Friday, March 20, 2020

Women's History Month: Thank You to the WWII Women's Air Force Service Pilots



Terror on Sunshine Boulevard by J.Q. Rose
Rescuing a naked woman lying in a geranium bed? Investigating mysterious murders? These are not the usual calls in a Florida retirement community for volunteer first responder Jim Hart.Mystery, paranormal
Click here to find mysteries by J.Q. Rose at BWL Publishing

Women's History Month

March is Women's History Month: Thank You to the WWII Women's Air Force Service Pilots by J.Q. Rose

March is Women's History Month and the perfect time to share some photos I took when in California for the Rose parade in 2014. One of the floats honored World War II USA Women Air Force Service Pilots. (WASP)These women were unsung heroes during WW II. I am proud to share their history and inspiring story with you today.

"Our Eyes are on the Stars", the title of the float celebrates the courage of the Women Air Force Service Pilots.
The Wingtip to Wingtip Association float in the 2014 Rose Parade, featured the 1102 women who served their country as Women Air Force Service Pilots (WASP) and honored their contribution to the war in 1942-1944. 

These brave trailblazers dreamed of flying for their nation. Because there was a shortage of male pilots for combat duty, the women pushed to become pilots to free up the men for fighting the war. 
The WASP group members were assigned to ferry military planes between military bases in the USA and flights from aircraft factories to ports of embarkation. 

They also towed targets for live anti-aircraft artillery practice, simulated strafing missions, and transported cargo. A few exceptionally qualified women were allowed to test rocket-propelled planes, to pilot jet-propelled planes, and to work with radar-controlled targets.

The reproduction of the Congressional Gold Medal awarded to the WASP decorates the side of the float. The 38 stars around the medal salute the 38 WASP members who lost their lives in service to their country.
The courageous women were not considered members of the military and received no recognition as veterans until 1977 when the WASP records were unsealed. When they returned to civilian life, even with their flying experience, they could not get jobs as pilots.

According to Wikipedia, on July 1, 2009, President Barack Obama and the United States Congress awarded the WASP the Congressional Gold Medal. During the ceremony, President Obama said, "The Women Airforce Service Pilots courageously answered their country's call in a time of need while blazing a trail for the brave women who have given and continue to give so much in service to this nation since. Every American should be grateful for their service, and I am honored to sign this bill to finally give them some of the hard-earned recognition they deserve." 

More than 15000 red Freedom roses decorate the length of the float.

The first issue of the Fifinella Gazette was published on February 10, 1943. The female gremlin Fifinella was conceived by Roald Dahl and drawn by Walt Disney and used as the official WASP mascot that appeared on their shoulder patches.
We salute the WASP members who opened the skies to later generations of female pilots in the military. Thank you to all those who serve in the USA military service both past and present.
Connect with J.Q. Rose online at



Wednesday, March 18, 2020

Something to take your mind off our crazy world by Nancy M Bell



TO learn more about Nancy's work please click on the cover.

It seems the world has gone a bit crazy. So I thought I would take your mind off it for a bit by sharing some writing advice. I hope it works. I also everyone stays safe and healthy.

Building the backdrop of your story is a little different that wholesale world building. I liken world building to crating something piece by piece like Lego, where as I view building the backdrop as a less intense (but not less important)endeavour, more like creating a water colour with wide bold sweeps of creativity.



Building the Backdrop
Nancy M Bell

Where do our stories take place, can our characters exist in a vacuum? Of course not. Our stories need to play out against a rich and engaging background. The environment our stories take place in can become as important as the actual characters and an integral part of the reader’s experience. Examples of this are Tolkien’s Middle Earth, McCaffrey’s Pern, Graham’s portrayal of Cornwall in his Poldark books, Rowling’s Hogwarts and alternate London to name just a very few.
Whether we are creating a whole new world complete with maps and exotic flora and fauna or are just setting our tale against something that exists in reality (or close to it), the behind the scenes part of our creation needs to be the layered, deep and rich foundation upon which we tell our story.
As the creator/author you need a strong concept and vision of what your world consists of. Where is it located, what types of characters live in the background to give flavour to our main characters. Consider the weather; are there seasons, is it always hot or cold, is the environment harsh or lush, are you building a backdrop in a city or a town or a more rural area. Take the time to think about these things before you begin. Draw maps if you need to in order to give you a sense of scope and ground yourself in the environment. Those maps may never get into the actual book, but it will help the author navigate through the fabric of his story and weave his characters into that fabric in bright colours.
You need to develop a 360-degree view of your characters. What dialogue will they speak? Is it cultured? Rough? Upper, middle or lower class? Consider how and what they say and what they don’t say but can be implied by their actions/reactions or movements which may be enhanced or initiated by elements of your backdrop. Sometimes what isn’t said comes across more powerfully than what is said.
Mine the stories behind the main story without distracting or overpowering your main characters. This helps create a vibrant and rich tapestry for your story. An interesting experiment is to write the same scene from different character’s point of view. This often gives a deeper view into the circumstances surrounding your main story thread and enrich your world.
Another important thing to consider is how your characters react to these four things:
Money, sex, food and sleep. This is a good way to get into your characters’ heads and will aid in your development of the characters and the backdrop against which they play their parts.
You want to evoke in your readers a strong emotional connection to your characters and to the world through which they move.
The backdrop is important to your character as it will dictate how they behave; their personal motivation should be reflected in the world you create for them.
What is the economy of your world? Supply and demand is a concept that knows no barriers as to genre or length of story. Consider how the economy you create shape and affect your characters both primary and secondary and the world dynamics. An example of this would be the Avengers and the Blue Cube (Tesseract) all you need to know to grasp the essential concept is that people want the Blue Cube and that dictates the rules of the world. The basis of this world is the Tesseract is the containment Bessel for the Space Stone, one of the 6 Infinity Stones that predate the Universe they’ve created and possesses unlimited energy. This one concept is the basis for the foundation of the that world and the fabric of the backdrop for their adventure.

Be careful not to over explain things, show don’t tell is still a rule to live by.
Consider what the character wants- this algorithm will drive your story forward.
You can draw from history for the foundation of your religious and political systems, given you’re not writing non-fiction you can mix and match from different sources, taking what works best for your story.
Your economy isn’t just based on wealth or class- supernatural powers or lack thereof can enter into it, as well as exchange of power or energy.
Don’t forget the sensory issues when creating your backdrop, what are the sounds, smells, what kind of food, what tastes do your characters enjoy, how tactile is your backdrop, can your reader appreciate the feel of your world, smooth concrete, rough cobbles, deep sand, rolling surf etc. You reader need to feel “immediate” in your world. That is to say engaged in the whole experience of your story. Give your readers physical sensations they know intimately- we all know what a paper cut feels like, or burning your hand on a hot pot etc.
Be sure your created fabric isn’t too perfect or sterile- there must be costs attached to actions, consequences for things that do or don’t happen. The reader needs to feel and enter into the tension and care about the stakes.
There are three hills to die on. Three points of high conflict which helps define your world. Know what they are before you start and work from there.
Alternatively, there is Dan Harmon’s Story Circle consisting of 8 major points to hit. Not unlike the various versions of the Hero Cycle.
Remember to write the book. Don’t get stopped or hung up by the little things. Write the climax first if that is what comes to you.
Write with a ragged edge, release control and allow yourself to be nimble.
Don’t be afraid to kill or rehome your darlings.
Always think “what is the point of this scene.”
Does it serve to drive the plot forward
Be sure your backdrop doesn’t over power your characters or story line- they need to mesh and be compatible.

Until next month, stay well, stay healthy. Please don't hoard food or paper products. Reach out to those vulnerable members of our communities. You can drop groceries or other needed items at their door without any contact if that is what is needed. Seniors are in the high risk group - as well as other vulnerable demographics. Let's all do our part to be sure everyone is safe and taken care of.


Tuesday, March 17, 2020

March Is For Murder

March Is For Mysteries

 Code Blue

Though today is St. Patrick’s Day and I have a smidgeon of Irish in my blood, I would rather talk about writing mysteries and suspense. Murder and Mint Tea was my first ebook and still remains one purchased. 1998 is a long life for a book. I did have to do some updating when I reissued the book. House phones and station wagons area thing of the past. So I had to give my heroine a cell phone, something she reluctantly uses and give her friends new rides. I’ve lost track of how many copies of the book were sold over the years but the number is many.

I’ve written only one romantic suspense. Code Blue began as Code Blue but the first publisher changed the name to Obsessions. When Book We Love took over the story we went back to the original title. That pleased me. This is another book that has been around for a long time and has also had some updating. Not enough according to one reader but that’s all right. The interesting thing I discovered is the rough draft of another medical suspense put away after my long ago critique group and some doctor friends were upset with the subject. I’m going to rework this story because I really enjoyed reading what I wrote and so some day you can read Committee of Angels.”

Murder and Mint Tea (Mrs. Miller Mysteries Book 1)

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