Sunday, March 17, 2019

Janet Lane Walters Talks Her Romance Love of Regency - Rosemary Morris #BWLPublishing #Regency #Romance



A Love of Regency with Rosemary Morris


I’m a big reader of Regency Romances and I’ve found Rosemary Morris’s stories great to read. I’ve read everything she’s written but I’ve been reading and reading her days of the week series. When I’m rough drafting a new story, I enjoy rereading stories I’ve read before. Meeting old friends gives me a break from the deep thought that goes into the start of a new story.  Reading these books has kept me on track since they are very different from what I’m writing.

I once thought I’d like to write Regencies and I have one Regency historical written. There were three more books planned but after finishing the one, I knew I didn’t have the stamina for the research for the other ones. I’ve decided to leave that for my favorite Regency writers. Rosemary is one of those. I’m enjoying reading the days of the week stories and those are the ones I’ll speak about here.

Thursday’s Child is the last one of the series I read. In this book, we read about a young woman who is outspoken and naïve. Her charm lies in her innocence and her real caring for others. For her journey, love brings lessons and an understanding of herself and others. The writing allowed me to enter her world and to care about her and the other characters in the book. Indeed, she has far to go.

Here’s the blurb:
On their way to a ball, eighteen-year-old Lady Margaret is reminded by her affectionate brother, the Earl of Saunton, to consider her choice of words before she speaks. Despite his warning, she voices her controversial opinion to Lady Sefton, one of Almack’s lady patronesses, who can advance or ruin a debutante’s reputation. Horrified by her thoughtless indiscretion, Margaret runs from the ballroom into the reception hall where she nearly slips onto the marble floor.

Baron Rochedale, a notorious rake catches her in his arms to prevent her fall. Margaret, whose family expect her to make a splendid marriage, and enigmatic Rochedale, who never reveals his secrets, are immediately attracted to each other, but 
Rochedale never makes advances to unmarried females. 

When Margaret runs out into the street, out of chivalry it seems he must follow the runaway instead of joining his mistress in the ballroom, where anxious mothers would warn their daughters to avoid him. Rochedale’s quixotic impulse leads to complications which force him to question his selfish way of life. Entangled by him in more ways than one, stifled by polite society’s unwritten rules and regulations Margaret is forced to question what is most important to her. 

Sunday’s Child began the series.
Blurb:

Georgianne Whitley’s beloved father and brothers died in the war against Napoleon Bonaparte. While she is grieving for them, she must deal with her unpredictable mother’s sorrow, and her younger sisters’ situation caused by it. Georgianne’s problems increase when the arrogant, wealthy but elderly Earl of Pennington, proposes marriage to her for the sole purpose of being provided with an heir. At first she is tempted by his proposal, but something is not quite right about him. She rejects him not suspecting it will lead to unwelcome repercussions.

Once, Georgianne had wanted to marry an army officer. Now, she decides never to marry ‘a military man’ for fear he will be killed on the battlefield. However, Georgianne still dreams of a happy marriage before unexpected violence forces her to relinquish the chance to participate in a London Season sponsored by her aunt.

Shocked and in pain, Georgianne goes to the inn where her cousin Sarah’s step-brother, Major Tarrant, is staying, while waiting for the blacksmith to return to the village and shoe his horse. Recently, she has been reacquainted with Tarrant—whom she knew when in the nursery—at the vicarage where Sarah lives with her husband Reverend Stanton.

The war in the Iberian Peninsula is nearly at an end so, after his older brother’s death, Tarrant, who was wounded, returned to England where his father asked him to marry and produce an heir. To please his father, Tarrant agreed to marry, but due to a personal tragedy he has decided never to father a child. When Georgianne, arrives at the inn, quixotic Tarrant sympathises with her unhappy situation. Moreover, he is shocked by the unforgivable, brutal treatment she has suffered.

Full of admiration for her beauty and courage Tarrant decides to help Georgianne.
The other books in the series so far are Monday’s Child, Tuesday’s Child and Wednesday’s Child. If you love Regencies, you’ll find every one of these books a great read. I’ll also be rereading them in the months to come.

Saturday, March 16, 2019

And.... ACTION! Generating word movies, by J.C. Kavanagh



Reading fiction out loud is an art form - but only if you want it to be. You could read the printed word without nuance and without intonation. Yawn. Or you could bring your story to life by embracing the 'actor' within, by proactively taking centre stage. Because reading your book out loud is actually an audition of sorts - an audition to generate credulity and confidence in your story, in the characters and in the details and descriptions of the various settings. Reading out loud triggers the auditory senses, which triggers brain function and hopefully, triggers a sequence of images in the internal playground that is within your mind - images that I call 'word movies.' The writer/speaker is in charge of setting the mood and instilling uniqueness to each character, all by using tone of voice, hand gestures, facial expressions. It's acting out your own novel and generating a word movie.

How exciting is that?

Yeah, it seems that way until you're challenged to read your novel to a group of teenagers. In a classroom.

That's where I'm headed in the next couple of weeks - to 'read' my second novel, The Twisted Climb - Darkness Descends, to a group of Grade 8 students. My throat gets dry, my knees knock and I tremble at the thought of 'acting' out my book. Basically, I'm performing my audition of every character and every scene in Darkness Descends. But... I believe in my book. I believe the story. I believe and love/hate the characters. And I believe that a truly good book will draw the reader into the playground-mind of the writer so that they both 'see' the same word movie. If I can keep a group of teenagers engaged, then I'll know my audition was successful.

I hope everyone who's read The Twisted Climb series enjoyed the word movies. I did. I'm proud of the fact they both were voted Best Young Adult Book (The Twisted Climb in 2016 and Darkness Descends in 2018).

Speaking of auditory senses, kudos to authors Jude Pittman and John Widsomkeeper for delivering the first audio-book for BWL Publishing, entitled "Street Justice." You can find the audio book via this link:  http://www.bookswelove.net/authors/pittman-jude-mystery-romance/

TWO Book Signing Events

Come see me on Saturday, March 30 at the Chapters store in Newmarket, Ontario from 1 till 5.
Two weeks later, I'm heading to the Chapters store in Barrie, Ontario (Saturday, April 13). Drop by!


J.C. Kavanagh
The Twisted Climb - Darkness Descends (Book 2)
voted BEST Young Adult Book 2018, Critters Readers Poll
AND
The Twisted Climb,
voted BEST Young Adult Book 2016, P&E Readers Poll
Novels for teens, young adults and adults young at heart
Email: author.j.c.kavanagh@gmail.com
www.facebook.com/J.C.Kavanagh
www.amazon.com/author/jckavanagh
Twitter @JCKavanagh1 (Author J.C. Kavanagh)

Friday, March 15, 2019

Plantation Life in South Carolina


Boone Hall - Live Oaks



As part of the research for my latest novel, "Karma Nation," my son Rishi and I traveled across the American South. My previous blogs recorded our explorations of Houston, New Orleans, Atlanta and Charleston. In this blog, I share my impressions of some of the plantations I visited in South Carolina.

We were actually quite surprised at the number of plantations that dotted South Carolina, especially around Charleston. What could be their economic base?

Our visit to a few of them answered our questions. Several plantations have become quite well-known tourist attractions, some remain working plantations, while a few are preserved by non-profit societies, wealthy individuals or as state parks.

Boone Hall was on our list as a must-visit site. USA Today’s #1 plantation, it is dominated by a magnificent colonnaded home form the Antebellum period, situated at the end of a stunning allee of two-hundred-year-old live oaks. The interiors reveal the luxury that country gentlemen of the era lived in. Portraits of the erstwhile inhabitants hung on the walls, expensive furniture filled the rooms and curtains imported from Europe lined the windows. Nine original slave cabins, replete with mementos and displays of the lives of its tenants sit on one side of the mansion. A live theatre show of Gullah culture, a mixture of Creole English and Geechee, practiced by the slaves, is presented during the busy season. It is also a working plantation, well-known for its strawberries and vegetables.
Slave Cabins, Boone Hall

Next, we visited McLeod plantation. The main home, designed in the English Georgian style, it too paid attention to the Lowland slave culture that became prominent in South Carolina. A part of the Charleston County Parks system, it was crowded with school children when we were there. Full of detailed historical notes, along with interpretive tours, it satisfied our curiosity.

Plantations were large communities, villages really, with populations that sometimes reached thousands. Many functions were centralized, such as cooking and clothes-cleaning. The cook-house, attended to by slaves, usually sat behind the main house. So did the wash-house.

Inside the master’s house, a series of rules—a system of apartheid really—allowed white slave-owners and their families to live deeply separated lives, despite being surrounded by a very large number of black slaves. Certain areas of the house, such as the sleeping quarters of the white women, were off-limits to male slaves. Only a select number of slaves were allowed into the main house on a regular basis; most of the field slaves didn’t enter. Slaves had their speech and actions constantly surveilled; only at Church on Sundays were music and speech by slaves allowed. This practice had the effect of eventually pushing Black Churches to the forefront of civil rights movements.

While the plantations today seem idyllic with their flower gardens and sunny weather, it was obviously not pleasant for its inhabitants. While the slaves lived a life of hard work and deprivation, the plantation owners had their issues as well. With constant rumors of slave rebellions and attacks against them, they lived in anxiety. When Spain controlled Florida, escaping American slaves were offered freedom and some joined the Spanish Army to fight against them. In America, the Abolitionist movement became active almost since the birth of the country. Following the Revolutionary War, Northern states abolished slavery, beginning with the 1777 constitution of Vermont, followed by Pennsylvania's gradual emancipation act in 1780In many ways, it had to be clear to plantation owners that their way of life was not long to last.

Behind the manicured lawns, extensive gardens and brightly painted houses, lay the narratives of a difficult and divisive period in American history. That to me, was the story of our visit to the plantations.



Mohan Ashtakala is the author of "Karma Nation"
Published by Books We Love








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