Friday, August 14, 2020

Serendipity or Fate? ... by Sheila Claydon


Click here to find my books at Books We Love

The characters in my books always have problems and, as is the nature of romantic fiction, they always overcome them...eventually! Their problems are varied and, because I've written quite a few books now, there are many of them. Often the book description will point the reader towards what to expect and the beginning of the blurb in Saving Katy Gray is a good example of this.

Katy was used to losing things. First she'd lost her childhood home, then her career and reputation, and finally, and most dreadfully, her identity, so she knew she should be used to it....

Katy has more problems to overcome than most of my characters but, eventually, she finds a way, as do the characters in books 1 and 2 of the trilogy. What had never occurred to me until recently, however, is that when characters find a solution to their problems this can often help the reader. It was my daughter who prompted this thought with two books she has recently read.

In the past 2 years she and her family have lost a loved one following a long illness, coped with the resultant mental health issues, helped a friend who was in an abusive relationship and then, finally,  had to completely reorganise their lives due to the demands of Coronavirus. This has included children being upset about having to miss important exams, training programmes being cancelled, reduced income and, to top it all, my daughter having to leave home and family every day and put herself at risk as a frontline worker. Yet, despite all of these drawn out problems she has remained unbelievably resilient while all the issues she has been dealing with have slowly resolved themselves, and we are so proud of her.

That is not the issue, however. We know that many, many people face similar and even worse problems, but what we don't know is how often they read about themselves in a work of fiction.  Entirely serendipitously my daughter, looking for some escapism from her stressful life, recently picked up two novels entirely at random. Unknown to her one was about an abusive relationship and how the heroine began to recognise and then deal with her problems, while the second was about the loss of a loved one and how the resultant grief was played out across 3 generations.  When she started reading she had no idea that the stories were about the issues that had affected her own family but the more she read, the more everything resonated. By the end she had not only totally identified with all the characters, she also felt much better about herself, how she had handled things, and perhaps even more importantly, why other family members and friends had acted as they did.

It made me wonder if fictional characters sometimes help readers to resolve their own problems more effectively than non-fiction help books. There is, of course, an important place for these, but when someone is dealing with trauma they often don't have the emotional energy to read the factual stuff and instead turn to the escapism of fiction. This thought has made me look again at the dilemmas my various characters have faced and solved in order to check that I dealt with them realistically. I do, of course, like all writers, always do my research, but the moment of serendipity (or fate) experienced by my daughter, has made me realise anew how very important this is. We writers have a responsibility towards our readers. It goes without saying that they want us to entertain, to make them want to keep the pages turning, even perhaps to teach them something new, but now I've added 'help them to resolve their problems' to the list of things I must think about before I start a new story. The responsibility is really quite daunting!


Wednesday, August 12, 2020

WWC Online Writers Festival - Free This Weekend

                            Please click this link for author, book and purchase information

Every August for the past nine years, I've attended Calgary's When Words Collide Festival for Readers and Writers. I've loved the festival's energy, learned about the writing craft and book promotion, and acquired new readers and writing connections. When this year's in-person event was cancelled due to COVID-19, the organizers decided to go online. The festival happens this weekend. It's free and open to everyone.

I wasn't sure I'd get involved with the online version of WWC until I saw the first draft of the 3-day program. The organizers invited past presenters to fill vacant spaces on the proposed panels. Several topics grabbed my interest and I was given spots on these two panels:

Ten Things I Wish I’d Known  
When you started writing, what assumptions blocked your progress, lead you down dead ends, or limited your opportunities and experiences? Panelists share their initial faulty thoughts that slowed their journey into the writing world. 

After almost 30 years of writing, I wish I knew a few more things and hope to learn them from my fellow panelists. I'm familiar with all three from past WWC festivals and they've achieved success in their widely-varied directions. Our panel will take place on Zoom, Friday, August 14, 3:00 pm. All you need to do to attend is go to the WWC website and click on the event link in the program PDF. No registration or payment required. 

Me (right hand side) on a panel at last year's WWC

My second Zoom appearance will be on Saturday, 1:00 pm, Access Denied: A panel for writers on how to handle rejections and critiques, and communicate with editors/agents/publishers,

The agent on this panel will have a lot to share. I've become an expert on this subject during the past 30 years -- but I'm still standing!

When I'm not on a panel, I'll be cruising the WWC program for other panels, presentations and activities to attend. There will be up to five choices every hour from 1:00 pm Friday, August 14th, to 5:00 pm Sunday, August 16th. A number have already caught my eye:

Meet the Mesdames of MayhemFresh from their award-nominated CBC Gem documentary, meet the writers with a century of combined killing time and learn how they freshen up their crime sprees for the 21st century (Sat, 2:00 pm).

Medical Errors and Tropes: A bullet in the shoulder that doesn't hit anything important? Knock-outs without actual damage? Induced comas? What is realistic and what is not? A discussion of common medical mistakes and questions in fiction (Sat, 3:00 pm).

Plus a couple of panels on editing, which I'm in the midst of doing now for my novel-in-progress. In addition, I've requested a one-on-one Zoom meeting about developing my social media strategy.  

Two fellow BWL authors will also be involved this year.  

Nancy M Bell: Blue Pencil Café
                         Pitch Sessions
                         Editors: When Can They Help and How? (Sat 12:00:00 pm)
                         The Dos and Don’ts of Successful Pitching, (Sun 3:00:00 pm)

David Poulsen: Crime Thru Time (Sat 4:00:00 pm)
                          From the Mean Streets to the Deadly Wilderness (Sun 1:00:00 pm) 

At last year's WWC festival, David and I participated in a fun panel with two other Calgary area crime writers.  For a (virtual) taste of what you'll get this weekend, you can listen to the podcast of High Crimes in Your Own Backyard.   


Partying at a previous When Words Collide festival. This year, WWC is hosting a Virtual Pool Party



 
 


 

   
  

Tuesday, August 11, 2020

Don't Dis the Duc by Karla Stover





Murder, When One Isn't Enough    A Line to Murder (A Puget Sound Mystery) (Volume 1)  Wynter's Way
murder on Hood Canal   murder in Tacoma, WA.       old-fashioned Gothic



In my book, Murder, When One Isn't Enough I sent my characters on a boat trip to the Skokomish Indian Reservation. It's located in what is called Hood Canal's Great Bend, more or less across the water from Tahuya and near Potlatch State Park. In front of the reservation is Annas Bay and in the bay is the Indian Hole. When the tide goes out, boaters can let their craft float over the hole and toss their anchors up on the beach. I can't find out how deep the hole is but the beach is where I went with my family to dig geoducks.

A geoduck is a type of very large clam (the shell is 6 to 8 inches and the neck can be up to 3 feet long) native to primarily Washington State and British Columbia. According to "Wikipedia", part of the name refers to genitals. Pealing the skin off the neck is like removing a condom. When we got one--and digging them isn't easy because the neck sticks out of the sand but the body is deep down--Mom ground the meat and made chowder.

A few years ago, my niece, who worked in Washington D.C. was asked by her boss to cater a typical Puget Sound dinner. When the geoduck was delivered, the chef didn't know what to do with it and she had to call her mother and have her mom tell him how and what to do with it.

For those people who remember the TV show Dirty Jobs, Mike Rowe dug one (what the Chinese call Elephant Trunk Clams) but broke the shell--a no-no and sign of a novice. He took it to Shelton and had a restaurant chef cook it for him. Another place they showed up was in Betty McDonald's book and movie, The Egg and I. According to her biography, she was on the set when the movie was made and I don't why she let them be called gee-o-ducks when she knew the proper pronunciation is gooey ducks.

In my fiction reading, I love learning things. Author Mary Stewart did that really well--taught things, that is. I like to do the same--introduce readers to the Pacific Northwest.

Geoducks can live to be over one hundred. I like them and think they're special So did Evergreen Community College in Olympia, Washington when they became the school's mascot.

Image result for geoduck






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