Friday, April 26, 2024

An Excerpt from The Laird (Wild Heather Book 1) by Tricia McGill

 

Find all my books here

I’ve always found the idea of travelling back in time fascinating. And the thought of meeting up with a rugged highlander like Travis, the Laird in this book is one of my wildest dreams. To think what it must have been like back then in the days before transport, electricity and all the other commodities that make our lives so easy nowadays. The Laird is Book One in my Wild Heather series and if you fall in love with the Laird as I did in this book then you will enjoy Book Two in the series which continues on with the handsome rogue’s story.

For something different I have two time-travelers going back to Scotland of 1050. Andrew is a modern wealthy Australian architect who very reluctantly answers a plea to visit his sick uncle. Andrew takes life very seriously, whereas his PA Elizabeth, Liz, is the exact opposite. Outgoing and a lover of fun, she is also a lover of all things Celtic and has studied Celtic lore and language. She inveigles Andrew into letting her accompany him to Scotland, the birth land of his father, who left there under a cloud years ago.

Shocks and disappointments await Andrew when they arrive for his uncle’s castle is dingy, draughty, and in urgent need of repair. Of course, it proves a delight to Liz who can’t wait to explore. While in one of the attics they set off a chain of events that propel them back in time where they meet the Laird, who just happens to be Andrew’s double.

“This is a remarkable book, and Ms. McGill is an outstanding writer. There is rich historical detail of everyday medieval life, and characters who stepped right out of the annuls of history. I love time travel books, and this one is exceptional.” Deborah Brent for Romantic Times.

The Laird is available here at your favourite store: https://books2read.com/The-Laird

The Laird Excerpt:

Chapter One 

Near Stirling, Scotland. Present day.

Andrew McAlistair stared at the muddle of buildings. He’d never seen such a mess.

His personal assistant obviously didn’t share his opinion. The moment she spied the heap of junk, she said, “I’ve never seen anything like it.”

“Neither have I.” Sarcasm threaded through his remark.

“It’s fascinating.”

“Elizabeth Parker, you’re odd.” Andrew shook his head. “Surely this can’t be the right place. It has to be a mistake.” He’d stopped the hire car by a pair of iron gates, once grand, but now hanging drunkenly on rusty hinges. One of the lions perched askew atop the posts flanking the gates had its concrete nose sliced off. “My uncle and aunts can’t live here—we’ve obviously taken a wrong turn somewhere.”

“No, that lady at the post office said this is the place. Drive on to the door.”

Andrew’s insides cringed as he drove past a garden gone to weed, where motley shrubs battled to survive against a choking tangle of thistles.

“The house looks promising,” Liz said, her eyes still sparkling with excitement.

Andrew groaned. Back in Melbourne, those green eyes lit up the moment he mentioned his uncle’s castle. Liz read Scottish history as if it was the most interesting literature in the world, and possessed an understanding of Celtic lore and languages. She was the only person he knew who spoke fluent Gaelic.

“My God, it looks like the house that Jack built,” he complained. “The bloke who designed it must have been crazy. Or drunk.”

A two-storied house stood stoutly in front of a larger four-storied structure with turrets at the top of the two front corners. Curved steps went up to immense double doors. Small grimy glass panes were set high in each door.

The moment Andrew stopped the car these doors flew open and two elderly ladies pranced out. One wore a bright tartan skirt and red blouse with frilled neck and cuffs. The other’s black dress covered her from neck to ankle.

His aunts, Kitty and Tilda. Andrew could only stand and stare.

“Andy, is it really you? Ye’re here, all the way from Australia!” The plump one had a mass of hair like corkscrews. She drew Andrew against her ample bosom, her tartan skirt swirling as she rocked him back and forth. Her cardigan had seen better days, as had her scuffed brown leather boots. Vermilion lipstick ran through cracks at the side of her mouth. The scent of lavender and mothballs made Andrew cough. As he tried to free himself from the old lady’s clasp, he saw Liz’s grin.

As she pumped Liz’s hand the thinner of the two old ladies twittered, “An’ you must be Andy’s trusty companion.”

Andrew managed to free himself from the plump one, only to be dragged into a pair of stick-thin arms that pressed him against a breast as flat as a board.

“I’m yer Aunt Kitty.” The bigger one stood back and beamed. “I cannae believe you’re really here, Andy.”

Kitty was in her early seventies. Her boots looked sturdy enough to take her over the hills and dales and she looked fit enough to hike for miles.

“This is Tilda.” With an indifferent sniff Kitty pointed to her lean sister. Tilda’s tight bun dragged the skin of her face back from her prominent cheekbones, pulling her narrow mouth into a straight line. Probably sixty, Tilda looked ancient. Like a hyperactive sparrow she jerked from foot to foot.

“I’ll call the old bugger.” She rushed inside. Andrew blinked.

“Tilda’s a bit slow,” Kitty put a finger to her forehead and rotated it while she rolled her eyes. “Come away inside. The old fellow will fetch yer luggage in.” She waved a hand in the general direction of the vehicle. “Yer car can stay there. The garage has a hole in the roof, so it will do just as well where ‘tis.”

Andrew’s disappointment grew in leaps and bounds as they went into the hall. Instead of the marble fireplaces, oak panels and Persian carpets of his fancies, the large lofty hall was starkly unfurnished, except for a few rusted weapons hanging on walls whose plaster was peeling. The paintwork bore water stains, the stair carpet was threadbare and the whole house seemed dilapidated, draughty and in need of repair.

“Now, can I get you a cup of something hot? You must be feeling the cold something awful after coming from the tropics.” Kitty yanked on the waistband of her skirt.

“Australia isn’t exactly tropical, er...um...Aunt Kitty.” Andrew ran a hand over his hair, then down his nape. Good God, the woman didn’t feel a bit like a relative. And he wasn’t keen on the amusement Liz was failing, to conceal. “At least not in Victoria where we come from.”

“Ah well, once ye get settled in ye can tell me all about yer home and work...and everything.” She rubbed her palms together.

“I’d like a hot drink, Kitty.” Liz asked, then added, “May I call you that?”

“Good gracious me, yes. Now then, follow me.” She started off along the wide hallway, her skirt swaying.

“What century was the castle built in?” Liz asked, obviously intrigued by this monstrosity of a place. Andrew shook his head.

“The original part at the back was built in the seventeenth century, dear, but bits have been added on over the years. Not much has been done in the past few years, though.” Kitty tut-tutted sadly as she opened a door beneath the staircase then gestured with red-tipped fingers for them to enter. “We eat in the kitchen these days, ‘tis warmer.”

She waved for them to sit at a long wooden table with ten chairs around it, and then went over to the huge black stove throwing out enough heat to warm the cavernous room. “The kettle will take but a moment to boil.” She tugged on her cardigan, rubbed her hands together a few times, and sat opposite them.

“Yer uncle will no doubt wait until later to welcome ye himself. I’m sorry to say he’s a wee bit obstinate, is that brother of mine. Fancy letting his own flesh and blood go for so long without one word over the years!” Sighing, she dramatically pulled her bottom lip into her mouth. Then she sent Andrew a coy smile, declaring, “No doubt yer heart is softer than his, laddie. ‘Twas a dreadful shame that yer father left after that awful row with Lawrence. But no doubt he made a fortune for himself in Australia.” Her eyes gleamed with curiosity.

“He did all right,” Andrew admitted quietly. “My father always took some misplaced pride in being the black sheep of his family, but never told me exactly what the argument was over.” He paused, then added, “My father never spent much time discussing anything with me, really.”

“That’s an awful shame.” Kitty reached to pat his hand.

 “The row had something to do with money,” Kitty went on. “I think yer father had a hand in a wee bit of smuggling or the suchlike.”

“That would be about right.” Andrew noticed Liz’s quizzical gaze. He seldom spoke about his father and apart from telling her he’d died four years ago, and went to Australia in 1956 at the age of twenty-five she knew little else.

Kitty busied herself making a pot of tea, then poured them all one. “An’ it was also a crying shame that ye never got to meet yer grandparents, Andy,” she said as she sat again.

It never bothered Andrew before. But now he came to think about it, it was depressing, to be the last in a long family line.

“Still, an’ all, ye’ll be having bairns of yer own afore long, laddie. Then the family will grow again like it was in the old days, when there were many proud McAlistairs.”

Andrew stared into his cup, saying nothing.

Kitty asked brightly, “So, did ye have a good drive over from the airport at Edinburgh?”

 “Yes,” Liz said. “The scenery is superb, Kitty. All that I expected. And the town looks lovely sprawled over the hills. I can’t wait to go to Stirling Castle.”

“Aye, an’ we have the Campsie Fells south of here, an’ then the Ochil Hills on the other side of the Firth of Forth. An’ you’ll have to visit the Antonine Wall. ‘Tis just a wee ride away.”

Andrew looked over to Liz. Her wide eyes shone with expectation. “Oh, don’t worry, she’ll visit every place within a hundred mile radius,” he said with conviction. Her zest for life and interest in all things ancient was astonishing. She had the fair complexion that usually accompanied auburn hair and a few of the freckles attractively spotting her up-tilted nose showed through her make-up. A smile twitched at the corners of her generous mouth as she looked from him to Kitty. A smile was always lurking in her eyes, and he knew she always went out of her way to get him to snap out of his seriousness. It had become a game they played, where she laughed openly and he held back. Even in the well-cut suits and prim blouses she always wore to the office, with her hair coiled at the back of her head, her vivacious spark shone through.

“D’ye wish to go to yer rooms now, laddie, and freshen up?” Kitty was watching him expectantly.

“Oh, yes, sure.” He stood, pushing the rung-backed chair beneath the table.

“Come away with me, then. I’ll show ye up.” With another tug on the raggedy cardigan, she beckoned to them as she made for the door.

After the warmth of the kitchen the hallway struck as cold as a tomb. Andrew shuddered. With a bit of luck they could see his uncle, make peace with him, then scoot back home as soon as possible.

The upper hallway was no better than downstairs, with frayed and faded carpet on the floor and streaks of water damage on the walls.

“Right, this one is yers, Andy.” Kitty stopped and opened a door with a flourish. She stood back, beaming. “And right next door is the lassies’. The bathroom is over there. There’s hot water, but sometimes the heater plays up, so ye’d best work it out between yourselves so one has a bath at night and one in the morning.”

Andrew groaned. It seemed as if that was all he’d done since he first saw this dreadful pile of bricks. Behind Kitty’s back he put a hand to his head, and pressed his fingers to his temple. Liz’s grin widened.

“We’re hoping ye’ll stay awhile, the pair of you.” Kitty patted his arm, and gave him a benevolent smile. “The days are short and the winds heavy about now, but in spring the heather covers our hills with purple. Some foreigners think this a savage land, but we’ve hidden glens where torrents of water rush through them. An’ there’s gently rolling hills and mighty mountains. All that a soul with Scottish blood in his veins can desire.”

Andrew scowled at Liz’s broad grin. How the hell had he let this incorrigible history fanatic talk him into this?

Chapter Two           

“I told you everything would be all right, didn’t I?” Liz said, as Andrew put the phone down and jotted a few notes on the pad in front of him.

Andrew sat on the corner of the desk, drawing her eyes to the powerful leg muscles beneath the fabric of his trousers as he began to swing a foot. With an effort she dragged her gaze away.

In the three years they’d worked together Liz had grown to admire and respect him, but at times could be maddened by his arrogance. Her boss took life far too seriously. If he would only take life more lightly he would be perfect.

What the hell, he was nigh on perfect, with dark softly waving hair, gold hawk’s eyes and a powerful physique he kept in well-honed athletic condition. 

“Yes, as you forecast, Ray is managing with the Dickinson project admirably. With Paula’s help.” He raked a hand through his hair. It was cut short, so he didn’t disrupt its neatness. He sat on the chair opposite hers at the side of the fireplace dominating the library, the only other habitable room on the ground floor. The castle was definitely the drabbest and coldest place either of them had ever lived in. In the two days they’d been here both hovered close to the fire whenever they could.

“I still don’t know how you inveigled me into coming here, Parker,” he grumbled. “I told you it would be bloody freezing here in March.”

“I wanted to skulk around a castle in Scotland.”

“As I said—mad.” He shook his head.

“Well, if I wasn’t a bit soft in the head I wouldn’t have slaved for you with only one holiday in two years, now would I?”

“I was going to suggest you take some time off after we’d cleared up the Dickinson job,” he allowed magnanimously.

“Ah well, this is more exciting than a couple of weeks in Bali, boss.”

“Crazy,” he muttered. “Uncle Lawrence seems quite taken with you. I’m beginning to think he doesn’t give a carrot about me, for all he says I’m his heir.” Stuffing his hands deep in his pockets he scowled at his feet. “I wonder what I’m doing here.” He made a sound of disgust. “The old boy doesn’t seem to be at death’s door at all, contrary to their letter. Aunt Kitty couldn’t give a hoot about him or how sick he is, and from what I gather, she never goes up to his room. Personally, I don’t think she can stand the sight of him. Tilda seems to have more time for him. At least she spends an hour or so in his room each day.”

“Poor dear. She’s definitely a bit slow. And she’s not impatient like Kitty. Did you see how Kitty’s eyes lit up when you were talking about your business, and how well your father had done in Australia? I think she’s of the opinion you’re her pot of gold at the end of a rainbow. She likes the latest clothes, so she told me.” Liz rocked back on the other moth-eaten armchair as she laughed. “She reckons her brother is so tight he squeaks as he walks. Not that she should say that. The poor old soul can’t walk.”

“Poor old soul—what rubbish. He’s cantankerous and rude, and that male nurse of his has the patience of a saint. During the short time I visited with him yesterday he complained about the cost of running this place, the price of food, the wages he pays to the staff.” Andrew ticked the complaints off on his fingers. “Staff—what a joke? My God, he’s only got two old retainers. No wonder the place is falling apart.”

“Yes, but it’s fascinating, admit it. Your uncle told me to go up and rummage through the trunks in the attic any time I feel like it.” Liz leaned forward in her eagerness. “Imagine what we may find up there.”

“Imagine.” Andrew grimaced. “He’s definitely found a soul mate in you. He thinks you’re the bees’ knees. What were you talking about for two hours yesterday afternoon?”

“He shares my interest in the history of this place.” Liz looked about at the dusty drab room, seeing images of shadows of its past inhabitants in every corner. “Can’t you feel it? The castle is steeped in it. I swear I saw a ghost last night as I got into bed.”

“You would. It was probably the first McAlistair who lived here. What did you say his name was?” Andrew sat forward, his elbows resting on his knees.

“I don’t really know. I haven’t been able to trace your tree so far back yet. But if he’s anything like the paintings of your other ancestors in the gallery, he can haunt my bedroom anytime he likes. What dishes. One of them was called Travis. I don’t really think the castle’s history goes back to the first one. God, but there’s something romantic and dashing about a man in a kilt. And those bagpipes really stir the soul.” She winked mischievously.

“Ha,” he grunted. “I think you must have more Scottish blood in your veins than I have.”

“That’s a fact. This place draws me. I think I love it, ghost and all.” She looked about. “I found out what the family tartan is. You’d look great in a kilt, boss.” She leant back and appraised him through narrowed eyes.

“That is definitely one garment you’ll never get me in. Forget it. And what the hell am I going to do with this dump?” Once his uncle passed on, this castle would be his and Liz knew the mere thought made him morose.

“You could always use it as a holiday home,” Liz suggested. “Imagine what fun you can have telling your friends that you’re off to the Highlands for a break.”

“Fun?” Andrew shivered visibly. “It’s miserably cold and damp. The furniture should have been burned years ago. Look at it.” He slapped at one of the cracks on the arm of his chair. “I don’t know why I let you talk me into coming.”

“It was worth coming if only for that porridge we had for breakfast. Only the Scots know how to make real porridge.” She closed her eyes and purred in blissful reminiscence. “And what about that dish Kitty called Scots Collops we had for dinner last evening. Wasn’t it tasty?”

“Just tasted like mince to me.”

“We’ve been promised Finnan Haddie for dinner tonight.” She concentrated on keeping the amusement out of her voice.

“Finnan Haddie?” He scowled. “What the hell’s that?”

“It’s haddock from Findon, so Tilda said. Apparently, that’s a fishing village near Aberdeen.”

Pressing a finger and thumb to his eyes, Andrew sighed. Liz hid a smile. “Can we visit Stirling Castle later, please? It’s only down the road a bit. Look, I’ve got a pamphlet.”

“Just another one of the hundreds you’ve accumulated since our plane landed.”

Ignoring his sarcasm, she read, “The castle was a strategically important place. It played a major part in the Scottish struggle against the English.” She glanced up. “Just imagine it. Great names like William Wallace and Robert the Bruce were involved in the sieges there. And Andrew the Second tossed the Earl of Douglas’ body from a window of the castle. He’s supposed to have invited the earl to dine, and then stabbed him over the dinner table because he’d gone out of his way to provoke him.”

“Nice people in those days.” Andrew’s mouth twisted wryly.

“Mm, and parliament decided Douglas deserved it because he resisted the king’s persuasion. So he got away with that one nicely.” She waved the leaflet. “Mary, Queen of Scots, spent her childhood there, too.”

“Okay we’ll go this afternoon. Just as long as we don’t have to take the two old biddies along with us. I know I’m not being very gracious, but honestly, I’ve had just about all I can take of them today. Where are they now, by the way?” He glanced about as if expecting them to jump out at him.

“I think Tilda’s reading the daily newspaper to your uncle. And Kitty’s preparing our lunch, I believe. She loves food. I must say her shortbread is the food of the gods. I think she’s trying to charm you with her creative cooking. She’s heard that the way to a man’s heart is through his stomach.” He grunted and Liz closed her eyes, humming blissfully. “I think I’ll need to go for a run round the grounds later or I’ll end up with a spare roll of fat around my middle.

“Tilda told me Kitty lost her one true love over fifty-five years ago when he went off to war and never came back. She was talking about this Robert as if he was visiting this afternoon and Tilda put me straight. Poor Kitty hasn’t seen him since she was a teenager. Isn’t that sad?”

“Yes, it is rather,” Andrew agreed.

“Come on then, let’s go up to the attic and see what we can find. What do you say?” She got up and tugged on his sleeve.

He looked up at her, obviously amused by her eagerness. “God, Parker, you should have been born in another century. You’re too weird for this one.” With a sigh he pushed himself upright and followed her out.

The house seemed to be all passages, corridors and twisting turns. Climbing the main staircase up to the first floor, they went to the end of the wide upper hallway, and then opened a door that brought them out to a narrow staircase. It wound so tightly the steps were narrower on one side than the other.

“Guess this must lead to the part of the house that looks like the original bit. This house is a maze. I wonder where those little turrets with the curved windows are. They must be up this way somewhere.” Liz shivered in expectation.

“Cold?” Andrew touched her on the shoulder.

“No, just excited at the prospect of what we might find up here.” She strove to ignore the thrill that trembled through her at his touch. “This reminds me of a time when I was a kid. We went to visit an old aunt of my mother’s and she swore her house was haunted.”

“You’re the only woman I know who gets excited about the prospect of meeting a ghost.”

At the top of the staircase a narrow door blocked their way. Liz tried the rusted handle. “I can’t turn this.”

“Here, let me try,” Andrew offered.

She glanced over her shoulder. There was barely room for the two of them to turn in the small space. “Come on, back down a bit.” He placed his hands on her waist and lifted her. For a moment he kept his hold on her as he lowered her slowly to the lower stair. Her face was on a level with his chest, as he said, with a strange gruffness in his voice, “You’re as light as a bag of feathers.”

Liz bent her head as he turned his attention to the door. A stupid blush rushed to her face, and his very masculine smell surrounded her, mingling with her own perfume; a heady mixture.

He seemed oblivious to her moment of confusion and awareness. “There, that’s done it.”

The door creaked on its hinges as it swung inwards. Stepping up the last stair Andrew turned to offer a hand, letting go once she’d joined him. The door opened into a large room, and at the far side was another small staircase. At its top yet another door swung open with a squeak and a groan, and Andrew led the way into a dim room where a small amount of light filtered in from one small filthy window high up on the wall.

“This isn’t a turret.” Disappointed, Liz brushed a cobweb from her cheek.

“It’s as filthy as hell in here.” Andrew sneezed as they stood side by side, peering into the gloom. “I suppose there’s a light switch somewhere.” His arm brushed her breasts as he ran his fingers up and down the wall and Liz jumped.

“You’re very touchy today.” His tone, as smooth as melted honey, sent feathery shivers right up to her nape. “Aha, here it is.” He flicked a switch and the attic was illuminated by a single light bulb hanging from one of the beams. “At least there’s a light, such as it is. This place is like something out of the Dark Ages.”

As her eyes grew accustomed to the dimness, Liz looked around. Cobwebs festooned the room and inches of dust covered every surface. Great oak beams sloped down to one side of the room. Dust motes floated in the dim light. They sneezed simultaneously and laughed as both said, “Bless you.”

“Hey, there’s four trunks here.” Liz knocked cobwebs out of the way as she went over to the huge metal-bound containers. She tried the rusted lock of the nearest one. “Damn—it’s locked. We’ll have to ask your uncle or aunts if they know where the key is. What do you suppose could be in it? I wonder if there are any old diaries, books or ledgers.” Trying the next one to find the lid lifted a fraction, she cried eagerly, “Look, this one’s open.”

“Here, let me.” Andrew gently pushed her aside. After a small struggle he managed to force the lid up. “It’s full of old rags.” He brushed his palms together as Liz blew at the dust and cobwebs around the inside of the lid.

“Rags,” she snorted, picking up the top article. It was a plaid scarf. Rummaging about beneath a layer of yellowed tissue paper, she cried, “This, sir, is a set of highland dress. Look, here’s a kilt. It’s magnificent.” Holding it aloft, she shook it, sending dust flying, which set them both sneezing again. “It’s in your clan colors, too. Don’t you just love this green and red plaid? Try it on.” She held it in front of him.

“Like hell I will.” He turned away.

“You haven’t an ounce of romance in your whole body.” With a click of the tongue, she bent to sort through the clothing again, producing a black jacket with gilt buttons, then a sporran. “Look at this.”

“I can be as romantic as the next man,” he assured her, “but my idea of romance isn’t tied up with wearing a dirty old kilt that reeks of mothballs and dust.”

“You can put it on over your trousers. You don’t have to strip off. Come on, just slip it around your waist.” Before he could stop her, she wrapped it about him.

“Go and look in that mirror.” She gave him a gentle push then wiped a piece of rag over the mottled cheval mirror standing in a corner. “See how proud and Scottish you look. Why, if your hair was longer you’d be the image of old Travis in the portrait downstairs.”

Liz bit her lip. She’d revealed too much, after her declarations about how handsome she thought Travis. Quickly, she bent over the trunk again.

“Here’s a funny sort of cape. It looks like it’s made of animal hide.” Liz forgot her dismay as she lifted her find, struggling to give it a shake. Its rolled collar ended in a tag caught together by a clasp. “It sure is heavy. I don’t recall ever reading about anything quite like this. And I’ve never seen a picture of one of these cloaks. Have you, Andrew?” So engrossed was she in her find that only when it was out of her mouth did she realize she’d used his name. That was something she never did around the office.

He peered at it. Any other man wearing a kilt over a pair of trousers would look ridiculous, but not Andrew. Because they’d been feeling the cold, they’d gone into Stirling yesterday to buy warmer clothing. He now wore his new fleecy work shirt under a warm Shetland sweater, and a pair of heavy leather walking boots with thick woolen socks folded over their tops. Liz loved her new ankle-length tartan wool skirt. Black tights, calf-high suede leather boots, chunky red sweater, and plaid shawl matching her skirt sure kept out the chill that was really foreign to them.

“Try it on, it’s got a funny looking sort of brooch clipped at the front,” she said, touching the two inch by four-inch sheet of flattened metal.

There was an inscription on it. “What does it say?” Andrew asked, leaning over as she took it nearer the light bulb and rubbed at it with the scrap of cloth.

“Translated it says: ‘Commit thy work to God’. Hey, that’s your family motto. I saw it on one of the portraits downstairs. And this squiggle about the edges must be wild heather, the same plant as on your family crest. Put it on, boss.” Liz struggled to lift the cloak. She was average height but it was still a long way up to his broad shoulders. “This thing’s sure heavy.”

“Steady on.” As she fell against him, Andrew took a step back. He managed to pull the cloak in place with one hand and hold her steady with the other. “You’re not kidding. It’s heavy all right.”

Liz clung to his upper arms, and the strange clasp pressed against her breasts. She was hit with the oddest sensation—as if it was branding her.

The floor shuddered violently beneath them, sending vibrations up her legs. A draught of ice-cold air whirled about them.

“Did you feel the earth move?” His tone was gently mocking, and Liz buried her face against his sweater, shivering.

Wrinkling her nose at the smell coming from the pelt she whispered, scared, “Actually I did. I thought it was my imagination. Do they have earthquakes in Scotland?”

“I’m not sure.” Liz barely heard him, for a strange buzzing filled the air, and she felt as if her eardrums were going to explode as everything about them seemed to vibrate and shudder. Wrapping her arms about his middle, she screamed, the noise burbling from her throat.

Then the light went out.

Buy this book here: https://books2read.com/The-Laird

 

 

Thursday, April 25, 2024

My writing process by Joan Havelange.

 


Visit Canadian Historical Mysteries Saskatchewan Page for Purchase Information


I’ve written five cozy mysteries, ‘Wayward Shot,’ ‘Death and Denial,’ ‘The Trouble with Funerals,’ ‘The Suspects,’ ‘Murder Exit Stage Right.’ And one thriller, ‘Moving is Murder.’ My newest novel is a historical mystery. BWL Inc. is publishing a historical mystery for each province and territory. My historical mystery, ‘The Séance Murders,’ is set in Saskatchewan in the 1900’s.

I find each genre requires a different approach. Cozy Mysteries is a whodunit without the blood, guts, gore or sex. I love this genre. It’s the puzzle that always intrigues me in a mystery. My protagonist must sort through clues to find the killer in my whodunit mysteries. Oddball characters and humour play a part. Some of my stories take place in the fictional town of Glenhaven. I have a notebook. (I could use a file on my laptop. But I find my notebook works just fine.) In my notebook, I have a list of the citizens of Glenhaven and their characteristics. And, of course, what the town looks like. If you are writing a series, you must be consistent with the descriptions. And, of course, descriptions of my protagonists, Mabel and Violet.

Not all of my cozy mysteries take place in the fictional town of Glenhaven. I take Mabel and Violet on travel adventures to places I’ve been. ‘Death and Denial,’ and ‘The Suspects.’ This also requires a different approach. New characters and descriptions of the country they are visiting. I need to give the reader a taste of what my protagonist sees without making it a travel log. But the mystery needs to be front and centre.

Writing a thriller is a unique challenge. I enjoyed writing it, and I might write another. In a cozy, you don’t know who the villain is. In my thriller, ‘Moving is Murder,’ the challenge is to put the protagonist, Linda, in danger. The villain had to be smart, and she had to outwit the killer. The pace has to build, and will she or won’t she survive?

My newest novel,’ The Séance Murders,’ a historical mystery, has been my greatest challenge. The murder plot at a séance was the easy part. The hard part was the research. I needed to know what Regina, a pioneer city on the prairies, in 1908 was like? What were the customs and the dress of the people in that era? The Regina and Saskatchewan historical clubs helped me. And the newspaper archives were an immense help. But just like travel mysteries, a historical mystery is meant to give the reader a feel for the era. But it is not a history book. The murder mystery is front and centre.

The Séance Murders:

1908: Regina, Saskatchewan, the railroad hub of the prairies, is booming. The foxtrot is the latest craze hitting the dance halls, and silent movies are all the rage. But it’s the newest fad, séances, that intrigues Myrtle Vanhoff.

Myrtle is tired of the constraints put on her by her father, Reginald Vanhoff, a lumber baron, and her mother, Amelia. Her mother is determined to make her and her daughter’s mark on Regina’s burgeoning social scene. But Myrtle has other ideas. On a lark, the rebellious young woman convinces her twin brother, Leopold, to attend Madame Scarlatta’s notorious séances. They find more than restless spirits. Someone murders a bereaved patron while everyone at the table is holding hands. Myrtle and Leopold are determined to find out who and how. A Regina police sergeant is appalled at Myrtle’s unladylike interest in the murders. But Jonathan Chapman of the Royal North-West Mounted Police is intrigued. Jonathan joins Myrtle and Leopold in their search for the murderer. When Myrtle gets too close to the truth, the murderer targets her as the next victim.

Wednesday, April 24, 2024

Canadian Authors by Joan Donaldson-Yarmey

 


https://books2read.com/Sleuthing-the-Klondike

 Canadian Authors

I am a proud Canadian author of over twenty fiction and non-fiction books in my long writing career. But I am just one of thousands of published writers from this huge country. Canada has had a long and illustrious history of producing world renowned authors and books going all the way back to the 18th century.

     Frances Moore was born in England in 1724. She was a well-known poet and playwright in England before she and her husband, Reverend John Brooke moved to Quebec City in 1763, for John to take up the post of army chaplain. During her time there Frances wrote The History of Emily Montague, a love story set in the newly formed Quebec province. The story is told through the voices of her characters by way of personal letters between the two. This is known as the epistolary (of letters) type of writing and it was popular during the1700s in Europe. The Brookes’ returned to England in 1768 and the novel was published in 1769 by the London bookseller, James Dodsley. The History of Emily Montague was the first novel written in what is now Canada and the first with a Canadian setting. Frances died in 1789.

 The following gives a brief history of two authors from the province of Newfoundland/Labrador.

Margaret Iris Duley was born on September 27, 1894, in St. John’s, in the colony of Newfoundland (Newfoundland didn’t become a province of Canada until 1949). Her father, Thomas Duley, had emigrated from Birmingham, England, while her mother, Tryphena Soper was born in Carbonear, NFL. Margaret graduated from the Methodist College in St. John’s in 1910, and in 1911 she and her family went to England for a relative’s wedding. She decided to stay and study drama and elocution (distinct pronunciation and articulation of speech) at the London Academy of Music and Dramatic Art. Unfortunately, she had to return home when WWI broke out in Europe.

 

     Duley worked at the Women’s Patriotic Association to raise money and supplies for the Royal Newfoundland Regiment. Her older brother was injured during the war and her younger brother was killed.

 

     Duley’s father died in 1920 and left her an income of $250 a year. This allowed her some freedom and she joined the Ladies Reading Room and the Current Events Club. This club produced many leaders of the Newfoundland women’s suffrage movement. She was also a supporter of the Women’s Franchise League who petitioned island-wide for women to vote. The Newfoundland government passed a suffrage bill in March 1925, allowing women to vote at age 25, men at 21. In the 1928 general election, 90 per cent of women eligible to vote cast a ballot.

 

     In 1928, during a boat trip to the Labrador coast with her brother, a seagull with eyes like yellow ice hovered in front of Margaret. She used this fierce, yellow-eyed image in her first book titled, The Eyes of the Gull. It is the story of a thirty-year-old woman who wants to escape her outport life and leave an overpowering mother.

 

     Margaret’s second novel, Cold Pastoral, was published in 1939. It is about an orphaned young girl who is adopted into a wealthy family in St. John’s and is loosely based on a real case of a child lost in the woods.

 

     During WWII Margaret worked for the Women’s Patriotic Association and the St. John’s Ambulance. Later she because the Public Relations Officer for the Red Cross and started writing newspaper articles. In her third novel, Highway to Valour (1941), Margaret used the 1929 tidal wave that struck the Burin Peninsula as a backdrop for the life of the young heroine. Her fourth book Novelty on Earth was published in 1942 and the Caribou Hut (1949) was based on her volunteer work at the Caribou Hut, a hostel for returning servicemen. All her novels had a strong female characters.

 

     During this time she also did interviews and broadcast talks on CJON, a local radio station. The station sent her to England in 1952 to transmit stories on the coronation of Queen Elizabeth.

Margaret developed Parkinson’s disease and her health started to decline in 1955. She was unable to hold a pen by 1959 and moved in with her sister-in-law. She lived with her until her death on March 22, 1968, at the age of seventy-three.

 

     Margaret Iris Duley is considered Newfoundland’s first novelist (female or male) and was the first Newfoundland writer to gain an international audience. She was loved in England and the United States for her novels, yet belittled at home for her outspoken views on women’s rights and her novels’ bold portrayal of the female perspective. Her niece, author Margot Duley, described her as a free thinking, free spirited, outspoken and charismatic personality in a society where this was not encouraged.

      

     A Parks Canada historic plaque dedicated to Margaret Iris Duley is attached to the Education Building on the campus of the Memorial University in St. John's, Newfoundland and Labrador. Her home at 51 Rennies Mill Road is part of a Women’s History Walking Tour of St. John’s. She was designated a National Historic Person by Parks Canada in September, 2007.

 

Edwin John Dove Pratt was born on February 4, 1882 in Western Bay, in the colony of Newfoundland (Newfoundland didn’t become a province of Canada until 1949). His father was a Methodist Minister and was posted to many different communities so Edwin moved around a lot during his childhood. He graduated from Newfoundland’s Methodist College in St. John’s in 1901. Three years later he became a candidate for the Methodist ministry and served a three-year probation before entering Victoria College at the University of Toronto.

     E.J. Pratt’s first published poem, A Poem on the May Examinations, was printed in Acta Victoriana in 1909. He received his Bachelor of Arts in 1911 and his Bachelor of Divinity in 1913. He was ordained as a minister and served as an Assistant Minister in Streetsville, Ontario and joined the University of Toronto as a lecturer in psychology. He also continued to take classes and earned his PhD in 1917. He self-published a long poem, Rachel: A Sea Story of Newfoundland that same year. Edwin married Viola Whitney whom he had met at Victoria College in 1918. His first traditionally published works, a poetry collection called Newfoundland Verse came out in 1923. He also published a number of reviews and articles over the years plus eighteen more books of poetry.

     Edwin Pratt started the Canadian Poetry Magazine in 1935 and was its editor for the next eight years. He won the Governor General’s Award for poetry three times, was appointed Companion of the Order of St. Michael and St George, and awarded the Canada Council Medal for distinction in literature in 1961. He died April 26, 1962 at the age of eight-two.

 

Tuesday, April 23, 2024

Journeys by Victoria Chatham




AVAILABLE HERE


I have a cousin in Australia who loves to travel. She and her husband are currently in Vietnam, and the photographs she shares on Facebook are stunning. My daughter and her husband also love to travel. I have lost track of all the countries they have visited, which included Vietnam. I’ve been to Spain (several times) and have visited New Zealand, Mexico, parts of the USA, Western Canada, and much of the UK.

The harbour, St. Ives, Cornwall, UK.

Journeys are a bit like reading or writing a book. A is the beginning, and Z is the end, with all sorts of interesting bits between them. In the case of reading a book, I, as a reader, want to be swept along in a romance, intrigued by a mystery, drawn into the details of a historical novel, and entertained. I know by Page 5 if this is a book I will continue to read or put aside. If I keep reading to the end, I’ll know if that’s it or if it’s a book I’ll keep and read again.

The Kelpies, Falkirk, Scotland

Writing any book is a journey, and to all who complete a book, thank you and well done. So many begin the journey and then, for whatever reason, fall by the wayside and never complete it. Some plain run out of steam, having lost their way in their plot. Others don’t realize how hard it can be to write a complete book with all the elements involved. At times, it seems like a juggling act of keeping characters, settings, plots, secondary characters, and sub-plots in the air.

While some writers are naturally gifted, others must work at learning the craft of writing, which sometimes seems like a never-ending journey. What is the Oxford comma? Should I use colons and/or semi-colons in my text? What is a mixed metaphor or a simile, and do dangling modifiers matter? Yes, they all do if you want to make your text smooth and not jolt your reader out of the story.

A fascination for the Regency era set me on my writing journey. A love for the elegance of Edwardian ladies’ fashions prompted me to set up a series of books in that era. I’ve written contemporary Western romance and will soon begin a new writing journey with cozy mysteries.

A Regency Lady's Bonnet

Much like the conundrum of an author using their real name for one genre and having a pen name for another, there is the thought that if an author starts out in one genre and changes to another, they could lose readers. The other side of that coin is that an author could also engage a new set of readers. It is all down to personal choice. I don’t read all one genre but like to mix it up depending on why I am reading. It could be a romance today and a thriller tomorrow. Likewise, much as I have enjoyed writing historical romances, I have also enjoyed writing contemporary Western romances. We’ll see where the cozy mysteries take me, but I believe my tagline, History, Mystery, and Love, covers each of those genres.


Victoria Chatham

            MY WEBSITE




NB: All images are from the author's personal collection.

Monday, April 22, 2024

Staring at the wall




 Having had numerous book, plot, and writing discussions with Lynn Folsted, my physical therapist during my recovery from back surgery, I wasn't surprised when she sent me an interesting quote.

"Many people hear voices when no one is there. Some of them are called 'mad' and are shut up in rooms where they stare at the walls all day. Others are called 'writers' and they do pretty much the same thing." - Ray Bradbury

I forwarded that quote to several writer friends who universally responded, "Amen!". Writing a book is a marathon that involves hours, days, weeks, and months of staring at a wall while listening to the voices of your characters. Yes, my characters have voices. Each of them is an individual, with a backstory and personal history that makes their voice unique. They "speak" as I write dialogue, often taking me places not included in my rough outline. They sometimes roust me from bed, demanding that I record their thoughts before those ideas are lost with the sunrise.

In general, a writer's life is solitary and remote from the outside world. Characters who never existed, do things that never happened, in places you won't find on any map. The whole story exists only in the writer's mind and on the pages we write. Our goal is to engage the readers, and transport them to our fictional places, and intrigue them with our fantasies. I use the names of "real" towns, counties, restaurants, in my books. Although the names are real, the places are pure fiction, and the events have never occurred anywhere except in my mind. 

I met a panel discussion moderator at the Left Coast Crime mystery convention. She hadn't previously attended any events like that convention and was in awe of the writers and readers. Being an introvert, as many authors tend to be, she had been reluctant to put herself into a setting with hundreds of people who wanted to ask her about her books, characters, and writing process. Smiling, she said to me, "I've found my tribe." Yes, there we were, among four hundred "book people", all talking about books, and meeting readers who were in love with our fictional characters and stories. 

To be honest, it's humbling to speak with a reader who enjoyed one of my stories. Having created the characters, story, and places "in a vacuum", it's reassuring to hear someone say, "I love CJ and Pam. Their banter is so real".  Having spent months staring at the wall (or computer screen), I hope that what I've written resonates with the readers, but I really don't know until I hear it from you. I get some feedback from beta readers and my editor, but until they read the manuscript, I'm staring at the wall, with an image of a rural location and unfolding events rolling out like the scene of a movie in my mind.

It's not nearly as exciting or enchanting as it might seem. On the other hand, there are times when the scene unfolds so fast that my fingers can't keep up with the dialogue and events. I hope that I'm writing something special, but until someone reads it, I'm never entirely sure.

Check out the latest Pine County Mystery, "Conflict of Interest". The Pine County Sheriff's Department is called in to investigate a murder in nearby Kanabec County when it's discovered that the victim is the missing girlfriend of the (fictional) county attorney's son. I spoke with the Kanabec County Attorney, who thought the premise was amusing and very close to current events. She suggested including a "current" premise, involving computers. I didn't tell her that was exactly where this story originated.


Check out my books at Hovey, Dean Pine County series - BWL Publishing Inc. (bookswelove.net)

https://www.amazon.com/Conflict-Interest/dp/B0D15858V6

Sunday, April 21, 2024

Will a German Soldier Defy his Own Country? And Commit Sabotage? by Diane Scott Lewis

 


Click here to purchase.
Winner of Best Historical for 2023

How do I make a German officer during WWII sympathetic?

I make him a real person caught in a terrible war. He loathes Hitler's increasing madness. But how does he commit sabotage and escape the regime? Falling in love with an Englishwoman complicates his plans.

August von Gottlieb was nearly killed during Hitler's purge of enemies, when he tried to warn friends of the coming danger. While he healed, still in the army, his wife was diagnosed with cancer. He had children to feed and doctor's bills to pay. He rose in the ranks, and saw more and more of what a horrible madman Hitler was.

Now a widower and stationed in France, he's in charge of the southern region of Brittany. August tries to keep order, waiting for the secret war machine on its way to his port. A machine he hopes to destroy. The war can't go on like this with the slaughter of innocents.

An Englishwoman, with her own tragic past, is also trapped in this chaos, unable to return home after the German invasion. Norah must confront August to free her young cousin from arrest. He now watches her sketching birds in the woods. Is she a spy?

He requests she sketch his picture to find out more about her. The money he offers is too good for her to pass up. They come to know one another and an attraction neither of them wants develops.

A forbidden affair will turn Norah into a pariah, but her love for August, and knowing he's a decent man, keeps her steadfast.

The war machine is coming. August must finalize his plans, and find a way to slip off to Switzerland with Norah as his superiors breathe down his neck.

"A formidable and unforgettable tale of bravery, betrayal, and profound love. Where secrets and impossible choices can mean the difference between life and death. Truly a heart-wrenching and heart-pounding love story set amidst the chaos of war." History and Women


 Diane lives with one naughty dachshund in Western Pennsylvania

Saturday, April 20, 2024

Mr Rochester - Ultimate Bad Boy!...by Sheila Claydon



In my last three books (the Mapleby Memories trilogy) my heroines all travelled back in time, and in Many a Moon, the final book, the hero did as well. It took a lot of research to get the historical facts right and stepping into the past and finding a way to link it to the present was taxing at times. Writing them was also a lot of fun. Now, however, I'm in the middle of a real journey into the past courtesy of the writer Charlotte Bronte, and what an eye-opener it is proving to be.

I last read Jane Eyre, Charlotte Bronte's first published novel (1847) when I was 15. It was one of the set pieces to be studied for what were then known as O'Levels in the UK. Exams, that if passed, enabled pupils to continue to study at a higher level. I loved it and because I loved it, I ended up in trouble. Instead of reading at the class speed, which meant working through the book chapter by chapter twice weekly, I went ahead and finished it without listening to my teacher's explanations. Nor can I remember a single word of what she said when I was forced back into concentrating on my lessons.  I never forgot the story of Jane Eyre, though. And I passed the exam!

Now I am reading it again because  my eldest granddaughter gave me a copy for Christmas with the words, 'this is a bit of a random present because I'm sure you will have read it before, but because you like books I thought you'd like this one.'  

She was right. It is an illustrated hardback copy of the second edition of Jane Eyre. She illustrated the original herself and my book, although a pale copy, still has pages edged with gold leaf, and there is an attached green silk bookmark. It is altogether splendid to look at and very heavy. And on the first page is Charlotte Bronte's dedication to non other than the writer William Thackeray. Using her nom-de-plume of Currer Bell, she says:

             'Finally, I have alluded to Mr Thackeray, because to him-if he will accept the tribute of a total stranger-I have dedicated this second edition of "Jane Eyre"' - 
    December 21st 1847

The language is, of course, much more flowery than words we would use today, and she often uses a dozen words where one or two would suffice.  She also makes a great use of semi-colons in places where modern writers would mostly use full stops and some actual words are used slightly differently too, but oh my goodness, apart from that it could easily be a Books We Love romance.  

Jane Eyre is an orphan who has overcome a difficult childhood and made her own way in the world. How she achieves this, becoming so close to a modern day feisty heroine with a mind of her own, is almost laughable. Her morals and ethics are inevitably those of the nineteenth century but she makes the reader very aware that, although she has no intention of flouting them, at times she considers them a burden.

Then there is Mr Rochester. Rich. Entitled. Charismatic. The ultimate bad boy hero! He also has much to overcome but for many years he travels, socialises and generally indulges himself in an attempt to forget his problems. Then he meets Jane. She has been employed as governess for his charge, Adele, an young orphan he has rescued from a dalliance he once had in France. It is then that the reader begins to see his softer side. It is clear that little Adele loves him, and soon Jane, much against her will, begins to love him too. 

Their courtship is very different from modern day romances, with Jane deliberately keeping Mr Rochester at arm's length, apparently for his own good as well as her own peace of mind. She also frequently challenges him, disagreeing with some of his attitudes. Only previously used to women looking for a husband within the upper reaches of society, not to someone who has to work for a living, he is both intrigued and enchanted by her spikiness. Persuading her to marry him, he deliberately overlooks the fact that he already has a wife of many years, albeit one who is insane (the actual word used to describe her in the book) and kept locked away. 

Charlotte Bronte's description of her heartbreak when she discovers this, while flowery and at times very long-winded, has the same passion as that of any modern day romance. Mr Rochester's explanation does too. But while he expects Jane to stay with him, she, true to the morals of the day  as well as her own peace of mind, determines to leave him forever. Of course there is eventually a happy ending, although it isn't as problem free as modern happy endings. Nevertheless, in Jane Eyre, Charlotte Bronte proves herself to be one of the earliest, and for its time, erotic, romantic fiction writers.

There are others of course. Jane Austen (1775-1817) wrote about love amongst the British landed gentry at the end of the eighteenth century, but always from a critical viewpoint, commenting upon the need for women to make a good marriage in order to be financially secure. Charlotte Bronte is different. Her story is one of real passion. She undoubtedly wrote from the heart, weaving parts of her own life into the story. It is known she spent some time in a boarding school and also worked as a teacher and then a governess, all things that feature in the story. It is also known that she corresponded with a married man, thought to be the love of her life. Known too is the fact that she suffered a thwarted romance. She eventually married, aged 38, but sadly died soon after, probably from pregnancy complications. 

What is especially noteworthy, however, is that she  wrote from a first-person female perspective, a style so innovative that it drew a harsh response from some critics despite being universally loved by readers. Jane Eyre has variously been considered coarse, vulgar, improper, and a  masterpiece. It has never been out of print. 

And despite (to the modern ear) the sometimes overblown descriptions of both her surroundings and the conversations she has, mainly with Mr Rochester, but with other characters in the story too, you can really hear her speaking across the centuries. She might have written Jane Eyre in 1847 but her voice talks directly to the reader and it is the voice of a modern woman. It is also the voice of a woman in love.

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