Wednesday, July 3, 2019

The Who, What, Where, Why and WHEN of Writing - Part 5 by Diane Bator



Today we’re at the end of my original list of the five Ws of writing. We’ve already gone through:

         Who – as in Who are YOU as a writer?

What – for What do you want to write?

Where – location, location, location.

Why – what drives you?

This blog post is brought to you by When. When can mean a couple of things, the best time of day to write or the best time of your life to start writing. Let’s start with the time of day, shall we?

Some writers swear they are the most creative early in the morning. In order to be at  their best, they start the day by doing Morning Pages as per Julia Cameron in her book The Artist’s Way. Julia describes Morning Pages as “three pages of longhand writing, strictly stream-of-consciousness.” (The Artists Way, page 10.) A lot of writers I know use this time to clear the noisy thoughts from their minds so they can focus on the task ahead. Their creative writing. Some writers even find ideas come from this flow of consciousness, sometimes while they sip their morning coffee or tea.

For me personally, I used to get up before I awoke my kids for school when they were younger and was happy even when I only had time to write a page or two out on my back porch. Now, I’m able to carve out time in the morning before my full-time job since my kids are much older. At least a couple days per week, I will use my half hour lunch break to write as well and like to keep a couple evenings open to create as well.

Recently someone on social media asked how old you have to be to become a writer. That created a whole new conversation and received a lot of answers. Some not so nice as people are bound to be online. It did prompt me to do a little digging.

I’ve been a storyteller and writer since I was young and still have handwritten stories and poems from when I was a teenager when my first two poems were published. I was about 15 years old.

There are no real age limits to writing or even being published. The youngest person I discovered online was Dorothy Straight who wrote her books at age 4 and was published her book “How the World Began” at age 6 in 1964. The oldest was Jim Downing who published “The Other Side of Infamy” in 2016 at the age of 102!

A few of the more famous authors published at various ages are:

·       Age 21 – Victor Hugo and Mary Shelley (Frankenstein)

·       Age 22 – Margaret Atwood and Ray Bradbury

·       Age 24 – Ernest Hemingway and Jack London

·       Age 28 – Jack Kerouac

·       Age 30 – Agatha Christie and Mark Twain. It is also interesting to note Stephen King had published Carrie, Salem’s Lot, and The Shining all before the age of 30.

·       Age 41 – Maya Angelou

·       Age 50 – Bram Stoker (Dracula)

·       Age 57 – Anna Sewell (Black Beauty)

·       Age 66 – Frank McCourt (Angela’s Ashes)

I belong to a writing group and love that our ages range from 25 to mid-eighties. Some are published, some have been working on the same books for many years, and some just attend to write and learn. We all have that one common love though: Writing. It has no age limit, education, or socio-economic limits.

All you need is a pen and paper to get started…

Diane Bator
Author of Wild Blue Mysteries, Gilda Wright Mysteries and Glitter Bay Mysteries

Mom of 3 boys and 2 cats and a mouse who is too smart for mousetraps...

 



Tuesday, July 2, 2019

A Rough Month



It's been a rough month. I had surgery May 14th for a disc removal called Anterior Cervical Discetomy and Fusion (ACDF)  It's the most common surgery for neck pain symptoms - in my case a pinched nerved caused by a problematic disc in the cervical spine. Typically the surgery is done through the front of the neck, hence the name This procedure is done in conjunction with a cervical spinal fusion to maintain stability where the disc was removed. (from excerpt)
At any rate, I guess I didn't quite understand front of the neck. Oh I researched everything about the surgery, the risks involved, recovery, etc. But for some reason, I didn't quite understand they were going to cut my throat.  Okay, that might be embellished, but that's what it feels and looks like.
The scar isn't as bad now as when I first removed the bandage, the day after surgery.
I liked my doctor, but he lacked a sense of humor, which, when I get nervous, I make jokes.
So the day of surgery, the anesthesiologist came in to speak with me. One of my daughter's and my hubby were with me. He had a great sense of humor.  He said when I woke up I might notice some tiny pin holes in my forehead and feet. These were from needles they used to check my nerves. So, of course in my nervousness, I joked.  "So you're going to make a voodoo doll out of me."  He found it amusing.  Later, my doctor didn't when he said they glued me rather than stitched me.  Oh well so much for humor.
The next morning as I sat down to breakfast, they came in to draw blood - only took a few minutes and the scrambled eggs were still somewhat warm. Before I could swallow them - oh that's another story I'll get to in a minute- someone came in to take  me for an x-ray.  So much for scrambled eggs
Hubby  was there- God bless him - he had come in at six (parking is horrible much later and with his emphysema walking is difficult, so to get a good spot, he came early) - I told him to ask for a new breakfast if they came for the tray.  But the cold eggs were still there when I returned. So I told the guy who brought me back to tell the nurse.  A new breakfast came.
So, while I was in x-ray, one of the nurses said I was 5 - 6  because she was in surgery with me the day before. "5-6? I'm only 5 - 3.  What did you do stretch me? I asked.
She laughed and said, "that was the disc they removed."
"Phew, I was worried. First they used me for a voodoo doll, glued me back together, and I thought you stretched me."
Well, they thought it was funny.
At any rate, I was prepared for the sore throat from the tube they put down and I was prepared for the incision pain. Can't have surgery without it. But I wasn't prepared for the pain from swallowing. I mean just normal every day swallowing, not to mention food.  Although I did read that I might be on a diet of smoothies, ice cream, puddings, and soup for a while (Notice I mentioned the good stuff first). But the first meal they brought was soup, chicken, potatoes, broccoli, and peaches. That surprised me. I ate the chicken noodle soup (three noodles in the whole bowl) and it went down fairly easy, albeit painful. I managed to eat the chicken, couldn't swallow the potatoes and the cubed peaches were of the canned variety, which would have been fine if they hadn't sat out and dried up.  At any rate, it was still difficult to swallow. Dinner consisted of soup and a cheeseburger, which somehow I managed to eat and swallow- small bites for sure. The scrambled eggs were fairly easy to eat the next morning, but the toast forget, too hard to swallow.
At home that night I ate penne pasta and that was okay - soft. However the next night, I choked on a steak fry - should have known better. After that I stuck to a diet of smoothies, soup, and scrambled eggs, with orange creamsicles for snacks in between. The frozen delight helped numb my throat and made it easier to swallow.  That lasted for the better part of two weeks. The sore throat only lasted a few days, but swallowing - well let's just say it's still sometimes difficult and even today (June 10th) as I write this the incision hurts and my throat feels funny, like something's stuck in it or it's crooked or something. Hard to describe.  I'm sure most of its the weather. Rainy again today.
So needless to sat, I've not been writing much, but all of this reminded me of Aunt Beatrice Lulu and her experience with Traumatic Brain Injury TBI. in All's Well That Ends Well - book 2 of the Family Affair series.  Poor thing couldn't do anything for weeks. Like her, it drove me crazy not to be able to do anything. Finally 3 weeks after the surgery the doctor cleared me - for housework - oh fun. I'm dying to get out between the rainy days to do some yard work. Nope not yet. Probably not for six more weeks, that's the next time I go back. That's going to be mid July - right, the weeds will be so overgrown, I won't be able to pull them. Plus with all the rain, they'd pull out easy right now. By then it's going to be hot - Did I ever tell you I'm not a fan of hot. I like warm. I can even handle the cold - you can dress for that - but hot, well suffice it to say you can only take off so much. Most of the hot summer days are spent inside with the air conditioning. 
Anyway back to Aunt Beatrice Lulu, she wasn't allowed to do anything either. Here's an excerpt:

Excerpt from All's Well That Ends Well

 I paid for the paint and went next door to the bank. I always went inside because I didn’t trust those machines. Besides, I never could get close enough to those damn things and had to get out of my car anyway.  I counted my money, put it in my purse, and headed outside. What happened next even I couldn’t believe. I no more got to my car and something jabbed into my back. Someone grabbed my car keys. He popped the trunk and ordered me inside. Yeah, like I was going to climb in there willingly. Was he nuts?  Apparently so, because he pushed what I assumed was a gun harder against my back. I swung my purse around. “I’ll teach you to sneak up on someone.”  He ducked, grabbed me by the ankles and knocked me down.  Damn, I didn’t expect that.  “How dare you? You don’t know who you’re dealing with!” I kicked backwards and missed.  “Stupid old lady.” He laughed the evilest laugh I’d ever heard.  “I’ve been called a lot worse than that. Just ask my former students.” I twisted and tried to hit him. “I’ll teach you a thing or two.” Again I missed. I got up on my hands and knees, grabbed at his ankles. Walla, down he went. I climbed on top of him. He wasn’t getting away. Oh, no. “I’ve got you now.” At least I thought I did.  Damn fool flipped me over, grabbed my arms behind my back. “Dumb bitch! We’ll see who teaches who.” He pulled me up, bent me damn near in half, and pushed me into the trunk.  Fear tore through me. I tried to scream but no sound came out. I fell into the trunk, and he slammed the lid. Darkness engulfed me. My claustrophobia kicked in immediately. My breath bounced off the top of the trunk. I tried to move. My heart raced. Pressure weighed against my chest and face, like someone knelt on me or smashed a pillow over my head. I gasped for breath. Nausea rose in my throat, I gulped it back. My stomach cramped, twisted, knotted. Something strangled me, squeezed my neck tighter and tighter, cutting off my air flow. I was suffocating. God help me, I didn’t want to die. Air! I needed air.  My breath came in short gasps. I tried to move, but my arms were pinned under me. I swallowed and gagged. Finally, I laid still. I was going to die and no one would find me. I’d never see Ed again. Would he miss me? Come looking for me? Probably, but he wouldn’t know where to look. How soon would he realize I was missing?  My life couldn’t end this way, could it? Suddenly reason returned. I had to breathe. I managed several deep breaths. Think. I needed to think. I twisted around and tried kicking the trunk lid. Of course it didn’t give. Tears slid down my cheeks. The trunk had a safety latch inside. If I could reach it, I could be free, or at least get some air. If I could just see. I moved my left arm, freed the other one from under me, and felt around. The latch had to be there somewhere. I pushed, pulled, and yanked everything I touched. 
At last, the lid released. Light flowed in. I held onto the latch to prevent the trunk lid from opening all the way. We were moving, and I didn’t want to alert the guy driving. At least I had air. I peeked out. Nothing looked familiar. I had no idea where we were. We’d been driving a long time. Where was he taking me? Worse, what were his plans for me? I wasn’t about to find out, but I knew he was going too fast for me to jump out. The fall would probably kill me. If a car would come up behind me maybe I could signal to him.   I remembered my phone. If I could just find my purse. I let in a little more light, tried to position myself to look around. There, at the back of the trunk. Moving around in the confined space wasn’t easy. I caught my purse with my foot, eased it toward me as far as my foot could move. Thankfully, far enough to grab it with my free hand. I felt around inside. Success, I grabbed my phone. Within seconds I pressed 911.  “9-1-1 what is your emergency? “Help, I’ve been kidnapped. I’m in the trunk of my car.” “Can you give me your location?” “I have no idea. I was at my bank on the corner of Pearl and West 14th. We’ve been driving for a while, but I have no idea which way we’re headed. The car slowed, came to a stop, hopefully at a traffic light. I looked out, saw the street sign. “I’m at the corner of Parkbrook and Oakpark. I’m getting out.” Now was my chance. The trunk lid sprung open. I positioned myself to jump out. Not an easy feat considering my weight, but determination overruled. No more did my feet hit the ground and a siren sounded in the distance.  The driver flung his door open. He looked me full in the face for a second, then took off running. I leaned against the bumper, heart beating so hard I thought it’d pop out of my chest. Never in my life had I been so scared. As if I suddenly realized the danger, my knees buckled. Dizziness overcame me. I came to with Callie leaning over me. “Aunt Beatrice Lulu, are you okay?” She knelt down next to me.  “What happened?” I tried to sit up.  “Just lay still, an ambulance is on its way.” “An ambulance? For what?  “You hit your head pretty hard when you fell. You need to be checked out.” “I fell?” Again I tried to sit up, got dizzy, and fell back. Sirens sounded in the distance. My head hurt.  “Yes, don’t you remember? You called 911 and said you were kidnapped. I got here just in time to see you fall. I’m sure you’ve got a doozy of a bump.” I wanted to speak, but the words wouldn’t come. I didn’t remember falling. Everything was foggy. Part of me remembered getting out of the trunk. I closed my eyes. It hurt too much to think.  “I’ll call Uncle Ed to meet us at that hospital. Someone will drive your car to the station.” I opened my eyes for a minute as the EMTs put me on the gurney and wheeled me to the ambulance. All I wanted was sleep. I don’t know how long I slept, but Ed stood at my bedside when I woke. “You gave me quite a scare, honey pot.” He leaned down and kissed me. “You’ve got something called Traumatic Brain Injury, a type of concussion. You’ll have to take it easy for a while.” “Okay.” I didn’t have it in me to argue. My head hurt, and I was so tired I just wished he’d let me be. The room spun and nausea rose to my throat. I closed my eyes. At some point someone had put a collar around my neck. I didn’t know why, didn’t care. Suddenly my stomach
erupted and I threw up. I think a nurse came in and cleaned me up, but I can’t be sure. It might have been Ed.  “They’re going to keep you overnight for observation,” someone said. Ed stood next to me, stroking my brow. Other people hovered over me, asking questions, looking in my eyes. I just wanted to sleep. Why didn’t everyone leave me alone? I closed my eyes. I didn’t want to talk. I must have dozed off again because next thing I knew an orderly woke me to take me to my room. Ed walked next to me, holding my hand. For the first time I saw the worry on his face. I didn’t remember exactly what happened, but had a vague memory of lying on the ground and Callie kneeling next to me.  A nurse helped settle me in the room, talking softly and only turning on a dim light. I hated hospitals, doctors, and anything connected with them. Hated getting sick. To me it was a sign of weakness. At that moment, I didn’t care. Nothing I wanted more right then was to lie back and be taken care of.  The nurse left and Ed came in and took my hand. Much as I loved him, I’d rather be left alone. Left to sleep and get rid of the throbbing in my head. I didn’t even care what happened. How or why I was there didn’t matter. Maybe tomorrow I’d care. “Go ahead and sleep, Bea. I’ll be here when you wake up.”  The next time I woke up, a nurse stood over me, asking me questions. My head wanted to explode. Yet, it was like watching from outside my body. A weird feeling, I might add. It seemed every hour someone woke me, asked me a bunch of questions, and finally they gave me something for the pain.  Someone, a doctor I think, asked me what happened. The last thing I remembered was staring at my kidnapper. I’d never forget that face. I didn’t remember falling. Callie told me I did, but you couldn’t prove it by me, except for the bump on my head. A nurse came in with soup a few minutes later and fed it to me. It’s not easy to eat soup lying flat even if you’re being fed. I think I wore more of it than I swallowed. They wouldn’t allow me to raise my head. Right! All I wanted was more pain meds.  The next day they allowed me to go home. Never had I felt more outside myself. I didn’t know which way to turn. Everything moved in slow motion, and I waited for someone to tell me what to do. I couldn’t wait to get into bed and spent a week there allowing Ed to take care of me.  Ed’s always spoiled me, waited on me, and pampered me, but never had I seen him so patient. Words formed in my head but wouldn’t roll off my tongue. Talking in full sentences became impossible. Stringing two words together was difficult at best, and frustration overwhelmed me. Pretty much all I wanted was sleep. Even the light from the windows hurt. Ed covered it with a blanket. I made several visits to the doctor – Ed took me because I wasn’t allowed to drive – my skull hurt and they prescribed strong pain medication. I admit it worked, but it also put on weight, and more weight I didn’t need. After a couple weeks I decided to go off it. I hated this feeling of helplessness. Other than doctor’s appointments, I didn’t leave the house, not even to sit outside, for almost two months. I walked around in a fog, unsure of myself, and found it difficult to speak.  Poor Ed was a saint. Crying jags erupted for no reason and bouts of depression. No matter what Ed said or did, it didn’t help. Ethel paid me daily visits to no avail. Sometimes I spoke to her, sometimes I sat and cried. My mother, sisters, and nieces were so supportive. When I became frustrated, one of them would remind me I’d suffered a TBI – traumatic brain injury. Of
course, they’d tease and try to make me laugh by saying, “At least you know you have a brain.” I will admit, it often made me smile. The first time I went outside it felt like I’d not been out in years. Ed did an amazing job cleaning up the yard and taking care of my flowers. The trees started to turn and fall. It smelled good and the cobwebs in my brain finally cleared. I couldn’t wait to venture out by myself.  That was by far the worst period of my life, and I’m still easily distracted, but Ed claims I’ve always been like that. Maybe so, but time goes on, and Ed promised a trip to the cabin. I could hardly wait.  Callie stopped by with a batch of photos to look through. The first time she showed them to me, I could barely focus, and I agreed to go through them again. Unfortunately none of the men looked familiar. My kidnapper remained at large. For the first time in my life I didn’t feel like investigating. I didn’t like what was happening to me. 




Sunday, June 30, 2019

Fire Season is Upon Us



 
At the end of May, a huge wildfire, some 10,000 hectares in size, was out of control and threatening the town of High Level in northwestern Alberta.  Townsfolk were evacuated. It was only one of many fires burning across the country. Fortunately, High Level was spared and residents have returned.

Fire has been both a tool and a danger. Indigenous people fired the prairie to green up the grass that, in turn, brought the bison back in their numbers. Europeans travelling across the plains described fires stretching from one horizon to the other, creating a scene worthy of Dante’s Inferno, leaving behind miles of scorched, blackened earth that they crossed for days afterward.

Forest-dwellers regularly burned the undergrowth to keep it free of trash. In the process, they created a patchy environment with a much higher carrying capacity, with browse and pasture for both their livestock and wildlife. All benefited.

For decades, received wisdom was the wild fires were bad. We now are learning, all too well, the folly of that practice. We forgot, or didn’t know, or chose to ignore that fires are Nature’s way of getting rid of mess, of eliminating the Old to make way for the New. Final succession-stage forests are prone to disease (such as Mountain Pine Beetle) and the forest floor is covered with a thick layer of trash, all of which, combined with the effects of climate change, result in a dangerously high probability of uncontrollable wild fire. Witness the partial destruction of the towns of Slave Lake (2011) and Fort McMurray (2016) in Alberta, the evacuation of thousands of residents in the interior of British Columbia (2017) and the disastrous Camp Fire (2018) in California that destroyed the town of Paradise and killed at least 86 people.

We seemed to have learned our lesson about the role of and the need for fire. Controlled burns of forests are now the norm.

The prairies are not immune. Farmers fear fire, too.

* * *

The continuous ring on our old party-line phone – a general ring, we called it –  signaled an emergency. We already knew what it was about – a fire out of control across the road from our farmyard. Through the trees around our yard, we had seen the flames leaping into the air. A neighbour had been burning stubble, the wind had caught the fire and sent it raging down the field. Now Dad and several neighbours were there, fighting to get it under control before it burned into town a mere 1/4 mile away. The situation looked desperate.

And then they set a backfire.

A major fire creates its own environment by sucking air towards it, creating an updraft. Backfires take advantage of that updraft.

I watched as the men started a second fire some distance – just the “right” distance – in front of the wall of flame. I did not understand why they thought it a good idea to set a second fire, but it didn’t take long to realize that they knew what they were doing. The smaller fire was sucked into the larger fire, burning up the stubble as it went. With no more fuel, the main fire fizzled out; the few remaining hot spots were quickly doused. The town was safe – this time.

                                                                          * * *

Meyronne wasn’t always spared. In September of 1923, a late night fire raged through the village. This is how Addie described that night:

“We were startled out of bed shortly after 11:00 pm with a general ring, but we didn’t have to answer the phone to know what the problem was, we could see light flickering on our bedroom wall. Abe said, “Don’t wait up, who knows when I’ll be back.”

“You expect me to go back to sleep while you’re off fighting a fire,” I retorted. “Don’t be ridiculous, I’ll be worried sick and won’t be able to sleep a wink until you’re back home.”

“Suit yourself,” he said, “but this will be a long night.”

And it was. I paced back and forth in the kitchen. Bert came down rubbing his eyes wanting to know what was happening, I told him that Dad was in town helping some folks fight a fire and he should get back to bed ‘cause there was nothing he could do. Edith got him settled and then sat up the rest of the night with me. We stood out on the front step and watched the flames leap up into the air. We could smell the smoke, hear men yelling, cursing, horses screaming. I made and drank an entire pot of coffee. I prayed that everyone was safe, that no one would be injured or worse, would die. It seemed to go on forever. “Is the whole town burning down?” Edith asked. “I don’t know,” I replied. “I hope not.”

Abe finally got back about 4:00 am. He reeked of smoke.

                                                                          * * *

You can read what was lost that night in Chapter 31, The Night the Village Burned, in “Our Bull’s Loose in Town!” Tales from the Homestead.

Saturday, June 29, 2019

Senses & Setting, a writers' brief how-to

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There are probably as many approaches to novel writing as there are writers. Some have a tendency to see things as a screenplay—action and dialogue. Others see characters and relationships first, and find that dialogue and action grow from that. Some plot carefully and make a comprehensive outline. Others just begin when a voice begins to speak irresistibly in their mind and their novel grows organically.

Others begin with the world in which the characters will move. Science Fiction and fantasy writers often begin this way. Historical novelists may become intrigued by a particular era, and this fascination leads to the creation of characters who will exist in a “period” world.

Such writers probably have the easiest time with “world building,” because setting/or period, or that “Other Land” they are creating has already played a large part in their inner life. , supplying the kick that took them from simply imagining to actually writing.

In most writing courses you’ll find discussion of using the five senses of sight, hearing, touch, taste and smell, and all of them need to be engaged—not all the time, of course, or nothing else would ever happen—but if your couple are seated side by side at a Regency dining table—even if they are thinking only of each other—either loving each other or hating, as the case may be—they will be surrounded by other people talking, servants coming and going, and a great deal of food. There will be ambiance a-plenty and the sensations will be coming from all combined senses.

In the last 30 years, people have become more than a little distracted from reality—not only by television, but by hand held games, cell phones, not to mention the artificial A/C world we inhabit during hot summers. As a result, we don’t really spend a lot of time paying much attention to where we actually are—and what signals are coming from our environment.

If you are walking down a street in a Third World Country—or on some far off planet, or London in Shakespeare’s day--there will be unfamiliar smells as well as unfamiliar sights. For instance, I went to school in the West Indies back in the 60’s, and rode the bus to the central market daily, and then walked up to the school through the narrow city streets. There was gray wash water running in slimy green gutters, the occasional furtive rat; there were fruit rinds and big greasy mango seeds scattered around as well as bottles.

 As well as sight, I experienced unfamiliar smells too. In the long ago West Indies, there was the smell of people who didn’t have facilities for washing other than the a central pump in whatever village they’d come from, of starch filled school uniforms and office clothes and the beginning of the day’s sweat. There was market refuse, discarded fruit and animal manure ripening in the sun, the smell of a hard-worked donkey as he clopped by, the heavy odor of the goats that rode the bus with you. Have you ever imagined what a werewolf or a vampire would actually smell like?  I’m not a fan of these fantasy creatures, so in my imagination—they’d smell pretty bad!

Is your character a temp, facing a vacated desk in a modern office? What’s the desk and keyboard like—are they sticky with coke, covered with ashes? Are they dusty, or spotlessly clean? How does your character deal with this temporary work-space? Does she first head for the washroom and paper towels to clean desk, keyboard and phone? Does she bring a can of Lysol with her to work on the first day at someone else's desk?

As you can see, this is not only “setting,” it also tells the reader about the characters. How do these particular people react to the environment in which you’ve placed them? Details like this breathe life into what might otherwise be wooden.

As for sound/hearing, we moderns are drowning in it. The environment has never been so distracting or noisy—thanks especially to the internal combustion engine—which roars away on every street and in every yard. Leaf blowers, lawn mowers, trucks, cars and a parade of loud pipe HD’s coming through our town are sonic assaults we endure daily. (My husband calls it “turning gasoline into noise”.) We live in a theme park town, and know what it’s like to put up with amplified concerts all summer, and an enormous volume of traffic. On top of all that, there are televisions blaring in every place we go, from restaurants to doctor’s waiting rooms. 

Conversely, if you are writing about the past, none of that existed. Cities used to be noisy with people and animals, and later, with trains and trolleys, but the countryside remained relatively quiet until fifty years ago. When night came down on the farm, people went to sleep. Two hundred years ago, a candle was an expensive item, and only the rich could afford to illuminate their world after dark. Likewise, music—an orchestra was for the rich, music provided by gifted individuals who were barely an inch more important than the rest of the servants. That used to be the draw of a parade—the fact that there was music. Even when I was a kid, people still made music at home. At our house we had a piano and a song book, and for fun our family sometimes sang and played together in the evenings instead of turning on the t.v.

 In the countryside, you’d hear wind in the trees, or blowing across wheat fields or rustling through a cornfield. You’d hear songbirds—and there were more of them 100 years — crickets. cicadas and wild geese. The first Europeans to arrive here remarked upon all our wildlife—and especially upon hearing it at night. In their world, they’d eaten just about everything that moved and cut down most of the trees and put the land under cultivation, and so their original home was already picked clean of wildlife. Here, before Europeans got a foothold, nature was thriving. If your characters are in undeveloped setting, for instance a 1600’s American forest, you might hear a panther scream or wolves howl.

Another sense to consider is taste. Taste and smell are strongly related, as we all have experienced losing some of both when we have a bad head cold.  This sense, which we take for granted, is key to our well-being. One of my aunts, now deceased, lost her sense of taste during her eighties. I remember when she was younger, she’d had to be careful about what she ate, for like so many of us, her thirties and forties were spent fighting the battle of the bulge. Now, with this vital sense gone, she was less and less interested in eating, and ended her life weighing a mere 75 pounds.

So, if we return to that Regency banquet, what do we taste—or are we so excited and overwhelmed by the presence of handsome young and very eligible Lord Brimstone-Fire seated to our right that we can barely swallow? If we’re on Planet X, how would you describe the taste of Silonian Sea Slug in Gaxican sauce? Was the dish carefully prepared, succulent and fragrant, or is it tough and indigestible, reheated too many times in the kitchen of some grungy space port diner?

Romance writers imagine the sense of touch frequently; it’s their stock in trade. If you are shopping for clothes, you will certainly run your fingers over the fabric, see if you like the feel of what you are about to put next to your skin. If you are handling a gun, besides the weight, you will be in contact with the material of handle or stock, the cool touch of metal, the slight oily feeling of bullets as you drop them into the chamber of a .38, or push small metal cylinders into a recalcitrant .22 clip. If you are kissing His Lordship, well, are his lips smooth or rough? What's his shirt (or his bare, muscular chest) feel like?
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Fantasy or s/f writers— you know you’ve got setting work to do which is far beyond the average. If you are on a distant planet, your special world will need an almost total re-imagining, because nothing would be familiar. This leaves a lot of scope for exercising your imagination, but you’ve got to be careful to construct an environment that’s inwardly consistent.  If there are many distinct and unusual plants and animals, and/or geological anomalies, magical spells, etc. you might want to write a crib sheet for yourself, so that you don’t become lost in the richness of your own creation.

Another way of attacking the business of creating a setting is what I call the “day in a life” exercise. That is, from the moment you get up in the morning until your head hits the pillow at night, spend one day really examining all the little routines you and/or others have, no matter how mundane — from brushing teeth to shining shoes, ironing, running errands, shopping, cooking, taking care of pets or organizing children, commuting to work etc. At work, we all develop routines which fill out the day in every office, hospital, factory or wherever. It’s easy to see that these slices of daily life are fodder for a writer of contemporary stories, but they can also provide a taking-off place for any novelist.

 What does your character do? Do they work for a living?  Or are they lords or ladies? If they are 16th century people, do they brush their teeth—and if so, with what? If a character is a servant in a great house, or an American Indian, or if they are the very eligible Lord Brimstone-Fire—how exactly do these folk spend their days?

It should be obvious that the aspiring historical novelist be well-grounded in manners of the period chosen. If you aren’t—pause and start researching. Afterward, you will instantly appreciate how much easier your story-telling flows. All kinds of questions will be answered. Is a maid permitted to look up from scrubbing the floor when her mistress passes by? Where do meals come from?  Who serves/prepares it? What food is available in that particular time period? If your character goes to the kitchen, what’s the room look like? What utensils and equipment are present? Where does the water come from? How often do your characters bathe and what is required in order to obtain hot water?

You really should do that research—or you won’t have a leg to stand on. Nowadays even casual readers are also watching the History Channel. For an example of how this has changed, I read a romance back in the early 80’s in which a hero and heroine make love on top of an upright at Stonehenge. This took more suspension of belief than I could muster—although it was okay with some long ago editor. If there had been magic involved and they'd levitated up there, it might have worked despite the acrobatic comedy factor of the narrow space, still, I don’t think this would pass with today's more sophisticated readers.



~~Juliet Waldron


See all my historical novels @







Friday, June 28, 2019

NATIONAL DAY OF THE COWBOY—Who Knew? By Connie Vines

NATIONAL DAY OF THE COWBOY


National Day of the Cowboy is observed annually on the fourth Saturday in July here in the United States (July 27th).

I write western novels, shouldn't I have been aware of this fact?

However, I was not aware that a national day celebrated the western-working man.

Most of us are aware of how the era of the cowboy came to be.

The era of the cowboy began after the Civil War in the heart of Texas.  Cattle were herded long before this time, but in Texas, they grew wild and unchecked.  As the country expanded, the demand for beef in the northern territories and states increased. With nearly 5 million head of cattle, cowboys moved the herds on long drives to where the profits were.

The draw of riches and adventure mixed with tales of violence and a backdrop of the Great Plains gave way to the mythological image of the cowboy.

Where the dust settles reveal much of the stoic truth of the American cowboy and cowgirl. The life of a cowboy required a particular ability to live in a frontier world.  To do so requires respect, loyalty and a willingness to work hard.

In the words of the former President Bush (Texan), “We celebrate the Cowboy as a symbol of the grand history of the American West. The Cowboy’s love of the land and love of the country are examples for all Americans.”

HOW TO OBSERVE

To quote snippet of one of my reviews: “Everyone loves a cowboy!”

 Celebrate with a cowboy you know and post on social media using #NationalDayOfTheCowboy.  Enjoy a western novel or movie, attend a rodeo and embrace the cowboy way of life.
Learn to dance the Texas-Two-Step.  Sing a cowboy song or two.

HISTORY

According to the National Day of the Cowboy Organization, this day “…is a day set aside to celebrate the contributions of the Cowboy and Cowgirl to America’s culture and heritage.” The NDOC continuously pursues national recognition of National Day of the Cowboy.  The first celebration was in 2005. 

CELEBRATING LIKE A COWBOY

Having a few friends over to celebrate the event? Or need a fun activity to share with your children?

Here are a few ideas:

Texas-Size Art contest
Cowboy Celebration Parade
Watermelon Eating Contests
Most Worn-Out Boot Contest
Best Mustache Contest (Home-grown, or Make-your-own)
Rib Eating Contest
Cowboy Karaoke Contest
Cattle Drive (City Folk will improvise: dogs, cats, stuffed animals) 
“Round’em up, move'em-out!

To end your day of celebration, or while sitting around a camp fire you can enjoy a cup of coffee.

Cowboy Coffee

Out on the trail, coffee was a staple among cowboys. Piping hot coffee helped a cowboy shake off the stiffness from sleeping on the hard desert ground, and it was also a good beverage to wash down the morning sour dough biscuits.  But cowboys didn’t have the luxury of fancy coffee brewers or French presses. They had to pack light, so all they usually had was a metal coffee pot, sans filter, to brew their coffee in. No matter. A cowboy could still make a decent cup of coffee.

Bring water to a near boil over your campfire.

Throw your coffee grounds right into the water. That’s right. Filters are for city slickers.

Stir the coffee over the fire for a minute or two.

Remove the pot from the fire and let the coffee sit for a minute or two to allow the grounds to settle at the bottom of the pot. Add a bit of cold water to help speed along the settling process.

Carefully pour the coffee into your tin cup so that the grounds stay in the pot.

Stand around the fire with your left thumb in your belt loop and your coffee cup in your right hand. Take slow sips and meditate on the trek ahead.


Looking for a way to celebrate National Cowboy day?  Why not spend the day, or two, with a rodeo cowboy?

Stop by Brede's ranch and spend a night under the stars:

What woman doesn't love a cowboy?  Lynx Maddox will gallop into your heart.  Just you, and Lynx Maddox under that star-filled Montana sky!




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Lynx, Rodeo Romance

Brede

Happy National Day of the Cowboy!

Connie




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