They Don't Make Them Like That Anymore by Eileen O'Finlan

 

                               

Whenever I do research for a new historical novel, I always find things that surprise me. Currently, I'm working on the research for the third book in my Children of Ireland series. Like Erin's Children, this one will also be set in Worcester, Massachusetts but a decade later during the American Civil War.

Naturally, I have to research the politics of the time, life in the military and on the home front, as well as the war itself. Equally important is research on everyday life at that time. That is my favorite type of research. I find it fascinating to learn about how people lived, what they wore, what they ate, what they did for work and leisure, and what things they had in their homes.

Recently, I read about some types of furniture that were common in the mid-19th century. I was amazed to learn that patent - that is, convertible, collapsible, or folding furniture - was all the rage in American middle-class homes. These included such items as sofas and lounges that converted to a bed, a bed or a bath tub that converted to a wardrobe, or a bench that doubled as a table.

Wanting to see for myself what some of these furnishings looked like, I did an online search for images of 19th century American patent furniture. My favorite is the Wooton Patent desk. Closed it looks like a intricately carved work of art. Open its double doors to reveal a multitude of drawers and cubby holes, many of them on the inside of the doors, and a pullout platform for writing. It is a masterpiece of a desk.

Another favorite is the metamorphic desk chair. Closed it's a round table, but pull it open and you have a chair with a rounded back attached by a hinge to a half-moon table with a drawer.

These are just a few of the innovative designs of 19th century furniture. I would welcome either as additions in my own home. I'm sure I will find a place for some of these items in my next novel. Meanwhile, I have more research to do. I wonder what else will surprise me.

The Making of a Trilogy by Eileen O'Finlan

 

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When I wrote my debut novel, Kelegeen, historical fiction set in Ireland during the Great Hunger (aka Potato Famine) I wasn't planning on writing a sequel. I thought all the way through that it would be a stand alone. It wasn't until I completely rewrote the first draft that thoughts about what might happen to the characters after the story's ending started coming to mind. I was nearing the end of the rewrite when I made the decision that a sequel was necessary. I even ended Kelegeen in such a way as to lend itself to a continuation.

Next came Erin's Children. Erin, in this case, is not a character, but refers to Ireland (think erin go bragh), and her children are those who emigrated to escape starvation. 

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My first inclination was to set it in Boston as many Irish settled there at the time. I live in central Massachusetts so Boston is just under two hours from me. I figured I could get out there a few times as part of my reseach. Fortunately for me, I mentioned it to someone at work who told me of a great book about the history of the Irish in Worcester. 

Worcester is the city in which I work and very close to where I live. I changed my mind and, instead, decided to set it here, and I am so glad I did. What a great time I had researching the history of the city in which I've spent the majority of my life! I learned so many fascinating things, many of which I was able to incorporate into the story. After publication, I even had a request from a group of readers to give a walking tour of one of the sections of the city in which a large portion of the book takes place. It was a real joy and a wonderful way to connect with readers.

As with Kelegeen, when I finished Erin's Children I thought I was done with these characters. But, also, as with Kelegeen, they refused to let me go. So now it's on to research for the third in this Irish trilogy. I can hardly wait to dive into more of Worcester's past. This time the focus for the book will be on the next generation, so I'll be looking at the post American Civil War era of the 1870s and 1880s. 

For many writers of historical fiction the research is just as enjoyable as the writing, and I am no exception. Now that I have completed work on my next historical novel, The Folklorist, which will be released by BWL Publishing in October of 2023, I can focus on a deep dive into late Victorian-era Worcester. Yes!