Showing posts with label Books We Love Insider Blog. Show all posts
Showing posts with label Books We Love Insider Blog. Show all posts

Thursday, December 23, 2021

A Christmas Story by Victoria Chatham

 

AVAILABLE HERE

After discussing Christmas-themed stories with friends, I came up with this short story. Indulge in your favourite beverage, sit by a warm fire, and take a few minutes to read through it. I hope you enjoy it. Greetings of the season and Merry Christmas to everyone.


BEN’S CHRISTMAS WISH 

Two days before Christmas and Mom and Dad were arguing again. Ben sighed. At six years old, he knew Christmas was supposed to be a happy time but, listening to the rise and fall of his parents’ voices as they tramped from the kitchen into the hallway and then back again, he didn’t think they’d ever be happy again.

            It seemed to Ben they’d been arguing ever since he had asked, again, if he could have a kitten. He’d wished for one at Easter but only received a chocolate Easter egg. He’d asked for a kitten for his birthday, but Dad said no. And now he’d written a letter as best he could, asking Father Christmas for a kitten and that had made Dad cross.

            Ben pushed back his comforter and slipped out of bed. He quietly opened his bedroom door a crack and still heard the murmur of voices below. In a sudden blast of motion, Dad came into the hall. Ben sneaked onto the landing and peered between the railings. He watched Dad pull on his jacket, zip it up and reach for a warm toque. A gust of cold air swept in as the front door opened and closed with a bang. Dad was gone.

            Ben could hear his mom crying in the silence, making soft snuffly noises. He didn’t like hearing her cry and went back into his bedroom, thinking hard. Dad said it was best to ask right away when he had any questions, so that was what he would do. He’d find Dad and ask him why he was cross and why Mom was so upset.

            He pulled his Blue Jay Minors sweatshirt over his pyjamas, searched for his Fireman Joe socks under the bed and wiggled his toes into them. He sneaked out onto the landing, heard his mom talking and guessed she had phoned her best friend Jill, who lived next door. He made his way downstairs and reached into the closet for his coat and boots. He hadn’t heard the car start and thought Dad couldn’t have gone far. If he ran, Ben knew he could catch up with him. He pulled his boots on and let himself out of the house.

            The cold nearly took his breath away. He zipped his coat and pulled the collar up around his ears. He should have put on a hat, too, but he was not going back until he found Dad. Snow had already fallen, and Dad had shovelled into great heaps on either side of the driveway. Ben could barely see over them to the sidewalk beyond.

            He knew if he turned left, that would take him past Jill’s house and on around the block. If he turned right and walked for a couple of blocks, he would reach the plaza where Mom shopped and sometimes took him for a burger and fries. He liked looking in the store windows and especially liked the gazebo in the centre. Bands played there in the summer, and sometimes there were clowns and face-painting. Now there was a little crib with Baby Jesus and Mary and Joseph. Mom had told him the story about there being no room at the inn, and he felt real sorry for any baby born in a stable.

            Ben had his head down against the cold. As he crunched through the snow, he realized his boots were on the wrong feet and were pinching but did not stop to change them. He had to find Dad. Looking around the plaza, Ben saw that all the stores were closed, and their lights were out. What time must it be for all the lights to be out?

            The only bright spot was a soft glow from the gazebo. He stood for a moment listening to the bitter wind moaning in the bare trees and the Christmas decorations rattling against the ornamental streetlamps on which they hung. He was suddenly scared, knowing this wasn’t right and that he wouldn’t find Dad here.

            Ben ran towards the warm glow of the little lantern hanging above the crib in the gazebo. Mom said Baby Jesus knew just about everything, so he ducked under the guard rail and moved closer to ask where his dad had gone. Bending towards the crib, Ben heard a soft, mewing cry. He reached over and parted the straw in the crib. Something moved, and Ben quickly stepped back. Whatever it was, it was still crying and would not come out. He reached out again, this time moving the straw to one side.

            There in the crib, curled up and crying beside Baby Jesus, lay a kitten. It was gray and white with black stripes on its head and sides. It opened its mouth, showing tiny teeth and a pink tongue, as it tried to stand up on wobbly legs.

            “You’re cold,” Ben said. “Come on, little kitty, I can warm you up.”

            He unzipped his jacket, picked up the kitten and tucked it inside. He liked the way its fur tickled his chin, and the crying changed to a happy purr. Ben could feel the vibrations through its tiny body. It was like holding his Robby Robot with the battery running. He sat with his back against the crib, talking to the kitten, forgetting for the moment that he was looking for Dad.

            The kitten was more important. Dad wore a big coat to protect him against the cold. The kitten didn’t have a coat. Dad would know how to get home, but Ben thought the kitten must be lost. Dad could take care of himself, but the kitten had no one but Ben to take care of it right now.

            “You know what, little kitty,” Ben whispered. “Mom helped me write a letter to Father Christmas at the North Pole, and I asked for a little kitten. I think you’re it, and I’m going to call you Christmas.”

            Ben was so engrossed in the kitten that he jumped when a voice somewhere way above him suddenly said, “Now, now, young fella, what’s going on here?”

            Ben hadn’t heard anyone approaching. When he looked up, all he could see was a big belly and above that a vast expanse of white beard. Ben had been told not to talk to strangers many times, but there was something comforting in this man’s voice, and he looked a little bit familiar.

            “Come on, son, give me your hand. I’ll help you up.”

            Ben took the offered hand and allowed himself to be helped to his feet. He was stiff with cold.

            “What have you got there?” the man asked.

            “It’s a kitten,” Ben said. “I think he’s lost.”

            “Are you lost?”

            Ben shook his head. “No, I was looking for my dad but found this kitty instead.”

            “Does your mom know you are out looking for your dad?”

            Ben shook his head again.

            “Well now, it seems to me we should take care of a few things here. First, let’s call your mom, so she doesn’t worry. Know your telephone number, son?”

            “Yes.” Ben took the cell phone the big man handed him and punched in his number. It rang once, and then his mom said, “Hello.”

            “Hi, Mom, it’s me. I went to look for Dad and found a kitten…”

            “Ben. Thank goodness. Where are you?” Mom’s voice sounded shaky, and Ben thought she might still be crying.

            He squinted up at the big man beside him. “I’m in the plaza with Baby Jesus and Father Christmas.”

            Then his father came on the line. “Stay there, Ben. We’ll be right over.”

            Ben couldn’t figure out how he’d missed Dad. “My Dad got home,” he said as he handed the phone back to Father Christmas.

            “That’s good. Now you’ll be going home to join them.”

            Ben sniffed and dropped his head to nuzzle the kitten in his jacket.

            “Now what’s that face for?” Father Christmas asked.

            “I don’t know if Mom and Dad have stopped being mad at each other, an’ I don’t like when they shout. I think I made them cross,” Ben whispered.

            “Well now, that’s possible, I’ll grant you, but sometimes other things that have nothing to do with their boys or girls make moms and dads cross.”

            “Really?” Ben wanted to believe him, wanted to forget Mom crying.

            “Yes, really. You’ll see and, if I’m not mistaken, this is your mom and dad now.”

            A car, headlights slicing the night, slipped sideways on the entry into the plaza, fishtailed again and drove across the empty parking lot towards them. The doors opened, and Mom and Dad were there, together, hugging him, scolding him, asking if he was all right.

            “I am, but I think you’re squishing my kitty,” Ben said. He opened his jacket and out popped the little striped head, protesting noisily at the cold night air and the commotion around it.

            “Oh, Ben, where on earth did you find it?” Mom stroked the kitten with a gentle finger.

            “It was with Baby Jesus, Mom. Can I keep him, please?”

            He saw the look pass between his parents, and then Dad said, “We’ll take it home with us for tonight and phone the animal shelter in the morning. It might just belong to another boy, and we will have to give it back.”

            “But if it doesn’t, if no one comes for it, can I please keep it?” Ben persisted. He held the kitten protectively against his chest with one hand and shook Dad’s arm with the other.

            “Ben, we’ve been over this pet thing a hundred times…”

            “I know, I know, but I promise, I really promise I’ll look after it. I will, Dad, you’ll see.”

            Dad looked Mom. “Susan?”

            It surprised Ben to see a smile curve his mom’s mouth. That pleased him. It was much nicer than tears.

            “Your call, Don.” Mom spoke so softly Ben could barely make out the words. He looked at his father and saw that he was smiling now.

            “Christmas, you’ve got a home,” he whispered to the kitten.

            “In the car, Ben,” Dad said, “and the kitten too. We’ve all had enough adventures for one night. It’s time to go home and get warm.”

            “And Father Christmas,” Ben said. “We have to take him too.”

            The big man laughed. “I’m not Father Christmas, son. My name’s Bill Bryce. I’m the security guard here.”

            He shook hands with mom and dad, wished them all a Merry Christmas and walked away to continue his rounds as Ben got into the car.

            As soon as the doors closed and Dad started the motor, Ben opened his jacket, and the kitten crawled out.

            “You know what, Christmas,” Ben said happily, “we’re going to have the best one ever.”


THE END

           


Victoria Chatham

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Saturday, October 23, 2021

A Wayward Girl by Victoria Chatham



 Here she is. Miss Charlotte Gray in all her glory. Finally. I don’t know about my fellow authors, but some of my books have been easier to write than others and Charlotte’s story was the one I have least liked writing. Why? Because Charlotte defied me at every turn. This girl was hard work.

Now, to a non-writer, that might sound really weird. You’re the author, they might say. You pick and choose what your characters do. That’s what being an author is, you direct your cast just as a stage or movie director does theirs. Any artistic endeavor has it's challenges, but few, I imagine, as those authors might have.

AVAILABLE HERE
I rarely have any trouble creating characters. Often, they have simply turned up in my mind like a mental visitor, sometimes welcome and sometimes not. All three heroines of Those Regency Belles (Charlotte Gray is Book 2 in the series) came one after the other without me having to think them into being. Hester Dymock (Book 1) very clearly wanted to be involved with healing and medicine, Phoebe Fisher (Book 3 and due out in 2022) wants to have fun and is a tad saucy. But Charlotte?

I had her pinned for a lady’s companion in a secluded, quiet, Hampshire estate. There would be a love interest, of course. Probably a nephew of the lady to whom our Char was going to be a companion. An impossible match to the outside world because of her lowly status, but with wit and charm Charlotte would win her hero. Would Charlotte have that? Not a bit of it. She wanted action, adventure, and a hot-blooded hero.

Many Regency purists might point out that young ladies would not do the things they sometimes do in my stories, especially Emmaline Devereux in His Dark Enchantress when she drives a team of four horses. Can’t be done, one critic told me. However, this aspect of Emmaline’s character was based on Mrs. Cynthia Haydon (1918-2012) who raised and trained Hackney horses and ponies and drove them in many combinations (single, pairs, tandem, four-in-hand) and competitions and was an exceptional lady for her time.


Mrs. Cynthia Haydon

My thinking is that in any era there are women who step outside of the box society has built for them and quite literally break the mold. Most are familiar with Jane Austen, but what about Maria Edgeworth, Sarah Guppy, Harriott Mellon, and Elizabeth Fry. If you want to read more about these ladies check out What Regency Women Did for Us by Rachel Knowles. In more recent years, look at what the ladies in the movie Hidden Figures achieved.

Charlotte was never going to lead a quiet, orderly life. My character notes for her changed practically every day. I think, in the end, I like her better for it. If you decide to read her story, I hope you agree with me.


Victoria Chatham

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Thursday, September 23, 2021

At the Heart of the Matter by Victoria Chatham

Details and Purchase links

https://bookswelove.net/chatham-victoria/

Charlotte Gray discovers her home ransacked, her father missing, and a dark and dangerous stranger, Benjamin Abernathy, waiting for her. He had promised to take care of his friend’s daughter if anything befell him and must now follow through with that promise.

With no other options, and despite her misgivings, Charlotte becomes established in the stranger’s home as governess to his nephew and niece. Benjamin doubts her ability to cope with the two young hellions but is quickly reassured as he recognizes the sharp mind behind her blue eyes. But is it Charlotte’s mind he falls in love with, or her delectable body?

With Charlotte hunted for the knowledge she is suspected of possessing and Benjamin, for the threat he presents, danger stalks them. Will the smugglers and spies behind the threat have any chance against this duo who will go to any lengths to protect the secrets they each must keep?

 

* * *

I don't pretend to write complex novels. My stories have, I hope, an easily understood point to make to the reader.

Writers, especially new writers, frequently worry about how much of themselves they reveal in their writing. Therefore, it follows that writing subtle or intuitive themes would suggest the author has those qualities and is writing from their own point of view or at the very least understands them well enough to introduce them in their writing.

My characters may already be married, as Lord and Lady Buxton in The Buxton Chronicles or become married, and love, loyalty, and fidelity lie at the heart of all my novels.

During the Regency era in which I set most of my novels, women were expected to get married and expected it of themselves with few exceptions. Jane Austen is one of them. Aristocratic families married not so much for love as economics. How does one enlarge one’s estate and holdings? Marry the heir or heiress next door. While that might sound cold, it was just the way of things amongst the upper class.

 Once an heir arrived to complete the happy or not union, the lord was free to take a mistress (if he ever gave one up.) His lady, discreetly, of course, might take lovers while everyone turned a blind eye to their extra-marital shenanigans. Or, as in the case of Georgiana, Duchess of Devonshire who, later in her marriage to the emotionally distant Duke, was forced to accept his mistress Lady Elizabeth Foster into a ménage à trois which delighted the gossip-mongers of the day.

 While love and marriage are not so much a subtle theme, they are at the heart of most romances. The ‘aha’ moment when the characters finally admit they have fallen in love is what appeals to romance readers. If the characters are not married by the end of the book, then you darn well know that a wedding will take place soon after. It’s the ‘Happy Ever After’ that seals the romantic deal.



Victoria Chatham

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Free image courtesy of Dreamstime

Wednesday, June 23, 2021

What I Have Learned From Actors by Victoria Chatham

 

 


 AVAILABLE HERE


As a writer, I have learned my craft from many sources. Books, workshops, sessions at conferences, other authors, and reading as much as I can from a range of genres and not only my genre of choice, Regency romance. One avenue that is often overlooked is watching movies.

I have to say I am an avid movie buff but, much as I now read differently, I also watch movies differently. I listen more to the dialogue, and I watch the actors' faces more, jotting down notes about their expressions. It is so easy so write that he/she grinned, winked, frowned, or twitched a smile. But what does somebody’s face actually look like while they are grinning, winking, frowning, or twitching a smile? What does that even mean?

Watching any good actor is a learning experience from the way they move to the timing and delivery of their lines. Think of the great dames: Joan Plowright, Judi Dench, Maggie Smith, and Emma Thompson. Another of my favourite UK actors is Maggie Steed. In the US, anything with Katherine Hepburn, Meryl Streep, Renee Zellweger - especially her seduction scene in the movie Appaloosa, Sandra Bullock, and Anne Hathaway is worth watching.  

As far as the male line-up goes, and I don't mind dating myself here, I hark back to the likes of Humphrey Bogart, Cary Grant, and Laurence Olivier. Denzel Washington, Ed Harris, Viggo Mortensen, Richard Burton and Anthony Hopkins are also up there, and the list could go on. I’m sure many will disagree with my choices and have their own favourites whether they are writers or not.

Old movies are available from many sources, and it was only recently that I was able to watch Casablanca and The Black Falcon all the way through without any interruption. I also like foreign movies such as the Deepa Mehta Elemental trilogy, Earth, Fire, and Water which looked at controversial issues and social reform in India.

 

I recently watched a 1980’s era movie, Withnail and I. Much like the American classic Easy Rider, it moved into something of a cult status. I had heard of it, but never watched it and wasn’t sure the story of two seemingly continually drunk, hapless, helpless out-of-work actors in London in 1969 was something I particularly wanted to watch, but I’m glad I did. Written and directed by Bruce Robinson, and loosely based on Robinson’s own story, Withnail and I runs the gamut of emotions of friendship, love, sexuality, humour, letting go and loss. It is a tragi-comedy reminiscent of some of the works of Shakespeare. One of the final scenes shows the I character (never named in the movie) walking away from Withnail, played by Richard E Grant. The look on his face is a tour de force of despair, even to his flesh seeming to melt from his face. The monologue at the end, filmed at the wolf enclosure at the London Zoo, is one of the best ever.


The elements of great movies can be found in great books, and in many cases vice versa. Portraying the actors’ facial expressions in words to improve my own writing is an ongoing exercise, and one I shall continue to work at. 

 

Victoria Chatham

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Images from internet sources.

Sunday, May 23, 2021

A Blast From the Past by Victoria Chatham

 


AVAILABLE HERE


I'm often asked if I read outside my genre of historical romance. The answer is an unequivocal and resounding yes. Books are a feast and I devour them. I enjoy and follow my fellow Books We Love authors, but beyond that, I have a penchant for Lee Child, Jane Austen (still) and many, many more both old and new. A recent search for a much-loved book, The Old House at Railes by Mary E Pearce turned up something totally unexpected, an autobiography Good Morning.... Good Night by Tim Langley.

The only Tim Langley I had ever known was huntsman at the Berkeley Hunt where I had worked in my teens as a groom during the 1962-63 season. Could it be the same Tim Langley? Yes, it could and now I have my copy with the cover embellished with the same illustration as a birthday card I have kept for many years of Tim with the Berekeley Hounds. Tim was a real gentleman, always well turned out and polite, but definitely a character.



I never hunted, and today fox hunting is viewed through a very different lens, but I loved the hunt horses. I had three in my string: chestnut Duet who was a real sweetheart, grey Thor who had the longest back of any horse I've ever known, and Tangerine, another chestnut who never learnt to walk but jiggled and jogged along working himself into a sweat and always took forever to cool down.


Duet

This was my first home away from home and it's no wonder I now write historical fiction. Berekeley Castle was our backdrop. It has been the ancestral home of the Berkeley family since the first motte and bailey was erected at the time of the Norman Conquest. The stables were built during the time of Queen Anne (1702 - 1707) and had barely changed at all. The last window on the second floor was our bathroom, the next window along was the kitchen, and the flat apartment was shared by us four girl grooms. 

The routine was all about the horses, from getting up at 4 am for first feeds and skipping out the stables, then exercising them at 7 am for two hours. After checking their hay nets and water buckets we would have our breakfast. Then it was back to the stables for proper mucking out and grooming. Lunchtime the horses were fed again with the hay net and water bucket checks and in the afternoons we cleaned tack, swept the yard, and did whatever odd jobs needed doing. Anyone who has ever had the care of stabled horses will understand the routine of feeding little and often, taking away the waste product and generally keeping everything in order. We all took turns at the early morning starts and the ten o'clock last stables. 

After a month, when my parents came to visit me for the first time, they were so shocked they threatened to haul me home. I'd lost weight with all the extra physical work, they were appalled at our flat, and I was as happy as a cricket. I stayed. Each horse had its own character. Duet was such an obliging gentleman, Thor had a weird sense of humour as if you bent over anywhere near him he was likely to nip your backside. He also had a way of moving without you noticing 

Thor

until he had you pinned against the stable wall and would then look over his shoulder at you as much as to say "What are you going to do now?" 

After all this time I don't remember all of the horses. There was Trio, a full brother to Duet. Zulaika, who loved to watch the birds, Wexford, a big grey who was so fat when he came in after being at grass all summer that we didn't have a saddle that fit him, Doctor who had navicular disease and had to be euthanized, Big Ears (if I remember correctly her real name was Lady Jane) and a black thoroughbred called Judes Hill. 

After a day's hunting, he was always the one we had the most trouble settling down. I won't go into all the reasons this can happen, only that no one went to bed until any of the horses had calmed down, cooled down, and could be safely left. I'm not a poet, but I did write this after one particularly late night.


JUDES HILL 

Ten o’clock.
Last rounds.
Sweet smell of hay
Drifts from warm stables
Where horses shuffle, sigh,
And soft whiskery muzzles
Nuzzle goodnight.
 
But not Judes Hill.
He has been hunting today
And his thoroughbred body
Is hunting still.
Sheen of sweat on neck,
White striped face stark
Above the stable door,
He peers into the night.
 
His ears twitch this way, that.
Has he missed the plaintive
Wail of Master’s horn
Sounding ‘Gone Away’?
Was that the full cry of
Hounds in flight?
Steel strikes stone under his
Restless feet.
 
I unbuckle surcingles,
Loosen steaming rugs.
Islands of foam float
On the sea of neck,
Shoulder, flank.
On with his cooling sheet
And out into the night
We go.
We walk and walk,
This horse and I.
He stamps his feet and tosses his head,
His mane flutters like
Tattered rags against his neck.
I talk about everything
and nothing into his willing ears
until his head drops,
and the thrill of the chase
drains from his body.
Now we can rest.


From beach ponies to the hunters, from friends' horses to our much loved Arab, the books about horses that I have read and still like to read, I think you've gathered by now that I have a passion for this marvellous creature that is unlikely to ever go away. Horses appear, in one way or another, in all of my books. In historical novels how can they not? And even in my contemporary western romances, cowboys need horses. Look out for my next contemporary western, available for preorder now and releasing on June 1st.


AVAILABLE HERE



Victoria Chatham

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Saturday, January 23, 2021

Why Write Historical Romance? by Victoria Chatham

 

AVAILABLE HERE




Authors are often asked questions by their readers or followers. I find the usual one asked of me is: why do you write historical fiction and romance? Let’s face it – with all of the details that need to be exact, writing historical fiction can be challenging. So why do it?

I freely admit to not having started off as a history buff, having found it to be the most boring subject when I was at school. Dates wars or invasions and the succession of kings didn’t matter to me at all as the subject had no relevance to my life at the time.

Jane Austen was a must-read at school and, at that age – ho hum. Sorry, Austen fans, but that is the truth. I have since returned many times to Austen, reading her books from a totally different aspect and discovering the treasure trove of minutiae they contain. The same applies to Georgette Heyer. The first of her books I ever read was Frederica (which I consider her best) but then I collected and read all her Regency romances without ever considering that they were, in fact, history books. A stylized history, maybe, but history nonetheless. Second readings of many of her titles gave me a whole new appreciation of the Regency era (1811 – 1820) beyond ladies’ dresses and gentlemen’s sporting preferences.

I started digging around in non-fiction history books, checking for myself anything I queried whether it was a style of dress or manner of speech and found I loved the research. At that time in my life I had no more thought of writing a book, historical or otherwise. But, in those odd and forgotten facts I came across snippets of past lives that really fascinated me. How other people lived, loved, how a table was laid and what cutlery they used and all the events that surrounded them came to life in an amazing way. More latterly YouTube has provided a visual and sometimes harsh view of life as it was lived in several eras.

Books We Love is fortunate to have a wealth of historical authors. Do you want to know more about Mozart? Check out Juliet Waldron’s book Mozart’s Wife. How about a taste of ancient Sumer? You couldn’t ask for more in Katherine Pym’s Begotten. A.M. Westerling’s Bakerville Beginnings takes us back to the gold rush days in British Columbia, and Diane Scott Lewis offers a background of the French Revolution in Escape the Revolution. There are many more historical titles, all offering  fascinating glimpses of past lives.

There is no doubt that history offers a rich and varied tapestry from which to draw inspiration for plots, characters and yes – happy-ever-afters.



Victoria Chatham

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