To Write or Not to Write by Nancy M Bell

 

To explore more of Nancy's books click on the cover above. 

I'm working on another installment of the A Longview Romance series. Storm's Refuge was the first book, which was followed by Come Hell or High Water and A Longview Wedding. Michelle is the heroine in the first three books and her life is turned upside down when her supposed fiance comes home from the National Finals Rodeo in Las Vegas married to someone else. 

Rob Chetwynd, the fiance in question, has played a role in the first three books, but this time I'm sharing how the impromptu Vegas wedding comes about. Kayla's Cowboy is the title and is told from Kayla's POV. How she meets Rob and how their relationship progresses is certainly a work in progress.  

I'm struggling with how to bring these two disparate characters together. Kayla is an accomplished dressage rider who is at the NFR to give a demonstration of her sport. Her sponsors have arranged the whole thing and have sent another horse and rider pair along as well. Kayla and Anna split the duties with one of them doing the riding and the other providing the commentary on a rotating basis. This is all okay until Anna's horse, Arizona, gets cast in the stall and unable to perform, which puts added  pressure on Kayla and Wellington. 

Anna's a bit of a party animal and she brings Rob and his pal into Kayla's orbit. She thinks the cocky, but admittedly sexy, cowboy is an adrenaline junkie for getting on rough stock not to mention enraged bulls.  But, things take some twists and turns and she is thrown into his company more and more. Somehow, the cockiness wears off and a more vulnerable side of Rob comes to the forefront.

He confesses that, while he and Michelle have been friends forever, and everyone in Longview expects them to get married, Rob isn't in love with Michelle that way. His mother is pushing him to get on with it, and Michelle is certainly unaware of his reservations, added to the pressure is the fact his late father's dying wish was that Rob and Michelle get married and combine the Wilson and Chetwynd  ranches. Rob isn't ready to settle down with Michelle and he sure as hell isn't ready to quit the rodeo road.

That's it so far, now I've just got to figure out how Kayla agrees to marry him. She noticing the chinks in his armour and as a woman who was raised by her aunt after her parents died, she realizes how Rob's cocky facade is just a front to hide the face he's fighting his own demons. 

So, to write or not to write, the dreaded writers block. I keep turning my characters this way and that and trying to figure out how they fit together. <sigh> 

I know this dilemma should help me deal with the Covid isolation blues, but somehow it just doesn't seem to be working. I'm into Covid Winter x 2 and not liking it at all. Hopefully, either Kayla or Rob will cosy up with my muse and help me out here.

Until next month, happy writing. Stay warm, stay safe and stave off the dreaded writer's block.

Nancy 

Some Pre-Release reviews for Chance's Way and A shout out to When Words Collide by Nancy M Bell

 

To learn more about The Alberta Adventures series and The Cornwall Adventures that proceeded it please click on the cover above.  

First, When Words Collide, that wonderful and very affordable writers festival has wrapped up for another year. This is the second year we've gathered online and all things considered it seems we are getting better at managing Zoom calls. The wonderful thing about WWC is that all the presenters and hosts and organizers volunteer their time and expertise which makes this amazing event accessible to everyone. Hopefully next year we can all meet in person again in Calgary. I sat on several panels and did a presentation on Character Development which was well attended. Thanks to everyone who tuned it and participated.

Now, for a bit of shameless self promotion. As you may or may not know reviews are so important to an author. Chance's Way releases on September 1, 2021 and I have been lucky enough to get a couple of pre-release reviews. So, just to whet your whistle, so to speak....

From KC Finn of Readers Favorite

Author Nancy M. Bell has crafted a great YA drama that will introduce readers to country life in Canada, with sweet romance and highly relatable protagonists. Chance’s journey was intelligently penned and well-balanced to give a heartfelt but not overdone approach to his big life turnaround. The issues surrounding his ne’er-do-well father were so interesting to explore, and you could really feel Chance’s family conflict coming through. I also enjoyed the presentation of Laurel immensely, and her dialogue and charm made me want to read the rest of the books in the Alberta Adventures series to see her personal journey too. Overall, I would recommend Chance’s Way to fans of the existing series and new readers seeking emotional tales of young people just setting out to carve a future for themselves despite their setbacks and adversities.   

Till next month, stay well, stay happy   

The Horse in Your Western Novel – Horses are not Zebras or Misguided Unicorns By Connie Vines

CLICK TO PURCHASE FROM AMAZON

CLICK TO PURCHASE FROM AMAZON

Ten Pet Peeves, or Horse-Related Mistakes to Avoid in your Novel

1)   Misusing the specialized and precise vocabulary of horsemanship, especially the size, color, age and sex of the horse.

2)    Defying the laws of nature. AKA: Creating the ‘superhorse’.

3)   Horses trained or controlled by either ‘mastery’ or ‘magic,’ ignoring the real behavior of horses.

4)   Mixing up Western and English terms and styles.

5)   The stallion!  (Not the mount of choice).

6)   The self-conscious or uncomfortable expert rider.  An expert is an expert—no need to hang on for ‘dear life’.

7)   Good riders are relaxed in the saddle.  No kicking, kneeing, or flapping of elbows are needed.

8)   Forgetting that horses are animals and need to be fed and watered.  Even in modern times, your transportation requires gas, oil, and water.

9)   Talking horses—horses who neigh and, heaven forbid, scream on a regular basis.  Horses are generally rather silent beasts, though they will whinny if parted from their stable mates, or nicker softly in greeting at feeding times.

10) Tada! My personal favorite, and, unfortunately, too often seen in print and on television—the mare who takes all night to foal while the hero and heroine sort out conflict.  (Nature ensures that healthy mares foal fast.  A long labor requires someone calling for the vet—not working out ‘conflicts’.)

The Facts, please:

Since horses are flesh and blood creatures, the faster the horse goes the shorter the distance he can maintain that speed without harm. If the ride involves difficult terrain, jumping, or carrying extra weight, both speed and endurance will suffer.

Modern Endurance Rides: take 11-15 hours to cover 100 miles (part of this time the rider spends running beside his mount).

1860s: The Pony Express averaged nine mph over 25 mile stages.

For additional information, check the records from modern Thoroughbred Racing.

The Terms:

Mare: a female horse.

Stallion: a male horse that is not castrated.  Also called ‘entire’ in England and in the West, a ‘stud’ horse.

Gelding: a castrated male horse.

Foal: a young horse from birth to January 1 the next year. The female is a ‘filly foal,’ the male is a ‘colt’ foal  this may change per region).

Filly: a young female horse, up to 3 years old.

Colt: a young male horse, up to 3 years old.

Yearling: in the year after the birth year.  A yearling is too young to ride!  Most saddle horses aren’t worked hard until they are at least 4 years old.

Height: horses are measured from the ground to the top of the withers in ‘hands’. One hand is four inches. The average horse is 15 to 16 hands.  17 hands is very tall and only unusual specimens reach 18 hands.  Ponies are usually less than 14 hands.

Gaites (‘Paces’ in England): walk, trot, canter, gallop—also ‘pacing,’ ‘ambling,’ ‘running walk’ –describe precise and different ways in which a horse moves its legs. 

Rainbow Colors?  Certainly Not:

The English horsemen use fewer and simpler terms than Western horsemen, partly because English breeding has selected for fewer colors. Essentially two colors are taken into considering when describing horses. The main body color and the ‘points.’ The ‘points’ in this context are the ear tips, the mane and tail, and the lower part of the legs.

Black body, black points: A Black horse—may be smoky black, jet black, coal black, raven black.

Brown body, brown points: A Brown horse—may be seal brown, or standard brown.

Red-brown body, black points: A Bay horse—may be dark bay, mahogany bay, sandy bay.  Every Bay horse always has black points.

Reddish body, self-colored (non-black) points: A Chestnut/Sorrell horse—in the West, reds of All colors. Western horsemen use ‘sorrell’ to describe all red horses.  Light sorrel draft horses are known as ‘blonde.’

Yelllowish body, (generally) black points: Buckskin is the term used in the West.

Other colors and terms (you may wish to conduct additional research) include: A Grey, a Roan, a Palomino, a Isabella, a Paint or a Pinto, White horses and Albino, Piebald, and Skewbald.  There is also, the closest thing to a ‘horse of a different color’, the Appalossa.

Information online:

Naming your horse:
http://www.horses-and-horse-information.com/horsenames/a.shtml 

http://www.equinespot.com/horse-names.html

For fantasy (naming your unicorn):

http://fantasynamegenerators.com/horse_names.php#.VYTRXPlViko

Caring for your horse:

https://www.youtube.com/watch?v=99RH0I-Jj34

The dollars and cents factor of horse ownership:

http://www.moneycrashers.com/cost-owning-horse-alternatives-buying/

A horse is the projection of peoples' dreams about themselves - strong, powerful, beautiful - and it has the capability of giving us escape from our mundane existence. ~ Pam Brown

Happy Riding,

Connie

Two of my loves: Tulsa and Midnight
(during my rural life in Ramona, CA)

Just Me and My Besties--Slugging a Path Through Those 'Sagging Middles' By Connie Vines

PURCHASE FROM AMAZON

Yes, I have friends, associates, family, and other writers to converse with though out my day.

Yes, I network, attend workshops, and belong to online writing chapters.  I even have other writer friend only a text message away.

But at 3 AM, when I'm slugging my way through a 'not-quite-working' middle of a novel, and I've started talking to myself.  It's nice to have a BFs at your disposal.

While the focus of the movies and television seems to be on helpfulness of minions and the like--I prefer the company of a good listener--or cheering section.

Well, it's not conventional--but then I'm a bit quirky, most writer's are.  After all we do spend quite a bit of time in our own company.

For a person who did not indulge in, or particularly like, dolls as a child  (I held my baby doll by a foot allowing her head bounced around in the dirt).  I did like monster movies (The old Universal Monster Movies).  I collected the model kits and read all the magazines about horror make-up and read bios about the great actors.  So I guess this type of cheering section makes perfect sense.
(See qualifying statement in earlier paragraph).

So did I come up with any sure fire way to get through those 'sagging story middles', with or without the help of Besties?

I've changed to Pandora Radio for evening listen, and Slacker Radio during the day. When I'm working though a snag, B.J. Thomas is usually singing in the background.

Let's face it. the middle of a story can be depressing.  Our hero becomes overwhelmed.  Things look savage and harsh.  Paths disappear (for both the hero and, unfortunately, the writer).

To quote, Nancy Kress, The function of the middle is to develop the implicit promise made by a story's beginning.

After all, a promise is a promise.

This is when we must ask ourselves, whose story is this?
Who are the point of view characters?
What is the main plot line (throughline is the film term)?

Not certain?  Boy, do you have a problem!

Getting a clear focus on your plot line can make the middle of your book easier to write.  Where should the emphasize be--which scenes, which characters.  I used to rely on 3 x 5 index cards, now I use several writing programs and apps.

Since I write in series of threes: chapter 1-3, 4-7, etc. my middle seems longer because it over laps sections.  I also like to have 3 scenes in each chapter, with a scene often breaking at a chapter's end and ending in the following chapter opening.

Still experiencing a bit of trouble?  Choose three novels you know well.  For each summarize the plot line in a sentence or two.

Jane Eyre: Penniless in a region of England she does not know, Jan experiences three bitter days of begging, sleeping outside, and nearly starving.

 Dracula: One of Dr. Seward's mental patients, Renfield, lets Dracula into the asylum where the others are staying, allowing the count to prey on Mina.

It's the Great Pumpkin, Charlie Brown!:  When Linus sees a shadowy figure rising from the moonlit patch, he assumes the Great Pumpkin has arrived, and faints.

Now, pull out your WIP or a few of your unfinished stores.  Summarize its plot line.  List the scenes.  How does each scene advance the plot, develop character, contribute to the middle plot line?

Do you need to add an additional scene?  Should a scene have more emotional intensity?  I find this to be true in my stories.  My stories are character driven and  the emotional reactions are a force which drives my plot lines.

Keep your characters from having a mid-life crisis by shoring up those 'sagging middles', and relying on your "Besties".

Happy Reading,

Connie

novelsbyconnievines
Word Slinger
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The Power of Emotion by Connie Vines

In my opinion, all successful/popular novels, no matter what genre, have one key element: emotion.  Emotion lies at the core of every character’s decision, action, reaction, and motivation.  All of which drive the story. A character’s personal journey does not exist without emotion—it would be pointless. The plot would be made up meaningless events that a reader would not invest any time to read.  Why?  Because above all else, the readers choose a novel to have an emotional experience.  Be it a wild roller coaster ride of pure terror in a horror novel; reliving the sweet courting experience of an inspirational romance; discovering a new unexplored, heart-pounding world of a sci-fi; the pleasure of solving a who-done-it; or, pure laughter and fun in a read-it-at one setting comedy—readers want to connect with your characters.  With this connection to characters, who provide entertainment and whose trials and experiences may, in turn, add meaning to their own life journeys.

We are emotional beings.  Feelings propel us. Drive us.  Define us. Moreover, while it may seem that most of those exchanges happen during conversation, studies show that 93% of all communication is nonverbal.  Even in instances where we try not to show our feelings, we are still telegraphing messages through body language.  Because of the, each of us is adept at reading others without a word being uttered.

           

    Readers have high expectations.  Long done are the long intros: “There was no possibility of taking a walk that day.  We had been wander, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so somber, and a rain so penetrating”.  . . I am certain you recognize the first sentences of my favorite classic novel, Jane Eyre by Charlotte Bronte.  A delightful read, rich in detail and thick with emotion—but not a read easily consumed during a pause in a workday, or after getting toddlers off to bed.  Readers no longer wish to be told how a character feels; they want to experience the emotion for themselves.

               This leaves the writer with the challenge of ensuring that our characters express their emotions in ways that are both recognizable and compelling to read.  Personally, I find that less is more.  I am always aware of the pacing of my story.  Too many clues to describe a character’s feelings can dilute the reader’s emotion experience.  Backstory is only pepper in to allude to a ‘trigger’ emotion.  Example:  Marty, in the BACK TO THE FUTURE series of movies.  A cliché, but calling Marty ‘chicken’ worked every time—the viewer knew and expected ‘something’ to happen. Not that I have ever, I hope, have resorted to a cliché, but my characters have a ‘fatal flaw’.  I cannot divulge any that I have used because it would ruin the storylines.  But we all have our ‘trigger’ emotion.  If you have siblings, undoubtly, you were tormented with it on numerous occasionally.  Our ‘characters’ may or may not recognize a personal tigger emotion.  This is writer’s preference in relationship to plot and character development.

               One emotion that I find fun to watch (in young children) and it easy to work into a YA story is amazement.  To a toddler everything is new and amazing.  The child’s eyes widen.  The child becomes suddenly still.  May suck in a quick breath/hand covering one’s mouth. Stiffening posture.  Rapid blinking followed by open staring.  Reaching out and touching or taking a step back. I am certain you could add to the list my recalling your personal experices or observations.

               Now how would that young child feel, internally?  A heart would seem to freeze, the pound. Tingling skin. Adrenaline spikes. The mental reaction in the amazed person could be disorientation, momentarily forgetting all else, or wishing to share the experience with others.  Now say your character is a shy or too cool to give anything away.  How could this emotion be suppressed? Self-hugging, jerky, self-contained strides, Eyes widening a bit before control is asserted, mouth snapping shut.  The clues are always apparent. 

               I like to get to know my characters, savor my scenes, and always dig deeper for the right word. The right motivation.

               I enjoy the journey to discover my characters, their hopes and wishes.  I feel blessed to tell each one of their stories.  And I hope that my novels, in turn, bring hours of enjoyment into each of my readers’ lives.

               In closing I’d like to share a bit of my past.

               When my first YA historical novel was published, I was honored at a Red Nations Powwow.  The tribal elder, Jacques Condor, told me I was being honored as a StoryTeller.  We both knew this was a great-honor among the tribes. He reminded me, always, to be humble, because it is the Story who chooses the StoryTeller to bring it Life. 

               My mandella hangs my living room wall, and my hand-tooled silver ring is worn to remind me of both my gift and my duty.

               Thank you for taking the time to read my entry to my publisher’s daily blog.

               Fondly,

               Connie

Digital Fitness Monitor--The Gift That Won't Stop Giving by Connie Vines

It is nearing the end of December and the New Year is shoving itself to the forefront of everyone's mind.  All the Christmas goodies have been consumed or given away in festive holiday containers to family and friends.  Leaving many of us looking at the calendar and wondering which day to begin storing away our exuberant display Christmas decorations; or deciding which holiday cards to keep or recycle.

I, however, I am spending my morning staring out my office window at a profusion of lovely southern California greenery, listening to "The Martini Station" on Slacker Radio and slipping a cup of warm water (flavored with a bit of lemon) and tormenting myself with my Digital Fitness Monitor.  The same Digital Fitness Monitor I purchase with my birthday gift cards (I am a June baby).

Mind you, I'd much rather be working on my next release: "Gumbo Ya Ya: for women who like romance Cajun and men HOT & SPICY!"  Instead, I'm crawling on the floor to insert a tiny usb thingy into the center of my PC tower (why is the tower/tower door covers and background/ and the 'usb thingy' the same shiny shade of black? Why?  Camouflage, maybe?  No.  No, that can't be the reason.  The real reason being:  black is the perfect venue to highlight 'finger-print' marks.  Thankfully, for my sanity's sake, the monitor and wearable clip is in a somewhat-eye-catching shade of burgundy. (Easily located in the bottom of my black-lined handbag where the device may reside if things don't go well during our 'honeymoon stage".)

That said, I'm back on my PC, where, after rotating though an endless round of 'personal' questions on the set-up and download screen, I'm ready to begin. Unfortunately my device needs to have the battery charged for two hours.  You guessed it, I'm back on the floor yanking out the usb sync device and replacing it with the tiny (black) charger while trying to decide which end of the burgundy fitness monitor to shove into the charging unit.

Success!

While I am waiting, reach for my iPhone and log on to MyFitnessPal with it's scanner and pre-programmed/personalized selection of my fave, and often selected foods, over the past three years.  Even though it's time for a change (I did join an upgraded gym six months ago), and those same twenty pounds have come and gone. . .and returned numerous times over the past five years. Change is always a challenge.

Is this a challenge I'll like?  I very much doubt it--I love my coffee (Starbucks: Gingerbread Latte, hold the whip) way too much.  Will I give my new digital fitness monitor the old college try?  Yes.  After all what choice do I have (the darn thing was expensive!).  I'll grumble, I'll complain, but I will use the digital device.  After all, "Ask Dr. K", newspaper columnist and physician and professor at Harvard Medical School, says that most people use the devices and adopt a healthier lifestyle.  He also has the results of surveys and studies to backup his findings.

I can't argue with proven success.

However, I draw the like at wearing the device while I sleep--I don't care if a wrist band, complete with Velcro fastening--and you guess it--in a nice shiny shade of black, came in the package!

Wishing you a New Year filled with joy and many blessing, as well as an E-Reader filled with wonderful stories from Books We Love Authors.

See you next month!

Connie

What Woman Doesn't Love A Cowboy?

I was sitting on a hard, cold wooden bench, watching a rodeo in Thedford, Nebraska at the time.  This town had been a spot on my usual off-the-tourist radar places I frequent during family vacations.  This was the second time my husband, two young sons and I, had visited the small town and were absorbing the ambiance the western United States offered.  My father,  a fourth-generation Texan, amature rodeoed when he attended high school, so I understood the battering bronc riding had on the body. However, I hadn’t realized how strong the rodeo fan base was outside of the Lone Star State.

Everyone I’d spoken to loved cowboys, though he/she was a cowboy/cowgirl, wanted to become a cowboy, or simply loved the concept of ‘being a cowboy’.

That was when Lynx Maddox entered my life.
What a cowboy! 
With a dangerous reputation for taking chances and tempting, fate, rugged cowboy Lynx Maddox had one goal in life—to win the coveted Silver Buckle rodeo championship.  But when he sets eyes on lovely Rachel Scott, he becomes determined to capture her as well. . .

I hope you enjoy reading my Rodeo Romances.  “Lynx” is Book 1 of the series.

Please log on and watch my book trailer: http://Vimeo.com/57894742
I’ll be back on blog in 30 minutes, and will be blogging throughout the day.  So, grab a cup of coffee, watch my book trailer and read my book teaser—www.amazon.com/dp/B00ATSATM2. Or, visit my website: www.novelsbyconnievines.com
Today’s blog updates:
A recipe for “Cowboy Kisses”.  Nope it’s not a sweet candy.  Interested in other culinary recipes?  Look over my blog: www.naughtynibbles4you.wordpress.com

 An interview with Lynx Maddox.

My own ‘western days’ and photos of my horses.
"Never approach a bull from the front, a horse form the rear, or a fool from any direction,"

Connie