What a Day for a Daydream by Diane Bator

 

I used to be an avid reader and a prolific daydreamer. I’m not sure which made me a better writer, but the two did conspire to actually make me a writer. Daydreaming was the way I originally created stories. As a kid, I would go off into the hayfields and pick strawberries on sunny afternoons. It was during those lazy summer days with my fingers and tongue stained red that I would daydream about appearances on the Oprah Winfrey show, starring roles in plays and musicals, and being an author.

By the time I got home, I was ready to pencil those fun, meandering stories onto loose-leaf paper. Sometimes, I’d share them with my friends or my mom. Most of the time, however, I’d tuck them away and keep them to myself. Little treasures that lived in my own mind and in a shoe box under my bed.

As I grew up and went off to college, the daydreams matured and took on longer lives of their own. I longed to be an author, but it was one of those things that people only did for fun. I was actually told that “writing isn’t a career” and to get a real job.

Sadly, I believed it and stopped daydreaming.

I got married and had kids. Then a funny thing happened.

The daydreams came back. I have to say daydreaming with kids can be a lot of fun, especially stomping through the woods on a hike--which became a quest with sticks in place of swords. Or camping in a tent while the rain fell around us. I wrote stories about kids being turned into mice, little blue hippos in the wild, and even stories about bullies in schools. The stories we wrote were just for fun. I’d never even thought to publish them. Those stories and poems were created just for my kids.

One day, I dusted off some of those old stories I’d written in college. I still wasn’t ready to share them. They went back into a drawer. Instead, I went for long walks and discovered new daydreams. More vivid and detailed with more twists and turns. Daydreams that led to stories, which then became books.

This time, I chose to follow my heart – and my daydreams.

And I became a published author. Many times over with no end in sight.

All because of a daydream I had as a kid that one day I’d write books.

I still haven’t been on the Oprah show, though.

Find many of my daydreams at:  

http://bookswelove.net/bator-diane/

http://penspaintsandpaper.com

http://dbator.blogspot.ca/

 

The story behind All That Shines...

A few years ago I was at my day job selling tickets at a professional theatre when a man came in to buy a ticket to a drag show we were hosting. As with any other customer, I asked for his name and address to add to our computer program.

“Tiffany,” he said.

I’m not ashamed to admit I had a moment where was I positive I’d misheard him, but I didn’t look up. In fact, I barely skipped a beat before I asked for last name and went on to collect the rest of HER information followed by a fun chat.

Over the years since, we’ve become friends and she’s stopped by to see me at work a few times. I’ve been thrilled to share in news of her engagement along with all the ups and downs of life. Truth be told, I’ve learned a great deal about from this amazing woman. Which is why I gave her full disclosure when I wrote All That Shines. I even gave her a copy of the rough draft for her approval AND I have a copy of the finished book waiting for her.

My favorite scene in the book is the moment where Hamlet tells Sage and her sister Laken that he is a woman and would like to be called Quinn from now on. Quinn was tired of people treating her like she was a joke and lamented how difficult it was to become a woman. Yes, Sage and Laken have a moment of “is this for real?”, but in the end, they honor Quinn’s wishes and she quickly becomes part of the staff. In fact, Quinn Evans has become one of my favorite characters. Her honesty and openness bolsters Sage, who has always felt overshadowed by her supermodel sister, until she begins to shine in her own way.

I didn’t consciously set out to create a transgender character. She grew organically from a blend of people I know and love, as well as a need to tell a different story. While I share in my friends’ journeys, I would love to expose the good and the bad, but in a way that only a cozy can – gently and with love. True in this book no one has harsh judgements of her because no one has really gotten to know her yet. Once they realize she’s settling in for the long haul all that can, and will, change.

Cozy mysteries don’t normally deal with controversy which is why I had to walk softly. I wanted Quinn to be a character that readers could reasonably suspect of being a murderer, yet they rooted for her not to be.

True, Quinn is a little different, but deep down aren’t we all?

I find that real life is constantly being drawn into my books. Incidents that happen. Conversations I have or overhear. What a better way to make settings and characters feel more real than by drawing in reality.

Have a wonderful day,

Diane Bator

http://bookswelove.net/bator-diane/

http://dbator.blogspot.com/

 

Turning Ideas Into Fiction - Part One by Roseanne Dowell

 

Visit Roseanne's BWL Author page for book details and purchase information

Turning Ideas into Fiction

 

I know well-meaning friends often say “You ought to write this down, it would make a great story.   Well, actually, no it wouldn’t. I’m sure you’ve all heard the saying “fact is stranger than fiction”, well it is. If you’re writing nonfiction, fine go ahead and use the story about Uncle Joe getting stuck on the roof.  It was a comical incident and would make a great creative nonfiction story. However, for fiction the idea won’t make for a great story without some changes.   For the most part, it’ll come off as false. Readers just won’t believe it. Besides you, the author would be telling the story.  We want to show our stories. 

 

Here’s our incident. Uncle Joe got stuck on the roof while hanging Christmas lights.   He had put a ladder on the peak of the garage and when he went to get off the other peak, he reached his foot out, the ladder slipped away.  He moved toward and inched his way off the roof, reached his foot out and hoped to snag the ladder. Again, it slipped away. One more time and it slipped out of reach. By this time, he was hanging by his elbows. No one was in the house. It was cold and the roof was covered with snow. He looked around to see if a neighbor might have come out. Nothing – his arms were getting tired and he didn’t know what to do.  The only thing left was to jump.  He knew if he landed on his feet, they’ slip out from under him and he’d slide off the roof like a bullet.  He took a deep breath and let go. Thankfully he landed and didn’t slide.

 

If I were writing it for creative nonfiction, I’d embellish it, make it humorous.   It almost sounds like an incident from National Lampoons’s Christmas Vacation. 

 

But, how do we create a story from this idea?  Some people need to plot out the idea on paper, which is fine. I wish I could do that.  But, I’m one of those writers that just start writing.  Oh, I’ll jot down some ideas and know where I want to go, but in the beginning, I usually have no idea how to get there.  And that works for me.  Whatever works for you is fine.

 

So, we have the idea.   A man is stuck on a roof.  We don’t have to have him putting up Christmas lights. He could be up there for a variety of reasons. 

 

One of the first things, even for me, is to create the plot.  I start, of course, with my character's name, age and appearance. Okay let’s call our guy, Charlie. He’s middle-aged, slightly balding, but tall and muscular. We’ll talk more about characters in later lessons.

Next, I ask why Charlie was on the roof.

 

Once I have my characters, I develop my idea.  First question:  What genre’ am I writing?  If I’m writing mystery I have to decide, is it a murder mystery?  Who gets killed, where and why?  This is where we start asking the questions, what happened, how did it happen, etc. 

 

Hmm - maybe someone moved the ladder. And maybe Charlie makes it down but he knows someone is trying to kill him.

 If Charlie is the intended victim we’ll need to a potential killer.  

 

Once we know the where and why, we need to know if the murder is going to happen in the book, or behind the scenes.  In other words, has the murder been committed when we come on the scene or are we going to show our readers the murder?   In this case it’s an attempted murder because Charlie isn’t dead.

 

Then we need to know how our main character is going to solve the crime.  We need some clues, usually not ones the reader will pick up on right away, but clues that at the end of the story they’ll hit their foreheads and say “Oh I should have known.”

 

Do you see how we took a real-life incident and changed it into something totally different? Sure, we could have written humor and wrote something like National Lampoon, but why stop there.  Explore different avenues. You could take the same incident and change it into a romance or fantasy. Maybe even Science Fiction.  I don’t write either so I’m not going try to explain that. But who knows maybe while Charlie is repairing the roof, men from mars kidnap him?   Let your imagination run wild. 

 

Everything around us has potential for story ideas. We only have to look at the world around us with a writer’s eye.

 

What do I mean by everything?  Here’s a good example – Let’s say you’re stuck in traffic. What do you usually do? Turn up the radio, call someone from your cell phone, and tap the steering wheel impatiently? Next time turn that negative energy into something positive. Who is in the car next to you, behind you? Is that carload of kids off to a soccer game, Grandma’s house? Look at the driver, what is she feeling, sitting there with a car full of kids bouncing and jumping around. Her mouth is moving. Is she yelling, singing, playing a game with them? Where are they going? It’s a potential story idea.

 

How about that young couple next to you, are they in love, arguing? Put them in a scene - make up a story. That isn’t just a car full of kids, or a young couple. Don’t’ think of it as being stuck in traffic. The same thing applies to standing in line at a supermarket. We are viewing potential characters, ideas, scenes, making up plots. Look in their carts. Are they buying that wine and cheese for a rendezvous or a celebration?  A cart full of groceries, three, maybe four gallons of milk, family sized packages of meat, looks like a big family – maybe they take in foster kids.  Every place you go you should see potential settings for stories. Everyone you see becomes a potential a character.

 

But let’s go a little further -Check out the daily newspaper. Many articles give us ideas for our next plot. Maybe the bank robber will make a good character for our villain. Don’t just read the headlines, read the small stories. Read the local pages.

 

But let’s not stop there, look in the classifieds? Under help wanted ads, there are many different and unusual occupations for our characters. And don’t skip the business opportunities and legal notices.  I found an interesting Notice regarding a Public Hearing on the merits of designating several old schools in the area as city landmarks. This piqued my interest since I had attended two of these schools. This could lead to a possible setting for a story or maybe a nonfiction article about a trip down memory lane.  Maybe one of these schools is slated to be torn down. It’s been vacant for a long time. The crew goes into the abandoned building and finds a body or an old suitcase full of money. See the potential.

 

Then of course there’s equipment.  You can learn a lot about a community, especially a small community by what kind of equipment is for sale.  Farming community – farm tractors.

 

Don’t forget to read the for-sale ads. Every conceivable item is for sale from antiques to stereo equipment. I particularly enjoy looking through the jewelry section.  One ad for a diamond engagement ring valued at three thousand dollars was listed as a must sell for twelve hundred. The ad raised my curiosity.  I figured it was for sale because of a broken engagement. But what if the woman’s husband died leaving her penniless and she desperately needed money for medical bills. More interesting to me was the thought of who would purchase the ring.  I wondered what man would buy a second-hand ring, albeit a good deal, for his new fiancée. Then I thought maybe he took it to a jeweler and had it put into a new setting. What would happen, I wondered, if the fiancée found out she had a used diamond. Would she think what an ingenious idea or would she be angry?  All this from a one-line ad.  The newspaper is an excellent source for ideas.

 

Magazines are another good source for ideas. Open it to any page, look at the pictures, even the advertisements - we see an attractive woman or a couple. Imagine them in a scene. Create a plot around them.  I picked up a magazine the other day and it had an ad for a real estate company.  It showed a house with a for sale sign in front of it.  It was a beautiful house with a well-kept lawn and fabulous landscaping.  Why, I wondered is that house for sale?  Who are the people selling it? Are their children grown and they no longer need a house this size? Or are they getting a divorce, was there a death in the family? My imagination started to run away with all sorts of ideas about the owners and why they were selling. There are many ways to create stories from simple pictures.

 

But right in your own home you can get ideas. Look around, what do you see?  Right now, I see a room with a computer, printer, and a scanner. However, it’s not just a room. It’s a potential setting for a story. Now lean back and really look at the room. My walls are pewter blue - a cream-colored shade covers the window. If I were writing a story, I would elaborate on this through my character.

 

Want to turn it into a mystery – try this: Our character, let’s call her Evelyn (I have no idea where I came up with that name it just happened, but more about that later.) Evelyn goes to work; she enters her office only to find someone ransacked it. Now through Evelyn we’re going to show the office. 

 

 Evelyn yawned as she put the key in the lock.  Going to have to quit these late nights, fun as they were her body just couldn’t take it anymore.  She pushed the door open and froze. Her computer lay on the floor and the printer was upside down on the counter. Papers lay scattered over the floor and a purple liquid dripped down the pewter blue walls.  Evelyn stifled a scream. The cream-colored shades looked like they were splattered with blood.  (Hmm - I may have the beginning of a new story here).

 

And don’t forget our chat room friends or writing buddies. Many times, I got an idea for an article, just from our daily conversation.  Today the subject of being the only one who managed to fill the ice cube trays came up.  One thing led to another and it turned into an idea for a humorous article.  During the course of the conversation, we took it a little further. Nothing is more annoying than finding no toilet paper on the roll, which changed the whole tone of the article from empty ice cube trays to why am I always the one who has to do everything? Why can’t someone else in the house take the time to do a simple task like add water to the ice cube tray before putting it back in the freezer? And why can’t they at least rinse the dish they set in the sink, although why they can’t put it in the dishwasher is beyond me. Anyway, you get the gist of it.  A simple thing like an everyday complaint turned into a very humorous article. 

Now let’s change it to fiction. Your character bought a bag of ice. When she opened it she found something – maybe a piece of jewelry? How did it get there? We now have the potential for a good mystery.  Did the woman’s husband put it there? Was it planted by someone? Where did it come from? Was it stolen?

 

While creating ideas these are some of the questions to ask. Who, Where, What and Why? Sources for ideas are limitless. We just need to view the world around us with the writer’s eye.