Writing a Historical Novel ~ Part 2 by Rosemary Morrise

 

To find more of Rosemary's work please click on the cover above.

Writing a Historical Novel - Part Two.

Food and Drink in The British Isles.

Beware of Anachronisms.

 

I suspended belief when I began to read a medieval novel set in England written by one of a famous publishing house’s authors.

An armed Norman knight in full armour with a shield on his back scaled a castle’s stone wall to rescue the heroine locked in a turret. He is described climbing through a lancet window (an impossible feat). The maiden welcomed him and asked him if he would like to have a cup of coffee, and eggs and bacon with fried bread for breakfast.

My mind boggled! Coffee was not imported to medieval England and, even if the beauty in distress had the means to cook, she would not have served that food for breakfast.

What people ate in the past can be a minefield of errors for me and other historical novelists. Prior to Christopher Columbus’ return from the New World potatoes were not known in the Old World. Novelists should never assume that because potato blight caused famine in Ireland potatoes reached the British Isles before the late 1500’s.

An error in novels by American novelists is often the assumption that, on the other side of the big pond, corn means sweetcorn. It does not. The old corn markets were held to sell wheat.

Tomatoes, also introduced from the New World were rare and, at first, considered poisonous. Later, people did not know whether they should be eaten as a fruit or a vegetable.

Fresh fruit and vegetables were eaten in season unless, for example, strawberries were grown in a hothouse owned by a very wealthy person. Strawberries ripened at the end of May or in June. If they were eaten at any other time of the year they would have been preserved. I imagine a thrifty housewife serving them as a treat in winter.

When I write historical fiction, I check and double check what my characters eat and drink. Once, I assumed Camembert cheese was imported from France in the early nineteenth century and described a character enjoying some in1813. I researched Camembert and found out it was first made in 1790, and not produced in large quantities until the 1890’s.

There were no bars or boxes of chocolates. At first it was served as a hot drink made with grated cacao whisked with milk sugar and water or from cacao paste. Ladies drank it first thing in the morning, and chocolate houses later supplanted by coffee houses, were popular.

Eight of my novels are set in the ever-popular Regency era, so I have included are a few notes from my research that helped me avoid anachronisms.

“Vegetables are cheapest when they come into full season. All vegetables are best if dressed as soon as gathered; and are in greatest perfection before they begin to flower. Most articles for pickling will be in their prime from July and August; but walnuts not later than the middle of July; and mushrooms and white cabbage in September and October.

Herbs should be gathered on a dry day, and when the roots are completely cut off and perfectly well cleaned from dust, etc., they should be divided into small bunches and dried very quick by heat of a stove or in a Dutch oven before a common fire, rather than by the heat of the sun, taking care they be not burnt When dry put them into bags and hang them up in a dry place, or pound them and sift them through a hair sieve, and keep them in bottles closely stopped. Sweet and savoury herbs are best in fragrance from May to August, according to their kinds. The flavour and fragrance of fresh herbs are much finer than those that are dried.”

 

http://bookswelove.net/authors/morris-rosemary

 

www.rosemarymorris.co.uk

Writing a Historical Novel ~ Part One ~ Choosing Names for My Characters by Rosemary Morris

 

To learn more about Rosemary's work please click on Grace, Lady of Cassio.

My new novel, Grace Lady of Cassio, the sequel to Yvonne, Lady of Cassio, is a classic, fact fiction, medieval romance set in Edward III’s reign, has been released as a paperback and an e-book.

I am often asked; “How do you write a historical novel?”

There is no right or method to write any novel, so authors have different methods. Some plunge in with no preparation, others plan each chapter before they write the first paragraph.

I spend a long time thinking about the characters. Before I begin a new novel, I must become acquainted with the hero, heroine and other important protagonists.

It takes me a long time to choose appropriate names. The first names of most medieval English males and females derive from their religion. For example, Yvonne stems from Ivo, in old French, Ive (s) and St Ives is said to have come to England from Persia In Latin the meaning of gratia is Grace.  Gracia, Grecia, Gricia occur in 13^th and 14^th century and may represent Grace. These examples justify my appropriate choice of Christian names in the first and second stand-alone novels about The Lovages of Cassio. I am equally careful to choose suitable names in my novels set in Queen Anne Stuart’s reign, 1702-1704, and those set in the ever popular Regency era.

Medieval parents’ choice of names was conservative. Although the choice for new-born sons and daughters were limited, I imagine that, in common with 21^st century parents, some medieval mothers and fathers had earnest discussions about what to name their babies. Apart from being baptised with saints’ names or their derivatives, sometimes children received the first names of legendary figures, famous people, or royalty.

As the saying goes, I think it is worthwhile ‘going the extra mile’ to carefully select my character’s names, bearing in mind they should be appropriate for their social class. While researching my novels I discover lots of names that have gone out of fashion. For example, I chose Richelda for the heroine in my novel, Tangled Love, set in Queen Anne’s reign.

I neither invent improbable names which are glamourous, nor do I choose recently invented names such as Shanna or Sky. I also stick to conventional spelling instead of using a different one, for example Maree instead of Mary or Richearde instead of Richard which would jerk me out of the story.

Recently, I read the first few pages of a historical romance in which the hero and heroine’s exotic first names would only be found in today’s kindergartens or primary schools. I discarded the novel because, in my opinion, I did not have faith in a historical novelist who could not be bothered to choose appropriate names for characters will not accurately create past times for her readers.

 

http://bookswelove.net/authors/morris-rosemary

 

www.rosemarymorris.co.uk