Honestly, one scene might be best. Though I usually have two or three scenes. The key is choosing a small but powerful moment in a character’s life and placing your story there.

It’s the anti-epic story.

6. No more than one or two characters.
More than that and it gets difficult. Too much dialogue; too many interactions.
While twelve dancing princesses is suitable for a short story or novel.

One dancing princess is suitable for flash fiction.

7. You’re better off using a 1st person or 3rd person limited points of view which stick tightly to the protagonist.

Pick just one point of view for a short story and utilize that throughout. Head hopping and third person omniscient is too jarring in flash fiction.

8. Use a small idea.

Big ideas belong in BIG stories.

9. The same goes for a short story theme: you only have room for one.

10. Focus on one main conflict.

11. Start in the middle of the story, at the beginning of the conflict.

12. Yes, you must still have a character arc.

13. Choose an effective title.

Just like on a date, or job interview--First Impressions Count.

Don’t forget, writing in a new medium takes practice!

Let’s take this new genre for a Halloween Test Drive.  Let’s use six words or less to describe a picture.


But I’m scared of the dark

Can you feel the music?

Happy Halloween Everyone!

For a little not too scary Halloween Fun, download my novella, “Here Today, Zombie Tomorrow”.

Visit my personal blog site on 10/27/2018 for Halloween party treat recipes  and story teasers!

Samshwords


Amazon.com



My blog site

My webpage

How Do You Go About Developing Your Characters? by Connie Vines

How do you go about developing your characters for a story?

How much time do you spend or does it just happen in the writing process ? What inspires you?

Thank you Rhobin, once again, for a great writing topic.

I believe development of my characters has a great deal to do with the type of novel/story that I am writing at the time. Obviously, my novellas, for lack of work count, are not superficial by any means, but my information is given via dialogue or internal thoughts with visual clues. My romantic suspense will have a lesser degree of character development, unless it relates to the 'suspense element' that say, my traditional romance novels.

However, I do write character sketches for all of my 'people'. I may sprinkle the info in the story, or simply keep in in the back of my mind for character motivation.

• I often use astrological signs to help develop my characters and create conflict. Rodeo Romance, Book 1, (LYNX). Lynx Maddox is a Leo and Rachel Scott is an Aquarius. Opposites attract but they also create great romantic conflict.
• Birth Order is another way to develop your character(s) actions and outlook on life. Pairing a 1st born woman with the 'baby' of the family or vise-a-versa, will create writing inspiration.
• Ethnic background is also to be considered. If one character is from a large immigrate family is dating a person who is an only child (4th generation) with have all types of expected things popping into picture.
• If I am writing a historical novel, I often make a composite of historical people/clues in diaries and letters (WHISPER UPON THE WATER)
• At other times, with all of my careful planning, the writing process flips my character into a secondary character or he/she evolves and I go back and edit/change several scenes.
• Also physical attributes/challenges. We all have them. Did those dimples work in her favor?

What inspires me? Life. People's hopes and dream. Honor. Justice. And sometimes, just the need for a good laugh.

Happy Reading!

Connie Vines

I am so sorry about the late post and lack of photos and links.  My PC crashed during our recent So.Cal outage (last night) and I'm working on my very ancient VISTA Dell PC.

 

 

 

 

 

 

Everybody Wants to Write a Book by Connie Vines

Topic for January: Everybody wants to write a book, but most do not.
Writing is hard work. What got you started, and what helps you get through a complete story?

How many times have you heard someone say, “Someday I’m going to write a book?”  Many a time, I’m certain.  However, most do not.

Why? Because writing is hard work.

What got me started?  Like most children, I loved reading, drawing, and listening to the oral family history spoken by my grandparents.  I also like to write stories (not particularly good stories) but for a second grader I did have a handle on the concept of plotting.  Thinking back, I unnerved adults with my pointed interview questions, and thoughts about the meaning of life and life-after-death vs death-after-death.  Picture:  Tuesday Addams wearing glasses and constantly grumbling about receiving yet, another stupid doll instead of a filling cabinet for her birthday.

When, exactly, did I start and complete my first novel?

While I wrote short-stories, nonfiction articles for publication during my twenties, I didn’t get serious about completing a novel until thirties. My children were in school and I worked part-time.  That gave me a block of free time to write (vs the scribbling on 3 x 5 index cards when I was cooking dinner or a note pad during a child’s 1 hour nap).  I was serving on my church board when the choir soloist told me her sister was a co-president of the Orange County Chapter of RWA (Romance Writers of America).  At the time, I hadn’t every thought of writing a romance.  I wrote for the YA and middle school market and dabbled in historical fiction, but Shirlee convinced me that the networking and workshops would be beneficial to me.  She was correct.

Attending monthly meetings/workshops, exchanging rough drafts with my critique members during lunch, and input from the multi-published members gave me the confidence to persevere.  It also made me crawl out of bed after my husband left for work (at 3:00 in the morning) and write before getting my children off to school.

I also discovered that I couldn’t give up my YA stories while I found my footing in a new market.

“So, what did Connie do?”  you ask.

I work two novels at once—which I still do to this very day.

Crazing making?  Yes!

Writing romance isn’t easy.  Strong, well-developed characters, good plot (and multiple sub plots), sharp dialogue, and emotion—lots of emotion.

Writing is addictive.  The story unfolds, the characters present themselves, and away the writer goes—into a new Universe.

What makes me complete my novel/story?

The best way for me to describe the feel is I am driven to finish the story.  Native Americans say the story chooses the Storyteller.  It is the Storyteller’s responsibly to bring the story to life.

Happy Reading!

My Rodeo Romances (Lynx and Brede) are on sale this month (click on my Amazon Author Page link).

Everyone needs a little Zombie  Valentine Romance, don’t they?

“Here Today, Zombie Tomorrow” is available on Amazon.com

Free on Kindle Unlimited!

Where am I?

www.novelsbyconnievines.com
https://www.facebook.com/AuthorConnieVines/

https://www.pinterest.com/novelsbyconniev/
http://mizging.blogspot.com/
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Vintage Perfumes: The Fragrances That Defined Each Decade by Connie Vines

Nothing can transport you back in time like a fragrance. They say that your sense of smell is the most powerful and evocative sense, and it’s true: Emeraude reminds me of my mother, Quorum my husband, and Halston Z-14 reminds me of my teens and guys who bathed in a cologne—rather than indulging in a spritz or two.

“A woman who doesn’t wear perfume has no future.” – Coco Chanel 

This may have been a dramatic overstatement, however, when I was in the business of selling perfume, quotes such as these, gave women confidence when she entered a room! And Chanel No. 5 is one of the most popular fragrances of all time, a bottle of it is sold every 30 seconds (this includes me J, too). 

Coco Chanel also stated that women should wear perfume wherever they hoped to be kissed. Wise words indeed – please note that this does not mean ‘layered’ in perfume, as perfume counter girls armed with spray bottles will advise you.  No one should be able to smell your perfume unless they’re that little bit closer than is polite, then it should be something delicious and intoxicating.

Whilst researching which perfumes were popular over the decades I was surprised how many of these I’ve actually owned. Over the years, I’ve tried Anais Anais, Shalimar, Opium, Poison, Red, and Patou 1000 before I finally settled on Chanel No. 5. Of course, I selected one of the most expensive perfumes on the market, but I guess there is a good reason why it’s been a bestseller since it was launched in 1921! 

Vintage Perfumes: The Fragrances that Defined Each Decade

It’s surprising how many of these perfumes are still best sellers even now, but then why would they go out of fashion?

Popular Perfumes in the 1920s.

Chanel No. 5, launched in 1921, was an immediate success even though it was the preserve of the rich at this time.  Famously worn by Marilyn Monroe, the square bottle design was rumored to been inspired by the design of a whiskey decanter.

Guerlain’s Shalimar launched first in 1925. It is one of the most popular fragrances of all time and was said to be inspired by Mumtaz Mahal, the women for whom the Taj Mahal was built. The perfume was named after the Gardens of Shalimar in Lahore, Pakistan, which were also built for her.

Popular Perfumes in the 1930s.

Tabu by Dana Fragrances which were popular in the 1930s included Tabu by Dana (a sexy evening perfume), which was launched in 1932 and Je Reviens by House of Worth, both of which remain available today.

In 1934 Elizabeth Arden developed Blue Grass.

Perhaps the most notable perfume of the 1930s was Joy by Jean Patou, voted Scent of the 20th Century at the Fragrance Foundation FiFi awards in 2000. It was created in 1929 (the year of the Wall Street Crash) and even though it was marketed as ‘the world’s most expensive perfume’, it was a huge hit. It is also considered to be one of the greatest floral fragrances of all time.

Popular Perfumes in the 1940s.

L'Air du Temps by Nina Ricci (in a pretty glass bottle with a bottle stopper fashioned as two doves). After the war lighter and fresher perfumes became more popular, one of which was the still-popular Miss Dior by Christian Dior in 1947

Popular Perfumes in the 1950s.

Femme de Rochas was a rich, sultry perfume aimed at the femme fatale created in 1944.

Arpege by Lanvin is a floral romantic perfume, created in 1927,  but became particularly popular during the 1950s.

Max Factor’s Hypnotique and Primitif (as advertised by Jean Patchett above) were popular and an affordable perfume for the masses compared to the fragrances by the big fashion houses.

Soir de Paris by Bourjois was a popular fragrance amongst teenagers during the 1950s. It was discontinued in 1969, but relaunched in 1992

Popular Perfumes in the 1960s.

Oh! de London by Tuvache, YSL Rive Gauche was a popular 1960s scent

Hubert de Givenchy created L’Interdit for Audrey Hepburn and she wore the perfume for many years before it was released to the public in 1957. She featured in the adverts for L’Interdit throughout the 1960s.

Tuvache’s Oh! de London is a bright sparkling scent which perfectly captured the mood of the swinging sixties.

Guerlain introduced the heady oriental scent Chamade in 1969.

Popular Perfumes in the 1970s.

Charlie by Revlon and Diorella by Christian Dior, a perfume for the independent woman who has everything, were both very popular.

Opium by Yves Saint Laurent, launched in 1977, and was a heady, rich oriental evening perfume.

Christian Dior released the classic perfume Diorella, which combines citrus and musky notes.

Anais Anais by Cacharel, launched in 1978 and was an immediate hit (my brother gave this to me as a Christmas Gift).

Did I list one of your favorite perfumes?

Or, perhaps a fragrance you’ve never dared to try?  

Perfuming is an art.  Indulge your senses, enjoy the fragrance—it’s mystical, it’s magical, is the new youJ.     

                    

Happy Reading,

Connie

Perfect Time, Perfect Place, Perfect Setting by Connie Vines

Grauman's Chinese Theater, Hollywood,CA
Corner of Hollywood Blvd & Orange Dr.

When I am writing a novel, character and plot for the “who” and “what” of a story are, in my opinion, are two of the most important factors.  However, setting, the “where” and “when”, comes a very close third.

A powerful setting is almost like a character in its own right. 

The setting is a ‘presence’ in the story.  The setting can become an ‘influence’ on events. 

Without an intimate knowledge and feeling for place, I do not believe a writer can bring the story alive in the reader’s imagination.

Setting is more than just streets, buildings and landscape.  Setting is local history, customs, nature, weather, and legends.  Setting is food, accents, music, fashion, and people going about daily business.

Everyone has a place that inspires him or her. Or, creates a sense of belonging, excitement, or a desire to escape.

My settings are as diverse as my interests are.  In my Rodeo Romance Series, my settings are the western United States.  My heroes hail from a rugged untamed area: Texas, New Mexico, and Wyoming.   Since I have traveled through and vacationed at my chosen settings, I use my firsthand experience and reactions to enrich my stories for my readers.

Montana is cold, very cold (I do not like being even a little bit cold).  One minute it’s storming, the next it’s sunny, and then the sun goes down and it’s freezing.  Since my heroine (Rachel) has lived most of her life in Montana, the cold is not a big deal for her.  When I begin my story, I scrawled a note to self: do not harp on the temperature, or have said heroine run around in circles shouting, “It’s a snow storm—the T-rex of all snow storms!  We are all going to die!”  (However, this may appear in one of my YA novels—be forewarned.)

Montana is Big Sky Country—a nickname Montana has totally earned.  In Montana, the elk, deer and antelope populations outnumber the humans. Cowboy boots and hats re formal wear.  Montana Pro Rodeo Circuits are some of the best in the country. Most importantly, the whole state is just one big small town.

An excerpt from “Lynx”, Rodeo Romance, Book 1.

Rachel melted against the back or her chair, as Lynx’s fingertip brushed a strand of hair from her face. Her body shivered all the way to her toes. Fidgeting with a silver bracelet on her wrist, Rachel didn’t know how to deal with this type of covert seduction. “You’ll have a good time during Cheyenne Frontier Days,” she said addressing her comment to both men.

“Everyone has a good time,” Lynx clarified.

Dan chuckled. “Everyone who’s able, anyway.”

Rachel reached for her glass, glancing at Dan. “I don’t understand.”

Dan pushed his Stetson further back on his head, revealing a bright crop of red hair.  “I landed in front of the angry end of a bull last year and broke my arm. Lynx had a hell of a good time, though.”

Excerpts from “Brede”, Rodeo Romance, Book 2.

Brede waited for her to seat herself before sitting down.

For some reason he’d thought she was kidding when she said she didn’t know how to cook.  It appeared she was telling the truth after all.  The green beans had an almost-scorched smell that even he’d never mastered. . .

The saucepan slipped from her fingertips and clattered to the floor.

She’d tried to tell herself that it was only the storm and the lights would come back on in a matter of minutes. Still, terror that was icy cold and merciless grabbed her by the throat and crushed what little courage she possessed when the cloudy, moonless night turned the room to inky black.

It was happening all over again!

She was alone.

Alone in the darkness. .

Not all of my stories aren’t set in the great-outdoors, or set thousands of miles away from my backyard.  I also use ‘local’ settings for inspiration.  My Sassy and Fun Fantasy Series is set here in SoCal (southern California and up the coastline).  Meredith is patron of the arts and a local celeb.  She lives in LA and vacations in a cabin in Forest Falls. 

 “Here Today, Zombie Tomorrow”.

El Mexicano was the best (and only) restaurant in town. . . Climbing the steps to the porch entrance, Meredith was glad to see little had changed from their last visit. Cozy and rustic, the outside was on the tacky side of eclectic, but the inside was familiar and welcoming.  The host seated them near the wood burning stove. . .Careful to keep her gaze locked on the contents of her mug, Meredith felt cluttered with a million bittersweet memories of happier times.

Look around in your own back yard (or within driving distance) for inspiration.  You may discover the model for your fictional town, a make-believe stellar world, or an unexpected setting for your historical romance.

Medieval Times, Buena Park, CA

Post pictures on your office wall.  Listen to music.  Explore with you senses.

Remember, only you—the writer, can bring the setting alive for your reader.

Universal Studio, Hollywood, Red Carpet,
"Fast & Furious, 5" Movie Premier

Laguna Beach, California
Where "Beaches" was filmed.

Me in 100 + degrees heat, Hard Rock Cafe,
Hollywood, CA







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Structuring a Story by Connie Vines

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As many of the readers know, I write in multiple genres of fiction as well as nonfiction.  Therefore, it only goes to reason I have attended workshops, conferences, enrolled in extensions classes, and networked with other authors to discuss the topic of story structure.

So many ideas, so many strong opinions, but no fail-proof map to success.  What I have discovered is that many authors (Note: my personal findings only), agree that there are thirteen basic plots.

The following are common plot motivations that have appeared in written literature for centuries.  Of course, more than one of these plot motivators may exist side-by-side, affecting the story.  Take your story idea, add one or more of these motivators to it, and, so I’ve been assured, you’ll have a plot and a storyline.

•  Catastrophe  
• Vengeance
• Love and Hate 
• Persecution
• The Chase  
• The Quest
• Grief and Loss  
• Rivalry
• Rebellion         
• Betrayal
• Survival  
• Ambition
• Self-Sacrifice

So, is this true in my own novels and fiction stories?  I have three books published at Books We Love, Ltd., as well as an anthology featuring five stories to be released this fall.  Let’s see if this is programed into a writer’s psyche, or if it is a learned skill. 

With my Rodeo Romance, Book 1, “Lynx”.  I have added Grief and Loss into my basic storyline for my heroine.  While my hero deals with Ambition, and one other (I don’t wish to give away too much of the story).

In Rodeo Romance, Book 2, “Brede”, Survival, Vengeance, are added to my romantic suspense novel.

“Here Today, Zombie Tomorrow”, obviously, deals with Catastrophe and Survival (with a light-touch).

Not the result I was expecting. Why?  Because, if you’ve been following my blog posts, you are aware that I follow Joseph Campbell’s “A Hero’s Journey” when plotting my stories.   Joseph Campbell based his teachings/writing on the power of the ancient myth. 

Of course, there is more to a story than just a great plot!  So, using the accepted rule of thirteen, let us progress to adding another layer or two to our story line.

 These added layers to the story do not appear to be genre specific, though some are more commonly used in romance than, say, mainstream fiction.

•      Authority        
•     Conspiracy
• Criminal Action/Murder 
• Deception
• Honor/Dishonor        
•      Making Amends
• Poverty/Wealth  
•      Rescue
• Mistaken Identity         
•      Searching
• Suspicion                 
•      Suicide
•      Misplaced Affection (or unnatural if it is a human and supernatural being)

I believe, for a story to be an excellent story, which of course, is every author’s goal. These plot motivators with the added layers to drive the characters in the story, result in the depth (landscape) and richness (emotion) we all crave in a good story.  

Readers, do you agree that all the stories you’ve read and loved these plot lines and motivators?

I admit was able to spot many of these plot lines and layers in the works of Homer, Shakespeare, and may of the Classic Greek Myths.

What do you think?  Are there certain plot lines that appeal to you more than others?

Thank you for stopping by today.

I hope to see you here next month.

Connie Vines 

The Horse in Your Western Novel – Horses are not Zebras or Misguided Unicorns By Connie Vines

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Ten Pet Peeves, or Horse-Related Mistakes to Avoid in your Novel

1)   Misusing the specialized and precise vocabulary of horsemanship, especially the size, color, age and sex of the horse.

2)    Defying the laws of nature. AKA: Creating the ‘superhorse’.

3)   Horses trained or controlled by either ‘mastery’ or ‘magic,’ ignoring the real behavior of horses.

4)   Mixing up Western and English terms and styles.

5)   The stallion!  (Not the mount of choice).

6)   The self-conscious or uncomfortable expert rider.  An expert is an expert—no need to hang on for ‘dear life’.

7)   Good riders are relaxed in the saddle.  No kicking, kneeing, or flapping of elbows are needed.

8)   Forgetting that horses are animals and need to be fed and watered.  Even in modern times, your transportation requires gas, oil, and water.

9)   Talking horses—horses who neigh and, heaven forbid, scream on a regular basis.  Horses are generally rather silent beasts, though they will whinny if parted from their stable mates, or nicker softly in greeting at feeding times.

10) Tada! My personal favorite, and, unfortunately, too often seen in print and on television—the mare who takes all night to foal while the hero and heroine sort out conflict.  (Nature ensures that healthy mares foal fast.  A long labor requires someone calling for the vet—not working out ‘conflicts’.)

The Facts, please:

Since horses are flesh and blood creatures, the faster the horse goes the shorter the distance he can maintain that speed without harm. If the ride involves difficult terrain, jumping, or carrying extra weight, both speed and endurance will suffer.

Modern Endurance Rides: take 11-15 hours to cover 100 miles (part of this time the rider spends running beside his mount).

1860s: The Pony Express averaged nine mph over 25 mile stages.

For additional information, check the records from modern Thoroughbred Racing.

The Terms:

Mare: a female horse.

Stallion: a male horse that is not castrated.  Also called ‘entire’ in England and in the West, a ‘stud’ horse.

Gelding: a castrated male horse.

Foal: a young horse from birth to January 1 the next year. The female is a ‘filly foal,’ the male is a ‘colt’ foal  this may change per region).

Filly: a young female horse, up to 3 years old.

Colt: a young male horse, up to 3 years old.

Yearling: in the year after the birth year.  A yearling is too young to ride!  Most saddle horses aren’t worked hard until they are at least 4 years old.

Height: horses are measured from the ground to the top of the withers in ‘hands’. One hand is four inches. The average horse is 15 to 16 hands.  17 hands is very tall and only unusual specimens reach 18 hands.  Ponies are usually less than 14 hands.

Gaites (‘Paces’ in England): walk, trot, canter, gallop—also ‘pacing,’ ‘ambling,’ ‘running walk’ –describe precise and different ways in which a horse moves its legs. 

Rainbow Colors?  Certainly Not:

The English horsemen use fewer and simpler terms than Western horsemen, partly because English breeding has selected for fewer colors. Essentially two colors are taken into considering when describing horses. The main body color and the ‘points.’ The ‘points’ in this context are the ear tips, the mane and tail, and the lower part of the legs.

Black body, black points: A Black horse—may be smoky black, jet black, coal black, raven black.

Brown body, brown points: A Brown horse—may be seal brown, or standard brown.

Red-brown body, black points: A Bay horse—may be dark bay, mahogany bay, sandy bay.  Every Bay horse always has black points.

Reddish body, self-colored (non-black) points: A Chestnut/Sorrell horse—in the West, reds of All colors. Western horsemen use ‘sorrell’ to describe all red horses.  Light sorrel draft horses are known as ‘blonde.’

Yelllowish body, (generally) black points: Buckskin is the term used in the West.

Other colors and terms (you may wish to conduct additional research) include: A Grey, a Roan, a Palomino, a Isabella, a Paint or a Pinto, White horses and Albino, Piebald, and Skewbald.  There is also, the closest thing to a ‘horse of a different color’, the Appalossa.

Information online:

Naming your horse:
http://www.horses-and-horse-information.com/horsenames/a.shtml 

http://www.equinespot.com/horse-names.html

For fantasy (naming your unicorn):

http://fantasynamegenerators.com/horse_names.php#.VYTRXPlViko

Caring for your horse:

https://www.youtube.com/watch?v=99RH0I-Jj34

The dollars and cents factor of horse ownership:

http://www.moneycrashers.com/cost-owning-horse-alternatives-buying/

A horse is the projection of peoples' dreams about themselves - strong, powerful, beautiful - and it has the capability of giving us escape from our mundane existence. ~ Pam Brown

Happy Riding,

Connie

Two of my loves: Tulsa and Midnight
(during my rural life in Ramona, CA)

Just Me and My Besties--Slugging a Path Through Those 'Sagging Middles' By Connie Vines

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Yes, I have friends, associates, family, and other writers to converse with though out my day.

Yes, I network, attend workshops, and belong to online writing chapters.  I even have other writer friend only a text message away.

But at 3 AM, when I'm slugging my way through a 'not-quite-working' middle of a novel, and I've started talking to myself.  It's nice to have a BFs at your disposal.

While the focus of the movies and television seems to be on helpfulness of minions and the like--I prefer the company of a good listener--or cheering section.

Well, it's not conventional--but then I'm a bit quirky, most writer's are.  After all we do spend quite a bit of time in our own company.

For a person who did not indulge in, or particularly like, dolls as a child  (I held my baby doll by a foot allowing her head bounced around in the dirt).  I did like monster movies (The old Universal Monster Movies).  I collected the model kits and read all the magazines about horror make-up and read bios about the great actors.  So I guess this type of cheering section makes perfect sense.
(See qualifying statement in earlier paragraph).

So did I come up with any sure fire way to get through those 'sagging story middles', with or without the help of Besties?

I've changed to Pandora Radio for evening listen, and Slacker Radio during the day. When I'm working though a snag, B.J. Thomas is usually singing in the background.

Let's face it. the middle of a story can be depressing.  Our hero becomes overwhelmed.  Things look savage and harsh.  Paths disappear (for both the hero and, unfortunately, the writer).

To quote, Nancy Kress, The function of the middle is to develop the implicit promise made by a story's beginning.

After all, a promise is a promise.

This is when we must ask ourselves, whose story is this?
Who are the point of view characters?
What is the main plot line (throughline is the film term)?

Not certain?  Boy, do you have a problem!

Getting a clear focus on your plot line can make the middle of your book easier to write.  Where should the emphasize be--which scenes, which characters.  I used to rely on 3 x 5 index cards, now I use several writing programs and apps.

Since I write in series of threes: chapter 1-3, 4-7, etc. my middle seems longer because it over laps sections.  I also like to have 3 scenes in each chapter, with a scene often breaking at a chapter's end and ending in the following chapter opening.

Still experiencing a bit of trouble?  Choose three novels you know well.  For each summarize the plot line in a sentence or two.

Jane Eyre: Penniless in a region of England she does not know, Jan experiences three bitter days of begging, sleeping outside, and nearly starving.

 Dracula: One of Dr. Seward's mental patients, Renfield, lets Dracula into the asylum where the others are staying, allowing the count to prey on Mina.

It's the Great Pumpkin, Charlie Brown!:  When Linus sees a shadowy figure rising from the moonlit patch, he assumes the Great Pumpkin has arrived, and faints.

Now, pull out your WIP or a few of your unfinished stores.  Summarize its plot line.  List the scenes.  How does each scene advance the plot, develop character, contribute to the middle plot line?

Do you need to add an additional scene?  Should a scene have more emotional intensity?  I find this to be true in my stories.  My stories are character driven and  the emotional reactions are a force which drives my plot lines.

Keep your characters from having a mid-life crisis by shoring up those 'sagging middles', and relying on your "Besties".

Happy Reading,

Connie

novelsbyconnievines
Word Slinger
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Digital Fitness Monitor--The Gift That Won't Stop Giving by Connie Vines

It is nearing the end of December and the New Year is shoving itself to the forefront of everyone's mind.  All the Christmas goodies have been consumed or given away in festive holiday containers to family and friends.  Leaving many of us looking at the calendar and wondering which day to begin storing away our exuberant display Christmas decorations; or deciding which holiday cards to keep or recycle.

I, however, I am spending my morning staring out my office window at a profusion of lovely southern California greenery, listening to "The Martini Station" on Slacker Radio and slipping a cup of warm water (flavored with a bit of lemon) and tormenting myself with my Digital Fitness Monitor.  The same Digital Fitness Monitor I purchase with my birthday gift cards (I am a June baby).

Mind you, I'd much rather be working on my next release: "Gumbo Ya Ya: for women who like romance Cajun and men HOT & SPICY!"  Instead, I'm crawling on the floor to insert a tiny usb thingy into the center of my PC tower (why is the tower/tower door covers and background/ and the 'usb thingy' the same shiny shade of black? Why?  Camouflage, maybe?  No.  No, that can't be the reason.  The real reason being:  black is the perfect venue to highlight 'finger-print' marks.  Thankfully, for my sanity's sake, the monitor and wearable clip is in a somewhat-eye-catching shade of burgundy. (Easily located in the bottom of my black-lined handbag where the device may reside if things don't go well during our 'honeymoon stage".)

That said, I'm back on my PC, where, after rotating though an endless round of 'personal' questions on the set-up and download screen, I'm ready to begin. Unfortunately my device needs to have the battery charged for two hours.  You guessed it, I'm back on the floor yanking out the usb sync device and replacing it with the tiny (black) charger while trying to decide which end of the burgundy fitness monitor to shove into the charging unit.

Success!

While I am waiting, reach for my iPhone and log on to MyFitnessPal with it's scanner and pre-programmed/personalized selection of my fave, and often selected foods, over the past three years.  Even though it's time for a change (I did join an upgraded gym six months ago), and those same twenty pounds have come and gone. . .and returned numerous times over the past five years. Change is always a challenge.

Is this a challenge I'll like?  I very much doubt it--I love my coffee (Starbucks: Gingerbread Latte, hold the whip) way too much.  Will I give my new digital fitness monitor the old college try?  Yes.  After all what choice do I have (the darn thing was expensive!).  I'll grumble, I'll complain, but I will use the digital device.  After all, "Ask Dr. K", newspaper columnist and physician and professor at Harvard Medical School, says that most people use the devices and adopt a healthier lifestyle.  He also has the results of surveys and studies to backup his findings.

I can't argue with proven success.

However, I draw the like at wearing the device while I sleep--I don't care if a wrist band, complete with Velcro fastening--and you guess it--in a nice shiny shade of black, came in the package!

Wishing you a New Year filled with joy and many blessing, as well as an E-Reader filled with wonderful stories from Books We Love Authors.

See you next month!

Connie

A Born Romantic? Southern California may be the Place for You by Connie Vines

Having lived or vacationed in nearly every state in the continental United States, I feel secure when I say southern California is the place for romance.

From wine country to the mountains, from sea shores to the Hollywood Bowl, California's backyard is tailored for romance. Be it a romantic evening with your special someone, or the perfect setting for a romantic novel, southern California is the perfect place.

Malibu.  The drive along the coast is breathtaking, romantic restaurants overlooking the ocean pepper this beach city. Geoffrey's Malibu and Nobu Malibu are the most popular.

The Hollywood Bowl. There are many places to see live music in Los Angeles, but the Hollywood Bowl is a wonderful experience. It's romantic and spectacular. You can purchase a picnic meal with wine at a local restaurant and dine at the Bowl.  From the LA Philharmonic to musical productions, there's something for every couple at the venue.

Beverly Hills. II Cielo Was named one of the top 100 most romantic restaurants in America by open table, an online restaurant reservation network. Despite being in the middle of the city, the restaurant managers to close itself off from the chaos. There's an ambiance – – a romantic vibe.

Laguna Beach.  For me it's a cross between La Jolla and Newport Beach. There are steep cliffs and a quaint beach town. The restaurants, my favorite being "The Cliffs", are perched on the edge. Seafood is fresh and expertly prepared.  Hollywood movies were filmed here: "Beaches" and "The Creature from the Black Lagoon" to name a few.

Santa Barbara.  For those who want to get out of town, Santa Barbara is a couple hours drive from Los Angeles.   "Cold Spring Tavern is the most romantic place, especially if you write historical fiction. It's actually where the trains came through for the gold mine. It's a romantic dive. It's a log cabin, and you can jeans!

San Diego. The Hotel Del (Del Coronado). Beautiful, expensive, one grand ole gal. "Some Like It Hot" starring Marilyn Monroe, Tony Curtis, and Jack Lemmon was filmed on the beach and featured many scene in or near the beautiful hotel. (In my salad days, I trained as a fragrance consultant at the perfumery in the lobby.)

Though not in SoCal, San Francisco must be included on my list! The Golden Gate Bridge, Cable Cars, Painted ladies, Fishermen wharf, China Town, and the bay. When my husband and I visit San Francisco, "The Franciscan Crab Restaurant" is our preferred dining experience.  Pier 43 1/2 Fisherman's Wharf, the view includes Alcatraz, Gold Gate Bridge, and the bay.  

If you are unable to visit southern California, you can always experience the SoCal vibe.  Catch a movie-- be it campy or romantic (Christmas in Palm Springs or Clueless), listen to sound of ocean waves or the tunes of  "The Beach Boys". Relax with your honey, and sip a glass of wine or indulge in a latte or two.  

Remember southern California is a state of mind--and romance is everywhere around you.

I hope you enjoyed your Christmas, or Celebration of your Faith.

Wishing you many Blessings in the New Year,

Connie Vines

www.novelsbyconnievines.com

Research or Over-Research – Where Does a Writer Draw the Line?

Every writer knows even when writing a nonfiction novel: making it up requires research.

Like storytelling, the mind of the writer to research never stops. Isaac Asimov once said he was writing every minute he was in the shower; in the shower, he was only thinking about his writing. In the same way, research for my novels has become a part of me.

Romantic Suspense requires its writers to be reliable witnesses. Contemporary Romance requires its writers to pay special attention to details which enhance the emotional connection. Biting humor/chick lit requires the writers to take contemporary events and spin them off kilter.  While young adult/tween fiction requires a lighter touch-- with a connection to the teachable psyche and the future of humanity.

Most writers try to strike a happy medium when conducting research, leaving enough wiggle room with reality to spin a good yarn. Yet research has a cumulative effect. Once you start, you don’t stop.

You can already where I fall on the research graph: once I start, it’s difficult, if not impossible, for me to stop conducting my research.

So, here are few of my research questions (Gumbo Ya Ya: for women who like romance Cajun & men Hot & Spicy):  can a true gypsy (real medium/fortuneteller type) foretell her own future? What does a television producer do during the course of her day—when she’s key suspect in a murder investigation? What does it feel like to be on a pirate ship during the 1600s? Does time travel hurt? Bachelor Auction--what goes on during a Bachelor Auction? How does one concoct an accidental love potion? And, lastly, from my next “Fun and Sassy Fantasy” series: do gargoyles really know how to fly?

Remember research is not story. Trivial facts gathered from a variety of experiences can change the course of a future narrative.

Growing up in a career naval family gave me an almost inherent knowledge of the sea and maritime history. While residing in San Diego, California I visited the “Star of India” (16^th century sailing vessel) moored at the harbor. My husband, being from Louisiana, made Cajun country and New Orleans frequent vacation destinations, and gave me ‘instant atmosphere’ for my setting. While I reside within driving distance of Hollywood, Universal Studios in the like, aside from a short internship in theater makeup technique, I am not a ‘go-to-person’ in all things Hollywood.

What am I to do?

I went to a local Starbucks, ordered a tall Pikes blend (1 Equal, nonfat milk), selected a table by the window and plopped down my iPad, pulled a chair near my table and conducted a Google search. Alas, Google is not the Oracle of Delphi. My next step was to log on to the local library Web site where I selected related research materials and reserved them for front desk pickup.  This I knew, would not quench my search of knowledge.  

With a heavy sign (knowing what weekday traffic was like) I decided to participate in a SoCal tourist day at Universal Studio (tour and City Walk).  I paid careful attention to all things visible during the freeway drive, my impression of the back lot and studio history.  I also interviewed employees and tour guides, and park visitors. Later, while grabbing a quick snack and the “Hard Rock Café” I spied the red carpet being set-up for a movie premier.  

Yay, pay dirt! 

A few more questions, observations, and a few interesting true stories (no names mentioned) told in passing, and I was good to go.

Will everything I discovered end up in my Anthology?  Most likely not.  Have I completed my research on the above mentioned topics?   Since my husband frequently asks if my office is a satellite branch of the public library, I know if I’m not researching this topic I will find another point of interest.

Reading isn’t a spectator event. 

You experience life.  The more knowledge you have, the better-equipped you are to tackle any challenge you’ll ever face.

No matter know much stress you have at work, in your personal relationships, or daily life, it all just slips away when you lose yourself in a great story.

May your holiday season be filled with joy, peace, and love.

Connie Vines

http://www.novelsbyconnievines.com

http://bookswelove.net/connievines.php