Libraries in August

 

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While others may think of the seashore or a cozy mountain cabin in summer, I think of the cool refuge of my local library.

Welcome to Vermont visitors with baked goods!

Our library is a true third place--not home or work, but another domain: one of learning, peace, gathering, discussion, and enjoyment. Perhaps a local politician is on a listening tour, perhaps it's story hour for some enchanted toddlers. A local author or artist may have some new work on display.

Young readers helping out at our plant sale

Visit these cherished places often. Better yet--support them. Most libraries have a Friends of the Library that help sponsor events and pay for extra supplies or needed improvements. They raise money too. We have sponsored a classic move night at our local theater, had plant and bake sales, run a trivia contest at a local restaurant. 

Classic movie night, anyone?

It's all enjoyable and a great place to meet fellow bibliophiles!  

Show and Tell

 

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Our stories show and tell. When to use which? As a reader I prefer stories strong on SHOWING. So I try to craft my books that way.

“Telling” states facts or observations. “Showing” invites much deeper understanding.

Showing Prefers the Specific to the General.

WHEN SHOWing....

1. Use dialogue

2. Use sensory language

Readers need to be able to see, hear, taste, smell and touch the world around them. 

3. Be descriptive

Carefully choose the right words and using them sparingly to convey your meaning.

 

But sometimes a nice clean info dump can be more reader-friendly, and take up less time and space... 

Situations where telling might be a better idea. 

1. if you're dropping your readers in, "in media res," and you need to focus your reader's attention as fast as possible.

2. You have too much backstory.

3. You can think of a more entertaining way to tell than to show.

(Telling can be a form of texture in the same way that physical description can. They can both be fun and entertaining, or dreary and tiresome.)

It’s perfectly acceptable to TELL the minor details that add up to the point you want to SHOW. 

Both showing and telling can be done badly, and you have to decide which one gives your story the maximum amount of oomph. 

Happy writing, and reading!

--Eileen

Virtual Brainstorming by Eileen O'Finlan

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COVID-19 has shut down a lot of things, but our imaginations needn't be one of them. In fact, recent personal events show that they may be more active than ever.

Before this virus hit, a group of writers met at my house every Wednesday evening to work on writing projects and offer feedback. For several in the group, those Wednesday nights provided a writing lifeline. I hated having to send out the group text announcing the cancellation of our group until further notice. Even though we're not a huge group (on the rare occasion that everyone is present on the same evening, we total seven), with my 93 year old mother in the house, I couldn't take any chances.

Of course, everyone understood. Several had made the painful decision to stay away even before receiving my text. Being a resilient, resourceful, and most of all, imaginative group it took less than an hour for one member to come up with the idea of a writing round robin. One person would write one page of a story, email it to the next person who would add another page then forward it to the next and so on. After two rounds the story would be complete. It might not add up to something publishable, but it promised to be fun and keep those writing muscles toned. I had to bow out as all my writing time is, of necessity, being devoted to the completion of Erin's Children, the sequel to Kelegeen, though I do look forward to reading the finished product.

My non-involvement in the round robin did not mean complete detachment for me, however. In less than a week, I jumped onto a Zoom meeting with fellow writing group member, Jane Willan. Jane is the author of two cozy mysteries, The Shadow of Death and The Hour of Death, the first two books in her Sister Agatha and Father Selwyn Mystery Series. She's currently working on the third in the series as well as a thriller.

Jane and I are searching for both "tried and true" and "unique and new" methods of marketing our writing, so we decided to focus our Zoom session on brainstorming ideas. (For anyone unfamiliar with Zoom, it is similar to Skype). We started by naming what we're already doing: Twitter and Facebook posts, website, newsletter, blogging, in-person talks and book signings, partaking in giveaways, interviews with bloggers and local papers. Currently, I'm working with an organizer on setting up a blog tour.

Then we started thinking about what we could do that we haven't done yet. Podcasts were the first thing to come to mind. It turns out that if you google podcasts along with your genre, you'll find a plethora from which to choose. We both committed to being interviewed on podcasts.

But why stop there? Jane's husband has a vast supply of audio/visual equipment. Why not start our own podcast? Fellow BWL author, Eileen Charbonneau, and I have been discussing creating a podcast. So the three of us connected on Zoom for our first podcast planning meeting. Fortunately, through the wonders of technology it doesn't matter that Jane and I live in Massachusetts and Eileen Charbonneau lives in Vermont. We don't have to be in the same state or even in the same house to make it happen.

YouTube was another marketing option open for discussion. I have a YouTube channel, though so far I've only put up one clip of me reading an excerpt from Kelegeen. Jane and I decided we could make some more YouTube clips. They don't all have to be book excerpts. The writing life offers plenty of topics for discussion. With my sequel being set in Worcester, a video tour showing the sections of the city where much of the story takes place seems another likely possibility. Jane also has some trailers for her two mysteries. Eileen and I would like to follow her lead and make some for our book(s).

Our brainstorming session didn't end there. We talked about the 19^th century coterie of writers that formed the literati in Concord, Massachusetts – Emerson, Thoreau, Alcott, Hawthorne - to name a few. Then we widened the circle of our thoughts to include 19^th century authors throughout New England. Such an abundance! Our region still boasts literary luminaries today. Some, like Steven King, are household names.

We got to thinking about the other authors in our area that we both know personally. Published, yes. Famous, no. This led to a discussion about what it is, besides the obvious (great writing), that makes some authors successful and others whose writing may be just as good or even better, virtually unknown beyond their small circle. 

The answer – marketing! We have to do it ourselves and for most of us it is not our field of expertise. Not even close. If it was we'd be marketers, not authors. Yet in today's world we have no choice. We have to climb that steep learning curve to figure out how to let the world know we're here and we've written awesome books that deserve to be widely read.

But how? This is a question I've been struggling with since the publication of Kelegeen. I sunk a lot of money into an advertising company that has been helping me climb that learning curve for almost two years. “Learn to think like a CEO.” “You are not only an author. You are the CEO of Eileen O'Finlan.” These are mantras they've driven into my brain. They are also concepts completely alien to the way I think. A huge learning curve, indeed.

But I am not alone and that gives me great hope. Eileen Charbonneau remains an amazing mentor for me. Our joint in-person appearances may be on hold for a while, but we are excited about embarking on a new virtual adventure through podcasting. 

Jane and I have committed to working together, mastering the art of branding, learing the ins and outs of marketing, pulling each other up and over that daunting curve so that we can come out on the other side, if not as household names, at least with successful authorial careers. We fully realize it will be a marathon, not a sprint, but we are willing to give it all we've got. If it doesn't happen (but it will – think positive!) it won't be for lack of trying.

Eileen O'Finlan

Jane Willan

Eileen Charbonneau

Romance Is My Passion

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What is Romance?  Is it simply a love story?  While all romances contain a love story, not all love stories are romances. Romances are a genre of fiction. As any other genre, it has conventions, just as mysteries, science fiction or westerns do. 

I love reading good romance novels.  Why? How?  With a grateful nod to poet Elizabeth Barrett Browning, Let me count the ways….

 

1  Romances have no boundaries.

Romance novels can go back centuries, spanning right through the decades to the present, and into the future. Why? Because love hasn’t changed over the years, plots and genres from historical, to young adult, to paranormal, to romantic drama, comedy. adventure, to western to suspense.  All genres live inside romance.

Nowadays we can read much more about the varieties of love thanks to the LGBTQ community and erotic fiction. At the end of the day:  love is love.

2 Romances can teach 

I know a few things about women’s roles in the first and second World Wars, how women got away with posing as male soldiers in the Civil War…Also how to run a b&b and catch a thief.  Would I pick up a non-ficton book or manual on these subjects? Maybe not.  But through my love of romance novels, I am now far better informed on many subjects. If well-written, the product of the author’s research is in a romance fiction. If a book is set in the 1940s, for example,  you’ll find out the news, slang, what type of clothes people were in fashion, what technology people used to travel and communicate. And it’s all delivered painlessly, as part of a great story. I always value a well researched, informative style of writing, in any genre.

3 Romances feature strong women

Do you like to read about shrinking violets?  With women strictly in the background getting coffee? About women with no voice or opinions?  Well, romance is not your cup of tea.  A good romance novel will show the strengths of a woman, even against adversity. Women will never be stereotyped as weak or “arm candy” or insignificant in romance novels. They are HER journey’s story.

4 Oh, there’s….the sex

Yes, except for in the sweet, close-the-curtain variety, there is, as in life, sex in romance novels. And, as in life, when it comes with consent, and in the right moments, it pulses with joy and wonderful variety!

5 Also relationships

What makes a good relationship? That is a complex question with many answers that are right for different people. By reading romance novels we can compare to our life relationships. That’s why it’s always puzzled me why men who keep loudly wondering “what do women want?” don’t read romance novels.  The answer lies within, fellas. 

6 And always, hope.

Anything  wrong with a little daydreaming of the perfect mate?  How else do we to know what to look for in life?

7 Romances make us laugh, cry…and wait!

That is Charles Dickens’ prescription for good storytelling.  We all like a laugh. There is often humor in romance. The laugh out loud kind, the clever wit, the  sharp one-liners. And who doesn’t like a good cry? Sadness and setbacks get our emotions stirring. And mixing in in a good galloping plot full of conflict, make us wait for ….

8.  Oh, those happy endings

Finally there is that much-derided guaranteed “happy ever after. “  Yes, you’ll find happy endings in romances as sure as the murder will be solved in mysteries and the cattle delivered in westerns. If the romance is good, that happy ending will be well-earned and worth the wait!