Monday, April 30, 2018

BWL Publishing April Releases, and our .99 Cent special last day

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Sunday, April 29, 2018

Bringing in the May--in PA







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May Day is on her way—in fact, as this post goes live, I’ll be in the hills of PA at camp bringing in the day with fellow congregants.




This is the first big get-together for those of us who are just visitors to the site, the some-time pilgrims. Of course, there are folks who live at the sanctuary year round, serving the organization with hard work, both sweat and detail and are sworn to poverty. They alone witness the white sleep, the deep mud, and the green rebirth, the dry leaves, the storms and rushing waters of the Everything She Touches She Changes Creek, the focal site of the camp.  The wards of the church live with the privileges and hardships of the place, which are entangled.




Some of the pilgrims to the place are old. Some are young. 

The kids are all right! They have cool shoes that light up and neat costumes to wear and know all about Harry the Young Wizard or Gimli the Dwarf as well as Spiderman and Black Panther and Ponies.  Sometimes they have two mommies or two daddies or just a single weary parent, trying to keep up with them. The small ones will cry, grumble and yell inside the bunk house after the old and decrepit are already in bed, wrapped in sleeping bags on futons and concentrating on their muscle aches, or curled up tight hoping to warm their feet. Eventually, all the fresh air and camp excitement, the chill of the night and exhaustion from running through the long grass (kites, sparklers, noisy drones) overcomes them, and the small “replacements” will also pass into unconsciousness.




At night there will always be motion here and there, or a ritual which requires fires, flowers, smokes, and rum. Flames bloom and crackle at new-created campsites, headlamps jiggle through the dark, potty doors bang, bats twitter in the twilight. At night there is some wandering, romance for those so inclined, long philosophical discussions in a tent under party lights with cold cups of coffee or other, more Dionysian beverages at hand. 

You may take a long lonely walk through the hilltop labyrinth and then watch the sky. There are also 2 a.m. trips to the outhouse through the dew laden grass made by the elders. These latter are hoping not to trip and fall, but they are also known for pausing in order to gratefully survey the dark-dark night sky and rejoice at the sight of blazing stars that have been invisible in their light polluted home towns for decades. 






In the morning the women braid wreaths from tubs of donated flowers. Maidens and children will wear them too, as well as the May Queen. Already the ribbons and flowers have been plaited into the great wreath, the one which will be ceremonially raised to the top of the pole. A little sympathetic magic never hurt anyone, especially on behalf of our poor beleaguered planet. 




The dance, an ancient practice from another continent, will take place in the afternoon, when, usually, to our great delight, the chary spring sun comes through clouds and warms us. Shirts and shoes will come off in the humid meadow and the celebrants will enact the rite of pole and wreath, and the young men will struggle (laughter, jokes) with the rising. At last the dance of under-over-under-over will begin, braiding the bright ribbons.  Everyone in that circle will soon be sweating and breathless, dizzy from glancing up at the pole, at the swaying wreath and ribbons. 

Around us this year, the trees will be barely leafed, and the blue sky will come and go through low clouds.  Drumming will provoke showers. Elders will look on, visiting, and congratulating one another because they are still witnesses to life—Winter has “spared them over for another year.”  

~Juliet Waldron

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 "The Holy Land is Everywhere"--Black Elk



Saturday, April 28, 2018

How Do You Establish a Story? By Connie Vines

 How do you establish a story?  What is your most unusual story?


I, like most of the writers I know, are involved in workshops, plotting groups, and or online classes.  Many of these are workshops sponsored by my local Orange County Chapter of Romance Writers, (past and present) are excellent in content and easy of application.

Christopher Vogler’s workshop “The Writer’s Journey” was a 2-day event which was designed for screen writers.  While I have ghost-written a screenplay, which was adapted for the small screen oversees, this is not main focus.  I have, however, applied what I leaned in this workshop to plot/outline my novels, novellas and expanded the W-plotting guide for my short-stories and anthologies.

And, of course, no writer’s library would be complete without out a physical copy and video version of Joseph Campbell’s “The Hero with a Thousand Faces”.  His work goes into detail about the art of storytelling and why we, as humans are hardwired (same say it's in our DNA) to accept and expect the ‘myth’.

During my term on The International Chapter of Romances Writers, I taught online classes on character development and plotting.  I, as I’ve blogged about in the past, plot my stores in 3-chapter clusters due to story flow, pivotal-points, dark-moment, etc.  Revisions are simpler for me this way because I can to insure my story’s pacing remain even. 

After my basic story is plotted, my character sketched out and motivation defined, I need to add depth to my character and strength my conflict.  I fine the series of writer’s reference books by Angela Ackerman and Becca Puglisi, of Writers Helping Writers fame, a must-have reference.  However, I also rely on ‘unconventional’ conflict generation.  Astrological signs are great form of conflict.  (Remember I have always worked odd-jobs—some jobs more ‘odd’ than others, to support my writing habit.)  One of my ‘temp’ assignments was for a local (and semi-well known) astrologer.  I already had knowledge of astrology but he explained charting/predictions/ and conflict due to…well, you get the general idea.  I have found this immensely helpful when my characters come from a similar background which can make ‘conflict’ a stretch.

I applied astrology (though it is never an element in the novel itself) to “Lynx” Rodeo Romance, Book 1.  Rachel is an Aquarius and Lynx is a Leo.  Opposites in the Zodiac, but like all opposites there is attraction/conflict/ and a heart-felt story line.

If a reader is looking for the ‘astrological elements of my character development’ she/he will find them.

Question #2 What is my most unusual story? 

Unusual
 Meaning: not habitually or commonly occurring or done.
synonyms:  uncommon, abnormal, atypical, unexpected, surprising, unfamiliar, different;
remarkable or interesting because different from or better than others.

All of my stories fall under this umbrella, though for different reasons--depending on the series/setting.

My novels are set in areas I am familiar with, either by residing or vacationing in the area.  In 'Here Today, Zombie Tomorrow," my novel is set in Forest Falls, CA.  Since it is about an hour from our home we dove up the mountain and ate at the restaurant, toured the small town and hiked to the falls.  We also spent the next day at Big Bear Lake.

I mentioned in earlier blog posts, my ties to Native American Culture and the west.

My current release “Tanayia—Whisper upon the Water” is a historical YA novel with a Native American heroine and a setting in a boarding school in the 1880s.  The story reads like a young girls’ diary but is written in the 1st person, narrative.  Once Upon a Romance Reviews calls my 1st person narrative filled with raw emotion-- the reader is standing on the hill top beside Tanayia and living in her world --from Prologue to Epilogue.  Book 2 is a must!

Thank you for stopping by to read my post here at BWL.
If there is a topic you'd like me to write about in the future, please let me know.

Connie

**Apache Bread

1 c. white cornmeal
1 c. yellow cornmeal
1 tsp. salt
1/2 tsp. red pepper
1 c. boilng water
1/2 c. bacon drippings
green cornhusks

Mix dry ingredients, add boiling water and bacon drippings.  Form into small rolls and wrap in green corn husks.  Bake at 350 degrees for 1 hour.  Makes 12 individual breads.

** A Taste of Native American Culture by Connie Vines





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