Hidden in the Hills by Eden Monroe

 

 

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Think of a pristine, whitewashed village set against a backdrop of mysterious mountains, a land of wood and water that boasts more than its fair share of natural beauty.

A settler from Yorkshire, England was the first to tame this once wild place, hewing a life from the dense forest that surrounded him. More settlers followed and so the community of Elgin, New Brunswick was created, a welcome setting for my romantic suspense, Dangerous Getaway.

Standing in the heart of the village now, generations after that first axe blow struck giant timber, there is the usual fare of a post office, volunteer fire department, meeting hall, church, restaurant, convenience store and the like, but mere remnants of what it was in its heyday. Not far away stands a sizeable graveyard, awash in granite, where the remains of those who once called this idyllic corner of the province home lie in rest.

            Many carved out farms and homes far above the bottomland, but today much of that higher terrain remains uninhabited and pristine. Cast your eyes to these heavily forested mountains that rise around you and imagine darker possibilities, a different story. Let yourself wonder what goes on up in those hills after dark, or maybe right now as you gaze to the horizon in the full light of day. Ask yourself, as your imagination continues to take flight, do we ever really know our neighbours? All of them? Any of them? When we look to those mountains, this time with a more inspired eye and see them reaching as far as they dare into a fading blue sky, we might think about what could be tucked away up there. The unknown…. Sometimes secrets are revealed over time, reality leaking out when least expected, but it seems the wife is always the last to know. In Dangerous Getaway, she cannot be spared the inevitable nightmare.

These are foreboding thoughts, especially with darkness waiting ominously to draw the curtain closed around us. It’s only a short way off although the sun remains defiant, but steadily sinking. Soon it will shine its waning light upon neatly kept flowerbeds, tidy lawns and chimney tops. So before dusk steals full upon us let’s continue on our way, straight ahead, up a hill, around a bend or two, where the countryside has already been overtaken by deep shadow. Here waits a bolder brush with the Pollett River, spartan cottages clinging to the steep bank that hugs the narrow busy road.

During summer and fall the Pollett sparkles in well-behaved silence for the most part, save for the occasional mutinous tumble as it steadily drops in elevation. Here it meanders over craggy bedrock, resting it seems from the chicanery of spring when, drunk with freedom, it rushes in a furious white water surge that challenges boats and homemade floating devices of every description in a mad dash called the Pollett River Run.

Everything is calm now, the last light of day snuffed out with not a breath of wind to stir the trees as nature prepares to settle down for the night, the resonance of birdsong slowly dying away. Again there are those mountains, modest peaks in the Appalachian range, ancient and eroded, tempting, luring, offering the perfect getaway for those seeking sweet respite from the proverbial rat race here below. Nestled away up there somewhere is the fictional Birch Shadow of Dangerous Getaway, and oh how I enjoyed telling that story. And what better fun than to entertain a madman in the process? My apologies here to Elginites one and all because he was not drawn from local ranks, but rather emerged straight from the vagaries of my imagination. Shaw Garland of Dangerous Getaway solicits guests to his picturesque hideaway in those hills, and what happens after that is … well… unforgettable.

 

 

Period Detail or: The Writer's Dilemna

 

Roan Rose   ISBN:  149224158X

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https://www.amazon.com/Roan-Rose-Juliet-Waldron-ebook/dp/B00FKKAN98/ref=sr_1_1?s=books&ie=UTF8&qid=1490904741&sr=1-1&keywords=Roan+Rose

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Writing popular historical fiction always leads to a dilemna--how much period detail can you "get away with" without alienating the casual reader? The audience for historical fiction is broad and it's difficult to find the correct niche, the readers you want to reach and entertain.  My own problem as a writer who hoped to make a few dollars from this "hobby" was exactly this.

Who was I writing for? Where was my "market"?

 

In the beginning, I naively hoped to bring more realism into the world of romance--or rather into my imagined new brand of romantic-historical fiction. Much to the dismay of editors, I could not leave out the flies or the fleas or the dirt, or the endless lugging of water, or the everyday sheer drudgery of an ordinary woman's life in the past. Her hair had to be hidden and her head covered, and her mouth must remain closed.

https://www.amazon.com/dp/B0089F5X3C

Escaping into a dreamworld of history, usually with privileged protagonists who have servants (or slaves) laboring in the background over laundry and cooking and child care, did not particularly call to me. Trips to the backhouse in the winter, housekeeping, and women's cultural and gynecological issues--for example, Constanze Mozart's repeated near-death experiences while bearing six babies in nine years- interested me more. 

Relationships are the key to any storytelling success, but if these are not placed in the context of historical period, I, as a reader, can't take a story seriously. I sincerely try to make my own stories as authentic as I am able by doing research, by attending re-enactments and spending time with the experts there. They, like me, truly want to walk back into another time and place, immersing themselves not only with the pleasures, but the pains and discomforts, of the times in which our ancestors lived. 

Beyond the consequences of living in a world ignorant of germ theory or human anatomy, the second class "weaker sex"status of women was established and enforced by religion, by law and by custom. Women had very few legal rights, no contraception, no protection from abuse by spouses or intimate partners. There were strict rules for dress and deportment which applied to every social class and in every culture. China bound aristocratic women's feet so that girls grew up while enduring excruciating pain and became fit for little but sex, smoking opium and perhaps penning poetry. Victorians forced their girls into binding corsets that produced high-fashion "beauty," but deformed internal organs and shortened their lives.

Such battles appear to be still going on for women globally. Even here in the West, where, I'll admit, things are somewhat better in 2022 than in the world of 150 years ago when we couldn't vote and could be committed to life in an asylum on the say-so of a controlling father or bored spouse. We generally still don't get paid or promoted like our brothers.

 

These and other reflections about the dues paid by creators, brings me to The Northman, a film by Robert Eggers, now exiting movie theaters, a film which I caught just at the end of it's less than glorious run. What happened to this brilliant historical movie at the box office is, in my opinion, a tragedy, but a not unexpected one. (Set this movie beside the 1958 The Vikings and you will see what a long way historical accuracy has come in big-budget Hollywood films.) 

Scholarly research, breath-taking reproductions of weaponry, of clothing, of ships and towns, beautiful photography and settings, an all-star cast who acted their hearts out, a great depiction of Norse/Icelandic magic and an epic love-and-revenge story, it has is a financial "flop." Not even those warrior scenes and buckets and buckets of blood could not attract the same folks who appear to love the two Netflix Vikings series, one I could not watch. 

The reality is there is little that is admirable about Vikings. The Northman showed us why.  Plainly depicted is a society powered by toxic masculinity and a violent proto-Capitalism which involved stealing from everybody else they encountered and either murdering or enslaving the rest.  It is based upon an Icelandic saga, the one which became the inspiration for Hamlet. 

The hero, Amleth, is from a ruling class who are supported by campaigns of murderous ferocity, their wealth and life style supported by robbery and slaving. When his father, a local king, is murdered by his uncle and his mother is (apparently) abducted, Amleth, a mere pre-teen, must run for his life, vowing vengeance as he goes. We have no idea how he survives, but when we next see him, he is grown, a mercenary for Viking slavers in the lands of the Rus. He is now a full-grown berserker warrior, a ripped killing machine who has suppressed every human feeling.  Maybe "anti-hero" is a better designation for this character, although, naturally, that would not be the case for the original hearers of the tale.

I know something about Norse/Icelandic mythology, so I put my--meaningless--stamp of approval   ;)   on the mythic content of the movie. Those many magical episodes made perfect sense in that context. The mix of grim reality and the numinous and terrifying world in which the characters dwell brought the story to life for me. Here, and, and fairly successfully I think, is portrayed the Viking mind-set.  

Women's magic--sorcery was very real and much feared by the people of this time--was also powerfully conveyed. Before the Aesir gods of Asgard, were the mysterious, primordial Vanir gods. Among these survivals of earlier times was Freya, goddess of sex and sorcery, one of the few truly powerful female figures in Norse mythology. 

This same kind of Feminine Power is also exercised in other cultures. Olga of the Birch Trees, a Slavic witch enslaved by Amleth's band of mercenaries during one of those atrocity-filled Viking raids is introduced.  Although I tend to resist love stories in such settings, I got into this character. Amleth on his way to revenge (and given a kick-start by his encounter with another Slavic sorceress) naturally responds to Olga's ferocity and she assists him with her knowledge of potions. Additionally tasty was the addition of Icelandic legends concerning their island's clever Blue Foxes. And who could find fault with the Valkyrie carrying the slain-by-the sword warriors to Valhalla, those ritual markings carved into her teeth, howling like a demonic wolf, riding her winged white horse across the stormy sky?

--Juliet Waldron

http://www.julietwaldron.com

http://www.amazon.com/-/e/B004HIX4GS

                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            

Romance in Bloom--The Art of Perfuming By Connie Vines #The Art Of Perfuming, #BWL Insider Blog, #Gumbo Ya, Ya, #Cajun Romance

 Romance in Bloom

Fragrance can transform your entire mood. 

And when the mood you want to conjure up is romance, a whiff of the right scent gets you there faster than a binge session with your favorite romance movies. 🎥

From spicy, sensual accords to rose-based floral diaries, I’ve updated rounded 5 of the best fragrances to wear to Announce Spring—or whenever you won't feel like you're living in a fairy-tale! 🏰

Perfumes, like wines, are categorized by notes. As many of my readers know, I was a fragrance consultant at a Perfumery. I love to share my acquired ‘secrets’ in blog posts and novels.

 *Remember, perfumes are a personal preference, and all fragrances lingering scent (bottom note) vary by a person’s PH Level.

Now let the fun begin!

1. Ralph Lauren's ROMANCE

Designed to hit all the feelings associated with falling in deep L-O-V-E, a spritz of this classic and light romantic fragrance treats you to notes like white violet, patchouli, musk, rose, and marigold.

2. Tom Ford’s infamous BLACK ORCHID Fragrance has become a cult icon in the beauty industry.

It is recognizable from just one spritz, but it's also one of the most compliment-inducing smells I've ever come across. Smells like: Warm incense spices, creamy vanilla, and heady patchouli.

3. Lancôme's TRESOR

The diamond-shaped bottle is one of the most popular fragrances out there. The brand evoked the radiance and warmth of love using floral and fruity notes like rose, lilac, peach, and apricot.

4. YSL’s BLACK OPIUM (one of my personal favorites) The fragrance is: Initially sweet with punchy notes of vanilla and coffee but dries down to a musky white floral base.

The creamy notes of coffee and vanilla give a non-sickly sweetness that develops into a dry white floral scent, after which you get the base notes of musk and patchouli. It's unique and oh-so moreish; this one will 100% become the most reached-for in your perfume collection.

5. Jo Malone London's LIME BASIL & MANDARIN COLOGNE. Smells like: Long summer days.

This fresh and zesty scent will have you dreaming of warm summer days with every spritz. Juicy notes of lime and mandarin are balanced with earthy basil and white thyme.

Like so many BWL authors and our readers, I love their gardens!

While my garden is no longer producing the lush harvest of fruits and vegetables of my two son’s elementary school years. I still maintain a PERFUMED GARDEN.

My Perfumed Garden is small because the scent can be overwhelming—robust scents. I try to intersperse my fragrant garden plants with scentless plants that complement their appearance over time.  

Lilacs have a strong scent, but only in late Spring. Therefore, Jasmine is a vine and a plant I utilize where ever possible. And, of course, roses🌹 and herbs.

The garden brings peace to my life, nourishes my soul, and inspires my creative spirit.

This clip has New Orleans Music: 🎤🎹🎵

How do I keep the Romance in Bloom in my stories?

Gumbo Ya Ya—an Anthology for Women who like Cajun Romance, features Persia, a New Orleans perfumer, and Cooper T., a breeder of the Catahoula Leopard Dog and Westminster Dog Show favorite handler in “The Love Potion.”

You will discover that the art of perfuming creates complications for this no-longer-together-couple. But love is, and a happily-ever-after is definitely in the air!

Enjoy the fragrances of Spring and Summer....and the latest releases from BWL Publishing, too!

Happy Reading, everyone,

Connie

XOXO

https://bookswelove.net/vines-connie/

https://books2read.com/Gumbo-Ya-Ya  (all vendors)

*copyrights of photos and videos have been granted to the author by Canva.

Imagination, science fact, science fiction, ancient history, and fantasy – part 2 - by Vijaya Schartz

 

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“Any sufficiently advanced technology is indistinguishable from magic.” Arthur C. Clarke

Last month, we covered the mythology of Asia as a source of inspiration, and Indian mythology that could be interpreted as advanced technology. But this is not unique to that part of the world.

In the Norse legends, Odin possessed two magical raven who flew over the world and showed him everything that happened in real time. These black birds often represented inside a clear globe would now be called “camera drones.” There is mention of a rainbow bridge, which, according to Albert Einstein, could have been a wormhole (or Rosen bridge). Also, Thor, God of Thunder, did have the power to harness lightning and thunder and used them as a weapon.

Similarly, in Greece, Zeus wielded weapons of lightning and thunder capable of great destruction… not unlike our war missiles.

The god Apollo flew north each year in a golden chariot… in other words a shiny metal craft.

The Anunnaki (meaning: they who from the heavens came) claimed to have come to Earth to harvest gold, a commodity they needed to save their own planet. In the process, they genetically improved, educated, and enslaved humans to provide a labor force to work and mine the gold for them. In doing so, they may have started the Sumerian civilization.

The Egyptian pharaohs claimed to be descended from the gods who came from Orion in barges. They were embalmed to make the trip back. The pyramids are aligned on Orion’s belt.

Ezekiel - St. Augustine Church - Paris France

The Old Testament says Ezekiel saw a chariot coming down to Earth with wheels turning inside wheels… not unlike the modern representations of UFOs.

Jacob witnessed angels climbing a ladder into a luminous craft.

And the Book of Enoch, one of the oldest manuscripts banned from the bible, describes in simple words his trip into space with angels, aboard a spacecraft, where he saw the Earth from space, then went to another planet and studied in their company. The elaborate details of his trip make a lot of sense to a modern mind familiar with space travel, but couldn’t have been fabricated by someone who didn’t understand advanced technology. Yet, this witness account was penned millennia ago.

This happened all over the world. In the Americas, many Native American tribes relate that sky people came as teachers (Kachinas) to educate their ancestors. The Thunderbird can also be interpreted as a vehicle transporting sky people.

The Incas, the Mayas, the Aztec, all had similar stories, about beings coming down in crafts from the Pleiades, sometimes demanding blood sacrifices, and strongly influencing their culture.

Several African tribes also spoke for centuries about being visited by space travelers from the Sirius II system. No one knew Sirius II existed until quite recently, as it is hidden by Sirius I.

So, you see, one doesn’t have to go far to find inspiration about science fiction stories. Space travel and alien visitation are old recurring themes even on our little planet.

This month, Congress reviewed undeniable footage of UAP (Unexplained Aerial Phenomena) taken by the US military, to discuss the implications for National Security.

Soon we will explore space on our own, search for new planets and encounter new civilizations, some more advanced, and others in infancy, and we, too, will become the powerful beings who encourage the pursuit of knowledge and accidentally start new myths and new religions… like in the Star Trek movie, where Captain Kirk inadvertently starts a new cult when the natives witness the Enterprise rising from the depths of the ocean and taking flight.

In the meantime, you can dream and imagine other worlds by reading science fiction, my favorite genre.

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 Happy Reading!

Vijaya Schartz, author

Strong Heroines, Brave Heroes, cats

http://www.vijayaschartz.com

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Ancient Celts--Tricia McGill

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While searching around during research for an entirely different subject I stumbled upon some notes I took long ago on the Celts whose tribal societies lived throughout Europe centuries before the birth of Christ. Often described by Ancient Greek and Roman writers as ferocious warriors there was certainly more to these people than warfare. Farmers, miners, seafarers and traders, they produced amazing works of art and jewellery. Their bards would recite many tales of their gods and heroes at their resplendent feasts. 

By the 1st century BC, the Romans controlled most of Gaul but under pressure from tribes to their north the Celtic Helvetii tribe attempted to migrate out of Switzerland. Confronted by Ceasar’s forces some Celts rebelled under the leadership of Vercingetorix. Julius Caesar, now the governor or Gaul, and known for his speed and decisiveness in battle had six Roman legions under his control and saw a perfect chance to gain great glory.

The ancient Greek writer Strabo said the Celts had little on their side in a fight except strength and courage, but were easily outwitted. The Celts were no match for the disciplined Roman army and especially strategic generals such as Caesar.

It seems that Celtic warriors liked to make a tremendous noise on the battlefields, beating their wooden shields while yelling to intimidate their enemies. They also favoured a trumpet called a carnyx which consisted of a 12-foot-long thin bronze tube, bent at right angles at both ends. The lower end terminated in a mouthpiece, and the upper end flared out into a bell which was most often decorated to look like the head of a wild boar. Historians believe it likely had a tongue which would flap up and down thus increasing the noise produced by it. 

The religion of the Celts remains somewhat a mystery. They did worship both gods and goddesses and we know that their religion was based on nature. They rarely built stone temples, instead visited shrines set in remote places, such as clearings in woods, rivers and springs, or near lakes to worship their gods and to make offerings. Celts saw water as a transition between this world and the next. In the 1st century BC Celts in parts of Wales threw weapons, chariot and horse harness as well as certain tools into water as offerings to their gods. Perhaps they saw this as a way to seek protection against the Roman armies or were giving the gods their spoils of war.

Celts lived on farms in small villages. In the 5th and 6th centuries BC leaders in different parts of Europe built vast hill forts. Later they often lived in a fortified town while in Scotland they built defensive stone towers. From the most humble to the wealthiest their burials took very careful preparation and is testimony to the belief in life after death. Bronze funerary carts found in some Celtic graves show a goddess directing the procession to lead a soul of the deceased person into the next life. Some classical writers and Irish poets also recorded their ideas of an afterlife, which included the concept of a soul passing from one body to another or of the soul continuing to control a person’s body after death. They might enjoy a land of peace and harmony after death, or warriors could carry on enjoying the combat they loved through life on earth.

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Romance Novel 'Snobbery'?

 

https://bookswelove.net/martin-paula/

Romance Novel 'Snobbery'? 

In the past, I’ve had comments from two different acquaintances that have made me think. Here is the gist of the conversations.

First conversation:-

Her (with a smirk on her face): Please tell me you don’t write for Mills and Boon.

Me: No, not now, but I wouldn’t mind being published by them again.

Her (with mouth dropping open): Why? Their novels are rubbish.

Me: How long is it since you read one?

Her: I haven’t read any. I wouldn’t be seen dead reading one of that bodice-ripper kind of book.

Second conversation (on the phone with someone I hadn’t seen for several years):-

Her: So what have you been doing with yourself?

Me: Actually I’ve been writing novels.

Her: Really? Have you had anything published?”

Me: Yes, over a dozen in the past ten years.

Her: Oh, well done. What are they about?”

Me: They’re romances.

Silence, then Her: Oh, sorry, I never read romances. They’re so predictable, happy ever after and all that.

I’ve paraphrased these conversations, but you get the idea.

The first conversation made me realise the stereotypical image of romance novels has persisted, at least for my generation, for 30+ years. The “bodice-rippers” were the hallmark of Mills and Boon/Harlequin in the 1970’s and 1980’s, and, in my opinion, gave romance novels a bad rap. They had archetypal characters and contrived plots, usually involving a virginal heroine who was ‘rescued’ by a alpha hero, and often contained a barely disguised rape scene. On the whole, this kind of novel has gone ‘out of fashion’ (with a few notable exceptions which have dominated the best-seller lists!). However, a kind of stigma still remains.

The second conversation made me wonder about the word ‘predictable’. Yes, romances have, if not a ‘Happy Ever After’ ending, then at least a ‘Happy’ ending where the hero and heroine overcome the obstacles in the path to reunite. Aren’t thrillers, detective stories, and mysteries equally predictable? The goodies will triumph, the baddies will receive their deserved punishment, and the crime or mystery will be solved. What’s the difference? Why are romance novels considered predictable, while other genres aren’t?

And why are romance novels considered by some to be the ‘lowest form of literature’? Why do people want to disassociate themselves from reading romance novels? I’ve had a few reviews which start, “I don’t usually read romances but …” as if that is somehow praiseworthy. It seems to be okay to say you read thrillers or mysteries, but not the ‘done thing’ to admit to reading romances, even though thousands (millions?) of women obviously do!

Have you come across this kind of ‘literary snobbishness’ and, if so, what’s your response?

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Putting a Puzzle Together VS Mystery Writing by Joan Donaldson-Yarmey

 

https://bookswelove.net/donaldson-yarmey-joan/

My daughter and son-in-law gave me a one-thousand piece puzzle. It has been years since I’ve put a puzzle together and I thought it would be fun. However, as soon as I dumped out the pieces on the table I realized that putting the puzzle together would be much like me writing a mystery novel.

     First, the big pile of pieces is like the big mishmash of ideas, clues, scenes, characters, and settings that make up the notes I have for my mystery. Before I can start the puzzle I have to turn all the pieces upright so I can see their colour, just as I have to sort through my notes when I start my novel. I have to decide where in the story my book begins much like I have to decide how to start my puzzle. I can outline my novel as some writers do or I can jump in and start writing. With the puzzle, I can find all the outer edge pieces and put them together or pick scenes of the picture and find the colours to match.

     I decide to start with outer edge and I sift through the pile to find them. I return the rest to the box. As I work on the edge I have to go back through the box to find edge pieces I missed, just like I have to go through my manuscript and find where I have missed adding some important information or missed putting in a misdirection.

     Because of the way they are cut, it is hard to decide if a piece is part of the outside edge or if it is a regular piece. Just like writing, is that a clue or a red herring?

     With the puzzle I know at the beginning what the end result will be because of the picture on the box. Sometimes when I start my mystery, I know the ending, however sometimes the characters say or do something that I hadn’t planned on and I am left trying to figure out how to get them out of a situation or how to diffuse something they have said.

     I learned that there are various names for the parts of a puzzle piece: loops and sockets; knobs and holes; tabs and slots; keys and locks; even outies or innies. Sometimes it is frustrating to try and get knobs to fit into the holes. The colour looks the same only the tab doesn’t fit correctly into the slot. Or the pieces lock perfectly but there is a slight difference in colour. If one doesn’t seem to fit in a spot, I have to match it somewhere else. That is the same with my writing. Sometimes I come up with a good line or a scene only to find that it doesn’t suit where I want it and I have to find a better match somewhere else.

     When I get stuck with trying to figure out where my story goes next, I can work on a different section in my novel. In the puzzle if I can’t seem to make a scene come together I can go to a different part and work there. Every puzzle piece is tailored to go with the rest to make the picture just like every clue, every scene, every red herring has to fit into the story properly.

     What is frustrating to a puzzle solver is finding that one or two pieces are missing at the end. This is true for the reader of a mystery. All the clues have to be pulled together, the red herrings explained, the mystery solved, and the murderer caught. I can’t leave any pieces out.

     And the last thing I realized about how putting puzzles together and writing mysteries are similar is that both of them are an excruciatingly slow process for me.

Oh, to be in England....by Victoria Chatham

 

RELEASES JUNE 15TH, 2022

 

 Sunlight filters between the newly unfurled tender green leaves of beech, oak, and ash. The air is heavy with the scent of Hyacinthoides non-scripta, the English bluebell, which covers the woodland floor like a blanket from late April into May.

 

There are approximately nine varieties of bluebell, but the United Kingdom is home to roughly half of the world’s bluebell population. This iconic springtime flower can take five to seven years to develop from seed into a bulb, then bloom into the flower most people know. They are a protected species, and there is a heavy fine for anyone found digging them up. It is also a surprisingly delicate plant. If careless footsteps crush the leaves, they can no longer photosynthesize and will die back from lack of nutrition. Some bluebells can be white or pink. Often a white bluebell is lacking its blue pigment, or it may be a version of the Spanish bluebell.

In Scotland, bluebells are known as harebells because folklore has it that witches turned into hares and hid amongst the flowers. That could be why it is sometimes known as Witches Thimble or Lady’s Nightcap. You may also have heard the folksong, The Bluebells of Scotland. If not, check out this YouTube clip https://www.youtube.com/watch?v=eq14cPI0LW8. The bluebell is reputed to ring at daybreak to call fairies to the woods. If you pick a bluebell, those fairies could lead you astray, and you would be lost forever, so best not to pick them just to be on the safe side.

Symbolically, bluebells represent grace, everlasting love, good fortune, and truth. They epitomize Aphrodite, the Greek goddess of love and beauty, and the Virgin Mary who represents calm and peace. They were also once dedicated to the patron saint of England, St. George. Bluebells stand for constancy, humility, and gratitude in the centuries-old language of flowers used throughout Europe and Asia. Might Shakespeare have been referring to the bluebell when he wrote of 'the azured hare-bell?'

Bluebells also have their practical uses. The Elizabethans used starch from the bulbs to stiffen their ruffs. Gum from the roots was used as glue for feathers and in bookbinding. Snake bites supposedly could be cured by their juice, although the plant’s chemical makeup is potent and can be toxic in large doses. Today bluebells inspire the perfume for hand creams and soap and are used as dyes or pigments.

 

Whichever way you look at it, whether you believe in witches and fairies or not, there is nothing more magical than sitting in an English bluebell wood in springtime.

Victoria Chatham

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NB: Images from author's collection.

Baking and revenge

 Readers often ask, "Which book is your personal favorite?" I Usually beat around the bush, explaining that choosing a favorite book from my library is akin to picking my favorite variety of apple. I like the tartness of the Granny Smith apple as much as I enjoy the brooding darkness of the Pine County mysteries. And I enjoy the zesty crispness of a Honeycrisp apple as much as I enjoy the banter between the lead characters in Fletcher mystery series. But let's face it, authors do have favorites. Writing a Whistling Pines mystery is like eating fresh apple pie; warm, sweet, with a bit of spice. And Whistling Bake Off is all that. 

My sister-in-law is a fan of the Whistling Pines cozy series. In an email she suggested the premise of a Whistling Pines cookbook fundraiser. A note to my consultant crew yielded a pile of cookbook recipe suggestions along with some interesting plot twists. But assembling a cookbook itself isn't a mystery. Brian Johnson, my tuba-playing, Whistling Pines consultant threw out the thought that some recipes are closely guarded secrets. His wife has a beet pickle recipe she won't even share with their children, and most chefs have a recipe they keep a closely guarded secret. If they're willing to prepare it on television, they premeasure the ingredients so the audience can see what goes into the mixer, even if the spice mixture and exact measurements aren't shared.

With those tidbits in mind, I started typing. 

Two Harbors is buzzing when a former resident, now a world-famous culinary expert, announces his return home to broadcast a live cooking show, featuring ethnic recipes prepared by local cooks. Everyone knows that the secret pie recipe from the now defunct Oscar's Restaurant will be a feature, but will the recipe's owner share it on national television? That question is left unanswered when the recipe's owner is found dead, with hundreds of recipes strewn on her kitchen floor. 

Other recipes are chosen for the television show, but as the broadcast nears, the celebrity host's checkered past becomes the new topic of the Whistling Pines rumor mill. One resident advises Peter, my recreation director/protagonist, that the host will likely be poisoned, shot, or blown up by people he wronged before his Hollywood departure. Knowing that the senior citizens of Whistling Pines tend to twist and exaggerate things, Peter isn't particularly concerned. He advises the police chief of the possible threat, and they're closely watching the crowd gathered for the television broadcast.

Not wanting to throw out a spoiler, let me say that the broadcast doesn't go entirely as planned. But what about the murdered baker? Hmm, does her death have anything to do with the cooking show, or is the motive for her murder related to something else entirely? Read Whistling Bake Off to find out. It might be the sweetest Whistling Pines mystery yet.

Check out my books, including Whistling Bake Off, at the BWL Publishing website https://www.bookswelove.net

My Travels in France by Diane Scott Lewis

 

To purchase my novels and other BWL books: BWL

Currently writing a novel that takes place in Brittany, France, I yearn to travel there to research. But with Covid still creeping about, that is impossible. My husband is leery to fly, and I don't blame him

In 2003 we threw caution, and money, to the wind and traveled to France for an important (old) birthday of mine. We stayed in Paris on a quaint cobbled lane. 

 

The novel I was writing at the time involved a young woman in the eighteenth century returning to Paris after the French Revolution. I wanted to walk where she would have walked.

15th century street, the Latin Quarter

Paris was amazing, our room tiny but perfect. We ate in cafes, strolled along the River Seine. Browsed booksellers, visited museums. We chatted with an older Frenchman over cognac. He once lived in California. The entire French experience.

But I didn't ask for ice in my too-warm drink until he did!

We took a tour out to the palace of Fontainebleau on my birthday. It took the sting out of growing older. Now it seems so young!

That evening a French café owner sang "Happy Birthday, Madame," to me over a slice of tiramisu.

Author in front of the palace

My heroine had to go to the Luxembourg palace to ask Napoleon to release her lover. We got to take a tour, sneaking into the back of one that just happened to be going in. It was conducted in French, but we managed.

Luxembourg Palace

Before the journey, I learned just enough French to embarrass my self. But it's true, if you try to speak their language first, they'll chime in with English to help you out-or speed you along.

Napoleon's Senate chair, Luxembourg Palace

A wonderful trip, worth every Euro. We planned to return, but now I want to visit Brittany and Normandy to research the German occupation of WWII. One of these days...

Author and husband near Fontainebleau 

Diane lives in Western Pennsylvania with her husband and one naughty dachshund.

To find out more about her and her books:  DianeScottLewis