How to Write a Book Review by Eileen O'Finlan

 

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Book reviews are very important for authors, especially those of us who are not household names. Not only do they help potential readers decide if a book might be to their taste, they also have an effect on the algorithms. The more reviews, the more a site promotes it.

One of the most common reasons readers don't leave reviews is because they have the mistaken idea that they are expected to write it as though they are a professional literary critic. Nothing could be further from the truth.

To write a book review, the reader only needs to keep three questions in mind:

1. Did you like the book?

2. What was your favorite part? (no spoilers!)

3. Would you recommend this book to others and why?

Putting the answers to these questions into a coherent paragraph is all an amateur reviewer needs to do. Failing that, at least leave a star rating. Even a review that consists only of "I really liked this book" is better than no review at all.

Another reason some might not leave reviews is because they are intimidated by the technology and don't know how to do it. It's actually very easy. Here is a Youtube video explaining step-by-step how to leave a review on Amazon. The steps for leaving reviews on other sites are similar.

https://www.youtube.com/watch?v=eyXrmVZv21w

Happy reading and reviewing!

Mixing Business with Pleasure by Eileen O'Finlan

 

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Near the start of September, I had the pleasure of doing a book tour in Vermont with my fellow BWL author, friend, and cousin, Eileen Charbonneau. Eileen was promoting her book, Spectral Evidence, while I was promoting The Folklorist.

A lot goes into preparing for a book tour. Presenters have to decide upon which aspect of the book they want to focus and either write a script or assemble notes (the former for me, the latter for Eileen C.) For this tour, we each created PowerPoint presentations to go with our talks. For us, it was an easy choice since Spectral Evidence has a strong connection to the Salem Witch Trials and The Folklorist to the New England Vampire Panic. Witches and vampires make a good team so we decided to focus on the folklore behind both that European immigrants brought to America. The title we decided on, "Witches and Vampires: When Old World Nightmares Invaded the New World" seemed to express well the essence of our presentation.

While working on our talks, we had to contact libraries and bookstores explaining our presentation and availability in hopes that they would agree to host us. We endured our share of "no thank you's" as well as a number of no responses, but were gratified to be enthusiastically welcomed by four Vermont libraries.

Once all of our dates were scheduled, extra book copies ordered (both the featured book and backlist), talks practiced, and arrangements made to stay with my cousin in Ferrisburgh for when we headed to the Champlain Valley for our last talk of the tour we were finally ready to go.

Packing boxes of books, swag, awards, table cloths, and whatever else might be needed along with my suitcase, that by the time I was through I could barely lift, into the car definitely qualifies as work. But once I was on the road headed up to Bellows Falls, Vermont, the pleasure part kicked in.

I should explain that Vermont is my favorite place as both of my parents came from that state and the very best memories of my childhood and teen years were made there during visits to grandparents, aunts, uncles, and cousins. Not to mention, the state itself is incredibly beautiful. The fact that I was on my way to stay with Eileen and her wonderful husband, Ed, only added that much more joy to the adventure.

All of our talks went well. Every one of the librarians were gracious and helpful hosts. We were delighted to meet and engage with interested readers. Chatting with attendees after our talks concluded was the best part for me. As is always the case, we encountered both larger and smaller than expected turnouts, but in either case, those who attended were enthusiastic and made us feel more than welcome. Overall, it was a successful book tour.

                                       

        Reading from The Folklorist at the                                              Presenting at the Rockingham                Springfield Town Library                                                             Public Library

Eileen O'Finlan and Eileen Charbonneau taking questions from the audience

In addition, there was the pleasure of spending time with Eileen and Ed. Whenever Eileen and I get together we always have a great time. I want to thank Ed for playing roadie for us, driving us to all locations, lugging all of our books, setting up our laptops and getting us online, and generally making sure we were ready when it was time to start. In addition, Ed did most of the cooking when we ate at their home - another bona fide treat! (Eileen, please let Ed know that I still want his recipe for lentil soup.)

While in the Bellows Falls area, we also made time to visit the local farmers market, hit up the Vermont Country Store in Rockingham, and enjoy a fabulous dinner at a French restaurant in Walpole, New Hampshire followed by dessert at Burdick's Chocolates next door, and take in the new Beetlejuice movie.

That was some good hot chocolate!

Once the first leg of the tour was complete, we headed up to my cousin's home in the gorgeous Champlain Valley. Two nights at her house with Lake Champlain in her backyard was heaven.

I was especially grateful that I got to visit with my 90-year-old uncle who is the last one left of his generation. I have been mining him for family history and stories ever since I realized that he's the only one left who knows them. Sharing them with me seems to be energizing him as he keeps supplying me with answers and requesting I ask him even more questions. 

With Uncle Harold and Aunt Theresa

It was a great trip that generated what I'm sure will be lasting memories.

Eileen and I have one more talk to do together, but this time she'll be coming to Massachusetts. On Tuesday, October 29th we will present at Tidepool Bookshop in Worcester at 5:30 p.m. The format for this one is a bit different. Instead of each of us giving a talk, we'll be interviewing each other about our books. If you're in the area, we'd love to see you there!

Meet the Cat Tales Characters by Eileen O'Finlan

 

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I recently acquired a new skill - creating images using A.I. I know there's a lot of controversy over A.I., but the images I've created likely don't fall into a controversial realm. They are all images of the characters in my Cat Tales series. These characters are all highly anthropomorphized animals. They hold jobs, drive cars, go shopping - all the stuff humans do while retaining most of the characteristics associated with their species. They also have to learn to live in harmony with one another. That's not easy to do when Smokey is designing a cat park that will abut Rodent Way. Not if Jerome J. Rately has anything to say about it. And, he does have plenty to say.

I learned how to create these images a few weeks ago while I was home recovering from COVID. I had noticed that my friend and fellow author, Jane Willan, had been creating images of her characters and using them in her Facebook posts. They looked terrific so I asked her to teach me to do it. In one Zoom call, she showed me how it's done. Then I got to work making my own. It's actually very easy to do. And it's fun. So, here are a few of the characters from the first book in the Cat Tales series, All the Furs and Feathers:

                                                  This is Smokey, one of the main characters.

                                                  She's employed as an architect at Fluffington

                                                  ArCATechture.

                                              This is Autumn Amelia. She's the other main 

                                              character, Smokey's sister, and a baker who works

                                              from home.

                               

    Here we have Greyson. He's cousin                                 Abigail Fluffington is the owner of

    to Smokey and Autumn Amelia. He's                              Fluffington ArCATechture and Smokey's

    the retired CEO of PAWS UNITED.                               boss. She's a very astute businesscat.

                          
    This sweet kitty is Dusty Fluffington.                                Jasmine is a web designer and Smokey's

    She's an amazing designer and seamstress.                        best friend. They're both Russian Blues

    She's also Abigail's sister. They both live                           and are often confused for twins.

    in Abigail's luxury apartment, but poor

    Dusty is terrified to leave the building.

    Until she meets Autumn Amelia, that is.

Not all the characters in the Cat Tales series are cats. There's a wide variety of animals in the series. Here are just a few of the non-cat characters:

                                     

    This is Rufus Tailwagger. He's a PR                                       Jerome J. Ratley is the head of the         

    professional. Rufus is a great guy. Just                                   Rodent Placement Agency. He's also

    stay out of the way of his maniacally                                      an activist for rodent rights. And he's

    wagging tail.                                                                            not at all happy about the idea of the cat

                                                                                                    park Smokey is designing that will abut

                                                                                                    Rodent Way.

                                                 Sally is a sous chef who works for                                            Here are Simon and Sam Squirrel

    Chef Gustav, a snooty world-famous                                        on their tandem bike. They work for

    chef, at Miguel Gato's private club.                                           Autumn's boss, Tabby Furry who owns

    Sally likes Miguel, but she'd rather not                                     Furry Confections. The Squirrel                have to work for Gustav.                                                           brothers are curriers who deliver the                                                                                                           baked goods Autumn makes to be sold

                                                                                                       at the bakery.

These are only some of the images of the characters from All the Furs and Feathers. There are more on my website. You can check them out here. More will be coming in early 2025 when the second book in the Cat Tales series, All in the Furry Family, is released. Meanwhile, here is a sneak peak of a couple of the new characters from the second book:

  

                                          

    Meet Buster Parker. He's a printer,                                               Give a warm welcome to Professor

    but he also owns a boat. I don't want                                            Chewy. He teaches botany at Verdant

    to give anything away, so I'll just say                                           University. He's also Smokey and

    he'll become important to Autumn Amelia.                                  Autumn Amelia's new neighbor.

  
    

The Importance of Author Newsletters by Eileen O'Finlan

 

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I have been sending out a monthly e-newsletter for almost as long as I've been a published author. My subscriber list has grown slowly but steadily over the years. Sometimes I wonder if it's worth the effort of trying to come up with enough to write every month especially when I don't have any upcoming appearances or new releases. But then I remember the reasons for having a newsletter in the first place:

My email list is mine alone and I can always reach the people on it. Other social media sites may change their rules, experience glitches, or disappear. I have no control over that. I do completely control my own email list.

The people who sign up for it want to hear from me. As long as I don't spam them - and I never do - most continue to read it every month.

It's a great way to connect with my readers. They get inside information. They enjoy being the first to know about new releases, book signings, appearances, awards, or any other special news.

During the lulls, it's good practice for me to stretch my imagination and writing skills to come up with interesting information to share. I've found that readers like a peek behind the scenes, so those are the times when I share my historical research information, trips to museums, info about writer's conferences, and the like. I also occasionally invite other authors to write a column introducing themselves and their books to my readers.

Sometimes I ask questions. It's fun when readers write back to me with their answers and a great way to interact with them.

Every month I get to write the recurring column "The Cat's Corner." That's always the most fun section of my newsletter because it's written from the point of view of my cat, Autumn Amelia, who is also one of the main characters in my Cat Tales series. Readers tell me that The Cat's Corner is their favorite part of the newsletter.

Apparently, readers are not alone in enjoying The Cat's Corner. The Cat Writer's Association recently awarded it a Certificate of Excellence in the column/series category. It can now go on to compete for their highest award, the Muse Medallion in October.

Autumn Amelia thinks her name should have been on the certificate, too

So, for all you writers out there, if you don't already have an author newsletter, I recommend you consider starting one. It's a great way to connect with your readers. Create a way for readers to sign up from your website. I always have a sign up sheet at all in-person events as well. It may take a while to grow your subscriber list, but these readers will become your die hard fans. And who knows, you might even win an award for it!

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Research on the Porch by Eileen O'Finlan

 

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We've finally entered my favorite season. I wait all year for summer, so when it finally arrives I do all I can to soak it up. It just doesn't last long enough in New England. However, writing, for me anyway, tends to be an indoor pursuit. If I'm working on a novel, I'm at my laptop indoors. If I'm doing research for a future novel I'm usually in my home library, on the internet, or at a pertinent historial site - mostly indoors. This is not condusive to enjoying summer weather. Yet I can hardly take the summer off from researching and writing especially given that I work a full-time job - also indoors. And, frankly, I wouldn't want to.

I think I have hit upon a solution. Recently, on an absolutely gorgeous weekend day, I took the book I'm currently using for research for my next Irish novel out onto my front porch along with my notepaper. I have a little bistro set out there with just enough room to set up what I needed. It was perfect. 

The next book in this series, which will follow Kelegeen and Erin's Children, will be set in Worcester, Massachusetts. Since it takes place during the 1860s the American Civil War will figure prominently in the story which means a lot of in-depth research for me. Fortunately, I love this part of writing historical fiction.

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Although I am in love with my new home library, I think the porch will be hosting me and my research books a lot this summer. After all, it's hard to resist this view...

                                  

...especially when it's combined with the company of my favorite muse:

Autumn Amelia

Novels Make Great Historical Research

 

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My favourite research for my novel-in-progress set in 1918 Calgary has been reading novels written by contemporary authors of the time. This week I finished Rilla of Ingleside, the eighth and last book of L.M. Montgomery's Anne of Green Gables series. When I was a child, I devoured all the Anne books. I loved the first three novels in the series best, but once Anne realized Gilbert was her true love she got boring and the stories shifted focus to her six children. The story of Rilla, the youngest, grabbed me more than those of her older siblings because Rilla grows as a character and the war's impact was poignant. 

Rilla of Ingleside is set during World War One. The novel begins with the war's start in 1914 and ends shortly after the Armistice of November 11, 1918. Wikipedia calls Rilla of Ingleside "the only Canadian novel written from a contemporary woman's perspective about the First World War." I found it an excellent portrait of the experiences, views, and feelings of people living on the Canadian home front. The book led me to make a few changes to my novel, A Killer Whisky, which takes place during the Great War's final month.  

Rilla lived in Prince Edward Island. A friend loaned me four novels written by early twentieth century Alberta writers. As their titles suggest, Cattle by Winnifred Eaton and The Cow Puncher by Robert J.C. Stead are largely set in ranch country, but the characters venture into Calgary. The Cow Puncher gets into World War One, which ties to its theme that meaning comes from service rather than selfishness. Cattle deals with the 1918 Influenza Pandemic aka the Spanish flu, which features prominently in A Killer Whisky.

The Shadow Riders by Isabel Paterson is set entirely in Calgary during the pre-war real estate boom. While reading all of the books, I kept a pen and sheet of paper handy to jot notes on descriptions of Calgary during that era, details of daily life, and word usage. A hundred years ago, expressions of surprise and horror tended to come from religion, such as "Lord Almighty!" "I'll be damned!" and the softer "Heavens!" Peppering a novel with these as well as slightly archaic phrases -- "he was wont to say," "it's a mortal disgrace," "wicked to do this" -- helps bring readers into that former time. 

The fourth Alberta novel I read, The Magpie's Nest, was Isabel Paterson's second published novel. Set partly in rural Alberta and New York City, it provided less Calgary detail than The Shadow Riders, but The Magpie offered some interesting commentary. Today's writers tired of the pressure to promote themselves on social media might appreciate this Magpie character's view of fan worship: “What does anyone want to meet an author for? Or a painter, or any famous person? You’ve got all the best of them in whatever they create. I’d as soon meet a cook because I liked the meal.”

In addition to their practical value for research, I found these five novels jolly good reads. The female characters are remarkably spirited and smart. While the books' styles are somewhat dated, I enjoyed them more than many modern novels I've read. There's good reason to call them classics, but they all aren't easy to get your hands on.  

Rilla of Ingleside is the only one available for takeout from my Calgary Public Library due to the continued popularity of the Anne of Green Gables series. Cattle, re-released last year by Invisible Publishing to mark the 30th anniversary of Winnifred Eaton's death, is available only for in-library use. You aren't likely to find Cattle on a bookstore shelf, but it can be ordered or purchased online. The Leopold Classical Library has republished Isabel Paterson's two novels by scanning the originals since books published in the United States before 1929 are now in the public domain. You can also read e-book versions free online.      

I liked The Shadow Riders so much that I bought the republished paperback and was surprised -- "Good Heavens!" -- when it arrived in 8 1/2 x 11 format in large font with wide margins. A bargain for $30, even though the original novel probably cost about 50 cents in 1918.    

      

         

                 

Teaming Up for Author Talks by Eileen O'Finlan

 

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One of the most fun things authors get to do is go to libraries, bookstores, and other places to talk to interested readers about their books. It's even more fun when we get to do it with other authors. Early this spring, I got to enjoy talking about Erin's Children, historical fiction set in Worcester, Massachusetts, with my friend and fellow author, Mary Anne Kalonas Slack. Mary Anne's debut novel, The Sacrificial Daughter, is also set in Worcester and, while it's not historical fiction, it does, like Erin's Children, feature an Irish family. We felt that was enough for us to do author talks together. Apparently, we were right because we've had great turnouts with very enthusiastic attendees.

More recently, I have done a talk with fellow BWL author, Eileen Charbonneau. Eileen and I have teamed up before and we truly enjoy it. This time we're talking about our most recent releases - my novel The Folklorist and Eileen's novel, Spectral Evidence which she co-authored with Jude Pittman and which is part of the Canadian Historical Mystery Series. Both are historical fiction. The Folklorist centers on the New England Vampire Panic while Spectral Evidence incorporates the Salem Witchcraft Trials. Since we are focusing on the folk beliefs about witches and vampires that came to America along with the European immigrants, we've titled our talk, "Witches and Vampires: When Old World Nightmares Invaded the New World." 

Most of the people in our audiences have never heard of the New England Vampire Panic and, though nearly everyone knows of the Salem Witchcraft Trials, most are surprised to learn that one accused husband and wife managed to escape from prison after having sent their children off ahead of them. In Spectral Evidence the children are sent to relatives in Newfoundland where they try to adjust to a society very unlike their own. We both enjoy enlightening talk attendees on these little-known events from New England history and about how they connect with other places outside of New England.

It is always a pleasure to talk to readers about our books. It's especially enjoyable to answer questions, listen to comments, and interact with readers. You never know who might be in the audience and what gems they may want to share.

Case in point:  Early in May I did a presentation with Mary Anne and another author, Ed Londergan, at the Hibernian Cultural Center in Worcester. In it I talked about my research on the history of Worcester including the fact that a resident of one of the historical districts gave me a private tour of his 1850s house which is nearly the same now as when it was built. Afterwards the President of the Hibernian Cultural Center told me that he and his wife are in the process of restoring an 1852 house and asked if I would like to see it. It was adjacent to the building we were in so I got an impromptu tour of a once- magnificent gem in the heart of the city right then and there. I have a feeling it will make an appearance in the next book in that series.

Eileen Charbonneau and I have started our Witches and Vampires book tour in the comfort of home. For me that was the Gale Free Library in Holden, Massachusetts, and for Eileen it was the Village Square Bookseller in Bellows Falls, Vermont, each being in the towns in which we live.

Presenting at the Gale Free Library in Holden, Massachusetts

Interacting with the audience at Village Square Bookseller in Bellows Falls, Vermont

While doing our talk in Bellows Falls, we found that one attendee was a direct descendant of Rebecca Nurse, one of the people hanged for witchcraft in Salem. During the Q&A portion of our talk, he told us the fascinating story of how he came to find out he was related to her. Again, an unexpected delight while on tour!

Now it's time to take it a bit further afield. In August, after we present at the Rockingham Public Library on the 9th, we will head north to the Champlain Valley area of Vermont. On this leg of the tour, however, we will be joined by another writer, Jane Willan, author of the Sister Agatha and Father Selwyn Mystery series. Having another author onboard necessitated a change in title, so it will become "Witches, Vampires, and Murder!" We are booked for a talk at the Pierson Library in Shelburne, Vermont in conjunction with the Flying Pig Bookstore on August 12th and are in the process of lining up more dates for the 10 days we've allotted for this leg of our tour. In our down time we'll be enjoying our own mini-writer's workshop as well as a little site-seeing.

We haven't forgotten that October is truly the best time of year for talk of witches and vampires. You can catch us at Tidepool Bookshop in Worcester, Massachusetts on the evening of October 29th. Follow us on Facebook to keep up with newly added dates and locations.

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War & Tulips

 

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Last month I visited the Canadian War Museum in Ottawa. The museum portrays the impact of war on Canadians from pre-contact to the present day. Before the Europeans arrived, indigenous settlements had warrior training areas, where youths learned skills with bows and arrows and clubs for the tribes' battles with their enemies. French explorers heightened these conflicts by introducing guns to the weaponry and forming alliances with tribes to aid France's quest for control of fur trading territories.  

In 1759 Britain defeated France on the Plains of Abraham in Quebec City and took over the land that eventually became Canada. Seventeen years later the American Revolutionary War brought an estimated 45,000 US colonists to Canada, where they could continue to live under the British crown. The United States invaded Canada during the War of 1812 in an attempt to drive the British from the continent, but the loyalists held them back. 

At the turn of the century, Canadians moved to fighting overseas. Over 7,000 volunteers rallied to the British cause in the South African War (Boer War). World War One was the first foreign war that engaged the entire country of Canada and affected every aspect of daily life.   

My journey through the war museum's WW1 galleries began with panels that displayed images of eager young Canadian men leaving for war. 

        Who knew married men needed a wife's permission?

When the men arrived on the battlefields, life in the trenches quickly lost its glamour. Mud, rats, and disease prevailed. During long hours of boredom, some creative souls made trench art from discarded materials like shell casings, brass bullet cartridges, and chalk. 

A viewer in the museum provided a visual of a chlorine gas -- eerie and strangely alluring. The Germans first released the poison gas cloud during the Second Battle of Ypres in 1915, taking the Allied soldiers unawares. Troops fled in all directions. Thousands suffered burnt lungs or suffocated. The Allies later responded by developing increasingly effective gas masks for future battles and retaliating with their own poison gases.   

A cloud of poison gas in Ypres. Photos from Collier's New Photographic History of the World War (New York: P.F. Collier & Son, 1918) 

Most touching was the museum's display of the dreaded telegram, which could arrive any minute with news of a loved one's serious injury, missing-in-action report, or death.   

Outside the museum, the tulips were starting to bloom in Ottawa, earlier than usual this year due to the winter's low snow cover and mild weather in March. Each year, Ottawa hosts a tulip festival that goes back to World War II. Following the Nazi invasion, Princess Juliana of the Netherlands took refuge in Ottawa with her two children. Her third daughter, Princess Margriet, was born at the Ottawa Civic Hospital. A section of the hospital was declared Dutch soil so that the baby would hold Dutch nationality exclusively. Two years later, Canadian troops played a large role in the liberation of the Netherlands. After Princess Juliana and her children returned to their homeland, she sent Ottawa and the Canadian people a thank you gift of 100,000 tulip bulbs. Since then, the Dutch royal family has sent tulip bulbs to Canada's capital every year and Ottawa celebrates each May with a tulip festival. This year's event takes place May 10-20th. 

During my Ottawa stay, my high school friend and I walked to a park near Dow's Lake to enjoy the beds of colourful tulips.   
 
 

Break Out The Bubbly! by Eileen O'Finlan

 

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Time to celebrate! All the Furs and Feathers, the first book in the Cat Tales series just won First Place Best in Category for Humor & Satire. It was awarded by Chanticleer International Book Awards under their Mark Twain Award category.

To say I'm delighted is an understatement. As the book made it through each stage in the process, my excitement grew. First it had to clear the slush pile and make it to the Long List. Next came the Short List. After that was semi-finals. I had my fingers crossed each time an email arrived announcing the books that advanced to the next round. When All the Furs and Feathers finally made it to Finalist, I knew it had a good chance at winning one of the prizes.

The awards banquet was held on April 20th in Washington State. That's on the other side of the country from me, and I was unable to attend. None the less, I knew all the CIBA winners would be announced shortly afterwards. 

Day after day, emails trickled into my inbox announcing winners, usually two at a time. Every day I'd open an email only to find announcements of winners in categories other than Mark Twain. 

Finally, on May 1st the email announcing the winners in the Mark Twain Humor & Satire category landed in my inbox. I clicked on the icon holding my breath. It was a short but torturous scroll down the page to find the list.

And there it was. Right after the grand prize winner's name (Congratulations Mike Murphey!) I saw it: Eileen O'Finlan - All The Furs And Feathers

Okay, it was hardly the Nobel Prize for Literature, but it definitely made my day and then some!

The first thing I did was text or email my family, writing group, friends, and coworkers. Then I posted it on my Facebook page. Most importantly, I gave my cat, Autumn Amelia, a huge hug and thank you. After all, she's one of the main characters in the book. Without her and her sister, Smokey, (who is at the Rainbow Bridge), the book would never have been written. They inspired it.

Autumn Amelia assisting in the writing process.

As I write this post, I am more than halfway through the first draft of the next book in the Cat Tales series, All in the Furry Family. With an expected publication date of February 2025, readers won't have to wait too long for the further adventures of Smokey and Autumn Amelia. Expect a lot of surprises, silly antics, new characters, and even a wedding in Book 2.

My Stroll Through the 1918 Sears Catalogue

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While researching 1918 fashion for my historical-novel-in-progress, I stumbled upon a 1918 Sears, Roebuck and Company catalogue, which someone had uploaded on the internet. The catalogue's 1,676 pages provided a treasure trove of details about that year in time and brought back memories of catalogue browsing in my younger days.  

In Canada, where I grew up, the Eaton's mail-order catalogue was a mainstay in middle class homes from the early twentieth century until the catalogue expired in 1976. My cousin, who lived in the countryside, ordered all her back-to-school clothes from the thick fall/winter catalogue. My aunt in the city made ordering and returning catalogue items into a hobby. Her husband joked that the Eaton's delivery truck made a daily beeline to their street. Catalogues were the forerunner of today's online shopping although they couldn't offer one-day service. 

I don't recall purchasing many catalogue goods, but I enjoyed flipping through the pages to see what was available. A common joke of the time was that little boys--and not so little ones--spent hours studying the ads for women's underwear. I expect boys living 100 years ago were equally intrigued by the 1918 catalogue's not-so-demure ladies modelling corsets. Prices for these complex articles of clothing ranged from $1.85 to $3.98 for Sear's finest corsets. Corsets for children and teenage girls started at 98 cents.

I always find it interesting when old or historical books cite prices that are stunningly lower than today's costs. On the next revision of my historical novel, I'll look for ways to insert a few 1918 prices into the story. While the earlier drafts mentioned corsets and petticoats, my catalogue stroll reminded me that people wore more underwear a century ago because houses were colder than they are today. The 1918 Sears catalogue featured twenty-eight pages of long underwear ads for women, men, and children. A note explained that wool underwear had become scarce because the Government required woolen mills to prioritize supply to soldiers and sailors fighting the Great War. Most civilians would have to make do with cotton underwear.

The one-piece long-sleeved undershirt and underpants garment was called a union suit in 1918. Long underwear was originally designed to liberate women from corsets, petticoats, and stockings. Perhaps I'll have my protagonist wear a pair of long johns under her housedress to stay warm in her chilly home. Catalogue ads for coal kitchen stoves, called ranges, promoted their side benefit of warming the room in winter. Customers could purchase ranges fueled by hard coal, soft coal, wood, coke, corn cob, and/or gas. No kindling required. They'd start the stove with a lit piece of paper that might be a page from last season's catalogue. Old catalogue pages also served as toilet paper and little girls cut out pictures of the models for paper dolls--the original Barbies.

All of these details would add period interest to a historical story and the 1918 catalogue offered many more. Women's muffs and collarettes made from the fur of China goat, raccoon, opossum, muskrat, marmot, and weasel. Ostrich plumes for hats. Seventeen pages of pocket watches, watch chains, and watch fobs. Collar boxes with round forms inside to keep the shape of men's shirt collars. Wool robes for riding in open-top buggies and cars.  

The catalogue also sold War Savings stamps to "support our boys at the front," official war pictures taken by the US government of trenches, gas attacks, and war ruins for ten cents each, and rubber face masks, presumably to improve complexion. The catalogue states, with surprising candor, "The usefulness of rubber masks has been exaggerated. We make no specific claims for these articles, but we offer them for women desiring them." They also offered a washable rubber night strap to reduce double chins for the bargain price of forty-nine cents. 

If you're interested in your own stroll through 1918 daily life check out  Sears, Roebuck and Co., Chicago: Originators of the Guarantee that stands the test in the Scales of Justice.