Meet Smokey and Autumn Amelia by Eileen O'Finlan

 

                           

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All in the Furry Family, Book 2 in the Cat Tales series is scheduled for release in February. The main characters of the series are two sister cats, Smokey and Autumn Amelia. For those who have read the first book. All the Furs and Feathers, this is a refresher and for those who haven't read it, an introduction.

Smokerina "Smokey" Koshkyn:

Smokey is the elder of the two Koshkyn sisters. She is a Russian Blue cat, taking after her father's side of the family. Smokey is an architect employed by Fluffington ArCATechure, a highly successful business owned by Abigail Fluffington. Her best friend is Jasmine, also a Russian Blue and a web designer.

Coloration: Solid bluish gray

Strengths: Highly competent at her job and most other things, self-confident, formerly a superb mouser

Weakness: Terrified of coyotes
Quirks: She gets the zoomies about an hour before a storm and when excited. If it happens at work, she has to go to the basement to keep from zooming around the office.

Regrets: She feels responsible for making Autumn Amelia believe she's not a real cat.

Autumn Amelia Koshkyn:

Autumn Amelia is Smokey's younger sister. She's a calico Maine coon like their mother. Autumn is a baker and chef. In All the Furs and Feathers she works from home for Furry Confections, a bakery owned by Tabby Furry.

Coloration: Calico - white, burnt orange, and various shades of gray

Strengths: She is a culinary genius. Her lovable personality naturally brings furs and feather together.

Weaknesses: An overload of odd quirks and the fact that she's not sure she's a real cat because she's never caught a mouse.

Quirks: She snacks without realizing it while she's cooking because it gives her inspiration for new recipes. She can't go to restaurants because the aromas put her into a trance-like state that makes her take food from waiters' trays or other patrons' plates without knowing she's doing it. More than once, she's found herself in a restaurant's kitchen improving their recipes. She has a secret fantasy about being the Pirate Queen of the High Seas.

Regrets: She has never caught a mouse, not that she'd know what to do with it if she did catch one.

The characters Smokey and Autumn Amelia were inspired by my own cats of the same names. Sadly, the real Smokey went to the Rainbow Bridge a few years ago. Autumn Amelia, though getting on in years, still lives with me. She does not cook, but she does like to eat.

The real Smokey and Autumn Amelia

Canadian Authors-Quebec by Joan Donaldson-Yarmey

 

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      I am a proud Canadian author of over twenty fiction and non-fiction books in my long writing career. But I am just one of thousands of published writers from this huge country. Canada has had a long and illustrious history of producing world renown authors and books going all the way back to the 18^th century.

     Frances Moore was born in England in 1724. She was a well-known poet and playwright in England before she and her husband, Reverend John Brooke moved to Quebec City in 1763, for John to take up the post of army chaplain. During her time there Frances wrote The History of Emily Montague, a love story set in the newly formed Quebec province.

     The story is told through the voices of her characters by way of personal letters between the two. This is known as epistolary (of letters) type of writing and it was popular during the1700s in Europe. The Brookes’ returned to England in 1768 and the novel was published in 1769 the London bookseller, James Dodsley. The History of Emily Montague was the first novel written in what is now Canada and the first with a Canadian setting. Frances died in 1789.

 

Quebec

Marie-Rose-Emma-Gabrielle Roy was born on March 22, 1909, in Saint Boniface, Manitoba, which is now part of Winnipeg. After her early education she took teacher training at the Winnipeg Normal School. She taught in rural schools in Manitoba until she was appointed to the Institut Collegial Provencher in Saint Boniface. She saved her money and moved to France and England to study drama but after two years returned to Canada when WWII broke out in 1939. She settled in Montreal and earned a living as a sketch artist while writing. She became a freelance journalist for La Revue Moderne and Le Bulletin des agriculteurs.

     Ms. Roy’s first novel, Bonheur d'occasion (1945) was an accurate portrayal of Saint-Henri, a poverty-stricken neighbourhood of Montreal. It was published in French, earning her the Prix Femina award in 1947. The book was also published in English under the title The Tin Flute and won the Governor General Award for fiction as well as the Royal Society of Canada’s Lorne Pierce Medal. It was the first major Canadian urban novel.

     The novel sold almost a million copies in the United States and the Literary Guild of America made the novel a feature book of the month in 1947. Because of all the attention the book received, Gabrielle moved to Saint Boniface to escape the publicity. There she met a doctor, Marcel Carbotte and three months later, in August, they married. They headed to Paris for the next three years where Carbotte studied gynecology and Roy wrote. On their return to Canada in 1950, they settled in Montreal for a couple of years and then moved to Quebec City. Carbotte took up a position at the Hôpital du Saint-Sacrement and they lived in an apartment. Wanting a quiet place to write, Grabrielle bought a cottage in Petite-Rivière-Saint-François, Charlevoix County. There she wrote the bulk of her work. In total, she wrote twenty books.

     Gabrielle and her husband didn’t have any children. Besides writing she travelled around the world and spent time visiting her family.

     Gabrielle Roy is considered to be one of the most important Francophone writers in Canadian history and one of the most influential Canadian authors. She became a Companion of the Order of Canada in 1967 and won many awards, including the Governor General Award three times. She was on the panel in 1963 that gave the Expo ’67, Montreal World's Fair and Canada’s 100^th birthday celebration, its theme: Man and His World (Terre des hommes).

     Gabrielle Roy died of a heart attack on July 13, 1983, at the age of seventy-four. Her autobiography, La Détresse et l'enchantement, was published posthumously in 1984 and the English translation, Enchantment and Sorrow won the Governor General Award in 1987.

In 2004 the Government issued a $20.00 bank note in its Canadian Journey Series which had a quotation from her 1961 novel, The Hidden Mountain: Could we ever know each other in the slightest without the arts?

 

Mordecai Richler was born on January 27, 1931, in Montreal, QC. He was raised on St. Urbain Street and learned how to speak English, French, and Yiddish. He studied at Sir George Will College (Concordia University) but left before getting a degree. He moved to Paris at nineteen and lived there for two years before returning to Montreal. He worked for the Canadian Broadcasting Company (CBC) for a short time then moved to London, England in 1954 where he married Catherine Boudreau. She was a non-Jewish French-Canadian divorcee who was nine years older. Just before their wedding he met and was infatuated by another non-Jewish woman Florence Wood Mann, who was the wife on his close friend, Stanley Mann.

     While in England he wrote and had published seven novels, the most well-known one being The Apprenticeship of Duddy Kravitz (1959). The story was about Richler’s favourite theme: the hardships of Jewish life around St. Urbain Street in Montreal in the 1930s and 1940s. He wrote a screen play for the novel and it was made into a film in 1974 starring Richard Dreyfuss. In 1960 Richler divorced his wife and Florence divorced her husband and they were married in 1961. Mordecai adopted her son and they had four more children.

     Richler and his family returned to Montreal in 1972. A compilation of his humorous essays was collected into Notes on an Endangered Species and Others (1974). He also wrote the Jacob Two-Two series of children’s fantasy books (1975, 1987, and 1995). His novel Joshua Then and Now was published in 1980 and made into a film in 1985.

     Besides writing novels, Richler also contributed articles to magazines such as The Atlantic Monthly, Look, The New Yorker, and The American Spectator. He wrote a column for The National Post and Montreal’s The Gazette and wrote book reviews for Gentleman’s Quarterly.

His last novel, Barney’s Version (1997) was based on the events surrounding his divorce and remarriage. Barney’s Version was made into a film in 2010.

     Richler was awarded the Order of Canada in 1999. He died of cancer on July 3, 2001, at the age of 70.

 

Canadian Authors--New Brunswick by Joan Donaldson-Yarmey

  

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     I am a proud Canadian author of over twenty fiction and non-fiction books in my long writing career. But I am just one of thousands of published writers from this huge country. Canada has had a long and illustrious history of producing world renown authors and books going all the way back to the 18^th century.

     Frances Moore was born in England in 1724. She was a well-known poet and playwright in England before she and her husband, Reverend John Brooke moved to Quebec City in 1763, for John to take up the post of army chaplain. During her time there Frances wrote The History of Emily Montague, a love story set in the newly formed Quebec province.

     The story is told through the voices of her characters by way of personal letters between the two. This is known as epistolary (of letters) type of writing and it was popular during the1700s in Europe. The Brookes’ returned to England in 1768 and the novel was published in 1769 the London bookseller, James Dodsley. The History of Emily Montague was the first novel written in what is now Canada and the first with a Canadian setting. Frances died in 1789.

 

New Brunswick

Julia Catherine Beckwith was born on March 10, 1796 in Fredericton, New Brunswick. Her mother, Julie-Louise Le Brun, was from a wealthy French family that had immigrated to Canada in the 17^th and 18^th centuries. Her father, Nehemiah Beckwith, moved from New England in 1780 and owned a successful ship building business. Julie-Louise had given up her Roman Catholic faith when she married, but Julia spent a lot of her early life visiting her French cousins in Nova Scotia and Quebec. One of her cousins became a nun of the Hotel-Dieu in Montreal.

Her mother’s previous religious background was the source of the idea for her first novel St. Ursula’s convent, or the nun of Canada. She wrote it in Fredericton when she was seventeen and it had complicated plots, romance, suspense, and heroic adventures. It was not to be published for almost ten years.

     In 1820, in order to lessen the burden on her mother after her father’s death by drowning, Julia moved in with her aunt in Kingston, Upper Canada (now Ontario). She married George Henry Hart on January 3, 1822. George was a bookbinder and Julia operated a boarding house for girls. Her novel was published in 1824 by Hugh C. Thomson as St. Ursula’s Convent or, The Nun of Canada; Containing Scenes from Real Life. According to Beckwith’s wishes, the author was listed as anonymous. It was the first work of fiction written by any man or woman who had been born in Canada and the first to be published in what is now Canada. Julia Beckwith is considered Canada’s first novelist.

     Julia and her husband moved to Rochester, NY, in 1824 where her second novel, Tonnewonte; or, the adopted son of America, was published and portrayed as having been written by an American. It, too, had suspense and depth of feeling, but as some critics said it had the same stilted expression and moral overtones as her first novel. Besides entertainment value, Julia wrote to express attitudes toward society.

     By 1831 Julia and George had six children and they moved back to Fredericton. There she contributed to the weekly paper, the New Brunswick Reporter. She also wrote her third book Edith (or The Doom), which was never published.

     Julia Catherine Beckwith died in Fredericton, New Brunswick on November 28, 1867, the age of 71.

 

Raymond Fraser was born on May 8, 1941 in Chatham (now Miramichi), New Brunswick, the youngest of three children. His older sisters left home and his mother died when he as a teenager. He spent a lot of his alone time reading. He attended St. Thomas University in Fredericton. There he played sports in his freshman year and was co-editor of the student literary magazine Tom-Tom in his junior year.

     He worked as a teacher for a year then moved to Montreal in 1965 where he and poet Leroy Johnson created the literary magazine Intercourse: Contemporary Canadian Writing (1966-1971). He was also one of the founders of the Montreal Story Tellers Fiction Performance Group, which put on readings in local high schools. To earn money while writing he worked as an editor, chief staff writer, and a freelance writer for the tabloid newspapers. Fraser’s first book of short stories, The Black Horse Tavern, was published in 1973.

     Raymond Fraser and his wife, Sharon, travelled through Europe during the 1970s. The Struggle Outside came out in 1975 and The Bonnonbridge Musicians in 1978. The Bonnonbridge Musicians was a finalist for the 1978 Governor General Literary Award for Fiction. He finally settled in Fredericton and began writing full time. He also was the Writer-In-Residence at the Fredericton High School.

     Raymond Fraser wrote a total of eight books of poetry and fourteen novels and short story collections, five of which were listed in Atlantic Canada’s 100 Greatest Books (2009). He also received the first Lieutenant-Governor’s Award for High Achievement in the Arts that year. He became a member of the Order of New Brunswick in 2012 and received an honorary Doctor of Letters degree from St. Thomas University in 2016.

     Fraser died in Fredericton on October 22, 2018, at the age of 77 from cancer.

Research on the Porch by Eileen O'Finlan

 

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We've finally entered my favorite season. I wait all year for summer, so when it finally arrives I do all I can to soak it up. It just doesn't last long enough in New England. However, writing, for me anyway, tends to be an indoor pursuit. If I'm working on a novel, I'm at my laptop indoors. If I'm doing research for a future novel I'm usually in my home library, on the internet, or at a pertinent historial site - mostly indoors. This is not condusive to enjoying summer weather. Yet I can hardly take the summer off from researching and writing especially given that I work a full-time job - also indoors. And, frankly, I wouldn't want to.

I think I have hit upon a solution. Recently, on an absolutely gorgeous weekend day, I took the book I'm currently using for research for my next Irish novel out onto my front porch along with my notepaper. I have a little bistro set out there with just enough room to set up what I needed. It was perfect. 

The next book in this series, which will follow Kelegeen and Erin's Children, will be set in Worcester, Massachusetts. Since it takes place during the 1860s the American Civil War will figure prominently in the story which means a lot of in-depth research for me. Fortunately, I love this part of writing historical fiction.

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Although I am in love with my new home library, I think the porch will be hosting me and my research books a lot this summer. After all, it's hard to resist this view...

                                  

...especially when it's combined with the company of my favorite muse:

Autumn Amelia

Look What I Found by Victoria Chatham

 

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Occasionally, I get busy tidying up old files, deleting many that have served their purpose, or, more often these days, forgetting why I saved documents or articles in the first place. One file was titled 'Shorts.' When I opened it, expecting to see short stories, I found a series of writing exercises, some as far back as 1997, from various workshops or classes. There were one-line prompts and then my effort to write something about it. 

Now, I've never enjoyed a situation where you are given a topic or prompt and asked to write about it for the next twenty minutes. My mind doesn't work that quickly. But, amongst the clutter were several 'postcard' stories. Postcard stories are usually no more than two hundred and fifty words long, often less, so maybe I had that in mind when I named the file. This is one of those postcard stories.

STRAWBERRIES

 Zach is fifteen, too old to be picking strawberries. His sister, three years younger, tugs his arm.

“Bet I can pick more than you,” she says.

“Can’t,” Zach mutters under his breath and strides away between the arrow-straight rows, kicking up sun-scorched dust with the toes of his runners.

“Zach!” His mother’s voice reminds him of why they are here.

He drops to his knees and parts the green canopy of protective leaves to reveal the bright fruit beneath. His fingers close around a plump, glistening berry, but before he can separate it from its stem, other fingers close around his. He looks up into a pair of blue eyes twinkling with mischief. A blue and white bandana holds back the girl’s dark hair. They stare at each other across the green spine of glossy leaves.

“I got it first,” he says.

She pouts and releases his fingers. Zach thinks of how many berries might be in his sister’s basket as he plucks the fruit and then hands it to the girl. As she takes it, her fingers again brush his. She sinks her perfect teeth into the succulent, pale pink flesh. Seduced by her moist tongue caressing the berry between her fingers, he catches his breath.

Time stands still as he imagines the texture and flavour of the berry in his mouth and tongue.

“Thank you,” she whispers, giving him a full, knowing smile.

Then she is gone, and Zach continues picking strawberries.

END

Victoria Chatham

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New Beginnings - Barbara Baker

 

 

I tied my manuscript up in an electronic bow and sent the final version off to BWL Publishing. Let me tell you, there were days during the last edit when I had panic attacks about practise and practice, passed and past—had I used the correct one? Two periods should have been question marks and three commas should have been periods but finally, Jillian of Banff XO was done and will be released on July 1^st, 2024.

I thought writing The End was my goodbye to Jillian and I was excited to see what story would be next. But damn her. While I was enjoying a perfect spring ski day with gorgeous blue skies and slushy snow, Jillian popped into my head and would not leave. 

 

She’s a few years older now, a bit more worldly and … very persistent. So, I skied faster. But Jillian was relentless. And when I finally couldn’t take her badgering any longer, we agreed to try another book. I already love the opening scene. 

My fictional character, Jillian, is like a favourite child who wants to spend more time with me so I will see where her story takes me this time. I’m sure she’ll be tapping me on the shoulder with more suggestions while I’m out and about but that’s enough about Jillian for now.

After a great ski day, there’s still lots of daylight hours to see what spring is up to—who’s blooming, who’s sunning themselves and who’s busy mating.

Of course, the crocus leads the bloomfest and no one ever said, “You have too many crocus pictures.”

 

Painted turtles are my next big find. They stretch out on logs to dry the itchy shit off their shells which accumulated after spending months under water. Turtles go into a state called brumation in the winter—their metabolism slows down; they go without food for months and absorb oxygen from water through their skin ... their version of hibernation. 

  

After cleaning the winter debris from my flowerbeds, I turned the garden hose on and the tiniest ball of fluff hopped out from a patch of tall ornamental grass. It was a very wet baby hare. I knew not to touch it, so I stood back and guarded it in case a raven or hawk flew by. After the youngster dried off in the sun, it hopped back into its nest. 

 

I Googled hares and learned the babies are called leverets. What? Chicks, fawns, cubs … how come they get cute names, and a hare gets stuck with leveret? Apparently, it means ‘a young hare’ in French but it still doesn’t seem fair. 

Unlike rabbits, hares are born with a full body of fur, their eyes are open, and they can survive on their own a few hours after birth. The young have no scent and Mom only comes back once every 24 hours to feed them for a few minutes, so she doesn’t leave her scent in the nest. No wonder she's okay with mating again while she’s nursing. Parenting seems to be pretty easy for hares. 

 

Next fun find in the spring is garter snake balls. The snakes slither out of their dens when the ground warms up and congregate in balls for warmth and sex … a lot of sex. The female lets off a sex pheromone and males rush to please her.

As many as a hundred males will attempt to mate with a single female. It’s an athletic endeavour and they get all crazy and hence, the mating ball is formed. During this orgy, male snakes go without food and show no signs of aggression until after they’ve mated. How gentlemanly of them.

I’ll leave you with these visuals because there is such a thing as too many snake pictures.   

  

There's almost two months before Jillian of Banff XO is available. What fun activities do you plan for your book release days?

You can contact me at: bbaker.write@gmail.com

Summer of Lies: Baker, Barbara:9780228615774: Books - Amazon.ca

What About Me?: Sequel to Summer of Lies : Baker, Barbara: Amazon.ca: Books

 

My Stroll Through the 1918 Sears Catalogue

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While researching 1918 fashion for my historical-novel-in-progress, I stumbled upon a 1918 Sears, Roebuck and Company catalogue, which someone had uploaded on the internet. The catalogue's 1,676 pages provided a treasure trove of details about that year in time and brought back memories of catalogue browsing in my younger days.  

In Canada, where I grew up, the Eaton's mail-order catalogue was a mainstay in middle class homes from the early twentieth century until the catalogue expired in 1976. My cousin, who lived in the countryside, ordered all her back-to-school clothes from the thick fall/winter catalogue. My aunt in the city made ordering and returning catalogue items into a hobby. Her husband joked that the Eaton's delivery truck made a daily beeline to their street. Catalogues were the forerunner of today's online shopping although they couldn't offer one-day service. 

I don't recall purchasing many catalogue goods, but I enjoyed flipping through the pages to see what was available. A common joke of the time was that little boys--and not so little ones--spent hours studying the ads for women's underwear. I expect boys living 100 years ago were equally intrigued by the 1918 catalogue's not-so-demure ladies modelling corsets. Prices for these complex articles of clothing ranged from $1.85 to $3.98 for Sear's finest corsets. Corsets for children and teenage girls started at 98 cents.

I always find it interesting when old or historical books cite prices that are stunningly lower than today's costs. On the next revision of my historical novel, I'll look for ways to insert a few 1918 prices into the story. While the earlier drafts mentioned corsets and petticoats, my catalogue stroll reminded me that people wore more underwear a century ago because houses were colder than they are today. The 1918 Sears catalogue featured twenty-eight pages of long underwear ads for women, men, and children. A note explained that wool underwear had become scarce because the Government required woolen mills to prioritize supply to soldiers and sailors fighting the Great War. Most civilians would have to make do with cotton underwear.

The one-piece long-sleeved undershirt and underpants garment was called a union suit in 1918. Long underwear was originally designed to liberate women from corsets, petticoats, and stockings. Perhaps I'll have my protagonist wear a pair of long johns under her housedress to stay warm in her chilly home. Catalogue ads for coal kitchen stoves, called ranges, promoted their side benefit of warming the room in winter. Customers could purchase ranges fueled by hard coal, soft coal, wood, coke, corn cob, and/or gas. No kindling required. They'd start the stove with a lit piece of paper that might be a page from last season's catalogue. Old catalogue pages also served as toilet paper and little girls cut out pictures of the models for paper dolls--the original Barbies.

All of these details would add period interest to a historical story and the 1918 catalogue offered many more. Women's muffs and collarettes made from the fur of China goat, raccoon, opossum, muskrat, marmot, and weasel. Ostrich plumes for hats. Seventeen pages of pocket watches, watch chains, and watch fobs. Collar boxes with round forms inside to keep the shape of men's shirt collars. Wool robes for riding in open-top buggies and cars.  

The catalogue also sold War Savings stamps to "support our boys at the front," official war pictures taken by the US government of trenches, gas attacks, and war ruins for ten cents each, and rubber face masks, presumably to improve complexion. The catalogue states, with surprising candor, "The usefulness of rubber masks has been exaggerated. We make no specific claims for these articles, but we offer them for women desiring them." They also offered a washable rubber night strap to reduce double chins for the bargain price of forty-nine cents. 

If you're interested in your own stroll through 1918 daily life check out  Sears, Roebuck and Co., Chicago: Originators of the Guarantee that stands the test in the Scales of Justice.

            

              

Back to the Research by Eileen O'Finlan

 

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Ask almost any author of historical fiction and we'll tell you we love doing the research for our books almost as much as we love writing them. My favorite was the research I did for Erin's Children, the sequel to my debut novel, Kelegeen. The reason it was extra enjoyable was because I set Erin's Children in Worcester, Massachusetts, the city in which I have worked for almost 20 years. 

I grew up in Holden and I still live there. The town line runs down my street so all I have to do is walk across the street and I'm in Worcester. Despite living so close to Worcester and working in that city for so long, I didn't know much about its history until I started researching it for my novel. Once I got into it, I found the history of Worcester in the 1850s to be a fascinating study.

I don't know if it was because of the setting or because I was already familiar with several of the main characters, they having come from my first book, Kelegeen, but I had more fun writing Erin's Children than any other book I've written. That's saying a lot since I greatly enjoy the writing process.

Now that I've decided to write a third (and, possibly, a fourth) book in this series, I am excited to dive back into the research. This time it will be Worcester in the 1860s which will take the reader into the time of the American Civil War. Most of the characters will remain on the northern home front, but I will be sending a few of them to the battlefields. To write this story accurately, I need to research Worcester at that time, the volunteers sent by the City to serve in the Union Army and what life was like for them, as well as the war itself, not to mention everyday life in 1860s Worcester. 

The books have been amassed, the map of 19th century Worcester unrolled and spread out on the table, the notebooks ready to be filled, and trips to the Worcester Historical Museum await. As is true for every author of historical fiction, I know my research will encompass much more than I will actually use in the story. I'm also sure I'll travel down a great many rabbit holes in the process. All of that is okay. More than okay - it's welcomed. It is the joy of research! 

I am determined that the books I write are as historically accurate as possible. I found from the response to Erin's Children that readers love finding out the history of Worcester and "seeing" it played out on the page, especially readers who know the City. So, I know it will be a pleasure to offer them more as well as to learn about it myself.

The timing on this turns out to be perfect since I recently met a local author, Mary Anne Kalonas Slack, who has just released her debut novel, The Sacrificial Daughter, also set in Worcester and featuring an Irish family. We are now planning some author talks together this spring focusing on our Irish in Worcester books. Talking to readers about Erin's Children should really galvanize my momentum towards digging into the research so I can start putting words on the pages of the next book. I truly love those characters and can't wait to revisit my old friends!

The table in my home library where I read and take notes.

The book open on the table contains the annual reports of the City of Worcester from 1861 through 1865.

Among these books are several on the American Civil War and its aftermath.

My steadily growing collection of books on Worcester's history.

My 1870s map of Worcester. 

It's been rolled up for so long I needed to put something on every corner to hold it down.