Writing Historical Fiction by Rosemary Morris

To learn more about Rosemary and her work click on the image above.

Writing Historical Fiction

 

There is a hypothesis that there are only seven basic plots. This should not deter novelists, who can devise their own special twists in the tale and write from the heart.

What is Historical Fiction? The Historical Novel Society’s definition is: ‘The novel must have been written at least fifty years after the event, described, or written by someone who was not alive at the time, and who therefore only approached them by research.’

I think novelists, who set their books in times past, are under an obligation to readers to transport them into another time based on fact. My characters, other than historical figures, are imaginary. To ground my novels, I weave real events into my plots and themes. To recreate days gone by, I study non-fiction and, before covid, visited places of historical interest, including museums.

There are many excellent novelists who write, historical fiction and genre historical romance, etc. Unfortunately, there are others who cause me, and, presumably, other readers, to suspend belief. I was torn between shock and hysterical laughter when I read a medieval romance in which, the hero, a knight in full armour, galloped to a castle to rescue a proverbial maiden in distress. Without putting aside his shield and weapons, he flung himself off his horse and scaled stone walls with no handholds or footholds. He then climbed through a window - impossible as a castle in that era only had narrow apertures. When he gained access through the mythical window, not affected by her ideal the fair heroine asked: ‘Would you like some eggs and bacon and a nice cup of tea,’ as though she were offering him a modern-day English breakfast. The sense of the ridiculous overcame me. I lost faith in the author and did not read on.

Of course, the above is an extreme example from a novel accepted by a mainstream publisher. However, I am frequently disappointed by 21st characters dressed in costume, who have little in common with those who lived in previous eras. Over the centuries, emotions, anger, hate, jealousy, love etc., have not changed, but attitudes, clothes, the way of life and speech has. A historical novelist should study these and do their best to verify the facts.

Misnamed characters also make me pause when reading. The first pages of a medieval novel held my attention until I reached the part when the heroine’s name was Wendy, which, J. M. Barry invented for his novel Peter Pan. I daresay I’m not the only historical novelist, who agonises over characters’ names. I recommend The Oxford Dictionary of English Christian Names, an invaluable resource.

In conclusion, a skilful historical novelist should hold the readers’ attention from the first page to the last and take them into the realm of fiction on an accurate, enjoyable journey.

 

 

http;//bwlpublishing.ca/morris-rosemary

 

www.rosemarymorris.co.uk

 

 

 

 

 

 

The River, Waterfalls, and the Writing Life by S. L. Carlson

The River, Waterfalls, and the Writing Life by S. L. Carlson

I am S. L. Carlson, a proud and grateful BWL Publishing Inc. author. My books can be viewed and purchased by visiting https://www.bookswelove.net/carlson-s-l

 

 Part I:

Waterfalls in northern Wisconsin flow best in May, when most of the snow has melted and the rains have begun filling the rivers. May is also a time before mosquitoes, thick enough to carry off a human, start to immerge, and before tourists start crowding in. It was an adventure.

Locating waterfalls was mostly tentative. I had two paper maps open on my lap, as well as a sightseeing book of Wisconsin, as well as a brochure on waterfalls in two counties. Even so, directions were not always clear, and our time limited. Finding a waterfall was all a matter of trust: my husband trusting me to get us into the approximate area; me trusting maps and books which sometimes contradicted; trusting signs with no further directions of where to go, but having to take our best guesses. Sometimes, physical signs to reach it were antiquated and/or vague.

 

To reach two of them, it took driving various dirt backroads reach the trailheads, followed with gorgeous woodland hikes of an hour one way to the tumbling falls. One hike was under rumbling-thundering skies. But adventure and determination ruled. And the end result was well worth it.

 

Sometimes, physical signs to reach it were antiquated and/or vague.

 

After finding a place to park, we wandered near hydroelectric plants, through forested areas beside fenced-off cliffs, then followed our ears to the sound of rushing water.

 

The river above the more major falls often runs deep, swift, and silent. Then comes the continuous tumble of water. (Earplugs were recommended for one.) After the churning and bubbling ceases below the falls, the river once again runs quietly.

 

Part II:

My writing life, writing a novel, is like a river. It can start with an idea, like a spring bubbling up in a high meadow. As the idea develops, the story-stream widens into a river with more characters, action and plot, running deeper and faster. I start writing faster as I feel the story coming to life. I must admit that there are times when I write blind, not sure where the river is going. Sometimes a tributary leads me to backwater or a still pond. Do I block it off or ignore it, or is it interesting enough to keep in? Always, though, I must backtrack to return to the writing river, to the essence of the story.

My river tumbles as whitewater over rocks with various conflicts in the story.

There are twists and turns in the river I can’t always see around. I mean…which the reader can’t see around. There are areas with towering cliffs on each side, evidence of erosion from the many authors before me, carving the way for me to follow. Then comes the climax, the rushing, tumbling, crashing to below. But follow the river downstream, and it continues on, silent and calm.

 

From the bubbling beginnings of a story idea, my novels develop into the deep and silent river flow, gathering more and more speed, to the sound and expectation and excitement of the dramatic climax, the waterfall, finally concluding with the quiet, satisfactory story ending.

 

May each book you read follow to the thrill of the river and waterfall adventure.

 

S. L. Carlson Blog & Website: https://authorslcarlson.wordpress.com

BWL Inc. Publisher Author Page: https://www.bookswelove.net/carlson-s-l 

Mystery Writers Unite! A peek into the Maple Leaf Mystery Conference by Diane Bator

 

The week of May 24 to May 28, I had the honor and priviledge to be a part of the Maple Leaf Mystery Conference! I'm happy to say it was all online because we had mystery writers not only from all over Canada, but from around the world! Panels that discussed True Crime, Cozy Mystery, Comedy in Mystery, Romance in Mystery, Thrillers, Short Mystery Stories... Sixteen sessions in all! WHEW!

AND everyone who registered got a great Murder She Tote bag. How cute is that?

We got to hear one on one interviews with accomplished mystery writers Maureen Jennings, Ian Rankin, Rick Mofina, Iona Whishaw, and Vicki Delaney. We were also introduced to new novels by Mike Martin (one of the organizers) as well as Mary Jane Maffini. Each had excerpts read by friends of theirs Robert Way and Terri Tomchyshyn.

Here is the link from this past conference should you want to take a peek! https://writers-first.com/maple-leaf-mystery-conference/

Backstage at the book launch! Erik and Gavin were the amazing tech guys for the week!

I was a part of the Cozy Corner Panel and found it interesting when our moderator, Lynn McPherson, read a definition of mysteries condensed from the Bookends Literary Agency blog https://bookendsliterary.com/cozy-mysteries-v-traditional-mysteries/ :

Cozy mysteries can be defined by the word used to describe them. They are cozy and everything that word conjures in your mind. Think of warm tea, comfy chairs, cuddly pets, a soft newly knitted blanket and warm, freshly baked pasteries. That's a cozy. When you read one, you feel like you're being embraced by a world you want to be in. A cozy is almost always and amateur sleuth, but an amateur sleuth isn't always cozy.

In an Amateur sleuth, a regular citizen (non-professional detective) decides to find the real killer (the hallmark of any good amateur sleuth.)

Traditional mysteries probably have the broadest definition. They can be amateur sleuths or official investigators, they can be a little darker or light and funny. What they aren't is suspense or cozy. They tend to fall somewhere in between. Typically and amateur sleuth who is not cozy will fall into the area of traditional mystery. In traditional mystery, you'll also see a faster pace and maybe a little more blood and guts, but nothing that would compare to what a suspense might offer.

By definition, my Wild Blue Mysteries walk the line between cozies and more traditional mystery. While there are detectives involved, it's usually the amateur detectives (Katie and Lucy) who dig in to help solve the mysteries.

Crime Writers of Canada (CWC) also announced the winners for the 2022 Crime Writers of Canada Awards of Excellence in Canadian Crime Writing. Started in 1984, the annual Crime Writers of Canada Awards of Excellence, then known as the Arthur Ellis Awards, recognizes the best in mystery, crime, and suspense fiction, and crime nonfiction by Canadian authors. The presentation of the winners can be viewed on YouTube: https://www.youtube.com/watch?v=fjSQew_DnnA

One of the great questions I was asked was "is it hard to keep your books light when the theme is dark?" To answer that, I borrowed a great line from Mary Jane Maffini:  "Cozies are about people like us." In my experiende, life isn't all light or all dark. It's always in those darkest times we reach for a laugh to let in a little light. No matter which session we were in during the week, there was always laughter and smiles.

I loved listening to Vicki Delany being interviewed by Mary Jane Maffini on Saturday afternoon. Probably one of my favorite discussions of the entire week! It's always nice to hear that someone who is a world reknowned best seller writes much the way I do! She writes her first three chapters before she even thinks about some form of outline. She also writes standing up, which I have done, but I'm not as skilled with a keyboard yet to be able to do that! Training, I guess! 

When the conference was over... I have to admit, I was having withdrawals! No more videos to watch. No more writers to hang out with all afternoon...

One great perk that came out of it though, was being able to reach out to some incredible authors and say, "I saw you at the Maple Leaf Mystery Conference and..."

That's what happens when people love what they do!

Diane Bator

http://bookswelove.net/bator-diane/

https://dianebator.ca/

Stitching a Story by Priscilla Brown

 

Anna Marshall, country town mayor and alpaca breeder, would love to have time to sew, 

but what with her civic duties and farm tasks, she barely has a minute to herself. 

Until a sexy television entrepreneur blows into town...

https://books2read/Sealing-the-Deal

 

Alongside writing contemporary romance fiction, my creative output includes working with textiles -- knitting, embroidery, felt making, hand and machine sewing. Although it's winter here in New South Wales, I am getting ahead with making a summer dress, inspired by summer fabrics in a discount sale in my favourite fabric store. While I can design and create various styles of bags, I don't have the skill to make a pattern for a garment, so I bought one and the instructed amount of cotton fabric for the short-sleeved dress. With pattern and fabric neatly pressed and spread out on the dining room table, I arranged the pieces of tissue paper according to the pattern instructions for the size I need. And found that the given length of fabric wasn't quite enough. It didn't have a definite 'this way up', but I had to pay attention to the fact that this was a dress, and back and front must hang looking as if they belonged together. Running out of patience with placing and pinning the sections, I was tempted to put the whole lot in the bin.

Instead, I eventually managed the layout. Fingers hypothetically crossed, breath held, I cut the fabric. This challenge successfully accomplished without any damage, I stitched it all together by machine, with neat seams securely fastened on and off.

I could have written more than one scene of my current novel-in-progress in this time. In fact, the whole of this process was for me similar to constructing  a story. A piece of fabric as the idea becomes the basis, with the characters and activities as the pattern, to be arranged and re-arranged as the plot develops, beginning and ending appropriately secured. I enjoy moving these story pieces around more than I do when attempting to create a garment.  This undisciplined method would be a disaster with dressmaking!

 

To all sewers, you'll be making a better job of your work than I did! I'm returning to my story writing!

 

Best wishes, Priscilla

 

https://bwlpublishing.ca 

https://priscillabrownauthor.com

 

Hidden in the Hills by Eden Monroe

 

 

Visit Eden Monroe's BWL author page to view or purchase

Think of a pristine, whitewashed village set against a backdrop of mysterious mountains, a land of wood and water that boasts more than its fair share of natural beauty.

A settler from Yorkshire, England was the first to tame this once wild place, hewing a life from the dense forest that surrounded him. More settlers followed and so the community of Elgin, New Brunswick was created, a welcome setting for my romantic suspense, Dangerous Getaway.

Standing in the heart of the village now, generations after that first axe blow struck giant timber, there is the usual fare of a post office, volunteer fire department, meeting hall, church, restaurant, convenience store and the like, but mere remnants of what it was in its heyday. Not far away stands a sizeable graveyard, awash in granite, where the remains of those who once called this idyllic corner of the province home lie in rest.

            Many carved out farms and homes far above the bottomland, but today much of that higher terrain remains uninhabited and pristine. Cast your eyes to these heavily forested mountains that rise around you and imagine darker possibilities, a different story. Let yourself wonder what goes on up in those hills after dark, or maybe right now as you gaze to the horizon in the full light of day. Ask yourself, as your imagination continues to take flight, do we ever really know our neighbours? All of them? Any of them? When we look to those mountains, this time with a more inspired eye and see them reaching as far as they dare into a fading blue sky, we might think about what could be tucked away up there. The unknown…. Sometimes secrets are revealed over time, reality leaking out when least expected, but it seems the wife is always the last to know. In Dangerous Getaway, she cannot be spared the inevitable nightmare.

These are foreboding thoughts, especially with darkness waiting ominously to draw the curtain closed around us. It’s only a short way off although the sun remains defiant, but steadily sinking. Soon it will shine its waning light upon neatly kept flowerbeds, tidy lawns and chimney tops. So before dusk steals full upon us let’s continue on our way, straight ahead, up a hill, around a bend or two, where the countryside has already been overtaken by deep shadow. Here waits a bolder brush with the Pollett River, spartan cottages clinging to the steep bank that hugs the narrow busy road.

During summer and fall the Pollett sparkles in well-behaved silence for the most part, save for the occasional mutinous tumble as it steadily drops in elevation. Here it meanders over craggy bedrock, resting it seems from the chicanery of spring when, drunk with freedom, it rushes in a furious white water surge that challenges boats and homemade floating devices of every description in a mad dash called the Pollett River Run.

Everything is calm now, the last light of day snuffed out with not a breath of wind to stir the trees as nature prepares to settle down for the night, the resonance of birdsong slowly dying away. Again there are those mountains, modest peaks in the Appalachian range, ancient and eroded, tempting, luring, offering the perfect getaway for those seeking sweet respite from the proverbial rat race here below. Nestled away up there somewhere is the fictional Birch Shadow of Dangerous Getaway, and oh how I enjoyed telling that story. And what better fun than to entertain a madman in the process? My apologies here to Elginites one and all because he was not drawn from local ranks, but rather emerged straight from the vagaries of my imagination. Shaw Garland of Dangerous Getaway solicits guests to his picturesque hideaway in those hills, and what happens after that is … well… unforgettable.

 

 

Period Detail or: The Writer's Dilemna

 

Roan Rose   ISBN:  149224158X

                            https://itunes.apple.com/us/book/roan-rose/id1023558994?mt=11

  
https://www.amazon.com/Roan-Rose-Juliet-Waldron-ebook/dp/B00FKKAN98/ref=sr_1_1?s=books&ie=UTF8&qid=1490904741&sr=1-1&keywords=Roan+Rose

https://bookswelove.net/waldron-juliet/

https://books2read.com/flyawaysnowgoose

Writing popular historical fiction always leads to a dilemna--how much period detail can you "get away with" without alienating the casual reader? The audience for historical fiction is broad and it's difficult to find the correct niche, the readers you want to reach and entertain.  My own problem as a writer who hoped to make a few dollars from this "hobby" was exactly this.

Who was I writing for? Where was my "market"?

 

In the beginning, I naively hoped to bring more realism into the world of romance--or rather into my imagined new brand of romantic-historical fiction. Much to the dismay of editors, I could not leave out the flies or the fleas or the dirt, or the endless lugging of water, or the everyday sheer drudgery of an ordinary woman's life in the past. Her hair had to be hidden and her head covered, and her mouth must remain closed.

https://www.amazon.com/dp/B0089F5X3C

Escaping into a dreamworld of history, usually with privileged protagonists who have servants (or slaves) laboring in the background over laundry and cooking and child care, did not particularly call to me. Trips to the backhouse in the winter, housekeeping, and women's cultural and gynecological issues--for example, Constanze Mozart's repeated near-death experiences while bearing six babies in nine years- interested me more. 

Relationships are the key to any storytelling success, but if these are not placed in the context of historical period, I, as a reader, can't take a story seriously. I sincerely try to make my own stories as authentic as I am able by doing research, by attending re-enactments and spending time with the experts there. They, like me, truly want to walk back into another time and place, immersing themselves not only with the pleasures, but the pains and discomforts, of the times in which our ancestors lived. 

Beyond the consequences of living in a world ignorant of germ theory or human anatomy, the second class "weaker sex"status of women was established and enforced by religion, by law and by custom. Women had very few legal rights, no contraception, no protection from abuse by spouses or intimate partners. There were strict rules for dress and deportment which applied to every social class and in every culture. China bound aristocratic women's feet so that girls grew up while enduring excruciating pain and became fit for little but sex, smoking opium and perhaps penning poetry. Victorians forced their girls into binding corsets that produced high-fashion "beauty," but deformed internal organs and shortened their lives.

Such battles appear to be still going on for women globally. Even here in the West, where, I'll admit, things are somewhat better in 2022 than in the world of 150 years ago when we couldn't vote and could be committed to life in an asylum on the say-so of a controlling father or bored spouse. We generally still don't get paid or promoted like our brothers.

 

These and other reflections about the dues paid by creators, brings me to The Northman, a film by Robert Eggers, now exiting movie theaters, a film which I caught just at the end of it's less than glorious run. What happened to this brilliant historical movie at the box office is, in my opinion, a tragedy, but a not unexpected one. (Set this movie beside the 1958 The Vikings and you will see what a long way historical accuracy has come in big-budget Hollywood films.) 

Scholarly research, breath-taking reproductions of weaponry, of clothing, of ships and towns, beautiful photography and settings, an all-star cast who acted their hearts out, a great depiction of Norse/Icelandic magic and an epic love-and-revenge story, it has is a financial "flop." Not even those warrior scenes and buckets and buckets of blood could not attract the same folks who appear to love the two Netflix Vikings series, one I could not watch. 

The reality is there is little that is admirable about Vikings. The Northman showed us why.  Plainly depicted is a society powered by toxic masculinity and a violent proto-Capitalism which involved stealing from everybody else they encountered and either murdering or enslaving the rest.  It is based upon an Icelandic saga, the one which became the inspiration for Hamlet. 

The hero, Amleth, is from a ruling class who are supported by campaigns of murderous ferocity, their wealth and life style supported by robbery and slaving. When his father, a local king, is murdered by his uncle and his mother is (apparently) abducted, Amleth, a mere pre-teen, must run for his life, vowing vengeance as he goes. We have no idea how he survives, but when we next see him, he is grown, a mercenary for Viking slavers in the lands of the Rus. He is now a full-grown berserker warrior, a ripped killing machine who has suppressed every human feeling.  Maybe "anti-hero" is a better designation for this character, although, naturally, that would not be the case for the original hearers of the tale.

I know something about Norse/Icelandic mythology, so I put my--meaningless--stamp of approval   ;)   on the mythic content of the movie. Those many magical episodes made perfect sense in that context. The mix of grim reality and the numinous and terrifying world in which the characters dwell brought the story to life for me. Here, and, and fairly successfully I think, is portrayed the Viking mind-set.  

Women's magic--sorcery was very real and much feared by the people of this time--was also powerfully conveyed. Before the Aesir gods of Asgard, were the mysterious, primordial Vanir gods. Among these survivals of earlier times was Freya, goddess of sex and sorcery, one of the few truly powerful female figures in Norse mythology. 

This same kind of Feminine Power is also exercised in other cultures. Olga of the Birch Trees, a Slavic witch enslaved by Amleth's band of mercenaries during one of those atrocity-filled Viking raids is introduced.  Although I tend to resist love stories in such settings, I got into this character. Amleth on his way to revenge (and given a kick-start by his encounter with another Slavic sorceress) naturally responds to Olga's ferocity and she assists him with her knowledge of potions. Additionally tasty was the addition of Icelandic legends concerning their island's clever Blue Foxes. And who could find fault with the Valkyrie carrying the slain-by-the sword warriors to Valhalla, those ritual markings carved into her teeth, howling like a demonic wolf, riding her winged white horse across the stormy sky?

--Juliet Waldron

http://www.julietwaldron.com

http://www.amazon.com/-/e/B004HIX4GS

                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                            

Romance in Bloom--The Art of Perfuming By Connie Vines #The Art Of Perfuming, #BWL Insider Blog, #Gumbo Ya, Ya, #Cajun Romance

 Romance in Bloom

Fragrance can transform your entire mood. 

And when the mood you want to conjure up is romance, a whiff of the right scent gets you there faster than a binge session with your favorite romance movies. 🎥

From spicy, sensual accords to rose-based floral diaries, I’ve updated rounded 5 of the best fragrances to wear to Announce Spring—or whenever you won't feel like you're living in a fairy-tale! 🏰

Perfumes, like wines, are categorized by notes. As many of my readers know, I was a fragrance consultant at a Perfumery. I love to share my acquired ‘secrets’ in blog posts and novels.

 *Remember, perfumes are a personal preference, and all fragrances lingering scent (bottom note) vary by a person’s PH Level.

Now let the fun begin!

1. Ralph Lauren's ROMANCE

Designed to hit all the feelings associated with falling in deep L-O-V-E, a spritz of this classic and light romantic fragrance treats you to notes like white violet, patchouli, musk, rose, and marigold.

2. Tom Ford’s infamous BLACK ORCHID Fragrance has become a cult icon in the beauty industry.

It is recognizable from just one spritz, but it's also one of the most compliment-inducing smells I've ever come across. Smells like: Warm incense spices, creamy vanilla, and heady patchouli.

3. Lancôme's TRESOR

The diamond-shaped bottle is one of the most popular fragrances out there. The brand evoked the radiance and warmth of love using floral and fruity notes like rose, lilac, peach, and apricot.

4. YSL’s BLACK OPIUM (one of my personal favorites) The fragrance is: Initially sweet with punchy notes of vanilla and coffee but dries down to a musky white floral base.

The creamy notes of coffee and vanilla give a non-sickly sweetness that develops into a dry white floral scent, after which you get the base notes of musk and patchouli. It's unique and oh-so moreish; this one will 100% become the most reached-for in your perfume collection.

5. Jo Malone London's LIME BASIL & MANDARIN COLOGNE. Smells like: Long summer days.

This fresh and zesty scent will have you dreaming of warm summer days with every spritz. Juicy notes of lime and mandarin are balanced with earthy basil and white thyme.

Like so many BWL authors and our readers, I love their gardens!

While my garden is no longer producing the lush harvest of fruits and vegetables of my two son’s elementary school years. I still maintain a PERFUMED GARDEN.

My Perfumed Garden is small because the scent can be overwhelming—robust scents. I try to intersperse my fragrant garden plants with scentless plants that complement their appearance over time.  

Lilacs have a strong scent, but only in late Spring. Therefore, Jasmine is a vine and a plant I utilize where ever possible. And, of course, roses🌹 and herbs.

The garden brings peace to my life, nourishes my soul, and inspires my creative spirit.

This clip has New Orleans Music: 🎤🎹🎵

How do I keep the Romance in Bloom in my stories?

Gumbo Ya Ya—an Anthology for Women who like Cajun Romance, features Persia, a New Orleans perfumer, and Cooper T., a breeder of the Catahoula Leopard Dog and Westminster Dog Show favorite handler in “The Love Potion.”

You will discover that the art of perfuming creates complications for this no-longer-together-couple. But love is, and a happily-ever-after is definitely in the air!

Enjoy the fragrances of Spring and Summer....and the latest releases from BWL Publishing, too!

Happy Reading, everyone,

Connie

XOXO

https://bookswelove.net/vines-connie/

https://books2read.com/Gumbo-Ya-Ya  (all vendors)

*copyrights of photos and videos have been granted to the author by Canva.