Literary vs Popular Fiction: How big is the difference really? By BC Deeks, Paranormal Mystery Fiction Author

 

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The prestigious ScotiaBank Giller Prize was announced in November, thus prompting my usual frustration with the bias that exists between literary fiction and what is most often referred to as popular or commercial fiction. What’s the difference you may ask? Well, the biggest difference in my humble opinion is in recognition, and maybe even respect.

The differences were never clear cut and are becoming less so with the emerging publishing landscape. Literary stories with crossover appeal have publishers, agents and even some readers referring to ‘upmarket fiction’ to further classify such novels although you won’t find that category on a bookshelf or on Amazon.

At first blush, one could say that popular fiction is written more to please the audience while literary fiction aims to reflect on the human condition. Genre fiction, it is argued, is more formulaic, but this is a response to its need to meet reader expectations. A ‘romance’ story must have a ‘happily ever after’ or it simply is not a romance. Yet within that expectation is an endless variety of paths with an even greater number of deviations. Our readers love to be surprised and delighted before they reach the anticipated ending. And didn’t Jane Austen’s, Pride and Prejudice end with a Happily Ever After?

Within the ongoing debate between popular versus literary fiction, most people argue four key points: theme/ scope, plot driven versus character driven, time/reputation, standard of writing. I would argue there’s also a fifth factor: money! Modern Literary Fiction holds only 16% of the market, whereas the top five most profitable categories on Amazon.com are:

• Romance/Erotica ($1.44 billion).
• Crime/Mystery ($728.2 million).
• Religious/Inspirational ($720 million).
• Science Fiction/Fantasy ($590.2 million).
• Horror ($79.6 million).

I think we can all agree that popular fiction leans towards more adventurous or sensational subject matter and they traditionally fall into convenient categories such as crime fiction, romance, science fiction, fantasy. In the new digital publishing age, those well-defined and predictable lines are breaking down and the blending of genres is commonplace. I write paranormal mysteries with romantic elements. Paranormal romance is one of the most popular subgenres. A renowned Canadian astronaut wrote an outstanding science fiction murder mystery! 

What about the question of literary books having a deep theme that popular fiction lacks? In my current series, Beyond the Magic, three supernatural siblings lost their mother in childbirth and have a father who is too ambitious and career driven to focus on raising them. Together they must face life altering threats to their world and unravel an ancient prophecy. I would argue that is an overarching theme of the power of family ties that bind. Perhaps in literary fiction the emphasis on the theme is more overt than in popular fiction, but that depends on the author.

Some people say that literary fiction is more character driven while genre fiction is focused on plot, yet I, like most of the authors I know, spend considerable upfront time creating character profiles with associated emotional arcs that I carefully weave through my plot outline. Some author friends say it is a character who appeared to them first, anxious to tell their story.

Historically speaking, there are works of popular fiction that, solely through the passage time, have become elevated by those in authority to the status of literary classics, such as the works of Lucy Maude Montgomery or Daphne DuMaurier. And, alternatively, literary works have gained popular or commercial attention decades after publication, like Margaret Attwood’s, A Handmaid’s Tale.

The final and often snide criticism about popular fiction refers to its standard of writing. While my back instantly goes up at such comments, my objective self will admit there is a sliver of truth in this one factor. Not about standard from a quality perspective, but in level of writing. This again points back to the audience. Popular fiction authors want to reach as many readers as we can, so we write to the reading level of the majority of the population. We choose the best possible words to communicate the emotion, setting, and action required to move our story forward, draw our reader into our imaginary world and let them leave it feeling entertained. Most typically, literary fiction is profoundly philosophical about human nature and the meaning of life. Its audience does not expect it to conform to any scope and genre conventions, or language accessibility.

As the publishing world evolves, the boundaries between literary and popular fiction will continue to blur, although I don’t believe the two will ever completely merge. That fundamental difference in audience expectation will remain wedged between them for a long time to come.

My books may not be a good fit for the Giller Prize, but I am proud to write heartwarming stories of mystery and magic that readers from their teens to their nineties can enjoy. My neighbor recently sat beside her aging mother’s sick bed and swept her away by reading my latest book, Witch Unbound, to her. I hear she thoroughly enjoyed it! I am honored that I could do that for her as a writer.

Looking at Critique Groups - Janet Lane Walters

In many ways, writing is a lonely game. The people you meet are often those you've created on paper. Telling stories that are produced on paper or electronically takes time and being alone. Trying to write when surrounded by people carrying on conversations can be difficult if not impossible but writing in a vacuum is also difficult. One needs feedback from others. Just sending off a story and waiting for an editor to comment can be hard. So what can you do?

Writers often band together with other writers to share their works and receive comments from their fellow writers to help. But critique groups may not always work for one author or another. I've belonged to three in my long career as a writer. The first one was centered only in poetry and while I learned there things like rhythm and word choice there was no appreciation of my prose. Since it was the only group in town, I remained and my fellow writers at least were supportive of what I was doing but they didn't help me hone my craft. Then we moved.

I joined a second critique group who said they were interested in both poetry and prose. Problem was they were interested in intellectual prose. I wrote genre fiction, stories with happy endings. My characters had goals and motives and coflicts that could happen to writers in every day life. Did I learn here. Yes and no. I learned I was never going to write "literary" fiction, but some of the authors the quoted as being wonderful didn't write "literary" fiction in the days when they were producing. I also had fun. Doing poetry readings in NYC and meeting people whose poetry was recognized was a great experience. I also had some poems published. My fiction suffered in some ways and grew stronger in others.

Then I found a third critique group. While the writers were mainly focused on romance they could give pointers on some of the other areas I was exploring. The group formed in 1990 has continued and is still active today. Actually we meet at my house and read from five to ten pages and do a round robin critique. Not all the original members still belong. Some of them have gone on to become best-selling authors. Some have moved and some have dropped out of the writing game. I always wonder about the strong writers who simply gave up. Was it something the group was not giving them or was it a fear of faila fear of success. Through this group I discovered electronic publishing years before it became the boom it is now. And I think a lot about those people who left the writing game. But each time one of the members or former member's career takes off I feel inspired and wonder if somehow I have helped them move forward in their careers the way they have helped me.



Seducing the doctor is a new release. Pursuing Dr. West, Gemstones and Healwoman are on sale for another few days. Escape is also on sale.