What Makes a Romance or Any Novel Memorable? By Connie Vines #BWLAuthor, #Rodeo, #Cowboy, #MarriageProposal, #ConnieVines

 What makes a novel memorable? 

The best stories connect with readers on a visceral level. They transport us to another time and place and put us in a different “skin,” where we face challenges we may never know in life. And yet, the commonality of the story problem draws us onward and, in solving it vicariously through the protagonist, changes us.

Another feature of a memorable story is characters that live off the page. One of the highest compliments I’ve received for my novel “Lynx”, Rodeo Romance, Book 1was from a reader who attended a book signing. She said, "I think about that story constantly.  Lynx and Rachel's story seems so real, so heart-wrenching, and their love so enduring.  She shared that she was going through a difficult time in her life and my story gave her hope. 

Hope.  

Hope for someone going through a desperate time in her life.

I felt blessed that she shared her story with me. I was also very humbled. 

We, as writers, are so focused on the mechanics of writing, plotting, and meeting deadlines, that we forget/ or do not realize how truly powerful our story is to a reader.  

While I never sit down at the keyboard and say, “I think I will write a powerful, life-changing story today.”  What I do, by nature, is select a social issue for the core of my stories.  Since my stories are character-driven and often told in the first person, the emotion has a natural flow.

How do you create this type of engagement with your story?

Go beyond the five senses.  Your reader must feel your character’s emotions.  Your reader must forget there is a world outside of your story.

Hints:

Embrace idiosyncrasies.  As teenagers, everyone wanted to fit in, be one of the crowd.  Your character isn’t like anyone else.  Give him an unexpected, but a believable trait.  In “Here Today, Zombie Tomorrow”,  my heroine, a Zombie has a pet. Not a zombie pet. Not a dog, or a cat.  She has a teddy bear hamster named Gertie.

Make them laugh. It doesn’t need to be a slap-stick.  Just a little comic relief when the reader least expects it to happen.

Make them cry.  Remember the scene in the movie classic, Romancing the Stone, where Joan Wilder is crying when she writes the final scene in her novel?  I find this is the key.  If you are crying, your reader will be crying too.

If you are writing a romance, make them fall in love.  Make the magic last.  The first meeting, first kiss, the moment of falling in love.  These are the memories our readers savor, wait for in our stories.  Don’t disappoint them.

As Emily Dickinson, said so well: 

There is no frigate like a book

To take us lands away,

Nor any coursers like a page

Of prancing poetry.

This traverse may the poorest take

Without oppress of toll;

How frugal is the chariot

That bears a human soul!

Excerpt:

Lynx

Her friend was right--she did need to get on with her life. She couldn't keep expecting shadows to cover her world. Rachel had never been close to her parents, but her father's death had left a deep hole in her life. Perhaps attending the rodeo would be a good first step to her letting go of the past. 

"You're right, Charlene. I can't avoid my past forever. And a promise is a promise. What time does the bull riding start?"

Charlene let out a whoop of delight. "If we get move on it, we'll see the first series of rides."

Excerpt: 

Brede

Thunder rumbled across the remote New Mexico sky as an unforgiving wind shoved somber gray clouds against a craggy mountaintop. Brede Kristensen tugged the brim of his Stetson lower his forehead. The threat of a storm didn't faze him; nothing fazed him anymore. The worst had already happened.

Excerpt:

Tanayia --Whisper Upon the Water

1868

The Governor of New Mexico decreed that all Indian children over six to be educated in the ways of the white man.

Indian Commissioner, Thomas Morgan, said, "It is cheaper to educate the Indians than to kill them."

1880, Apacheria, Season of Ripened Berries

Isolated bands of colored clay on white limestone remained where the sagebrush is tripped from Mother Earth by sudden storms and surface waters. Desolate. Bleak. A land made of barren rocks and twisted paths that reach out into the silence.

A world of hunger and hardship. This is my world. I am Tanayia. I was born thirteen winters ago. We call ourselves N'dee. The People. The white man calls us Apache.

I hope you enjoyed my blog post.

Happy Reading,

Connie

BWL Author page

Connie's Website

Dishn' It Out, Connie's Blog

Author Branding—Don’t Muddy the Waters (Part 1) by Connie Vines

I have been researching this topic via workshops, online chats, and discussion with other authors for several years.

The workshop I attended recently wrapped up the final meeting with: author branding was totally unnecessary.  (Well, that was a total waste of my money!)

So, does Connie have a brand?

No.

Does Connie still think she needs a brand?

Yes.  And no.

I know I need a memorable brand for each series that I write.  However, since I write in multiple genres, I don’t know if an all-encompassing brand is possible.  Or even practical.

We all know how much Connie loves to do research, enroll in online workshops, and conduct impromptu interviews with total strangers (to quote my husband, while we are in line at Souplantation, “why were you asking that man about the cost of a sleeve of tattoos?  You are not going there for the sake of research).  I handed him a napkin and smiled.  Now was not, I decided, the time to remind him that I had my eyebrows and eyeliner enhanced with “wake-up with make-up” tasteful, but still permanent ink.

How to Design Your Author Brand

Okay, it’s scramble time.  Find a piece of paper and something to write with.  You can use the note app in your phone, but I think pen to paper works better in this case. (If you write under more than one pen name, just select one.)

Ready?

Write down what your author brand is.  You have 10 seconds. Go!
Time’s up.

Were you able to write down your band?  Did you use 6 words or less?

Good for you.  You probably have a good idea of what your brand is.

If you didn’t (you are with me) don’t worry.  We will go about fixing the problem.

Brands Need to Be Specific

If you failed, the above test the reasons are likely because:

1. You don’t really know what your brand is yet.

2. You are over-describing your brand and couldn’t write it all down fast/concisely enough.
Now is the time to sit and ponder.  Strip away the contradictions, muddiness, superfluous.
What does a brand do?  A brand is a signal to customers to know what to expect when they see it.
Once they have had experience with a brand, they (hopefully) know what to expect.  Ideally this is a favorable expectation that encourages them to purchase your product, talk to their friends, and take chances on your next release.

How about a brand like this?

“Daring, Thrilling, Romantic, Action Packed.”

What if we change it to…
“Daring, Thrilling, Sexy, Action Packed”
A big difference isn’t it?

I selected very genre-esque words.  This was my intention because genres play a big role in branding.

 Brands are also about trust.

Remember genres and sub-genres are their own brands.

This is really important.    We already have a mind-set/ expectations when we select a genre to read.  If you select a “Historical” novel (unless it is a sub-genre) you do not expect or probably appreciate elements of Urban Fantasy in the story-line.  Riding in stage coach, you prim-and-so proper heroine isn’t going to mesh with a hidden magical world featuring Fae, Vampires, and Werewolves.    So, unless you plan on inventing your own sub-genre (SteamPunk/StoneagePunk) with a limited readership, consider what you are inheriting from your genre.

Following these guidelines, I will attempt to come up with a brand for my current Rodeo Romance Series (BLW, BooksWeLove, Ltd.).

Genre:  Contemporary Romance (Lynx), Romantic Suspense (Brede), Contemporary Romance/Humor (Rand), Romantic Suspense (TBT).

I’ll go with Romance as a genre.
Now to the dictionary and thesaurus.

<Suspenseful music plays now>

Will Connie discover her ‘brand’?  Will her readers like her ‘brand’?

<Music continues>

Part 2 will be posted next month 😙

Connie 

Spoiler Alert:  Connie has awakened the ‘inner series branding’ within her mind!

Amazon author page to purchase  X

What Makes a Novel Memorable?

What makes a novel memorable?

The best stories connect with readers on a visceral level. They transport us to another time and place and put us in a different “skin,” where we face challenges we may never know in life. And yet, the commonality of the story problem draws us onward and, in solving it vicariously through the protagonist, changes us.

Another feature of a memorable story is characters that live off the page. One of the highest compliments I’ve never received for my novel “Lynx”, Rodeo Romance came when one reader told me she thought about my story constantly. She said that Lynx and Rachel’s story seemed so real, so heart wrenching, and their love so very enduring.  She said that she was going through a difficult time in her life and my story gave her hope.  Hope.  Hope for someone during a desperate time—I felt blessed that she shared her story.  I was also humbled.  It is moment such as this that I know just how powerful worlds and stories are to our readers.

While I never sit down at the keyboard and say, “I think I will write a powerful, life-changing story today.”  What I do, by nature, is select a social issue for the core of my stories.  Since my stories are character driven and often told in the first person, the emotion has a natural flow.

How do you create this type of engagement with your story?

Go beyond the five senses.  Your reader must feel your character’s emotions.  Your reader must forget there is a world outside of your story.

Embrace idiosyncrasies.  As teenagers everyone wanted to fit in, be one of the crowd.  Your character isn’t like anyone else.  Give him an unexpected, but believable trait.  In “Here Today, Zombie Tomorrow”, 99-cents for the next two weeks on Amazon.com, my heroine, a Zombie has a pet. Not a zombie pet. Not a dog, or a cat.  She has a teddy bear hamster named Gertie.

FREE 6/22 - 6/29

Make them laugh. It doesn’t need to be slap-stick.  Just a little comic relief when the reader least expects it to happen.  In "Brede" Rodeo Romance, Book 2.  The ranch hands, especially orney old Caldwell, have resulted in many a fan letter/email to me!  

Make them cry.  Remember the scene in the movie classic, Romancing the Stone, where Joan Wilder is crying when she writes the final scene in her novel?  I find this is the key.  If you are crying, your reader will be crying too.

If you are writing a romance, make them fall in love.  Make the magic last.  The first meeting, first kiss, the moment of falling in love.  These are the memories our readers savor, wait for in our stories.  Don’t disappoint them.

As Emily Dickinson, said so well: 
There is no frigate like a book
To take us lands away,
Nor any coursers like a page
Of prancing poetry.
This traverse may the poorest take
Without oppress of toll;
How frugal is the chariot
That bears a human soul!

Happy Reading!

Connie Vines

What Hooks a Reader on a Story? By Connie Vines

Topic: What glues you to a story start to finish? What hooks do you use to capture your readers?

Engage the reader  

Purposely engage readers from the first words, first image, first emotion, and first bit of dialogue.
How to hook my readers?

Workshops, how-to-books, and instructors will say it’s the first two paragraphs, the first one hundred words, the blurb, the cover. . .etc. that will hook your readers.

As a rule, I agree these statements are true.

The key statement is “as a rule”.

I write what I like to read.  I like a strong opening hook, witty dialogue, or a detailed description of a setting, all have their place and all appeal to me.  If I have had a stressful day, I may prefer a book with more narrative.  A humdrum day, a fast-paced book with a strong action hook is perfect.  I assume my readers preferences are the same.

The story dictates the hook and the tone of my story.  Always.

Remember that story is primarily about characters and events. An opening without them isn’t much of an opening

When I select print books, I look at the cover, read the blurb, and scan the first three pages.  Ebooks, offer the additional benefit of reviews (though I am careful not to find spoilers) and speedy download. As a writer, I am very aware that I’m not the only entertainment venue.  I compete with movies, television, and in the case of my Teen/Tween and YA novels—video games,

I strive to forge an emotional connection between my readers and my characters.  I hope that my readers will remember my characters and think of them as friends. Friends that make an afternoon enjoyable, an evening filled with adventure, hope, love, or good old-fashioned or just plain sassy fun!

Looking for a hook?

Here are a few of mine:

• Charlene hadn’t told Rachel that she’d fixed her up with a cowboy, much less Lynx Maddox, the “Wild Cat” of the rodeo circuit.  Rachel signed. She should have known.  After all, Charlene only dated men who wore boots and Stetson.  “Lynx” Rodeo Romance, Book 1.  BWL release.

• Audralynn Maddox heard her own soft cry, but the pain exploding inside her head made everything else surreal, distanced somehow by the realization that some had made a mistake. A terrible mistake.  “Brede” Rodeo Romance, Book 2. BWL release.

• “You and Elvis have done a great job on this house,” Meredith said as her older sister led the way downstairs toward the kitchen here the tour began. “Sorry I couldn’t get over, until now, but I’ve been sort of. . .well, busy.” Slipping her Juicy Couture tortoise-shell framed sunglasses into a bright pink case, Meredith crammed them into her black Coach handbag. She hoped her sister didn’t ask her to define busy. Becoming a zombie, and dealing with the entire raised from the dead issue over the past six months, was not a topic easily plunked into casual conversation.  “
Here Today, Zombie Tomorrow” BWL release.

Your first chapter, your opening scene, your very first words are an invitation to readers.
I ask myself, “Have you made your invitation inviting? That is, is it tempting or attractive or irresistible? Once a reader has glanced at your opening, will he or she find the story impossible to put down?”

That’s one aim of a story opening, to issue a hard-to-resist invitation to your fictional world. You don’t want to create barriers for readers. Instead, you want to make the entry into your story one of ease and inevitability. You want to make the story attractive and compelling.

I hope that I am successful.

Happy Reading,

Connie

Purchase Link

Structuring a Story by Connie Vines

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As many of the readers know, I write in multiple genres of fiction as well as nonfiction.  Therefore, it only goes to reason I have attended workshops, conferences, enrolled in extensions classes, and networked with other authors to discuss the topic of story structure.

So many ideas, so many strong opinions, but no fail-proof map to success.  What I have discovered is that many authors (Note: my personal findings only), agree that there are thirteen basic plots.

The following are common plot motivations that have appeared in written literature for centuries.  Of course, more than one of these plot motivators may exist side-by-side, affecting the story.  Take your story idea, add one or more of these motivators to it, and, so I’ve been assured, you’ll have a plot and a storyline.

•  Catastrophe  
• Vengeance
• Love and Hate 
• Persecution
• The Chase  
• The Quest
• Grief and Loss  
• Rivalry
• Rebellion         
• Betrayal
• Survival  
• Ambition
• Self-Sacrifice

So, is this true in my own novels and fiction stories?  I have three books published at Books We Love, Ltd., as well as an anthology featuring five stories to be released this fall.  Let’s see if this is programed into a writer’s psyche, or if it is a learned skill. 

With my Rodeo Romance, Book 1, “Lynx”.  I have added Grief and Loss into my basic storyline for my heroine.  While my hero deals with Ambition, and one other (I don’t wish to give away too much of the story).

In Rodeo Romance, Book 2, “Brede”, Survival, Vengeance, are added to my romantic suspense novel.

“Here Today, Zombie Tomorrow”, obviously, deals with Catastrophe and Survival (with a light-touch).

Not the result I was expecting. Why?  Because, if you’ve been following my blog posts, you are aware that I follow Joseph Campbell’s “A Hero’s Journey” when plotting my stories.   Joseph Campbell based his teachings/writing on the power of the ancient myth. 

Of course, there is more to a story than just a great plot!  So, using the accepted rule of thirteen, let us progress to adding another layer or two to our story line.

 These added layers to the story do not appear to be genre specific, though some are more commonly used in romance than, say, mainstream fiction.

•      Authority        
•     Conspiracy
• Criminal Action/Murder 
• Deception
• Honor/Dishonor        
•      Making Amends
• Poverty/Wealth  
•      Rescue
• Mistaken Identity         
•      Searching
• Suspicion                 
•      Suicide
•      Misplaced Affection (or unnatural if it is a human and supernatural being)

I believe, for a story to be an excellent story, which of course, is every author’s goal. These plot motivators with the added layers to drive the characters in the story, result in the depth (landscape) and richness (emotion) we all crave in a good story.  

Readers, do you agree that all the stories you’ve read and loved these plot lines and motivators?

I admit was able to spot many of these plot lines and layers in the works of Homer, Shakespeare, and may of the Classic Greek Myths.

What do you think?  Are there certain plot lines that appeal to you more than others?

Thank you for stopping by today.

I hope to see you here next month.

Connie Vines 

Profiling ~ Getting to Know Your Characters By Connie Vines

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pro·fil·ing

ˈprōˌfīliNG/

noun

1. the recording and analysis of a person's psychological and behavioral characteristics, so as to assess or predict their capabilities in a certain sphere or to assist in identifying a particular subgroup of people.

It's always a good idea to get to know your characters before starting your novel.  Of course, little quirks and warts always show up as the story progresses.  However, I feel it is a good idea to 'get to know' your main characters before jumping into to your story.

How, exactly is this possible?  Our characters are not 'real' people.  Perhaps they are not 3-dimensional people``but as a writer, my characters must be 'real' to me and to my readers.  Otherwise, I do not have a novel or a believable story to tell.

So. how exactly. do I go about 'profiling' my characters?

Here are a few things which I implement:

See what he/she will share with you.  What he hides, what motivates him, and what he really needs.

• Basic Information:  What is the character's age, sex, ethnicity?  Describe his physical appearance (include unique features, scars, dimples).  How does he dress?  What about his clothing speaks to the kind of person he is (carefully pressed/rumpled and stained).  What item does he carry about with him.  What is it he can't live without?

• Voice:  Does the character speak quickly or slowly?  Does he overuse any verbal tics?  Are his sentences choppy or rambling?  Is he well educated? Working class?  If you were blind folded, could you pick-out your character's voice in a room filled with people?  Why?

• Education and Finances:  Is he naturally intelligent, clever, witty, or shy?  Is he book-smart? Self-taught, or experienced in a specific field?  Is he barely scraping by, allow him to live comfortably?  Is his job a job, or personally satisfying?

• Special Skill and Talents:  Day-to-day skills?  Computers, mechanical, green thumb, cook?  Talents?  Name on unique talent the character has that no one knows about, and one talent he openly shares.  Are any of these skill a pride or and embarrassment?  Why?

• Family and Family dynamics.

• Morals and Ethics:  Is is always of particular interest to me because most of my stories deal with social issues.

• Identity vs. Persona:  What five words would your character use to describe himself?  What 5 words would his best friend/family member use?

• Secrets and Fears:  What is your character's biggest secret? His biggest fear?

• Backstory and Wound: Thinking about that fear and secret, the once your character doesn't want to reflect on or admit to. . .what event in his past caused the very thing he feared come to pass?  How this event sent him on a new life path?

• Needs, Desires: What is your opening moment--the start of the story?  What makes this day any different from any other day?  What does he think will make him happy? What does he care not wish for?  What would allow him to face any challenge/hardship?

Now to but it all together!  The more you know about your character(s) the better you story.  Of course, not everything you discover ends up in your story.  However, it certainly makes the journey more vivid for both the writer and the reader.

My characters are all very different, and lead very different lives.  Yet, I trust each is unique and vivid to my readers.  Each story is a mini-world filled with love, heartache, adventure, and always,always--a happily ever after!

Happy Reading!

Connie 

Romancing the Landscape: Setting as a Character in your Novel ~ By Connie Vines

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I have titled my topic “Romancing the Landscape”.  However, the landscape can also be a menacing character in a horror novel; comic relief, or as in the movie, The Never Ending Story, be the embodiment of living creatures.

So, how do I approach this project?  Why would this be of interest to me?

While every writer knows, it is useful to infuse landscape/setting as a tool to set the mood/foreshadow, and do so as a matter of course.

• The beach at sunset, a tranquil waterfall.  If you hero has fought a major battle, don’t send him to a night club.  Turn his setting into a place to recuperate.
• A setting can introduce conflict, or cause trouble.  A violent storm, gridlock, a jungle where he becomes lost. 
• The library, bookstore, writing on ancient walls, can provide a ‘mentorship’ of sorts.  The hero will discover, overcome his fears.
• A setting can show the ‘flaw’ of the hero.  A man fighting addiction is at a bar watching others, a selfish man is at a soup kitchen.  Place him in a setting to examine his own flaws.
•  A model of who he wants to be. A church, a free medical clinic, a loving home, are all settings that can provide an atmosphere that fosters qualities to which he aspires.

 Setting as a character is a deeper commitment.  Setting as a character will appear throughout the course of your novel.  Therefore (groan) it requires research, plotting attention, and action and reaction on the part of the hero and heroine.

Often I will set up a flow chart, spread sheet, or make notes on my software writing programs when developing my novel.  In this case I use a notebook to take notes/or snap pictures to Evernote that correspond to the numbers on my “Setting Worksheet”.  Why a work sheet—“that’s so old school”.  Yes, this is old school but studies have proved that there is something about the process of pen to paper that activates creativity in the brain.

So what’s on my worksheet? 

·         Title of project

·         Year

·         Month and day that the story begins

·         Season

·         Location

·         Why am I setting my story here?

·         Why are the hero and/or heroine here?

Climate/Landscape

·         Climate

·         Average rainfall/temp etc.

·         Approximately what months do the season change?

·         Topography

·         Plants and animals that live here

·         Local land forms and points of interest

·         Natural obstacles that will help/hinder your hero/heroine

·         How did your hero/heroine get here?  How will he/she leave?

Social Setting

·         Population

·         Types of dwellings

·         Types of stores or businesses

·         Ethnic make up of the community

·         Local industries/jobs

·         What holidays and special occasions are celebrated

·         What kinds of entertainment are available?

·         What current events might be important to your story?

Weaving into to the story

·         One line characterization of this setting

·         How is it the same as/different from similar settings?

·         What trait will make this setting come alive, and why?

·         How does the hero/heroine fell about being there?

·         Will the readers like/dislike this setting and why?

Examples taken from novels to illustrate my point:

Perhaps the glide of long railway travel was still with me, for more than anything else I felt motion in the landscape; in the fresh, easy-blowing morning wind, and in the earth itself, as if the shaggy grass were a sort of loose hid, and the underneath it herds of wild buffalo. ~ My Antonia, by Willa Cather. (Chapter 2).

I feel a cold northern breeze play upon my cheeks, which braces my nerves and fills me with delight. Do you understand this feeling? This breeze, which has traveled from the regions towards which I am advancing, gives me a foretaste of these icy climes. ~ Letter 1, Frankenstein, by Mary Shelley.

Every novel is different.  Not every story calls for a setting to have a 'life of its own".  However, when the landscape demands a major role in your story line, listen.  The results are often soul-stirring and magical.

And from my own works:

It was only the cologne, Rachel reminded herself when Lynx leaned closer and pointed out the skill of the fiddle player--she always loved the scent of a good cologne. Warm, and Musky. Or, maybe it was his reputation that held such appeal--he was a rodeo cowboy. Bull riders flirted with death and danger every day, and that alone could be a real turn on for some women.

Still she knew none of those things was the real reason she was reacting this way. ~ Lynx, Rodeo Romance, by Connie Vines

She pulled the red gingham curtain aside from the kitchen window and stared out into the rain for the tenth tine in less than an hour.  In the distance, she could see Brede going about his chores. . .There was something about him, which spoke of power, especially in the way he moved.  But there was also wildness in him and profound loneliness. Perhaps the loneliness dept her from being afraid. . .~ Brede, Rodeo Romance Book 2, by Connie Vines

Twelve-thousand gleeful ghouls stormed Long Beach's Promenade. the crowd became so large that it spilled out over Pine Avenue for an all-out downtown invasion.  Meredith didn't recall much about the accident, nor who or what, reanimated her. She remembered over-hearing a security officer informing a pungent-smelling zombie. . . ~ Here Today, Zombie Tomorrow Book 1 Sassy & Fun Fantasy Series by Connie Vines

Photographs give me a reference point for ensuring I "know" the depth of my setting.

What do you think?  Can you name a novel where the setting took on a life of its own?

Thank you for stopping by this month to read my blog post. I hope to see you again next month.

1800's England

Nebraska Farmland

Happy Reading,

Connie Vines

5 Reasons Writers Should Blog By Connie Vines

In the past, my marketing was often 'guest appearances' as a speaker or workshop facilitator, a participant in a interview panel which included book signings.

Not having reached the stellar stardom of Steven King or others topping the NYT Best Sellers Lists, my 'guest appearances' were memorable (though, not always for the the right reasons).  Book signings in chain and small book stores, and booths--in my case the boots were at Powwows and Rodeos were the norm.

This brand of  market included lots of toting and driving!  Fortunately, I was able to dress in trade cloth dresses and high-top beaded moccasins or western wear and riding boots. Often my Regency writing friends fussed with flounce, bustles, and complicated footwear to help promo their genre fiction.  

However, this type of marketing was hit-and-miss and cut deeply into my writing and family time.  Since I also freelanced, writing for magazines,  ghosting literary fiction, and working, part-time, as an acquisitions editor for an independent Christian publisher, I wasn't even toying with the idea of  financing my personal city-by-city book tour.

Even though I still act as a contest judge in numerous national and international writing contests, belong to professional writing associations, and am acting President of a Special Interest (GothRom) Chapter of Romance Writers of America, I believe social media and the Internet are wonderful ways to promote both print and eBooks.

I tweet, I keep a personal and author Facebook page, Google+ and an author website (which I revamp yearly).  I also actively blog and guest blog--now.

• Blogging keeps me motivated and aware of what is going on in the writing world.  view it as Professional Development.  It is where I put into practice all information I mentally uploaded from online classes I've attended, or articles I've read.

• Accountability for my writing time.  Like most writers today, I have a day job.  Blogging helps me keep my writing time sacred.  There are days I don't have time to write, but knowing I am breaking one of my personal 'rules' keeps me a accountable.

• M-A-R-K-E-T-I-N-G.  I still think book signings are great fun.  I always, always enjoy speaking to children and YA readers at library and book store functions.  I just don't wish to spend every single weekend out on the road promoting my novels.

• And, as all writers know, the only way to sharpen prose is to write.  Often.  Being forced to write articles and/or blog on a regular basis has helped me to improve my prose in often small, yet meaningful ways.

• Networking and Connections.  Blogging on my personal site, "Word Slinger" and guest blogging on other sites, including here at BWL author site, helps me make new friends, interact with my readers, and to learn and grow--as a writer and person.

Readers, what do you think?  Do you think writers should be blogging?  What other forms of promotion are appealing to you?

Thank you for stopping by today.

Happy Reading!

Connie