Friday, April 14, 2023

Creating a Fantastic but Believable Setting by BC Deeks, Paranormal Mystery Fiction Author

 

 Visit B.C. Deeks' BWL Author Page for Book and Purchase Information 


 

http://bookswelove.net/deeks-bc/



SETTING is crucial to a story’s development and the reader’s experience in any fictional work, but never more so, in my humble opinion, than in a fantasy. If an author is working on a contemporary story, you can count on the reader to have enough personal experience to fill in the blanks with minimal prompting. 

In the fantasy genre, all bets are off. It is up to the author to show the reader how far they should suspend their disbelief in every aspect of the world they are entering—from the ground they stand on, to the creatures they will encounter, the language that will be spoken…Indeed, every aspect of the reading experience can be distorted to best tell the story that is about to unfold. The setting where all this distortion will occur must support the changes from what the reader has come to expect in ‘real life.’

It would be jarring for a fur-covered fire breathing dragon to appear on the sunbaked beaches of Florida, for example. Not that it couldn’t be done but the author would sure have to work at developing plausibility for such a scenario.

When I created a family of supernatural beings inspired by witches, I needed to base them in a dimension that could support their use of powerful magic as a daily occurrence. I decided that not everyone should have such powerful magic, so therefore my primary characters would be the Guardians to the ruling Council of Master Witches. Their powers would draw from the elements of nature – air, water, fire, earth, and a fifth universal element known as Aether. The rest of the population would have diluted powers linked to nature but not of the same strength.

Since my characters must be freely able to interact with their elements, I supposed that they would need lush outdoor spaces, with mountains and forests, oceans and open skies. Yes, I thought, a rocky island out in the ocean…much like where I grew up! My magical dimension of The Otherland began to take shape. 

The Island of Newfoundland where I was born is definitely on earth although far enough out in the North Atlantic to forget at times. Its history dates back to the Vikings and leans heavily to Irish, who believe in everything from fairies to leprechauns, four-leaf clovers to banshees, and have all sorts of rituals to ward off evil spirits or bad luck. There were still Gaelic speakers in Newfoundland well into the 20th century and, like the Irish, we love to spin a tale!

Of course, my characters would travel to other dimensions, so I adopted the accepted fantasy principles of portal magic and integrated that into my imaginary world. My supernatural beings would have a gateway on the edge of the granite cliffs that allowed them to pass through to alternate realms, including the mortal world. Since I wanted to write a series, this would allow for a revolving door so they could visit a wider range of story settings like the coastal regions of Seattle or the mountains of Montana when adventure called. And adventure does summon the Egan family members...

Mythics and mortals battle dark forces in my epic paranormal mystery adventure trilogy, BEYOND THE MAGIC. In Book 1: WITCH UNBOUND, Marcus, the powerful eldest brother, is sent to the mortal realm to investigate the murder of two long-lost Guardians of The Otherland. Can he abandon everything he’s ever believed to save the life of an extraordinary witch who knows nothing of her heritage? Together they begin a quest to deflect an ancient prophecy that could destroy his world. Marcus’s brother, Theo, and sister, Elowyn, join that quest in Book 2: MORTAL MAGIC and Book 3: REBEL SPELL, respectively, coming in 2023.



3 comments:

  1. Thanks for sharing. The same goes for Science Fiction, and creating worlds with their own culture, social constructs, mythology, religion, etc. I love it when a writer takes the time to develop their fictional world.

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  2. Settings. Many years ago, an editor wroteon my manuscript. Your heroine exists in a vacuum. She added a bit of setting to a paragraph. Took much work to learn what she meant. Settings can almost become a character in the story.

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