Words of Our Times

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Quarantine, pandemic, social distancing, shelter in place – not all new words, but phrases that have become part of our lives because of the COVID-19 and which will long be associated with 2020.

Throughout the centuries, there have always been phrases that have earmarked a generation. I say “For Pete’s sake” all the time and every time I do, my grandkids ask, “Who’s Pete?” This particular phrase comes from the expression for Christ’s sake. Some people, for religious reasons, don’t want to use the word Christ in a negative way, and, instead, use Pete as an alternative. It originated around 1900. According to the Oxford English Dictionary, "for Pete's sake" expresses frustration or annoyance and prompted similar sayings such as "for the love of Pete" in 1906.

Very often, the expressions or sayings don’t make sense literally. I can remember my aunt saying “it’s the cat’s pajamas”. That always made me laugh because of course, cats don’t wear pajamas. That phrase became popular in the U.S. in the 1920s, along with “bee’s knees” and “the cat’s whiskers.” In the 1920s, the word cat was used as a term to describe the unconventional flappers from the jazz era. This was combined with the word pajamas (a relatively new fashion in the 1920s) to form a phrase used to describe something that is the best at what it does, thus making it highly sought and desirable.

I never really thought about pajamas being a fairly modern word as versus nightgown, or nightrail. I do recall once an editor telling me that “shirtwaist” wasn’t the appropriate term for a blouse in the time period I was writing. I’m not sure every reader would catch individual words but as an author I want to be as authentic as possible.

When I was researching “An Interlude”, I wanted a few words that would have been appropriate and used during the roaring twenties. I loved finding “my main squeeze” to indicate a loved one; “hard boiled” to indicate a mean or ruthless man, and the still usable “don’t take any wooden nickels.”

Words and phrases help the reader understand the time period of the novel. For example, when writing historical, an author must be very careful to use phrases that were part of a particular century. You don’t “turn on a light” back in the Middle Ages when candles were used. Simple words also indicate time and place. Does your villain steal an SUV, jalopy, roadster, barouche or wagon? Does “Alexis” turn on the lights when you enter a room, or does your butler? (Although I suppose that is not mutually exclusive.)

All of this is just part of the fascinating research I like to do before I start writing. Having a vocabulary that creates a sense of time for my stories is just as important as knowing what color their hair and eyes are. For a chuckle and to recall some fun phrases from your childhood, visit https://www.bustle.com/articles/25318-88-hilarious-slang-terms-from-the-20th-century-to-sprinkle-through-your-writing-like-youre-putting.

I invite you to explore Books We Love and see how I and other authors use words and phrases in our stories. And in this new time of needing to maintain our personal space and boundaries, know that Books We Love is trying to help by offering a FREE download book every day of the pandemic. Check their website at http://www.bookswelove.com/. They’re also having an April contest, which actually deals with the blog, so check it out.

Barbara Baldwin

http://www.authorsden.com/barbarajbaldwin

http://www.bookswelove.com/romance-authors/baldwin-barbara/

9-1-1 by J. S. Marlo

J. S. Marlo's BWL Books

Aside from staying home and eating too much, I've been painting my bathrooms and babysitting my five-year old granddaughter whose parents need to work. Every day, my granddaughter gets virtual homework from her kindergarten teacher, which is really cool, but I've also been teaching her other things, among them how or when to call 9-1-1.

She's known for years how to unlock my phone, so I told her there was a special number to call in case of emergency. Then, I made sure she understood what an emergency was:

- Grand-maman dropping a full gallon of paint from the top of her ladder is a catastrophe, but NOT an emergency.

- Grand-maman falling from the top of her ladder and not being able to get up is an emergency.

 So, what's the first question she asked me: why did they pick THAT number, grand-maman?

Good question, I thought. I did some research and stumbled on an article written on February 16, 2017 in the Smithsonian Magazine about a 9-1-1 festival.

 "On this day in 1968, a phone rang in the police station of Haleyville, Alabama. But unlike all the days before, the caller—Alabama Speaker of the House Rankin Fite, who was not in an emergency situation—didn’t dial the local police number.

He dialed 911, a three-digit number that would go down in local and national history.

The idea for a universal emergency phone number didn’t start in Haleyville, a town of fewer than 5,000 inhabitants that was dry until 2010. It started with a 1957 recommendation from the National Association of Fire Chiefs, writes Carla Davis for the Alabama News Center.

Their recommendation was prompted by a serious problem, she writes: before 911, anyone who needed emergency help had to figure out if they needed the fire department, the police, or medical help, and then call the appropriate local number. Not easy to do when someone is bleeding, a baby is being born, or the building’s on fire.

It took more than a decade before the fire chiefs’ recommendation was put into effect, Davis writes. Haleyville came into the picture when the president of the Alabama Telephone Co., an independent telephone company, fought to have his company launch the new system.

The call was picked up at the police station on a special red phone, wrote Hoyt Harwell for the Associated Press on 911’s 25th anniversary in 1993. At the receiving end of the call was Congressman Tom Bevill, Alabama’s longest-serving congressman—who was still in office when Harwell interviewed him 25 years after that first call.

Haleyville still celebrates the event that put it on the map with an annual 911 Festival."

So, why 9-1-1? These are the major reasons why AT&T chose the number 9-1-1 in 1968:

- because it was short & simple
- because it was easy to remember
- because it was quick & easy to dial
- because of the middle 1, which indicated a special number that worked well with the phone systems in place at the time.

That being said, 9-1-1 is an emergency number used mostly in North America (Canada, USA, Mexico). In Europe, you would dial 1-1-2 in case of emergency.  And in Australia, 0-0-0.

Here are some funny and disturbing (and hopefully false) 9-1-1 calls:

Female caller: There are alligators in the river.

9-1-1 operator: Yes ma’am, this is Florida.

Female caller: But my kids play and swim in that river.

9-1-1 operator: Why do you let your kids play and swim in alligator infested waters?

Stay safe. Hugs!
JS

 

J. S. Marlo's Website

Virtual Brainstorming by Eileen O'Finlan

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Click here to visit Eileen O'Finlan's website

COVID-19 has shut down a lot of things, but our imaginations needn't be one of them. In fact, recent personal events show that they may be more active than ever.

Before this virus hit, a group of writers met at my house every Wednesday evening to work on writing projects and offer feedback. For several in the group, those Wednesday nights provided a writing lifeline. I hated having to send out the group text announcing the cancellation of our group until further notice. Even though we're not a huge group (on the rare occasion that everyone is present on the same evening, we total seven), with my 93 year old mother in the house, I couldn't take any chances.

Of course, everyone understood. Several had made the painful decision to stay away even before receiving my text. Being a resilient, resourceful, and most of all, imaginative group it took less than an hour for one member to come up with the idea of a writing round robin. One person would write one page of a story, email it to the next person who would add another page then forward it to the next and so on. After two rounds the story would be complete. It might not add up to something publishable, but it promised to be fun and keep those writing muscles toned. I had to bow out as all my writing time is, of necessity, being devoted to the completion of Erin's Children, the sequel to Kelegeen, though I do look forward to reading the finished product.

My non-involvement in the round robin did not mean complete detachment for me, however. In less than a week, I jumped onto a Zoom meeting with fellow writing group member, Jane Willan. Jane is the author of two cozy mysteries, The Shadow of Death and The Hour of Death, the first two books in her Sister Agatha and Father Selwyn Mystery Series. She's currently working on the third in the series as well as a thriller.

Jane and I are searching for both "tried and true" and "unique and new" methods of marketing our writing, so we decided to focus our Zoom session on brainstorming ideas. (For anyone unfamiliar with Zoom, it is similar to Skype). We started by naming what we're already doing: Twitter and Facebook posts, website, newsletter, blogging, in-person talks and book signings, partaking in giveaways, interviews with bloggers and local papers. Currently, I'm working with an organizer on setting up a blog tour.

Then we started thinking about what we could do that we haven't done yet. Podcasts were the first thing to come to mind. It turns out that if you google podcasts along with your genre, you'll find a plethora from which to choose. We both committed to being interviewed on podcasts.

But why stop there? Jane's husband has a vast supply of audio/visual equipment. Why not start our own podcast? Fellow BWL author, Eileen Charbonneau, and I have been discussing creating a podcast. So the three of us connected on Zoom for our first podcast planning meeting. Fortunately, through the wonders of technology it doesn't matter that Jane and I live in Massachusetts and Eileen Charbonneau lives in Vermont. We don't have to be in the same state or even in the same house to make it happen.

YouTube was another marketing option open for discussion. I have a YouTube channel, though so far I've only put up one clip of me reading an excerpt from Kelegeen. Jane and I decided we could make some more YouTube clips. They don't all have to be book excerpts. The writing life offers plenty of topics for discussion. With my sequel being set in Worcester, a video tour showing the sections of the city where much of the story takes place seems another likely possibility. Jane also has some trailers for her two mysteries. Eileen and I would like to follow her lead and make some for our book(s).

Our brainstorming session didn't end there. We talked about the 19^th century coterie of writers that formed the literati in Concord, Massachusetts – Emerson, Thoreau, Alcott, Hawthorne - to name a few. Then we widened the circle of our thoughts to include 19^th century authors throughout New England. Such an abundance! Our region still boasts literary luminaries today. Some, like Steven King, are household names.

We got to thinking about the other authors in our area that we both know personally. Published, yes. Famous, no. This led to a discussion about what it is, besides the obvious (great writing), that makes some authors successful and others whose writing may be just as good or even better, virtually unknown beyond their small circle. 

The answer – marketing! We have to do it ourselves and for most of us it is not our field of expertise. Not even close. If it was we'd be marketers, not authors. Yet in today's world we have no choice. We have to climb that steep learning curve to figure out how to let the world know we're here and we've written awesome books that deserve to be widely read.

But how? This is a question I've been struggling with since the publication of Kelegeen. I sunk a lot of money into an advertising company that has been helping me climb that learning curve for almost two years. “Learn to think like a CEO.” “You are not only an author. You are the CEO of Eileen O'Finlan.” These are mantras they've driven into my brain. They are also concepts completely alien to the way I think. A huge learning curve, indeed.

But I am not alone and that gives me great hope. Eileen Charbonneau remains an amazing mentor for me. Our joint in-person appearances may be on hold for a while, but we are excited about embarking on a new virtual adventure through podcasting. 

Jane and I have committed to working together, mastering the art of branding, learing the ins and outs of marketing, pulling each other up and over that daunting curve so that we can come out on the other side, if not as household names, at least with successful authorial careers. We fully realize it will be a marathon, not a sprint, but we are willing to give it all we've got. If it doesn't happen (but it will – think positive!) it won't be for lack of trying.

Eileen O'Finlan

Jane Willan

Eileen Charbonneau