Book 2, Dead Man's Doll |
- Writing Down the Bones
- Wild Mind: Living the Writer's Life
- Thunder & Lightning: Cracking Open the Writer's Craft
Book 2, Dead Man's Doll |
To buy: Click Here |
This time of year, many writers are reeling from the challenge of National Novel Month (Nanowrimo) in November. The big goal is to write 50,000 words in 30 days. Or whatever challenge writers would like to do. Some choose to write less and some push themselves to write more. Either way, the month ends with all or part of a great new novel or novella.
One of the challenges of Nanowrimo is not to spend time doing
research, but actually writing – with a little research on the side!
So here I am. With a great new novel (Book 3 in my Glitter
Bay Mysteries!) and had time to do some research. Not for the book I was working
on, but for the one I want to write next.
I have an idea to write a Hallmark-style book about a woman
who runs a small business making and selling candles and bath items. My research
has run the gamut from learning online to playing with essential oils, bath
salts, and candles. I figure if I’m going to go that far down the rabbit hole,
I might as well have fun with it and create a few Christmas gifts while I’m at
it!
That and I have a good excuse to make a mess and some gifts.
My favourite items so far is a lovely Pink Lemonade Sugar
Scrub and a simple bath salt that you can scent with any oils you like. The recipes
are below!
Pink Lemonade Sugar Scrub
1 cup of sugar
½ cup oil (almond,
olive oil, or coconut work best)
½ teaspoon vitamin E
oil (optional - helps preserve your scrub and provides extra
softening)
15 drops lemon essential oil
1-2 drops red food coloring (optional if you want the
pink color)
Place all ingredients in a bowl and mix, adding more or
less oil to your liking.
Store in an airtight container.
Since this recipe doesn’t contain preservatives, use it
within a month or two
To Use:
Scoop a small amount of scrub in your hands with a spoon.
Scrub all over your hands or feet – or wherever you’d
like a little extra softness. Allow your scrub to sit on your skin for 3-4
minutes. Enjoy this time to rest and relax.
Rinse well, and then pat dry with a soft towel.
https://www.suburbansimplicity.com/pink-lemonade-sugar-scrub/
Simple Bath Salts
1 cup Epsom Salts
½ cup Baking Soda
15 drops of your
favourite essential oil
Combine all in a mason
jar or bowl and pour into the tub under running water.
Sit back and enjoy!
Sage Miller is knee deep in fashion designers—whether she wants them in her new vintage boutique or not.
One winds up dead.
Another isn’t what
he seems.
A third is treasure
hunting.
Sage is stuck in
the middle trying to solve a murder before the grand opening of Vintage Sage,
which involves a fashion show she’d rather not be part of.
Join in the fun! Buy links are on my BWL Publishing page: http://bookswelove.net/bator-diane/
More of Going Off Script...
This year has been a busy one for me! Not only do I have a beautiful new novel to add to my list, but I've been taking a playwriting course. The great thing with taking a sidestep from novel writing to playwriting, is that I enjoy writing dialogue to help propel the story along.
My first playwriting class was more of a basic overview of scripts. One thing I learned was that actors and directors don't like to be told what to do, so keep stage direction to a minimum. As part of a play I'm currently working on, I'm reading The Glass Menagerie by Tennessee Williams. The stage directions make up nearly half the script! I was surprised.
After the first class, we had to write a 1-2 page scene. I had fun with that and got great feedback. I'd share, but I plan to work on it and create a whole new play from it. Okay, maybe a teeny bit. So far it doesn't have a title:
Frank:
Did you hear those kids? For god sake, they’re more worried about some fancy
wedding than the fact she isn’t even listening to a word he says.
Carrie:
What did you say, dear?
Frank:
Really? I’m two feet away from you and you didn’t hear a word I said.
Carrie:
That’s not true. I heard you ask if I heard those kids. That’s when I tuned you
out.
Frank:
And why did you tune me out?
Carrie:
Because I saw cheesecake on the menu and started to daydream about eating it
only I realized I should just end up rubbing it on my stomach and thighs since
that’s where it would end up anyway.
Frank:
You’re right. That does sound much better than what I was saying. Please, go
on.
I have to admit, it was a bit
weird hearing and seeing other people read my words for the first time. It was a
fun experience and I was absolutely giddy hearing their feedback. What a great
boost for the heart and soul!
While I love writing books, mysteries in particular, writing for stage is a whole different beast. With books, writers can add the details they envision. Each movement or look, the color and placement of the furniture, the things they want the audience to see. Plays are staged at the discretion of the director and performers and can be open to interpretation.
Week two, we were asked to submit
4-5 pages that were the beginning of a play. I took a deep breath and submitted
the one I’ve been toying with since January 2020 called Secrets That Haunt Them.
A murder mystery complete with a ghost.
Week 3, they read my few pages of my play. I heard lots of great feedback. The only concern was there were a lot of characters. Anything more than 5 or 6 characters becomes an expensive production. Mine has 7. It was fun to hear it brought to life though! At the end of class, we were invited to submit a monologue. I didn't send one. Instead, I started on a whole new play...
After Week 4, my confidence was up there a little. While I haven't received critique from my instructor, I did get feeback from the Artistic Director of the theatre where I work. I have some work to do - after all, it is my first play ever! - but overall he loved it. The concept of having too many characters came up again so the next step is to clean it up and submit it back to him so we can set up a workshop.
Workshopping a play is lining up some great actors to read the lines while the playwright sits back and makes edits like crazy if they hear lines are too tough to follow or say, take out things that aren't funny, or even add in ideas from the director or actors as the playwright thinks will benefit the performance. We sort of did that in Week 2 & 3 with the lines I wrote above. I have to admit it was both cool and nerve-wracking to hear people read my writing aloud.
Hopefully, we'll be able to perform it on stage one day. For now, I'm enjoying the launch of All That Shines and will get to my edits for the play soon.
This may be the start of a whole new path along my writing journey!
Have a fabulous day!
Diane Bator
I've worked in theatre for over 4 years now and have met some amazing performers. I have also often thought of writing a script. I mean I've written a lot of books so how hard could it be? Last year, I actually started to write two plays but set them aside because of timing. Not many play performances going on.
Enter 2021.
January 4, I attended a virtual Write In and the leader of the group is a playwright. Cool.
January 6, my boss who is the Artistic Director in our theatre, asks if I've done any more with those scripts I started what seems like 10 years ago... We set up a meeting.
January 11, I get an email about a workshop with a playwrite whose work I admire. I sign up instantly. It seems this New Year isn't content with all the edits I'm currently doing. There is more to pile on my plate!
I have one thing going for me in the script department. I've always been better at dialogue than detail. I'm not ashamed to admit it takes several edits to add in a little extra oomph to my novels. Take All That Shines, book 2 in my Glitter Bay Mysteries that I am currently editing. My lovely beta reader asks, "How big is this room? That's a lot of stuff inside. Maybe you need to rethink this."
One thing with writing for stage: you have limited space where you can place your furniture, props, and performers. With novels, you can use the entire world--or even other worlds--to move things around at your leisure and whim.
Something both plays and novels do have in common is the basic 3 Act Layout. They both have a beginning, a middle, and an end. Both need to have more than one storyline going on to keep the audience/reader's interest. Both also need to keep the action moving along. No lulls allowed.
With playwriting and plays in general, one thing to be kept in mind is how superstitous theatre people are. For example:
Diane Bator
https://www.bookswelove.com/bator-diane/