Wednesday, January 2, 2019

Settings - Attention to details by J. S. Marlo


A new year begins and a new story unravels in my head. The first thing I ask myself when an idea takes flight is Where am I going to set that story? To be honest, I'm partial to Canada. First, because I'm Canadian, and second, because of the its changing landscape, cultural diversity, and extreme weather.


There are oceans, beaches, lakes, forests, prairies, mountains, snowy mountains, tundra...but no volcanoes. I like to create fictive small towns within two, or five, or eight hours from an existing real city. That way I can pretend there is an hospital (or no hospital) in my little town, or I can set a charming café next to a library. I can imagine whatever fits the needs of my story instead of relying on an existing town where many of the facilities are set in stone. The Calgary airport is located in the northeast of the city. I can't just pretend it's in the southwest because it's more convenient for my characters. I would get email from my Calgary readers saying "Hey, I live in Calgary. You got the airport wrong". But I can write that my character is driving three hours to catch a flight from the Calgary airport.

For me, a good story blends fiction and reality in such a way that readers can't easily tell where one stops and the other begins.

Once I chose out the Where?, I need to figure out the When? I can play with four seasons, from scorching heat to biting cold. Now depending where or when I set the story, I can add either thunderstorms, snowstorms, northern lights, gentle rain, blizzard, fog, tornadoes, earthquake, mud slides, sinkholes, glaciers, icebergs... Again, I can brew any storms I want, but it should also be realistic. In my little corner of the world, I can't possibly see northern lights at 11pm at the end of June because the sun hasn't set yet, but I could see them around suppertime in December assuming the sky is clear. I'll grant you it's a detail, but it's the kind of details a reader from a northern community will catch.

If you set a story in a real town or a country you've never visited, make sure you get the details (language, customs, time zones, weather, money, distance, etc...) right. Canadian dollars, Australian dollars, and American dollars aren't the same. Canada and Australia have one-dollar and two-dollar coins, but unlike Australians, we called them loonies and toonies. If in a story, a homeless person stops the hero on the sidewalk and asks if he has a toonie to spare for a coffee, the story doesn't take place Down Under. It takes place in Canada!

Over the summer, I was editing my romantic suspense taking place in a nursing home in Northern Ontario. At one point, my editor (who's not Canadian) commented that I needed to be consistent in my units of measurement, that I couldn't switch back and forth between inches, feet, and kilometres. A long conversation followed during which I explained that even though we converted to the metric system in the mid-1970s, we still use both systems in different circumstances. We measure long distances in kilometers but short distances in inches and feet. My son lives 800 kms away but my guestroom is 10'2" x 12'8". We weigh our food in kilograms but people and pets in lbs. My Chrismas turkey was 5.6kg but my granddaughter is 33lbs and my granddoggie is 14lbs 5oz. The indoor and outdoor temperatures are in Celsius but I set my oven in Fahrenheit. It was -33C on Christmas morning (that was cold!) but I cooked my turkey at 325F. Milk comes 1-litre, 2-litre, and 4-litre cartons but when I make a recipe I measure in cups, tablespoons, or teaspoons. It may not make sense, it may not be consistent (actually it is not consistent), but this is an authentic Canadian setting...and this is so much fun to write, so in the end, the inches, the feet, and the kilometres...they all stayed in the final version of my story.

Be creative and have fun writing, but don't forget to pay attention to details.

Happy 2019!
JS

Correction: A dear reader pointed out that we do have volcanoes in Canada, and the last eruption took place about 150 years ago at Lava Fork in northwestern British Columbia. I should have written we do not have any "active" volcanoes. So I stand corrected. My apology!


Tuesday, January 1, 2019

Happy 2019 Everyone

BWL Publishing is proud to introduce our monthly Genre feature page.  January is contemporary romance month and featured below is the book cover of one of the books written by BWL's fantastic group of contemporary romance authors.  Our authors have been writing for decades and they are all experienced professionals who tell fantastic stories.  We invite you to visit our BWL Publishing website where this display is linked to each individual author's display page.  There you will be able to read more information about the book as well as choose to purchase from your favorite bookseller by clicking on the convenient book covers links to multiple book sellers.

http://bookswelove.net 





Monday, December 31, 2018

Priscilla Brown inhabits several houses

Mayor Anna's town and her farm are struggling.
 Is this sexy television entrepreneur financial salvation or major trouble?

Find details of this and my other contemporary romances on

and visit Priscilla Brown at your favourite e-book store

Inhabits all those houses in my head, that is. In my real life, I have just one house, a small house in a small town in New South Wales: the design and appearance of this dwelling, nor any that I have ever lived in, do not appear in any of my novels. Where do I get the ideas for my characters' homes?

In my stories, the only house that owes its presence partly to an existing building is Anna's farmhouse in Sealing The Deal. Some years ago I used to visit this homestead, and my writer's mind stored its appearance, its timber construction and wraparound veranda for possible inclusion in fiction one day.

Other than this, I am not writing about houses I've met. I glean impressions from various sources, including observations while visiting other areas, travelling, magazines, and some of these fragments gel into composite yet incomplete images for my characters to call home.  Such snippets are merely a small part of the final pictures in my head. Imagination personalises the dwelling, ascertaining the size, appearance and location, adding details. Occasionally the character may have a suitable finished place to live when I begin a story's first draft, but usually this evolves as the plot develops. My aim is to create the home, outside and inside, appropriate to the personality and lifestyle of its inhabitant; it should also promote an atmosphere in which the storyline can flourish.

Each of my stories has a notebook, and among pages of scribble I sketch a rough floor plan of the plot's most important house, not attempting to design it anywhere near to scale. I do this to anchor some ideas for the story, perhaps since I don't devise a plot plan, rather let the narrative carry on. In most cases, the original layout needs adjusting to accommodate not only proceeding scenes but the workability of the whole floor. The sketch for Cassandra's cottage in Silver Linings had the bathroom squeezed into a corner with no place for a door, and much too small for the spa crucial for a significant scene; as a result, the kitchen got moved and reduced. (No significant scenes there and not much cooking either.)

When furniture and other objects are necessarily mentioned, their placement and style may or may not be detailed depending on how important these are to a scene; readers may arrange them how they wish. Furniture can suggest a facet of the occupant's taste and lifestyle: colourful or drab, tidy or untidy, overcrowded or short of seats.

The view from the windows may be critical to the storyline as in the ocean panorama from the Caribbean island cottage belonging to Cameron in Where The Heart Is; Cristina must leave the man and the view, but is finding it hard to say goodbye. In Silver Linings, windows are useful to indicate the weather, if it's suitable to go beachcombing on the blustery Southern Ocean beach (or if spending the day in the spa is preferable).


Physical  surroundings are important contributors to a home's overall ambience, and to the 'feel' of a story. Is the dwelling rural or urban, isolated or on a busy street, and how does this particular location affect the character both emotionally and practically? Is there a garden? If so, is it looked after? Anna's caring nature tends to her roses in Sealing the Deal; Cristina's mature Australian garden of flowers and fruit trees contrasts with Cameron's tangle of tropical vegetation.

While the settings of my novels are clear and complete in my head. I try not to over-describe, to allow readers to use their imaginations, thus perhaps feeling they themselves are inhabiting the story.


May 2019 be kind to you. Best wishes, Priscilla


http://bwlpublishing.ca

https://priscillabrownauthor.com

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