Showing posts with label cosmetics. Show all posts
Showing posts with label cosmetics. Show all posts

Monday, March 23, 2020

Lipstick, Powder, and Paint by Victoria Chatham



 AVAILABLE HERE

Jesse Stone wrote and released this song title back in 1956, but the lipstick, powder, and paint used by our historical heroines were often injurious to their health, if not downright deadly. Far from being a modern invention, cosmetics have been around for centuries. So just what did our heroines of yesteryear put on their faces?

To ancient Egyptians, circa 4,000 BC, cosmetics was big business for men and women. The green eye

makeup depicted on many a tomb wall was produced from the copper ore, malachite, and was applied over the eyelid up to the brows. It not only made the eyes look bigger but also was considered to protect those who wore it. Even today malachite is reputed to protect the wearer.

The eyes were then outlined with kohl, a thick black paint produced from galena, the natural mineral form of lead sulphide. Kohl shielded the eyes from the sun, helped keep away flies and with chlorine added to the lead sulphide, may have acted as a disinfectant. Both the powder and paint were applied with sticks made from wood, metal or ivory, depending on where you were on the social ladder. Cheeks and lips were stained with red ochre and henna were used to stain and colour the fingertips and toes.


To protect their skins from the climate, our savvy Egyptians made moisturizing creams so, to your bullock bile, add whipped ostrich eggs, olive oil, plant resins, fresh milk, and a dash of sea salt. To make it smell nice, add a few drops of scented oil like frankincense, myrrh, thyme, or marjoram. Fruit essences added a sweeter aroma, especially that from almonds. Anti-wrinkle cream? No problem. To a measure of wax add olive oil, incense, milk, juniper leaves and the secret ingredient – crocodile dung which, when dried, did double duty as a contraceptive but that’s another story.

In addition to malachite ancient Roman women also used azurite for blue eye powder. Their kohl came from soot, ashes, or antimony. Pink cheeks were considered a sign of good health and to enhance the skin colour a variety of flower petals, mulberry juice and red wine dregs, cinnabar and red lead were also used. Unfortunately for our Roman gals, the latter was highly toxic with red lead compounds probably causing abdominal pains, constipation, and memory loss. 


Chinese ladies used face powder made from rice flour, Japanese ladies embraced red lip colour, white faces and black brows with teeth blackening or ohaguro being considered especially beautifying. Queen Elizabeth I suffered from smallpox and to cover her scarred face resorted to using a paste called Venetian Ceruse made from vinegar and lead. White skin was especially favoured as this indicated youthfulness and was a clear sign the woman had no need to work out of doors.

White also indicated pureness and anyone who has ever read a Regency romance will undoubtedly know that our heroines should have soft, white skin and present a ‘fine complexion.’ Applications of Pimpernel Water, Eau de Veau (first boil a calf’s foot in four quarts of river water), or Virgin Milk which will ‘call the purple stream of the blood to the external fibres of the epidermis’ and, if left on the face to dry, ‘will render it clear and brilliant.’ Over this perfect complexion a young lady might be permitted to use a light dusting of pearl powder, a tinge of carmine powder on the cheeks and touch of rouge, lead-free of course, on the lips should  ‘only be resorted to in cases of absolute necessity.’

In late Victorian times, Bloom of Youth’s lead content could induce radial nerve palsy, or wrist drop, while Swan Down powder, supposedly safe, was found to contain not only zinc but a large quotient of lead. While the use of cosmetics was mostly the prerogative of the upper classes through history, Queen Victoria’s opinion was that the use of makeup was vulgar and impolite. Even today we are not entirely safe from the cosmetics we use. Lead, surprisingly, can still be found in some lipsticks while Botox is derived from one of the most lethal known toxins.  

Today more and more women of note are choosing to appear 'bare-faced', think Demi Lovato, Drew Barrymore, Cara Delavingne, and Cameron Diaz. However, if we can't all be that gorgeous sans makeup, we can always explore the safer option of mineral-based makeup. Whatever, beauty is still in the eye of the beholder, with or without that layer of lippy or slick of mascara.





Victoria Chatham







Images: courtesy of various internet sources
Quotes: The Mirror of the Graces by A Lady of Distinction






  

Sunday, January 14, 2018

Coming Back...by Sheila Claydon



For many reasons, but mainly because I've been looking after my 3 year old granddaughter, I haven't had much time to write this year. In fact make that 18 months what with journeys to Australia and Hong Kong to visit family and friends, and longterm guests at home. It's just been one of those times when writing has had to take a back seat because people, when all is said and done, are more important. On top of all that I've had trouble with my website and, with no time to fix it, have wiped that as well.

I have had one thing going for me, however - Books We Love. Always there for all its writers, it has continued to give me an online presence as well as republishing 3 of the books I wrote in the eighties when the copyright unexpectedly reverted to me, so 2017 has not been entirely book free. Vintage romance! How did I get to be so old?

The republication of those books has been a boost to my writing morale too, especially the fantastic new covers courtesy of the wonderful Michelle ( http://www.michelleleedesigns.net), and now it's time for a comeback.  January 2018 is definitely a time of new resolutions, although right at this moment the workload looks overwhelming.  A book to edit before it can be republished, a half-written book, Part 2 of a series, to revisit and finish, and a website which is still only a work in progress.  I'm enjoying rereading the story of Golden Girl though, the Vintage romance soon to be republished, and it has reminded me of how difficult writing used to be.

Golden Girl was my very first book. I wrote it by hand in notebooks and on sheets of paper at the kitchen counter while my children were at school, and then typed it (a top copy and 2 carbons) on a portable typewriter. I also had a part-time job.  When a publisher accepted it I blew the money on a holiday for the family, our first ever abroad and my first ever flight. I've done a lot more travelling since then but nothing has quite replaced the thrill of that trip to Munich although strangely enough, given that nowadays I hang my writing identity on a have pen/will travel persona, I've never written about it. In 2018, with a study, a computer and the Internet for reference, writing a book is much less onerous. Another big plus is that publishers now accept books online. No more printing, collating and packing up copies and making sure return postage is included. In 2018 the whole process is much more manageable.

Anyway, back to Golden Girl. The story is based on an experience I had when I was a young secretary and was asked to front the launch of a range of  new cosmetics. It only entailed a couple of days in London, nothing so exotic as Paris, which is featured in the book, nor did I meet such charismatic characters as Alain Matthieu and Paul Genet, the hero and anti-hero. The experience gave me the idea though and now that I am re-reading it prior to publication, it is reviving many memories.  Faces and names from the past have come back to me as I wonder what happened to all those people I used to work with. I have also remembered that part of the launch included sitting on a carnival float dressed as a French courtesan, something I had completely forgotten until now!  It was all very tame stuff compared with what the heroine has to put up with in Golden Girl though. And I remember it was fun. 2 days away from the office, free cosmetics, a new dress...what was not to like.

My Golden Girl heroine, Lisa Morgan, has it a lot harder and copes in ways I would never have managed myself. She also has to deal with the sexual politics of the 1960s which were very different from those of today. I got a lot wrong too. I wouldn't write a book now with so much sight-seeing detail, even though it has its uses. For anyone visiting London or Paris for the first time, following in Lisa's footsteps as she explores them offers a blueprint of where to go and what to see.  Maybe I'll go back one day and revisit those places myself but if I don't make it at least I have the memories.

My other Vintage Romances were republished last year. Set in Moscow, Hollywood and, more prosaically, an English town, they set me on the path of writing about faraway places when they were first published. In those far off days I was prepared to write about places I'd never visited, using reference books and travel magazines for authenticity. Now I wouldn't dream of doing that. If I haven't been there then I don't write about it. Since those early days as a writer I've learned a lot, but re-reading and editing them has been fun and the stories still stand up, so if you decide to read them to learn about a different time that is not exactly history but is still very different from the Twenty-first Century, then enjoy.








You can see all of Sheila's books Vintage, Contemporary and Series at:

http://bookswelove.net/authors/claydon-sheila/

They are available at:

And if you have time, then stop in and visit her at:

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