Coming Back...by Sheila Claydon

For many reasons, but mainly because I've been looking after my 3 year old granddaughter, I haven't had much time to write this year. In fact make that 18 months what with journeys to Australia and Hong Kong to visit family and friends, and longterm guests at home. It's just been one of those times when writing has had to take a back seat because people, when all is said and done, are more important. On top of all that I've had trouble with my website and, with no time to fix it, have wiped that as well.

I have had one thing going for me, however - Books We Love. Always there for all its writers, it has continued to give me an online presence as well as republishing 3 of the books I wrote in the eighties when the copyright unexpectedly reverted to me, so 2017 has not been entirely book free. Vintage romance! How did I get to be so old?

The republication of those books has been a boost to my writing morale too, especially the fantastic new covers courtesy of the wonderful Michelle ( http://www.michelleleedesigns.net), and now it's time for a comeback.  January 2018 is definitely a time of new resolutions, although right at this moment the workload looks overwhelming.  A book to edit before it can be republished, a half-written book, Part 2 of a series, to revisit and finish, and a website which is still only a work in progress.  I'm enjoying rereading the story of Golden Girl though, the Vintage romance soon to be republished, and it has reminded me of how difficult writing used to be.

Golden Girl was my very first book. I wrote it by hand in notebooks and on sheets of paper at the kitchen counter while my children were at school, and then typed it (a top copy and 2 carbons) on a portable typewriter. I also had a part-time job.  When a publisher accepted it I blew the money on a holiday for the family, our first ever abroad and my first ever flight. I've done a lot more travelling since then but nothing has quite replaced the thrill of that trip to Munich although strangely enough, given that nowadays I hang my writing identity on a have pen/will travel persona, I've never written about it. In 2018, with a study, a computer and the Internet for reference, writing a book is much less onerous. Another big plus is that publishers now accept books online. No more printing, collating and packing up copies and making sure return postage is included. In 2018 the whole process is much more manageable.

Anyway, back to Golden Girl. The story is based on an experience I had when I was a young secretary and was asked to front the launch of a range of  new cosmetics. It only entailed a couple of days in London, nothing so exotic as Paris, which is featured in the book, nor did I meet such charismatic characters as Alain Matthieu and Paul Genet, the hero and anti-hero. The experience gave me the idea though and now that I am re-reading it prior to publication, it is reviving many memories.  Faces and names from the past have come back to me as I wonder what happened to all those people I used to work with. I have also remembered that part of the launch included sitting on a carnival float dressed as a French courtesan, something I had completely forgotten until now!  It was all very tame stuff compared with what the heroine has to put up with in Golden Girl though. And I remember it was fun. 2 days away from the office, free cosmetics, a new dress...what was not to like.

My Golden Girl heroine, Lisa Morgan, has it a lot harder and copes in ways I would never have managed myself. She also has to deal with the sexual politics of the 1960s which were very different from those of today. I got a lot wrong too. I wouldn't write a book now with so much sight-seeing detail, even though it has its uses. For anyone visiting London or Paris for the first time, following in Lisa's footsteps as she explores them offers a blueprint of where to go and what to see.  Maybe I'll go back one day and revisit those places myself but if I don't make it at least I have the memories.

My other Vintage Romances were republished last year. Set in Moscow, Hollywood and, more prosaically, an English town, they set me on the path of writing about faraway places when they were first published. In those far off days I was prepared to write about places I'd never visited, using reference books and travel magazines for authenticity. Now I wouldn't dream of doing that. If I haven't been there then I don't write about it. Since those early days as a writer I've learned a lot, but re-reading and editing them has been fun and the stories still stand up, so if you decide to read them to learn about a different time that is not exactly history but is still very different from the Twenty-first Century, then enjoy.

You can see all of Sheila's books Vintage, Contemporary and Series at: http://bookswelove.net/authors/claydon-sheila/ They are available at:

Amazon

iTunes

Kobo

Barnes and Noble

Smashwords

And if you have time, then stop in and visit her at:

Sheila Claydon on facebook

4 REASONS FOR MAKING TIME TO READ by Rita Karnopp

I think all of us on this blog love to read. I’ve often heard people say, “I absolutely love to read, but I just don’t have time.”  WHAT?

     Even if you read while in line at a restaurant . . . or a page every night before bed… you'll finish reading a book. When I had three jobs and kids to handle . . . I still ‘found’ time to write.

1-Reading Nourishes Your Writing – I don’t think I’d have written a single book if I hadn’t been a reader. There were times while reading I’d tell myself, “Now why didn’t that author do this or that?” Or I’d ask, “Really?” to the ending.”  Now it’s a given, if I’m writing Native American – be sure I’m reading my favorite Indian historical or documents on Native Americans. I go as far as to watch movies and documentaries about the genre’ I’m writing. Same goes for when I’m writing suspense; I’m reading suspense books, I’m watching suspense movies, and I read books on killers and why they kill.  You get my point.

     I also find reading novels and documentaries inspire my creativity. I have more ideas come to me when I’m reading historical facts than any other place. When does inspiration strike you? Once you figure that out – there is an endless source of book fodder for you to cultivate!

     Reading opens a world of new styles of writing, and although one wouldn’t ‘copy’ another author’s ‘style’ it will inspire you to ‘create’ your own style with the information.

     I recently read an article where an author said, “You should read something from every genre to ensure you haven’t missed a tool from another novel style.”  That’s great advice – one I’m working on for sure.

2-Reading Builds Confidence – When I first started writing – I studied my favorite author’s style; was pacing even and pulling me through the book? Did characterization make me fall in love with the hero/heroine and hate the protagonist? Was setting written so I felt I was right there with the characters? Did the plot make me turn those pages?  etc. NO, I didn’t copy the writing, but I learned a lot from writers such as Stella Cameron, Roseanne Bittner, and Dee Brown. I knew there were great writers right in Montana; such as Kat Martin and BJ Daniels, whom I might add were great inspiration to me when I first started writing, and still are.

     A spanking new author carries so many insecurities, that it’s frightening to share even one sentence – for fear of it being torn apart.  At the beginning the thought of sharing a completed manuscript with a friend or stranger was scary enough to send me running hysterically into a closet, slamming the door, trembling – manuscript gripped tightly in-hand.

     Once I got over the fear of having my manuscript critiqued, then came the heart-pounding fear of reading what was said about my ‘baby.’ I have to be honest here; the first critique I received was from a contest. The person who marked in red all over my manuscript was not kind. She was honest – brutally so – and not concerned with my feelings. She said, “Learn to write before wasting time creating such a disaster.” I was devastated! I was going to throw my Selectric IBM typewriter out my front bay window. I cried for days. I ranted and raved to my friends. I secretly called the author (whom I truly admired and liked – until the critique) just about every name I had in my ‘bad name’ arsenal (I’m not much for swearing – so there weren’t many … but I was angry and hurt!).

     Two weeks (or more) later, I decided I would read through the comments again – just in case one or two of them made sense, and perhaps I could learn from them. With a new attitude about reading those comments, I found there were a lot of them I could learn from.

     I went through the entire manuscript and rewrote … rewrote… and rewrote. I asked this ‘author/critique guru’ if she was willing to review it again – and see if it was better. She suggested I learn on my own.

     Hmmmm that was not a good beginning. So I got angry and when I get angry – I get determined and stubborn! That was good for me.  I started reading ‘how to’ books, and from there I pushed myself to apply what I learned into book after book.

     Then I stopped. I could read and re-write until I’m blue in the face. What I needed to do was WRITE. From that point on I started my writing career and wrote Whispering Sun, my first Indian historical romance.  Ask me how proud of that novel I am!

3-Reading Enables Revision –  My point here is that after years of confusion and frustration, what I learned is there is a time when you just need to write and learn how to improve each novel as you go. I believe it’s important to study books you totally enjoy and become a better writer for it by learning what worked in someone else’s writing. That helps you become a better writer in your own work.

     When I find things that don’t work in a book I’m reading, I learn it won’t work in my writing either. You want honest feedback?  This can only happen when you’re ‘honest’ with yourself. Evaluate your work as though it were someone else’s work. You’d be surprised how many things glare back at you then.

     What this consequently does for you is builds confidence and helps you improve the quality of your writing. Good writers are always learning and improving their craft. You need to be a ruthless editor of your own work. You are only as good as your next novel.

4-Reading Helps You Sell – There is one added-plus if you're well-read. If you're discussing your work with other writers, authors, or even editors, you will be prepared if they ask, “Where do your books fit in today’s market?”  You'ill know, with confidence, where to pitch your work and how it will fit into the universe of existing books..

     My advice is to never stop reading . . . always find time to read. Life is too short not to be enjoying a good book. It’s my goal to read a book every week. When I was so busy that I didn’t have time to think – my goal still was to read at least one book a month. I couldn’t bring myself to stop reading.

     My ultimate goal is to have readers out there wanting to ‘fit my book’ into their busy schedule. I want to be the author of the book . . . that took them away from it all.

The Impact of Editing, Witing and Reading by Ginger

This is how I hope readers view my work.  I want to make colors so vibrant, emotions so real, and characters so likeable, that people can connect with the storyline and experience my tale through the eyes of the hero or heroine.  That's the sign of an author who knows their craft.

I have confidence that I've achieved my goal in most of my books.  Short stories, not so much.  I find reviewers comment about the length, wishing for more, so that tells me that I've connected in some way, but there is only so much you can pack into fewer words.

New rules crop up every day and make me question where they come from.  As someone who has been writing for over ten years now, I wonder if they existed way back when, and my editors weren't versed enough in writing themselves to know about them.  When I first started, a great majority of the editorial staff on board were authors with credentials and experience not much more than my own.  My first editor was very knowledgeable about historical facts, and I learned a ton from her about showing my story to the reader, but passive voice, head hopping, and cause before effect didn't seem to matter to her, nor did the numerous times I used "that" which later was cause for a rejection from another house.

Now my latest quirk has become the use of identifying tags that are now deemed unnecessary.  Evidently, in the characters' POV, the reader will assume that the person doing the knowing, seeing, hearing, etc, is the main character, so sentences starting with she heard, she knew, she watched, she saw, etc., add nothing but words to the story.

Speaking of words...I tend to see lots of the above sentences in mainstream writing...in fact in most books I've read lately, so I wonder are authors adding them to up their word count.  I also wonder if readers notice the number of times we use a character's name in paragraphs...especially when forced to in order to help them decipher between characters.  I recently received a critique where the critiquer had highlighted every instance of the heroine's name, which seemed excessive to her.  I wrote back and explained that through various editing experiences, I'd learned pronouns reflect back on the last person named, so if I introduced another character into the scene, I had to name my heroine to differentiate.  Confusing?  Yes!  Of course, when you use too many pronouns, editors take issue with that too.  It all comes down to being able to reword sentences or use phrases that allow a breather from the norm.  I'm learning still.  Writing is one career or pastime where you never stop acquiring new knowledge.  The problem is determining whether it's factual or fiction.  Not everything passed along is true or worthy of time spent changing your writing habits.

Each writer has a voice unique to themselves.  Some houses abhor "ing" starts to sentences, but I assume that's because all authors haven't figured out how to use them correctly.  I critiqued a story a few days ago which was worded something like, Entering the room, her heart fluttered.  If you read it quickly you may gloss over the fact that her heart entered the room.  Where was the rest of her?  I'm sure this is something I did in my earlier writing, but now I try to pay attention and send the whole body along with the heart.

Other publishers want us to avoid 'ly' words and use strong verbs.  There are just some instances where you want to share with the reader that she spoke softly.  She didn't whisper, but she wasn't speaking in her normal tone, so an 'ly' word is called for.  In my opinion, the problem with rules is that we take them literally and don't apply them with rationale.  I had one editor comment that I had removed so much passive voice from my story, my writing sounded stilted and had no flow.  I was only trying to adhere to everything I'd learned.

The rule with rules is to apply what works.  Take them with a grain of salt and try to avoid redundancies, find stronger verbs, send in the whole person and not just a body part, and remember that eyes don't roam the room, a gaze does.  Someone doesn't fling their hands in the air, but they might lift their arms over their head.  Leave out the amazing body tricks. You can't chuckle a response, but you can before or after your character speaks, so omit that comma.  Even more annoying for me, are tags that describe a person's speech before they've even spoken.  Which is better for you?

He whispered, "Are you okay?"

"Are you okay," he whispered.

A ton of rules are applied at the discretion of your editor.  You may find one who is annoyed by something as simple as the above example, or you may have one assigned who is more concerned with how many times you use "was."  Tomorrow, it may all be different.  Just remember to check house rules when you submit.  I'm finding a vast difference in requirements concerning punctuation, fonts, spacing, margins, indents, and whether to use "Chapter" or just a number.  Oy vey....so much to absorb and so little brain cells left to work with.   Writing is a challenge, so make sure you're up for it.

Feel free to comment on some of your pet peeves.  I'd love to know that me and my internal editor are not the only ones finding some habits more annoying than others.