Thursday, March 12, 2020

How a Pandemic Inspired my Writing

                                  Please click this link for purchase and author information 

In 2009 my husband Will and I spent a month in Italy. I hadn't been to Europe in fourteen years 
and was eager to return to its history and culture, but a little anxious about the adventure. Shortly before we were due to leave, the swine flu hit Mexico and the United States. Unlike most flus, including the current Coronavirus (COVID-19), the swine flu (H1N1) didn't largely kill the elderly and sick. A strain of the 1918 Spanish influenza virus, many healthy, younger people succumbed to H1N1, which quickly spread to Europe. People talked of a worldwide pandemic. And here we were setting out on a plane into this risky situation. I thought of cancelling the trip. But, out of my anxiety came an idea for a short story. A man, grieving the death of his wife, travels through Italy, worried about catching the swine flu. I'd call the story "Pandemic."

2009 H1N1 (Swine flu) Pandemic - laboratory confirmed cases and deaths
In the Rome airport, I noticed several people wearing surgical masks. This struck me as unusual, but now would be common for travel at any time. When I later wrote the story, I included this detail along with others I wrote in a journal I carried through Rome, Venice, Tuscany and Sorrento. Will and I rented weekly apartments in these locations, as did Tony, my story protagonist. I took photos and made notes about our residences, which were part of the story landscape along with the tourist attractions that Tony, Will and I visited.. "Pandemic's" first turning point occurs when Tony is impressed by Bernini's sculptures in the Galleria Borghese Museum in Rome. Tony thinks, as I did, that he is witnessing genius. How did Bernini make a pinch of skin on a marble thigh look soft and real?


Aside from occasional sightings of surgical masks, I forgot about the swine flu while absorbing Italy's museums, eating pizza and drinking wine in cafes, exploring ancient sites and warrens of medieval streets. After our trip, The World Health Organization declared H1N1/09 a Pandemic. It was tragic for the people who died. They were far fewer in number than those who die annually from a seasonal flu, and this is expected to be the case with COVID-19.

At home, I returned to my novel-in-progress, but Tony's story kept churning through my mind. Eventually, I sat down and wrote "Pandemic," my first work of fiction set in another country. Aided by my photos and journal notes, I found setting descriptions easier to write than ones in my stories set in Canada. Tony's encounter with two sisters while climbing the Leaning Tower of Pisa felt fresher than scenes of people meeting in ordinary, North American restaurants. I've sometimes thought of  "Pandemic" as part story, part travelogue.

In "Pandemic," Tony and the sisters take comical photos of each other 'holding up' the Leaning Tower of Pisa
"Pandemic" isn't published yet. At almost 12,000 words, it's too long for most short story markets and too short for a novella, much less a novel. I've broken "Pandemic" down into four standalone stories, set in the different Italian locations. The Venice standalone is titled "Gondolier Groupies;"  Tuscany is "La Brezza." Still no luck with publication. Now, COVID-19 has prompted me to dust off  "Pandemic" and revise the whole story again.

I find it interesting to work on a story that aligns with the zeitgeist. Today's constant news and worry about a pandemic infuses Tony's actions and the story descriptions. I'd have thought that immersing myself in the fictional world of a crisis similar to COVID-19 might make me anxious about our present situation. Instead, it's a release from concerns of impending disaster, and this is one reason writers write.

In Venice, Tony embarks on an ill-fated adventure with two young women and a pair of gondoliers

   

Wednesday, March 11, 2020

Name That - - - by Karla Stover


AUTHOR OF: Wynters Way (gothic)
                        Murder: When One Isn't Enough (murder on Hood Canal)
                        Murder on the Line (murder in Tacoma, Washington)

and odds and ends on kindle for 99 cts.



Ever since Ricardo Maltalban touted Corinthian Leather in the 1975 Cordoba ad, I have been fascinated by words used to create an emotion. As I result, I've been looking at cars. My husband drives a Toyota Tacoma. I'm not sure what being a Tacoma as opposed to being a Portland or a Boise is supposed to imply but some company man thought it had connotations. And my Honda is an Accord. Is that even a word?

I get what the Subaru Outback, GMC's Denali, and even the Volkswagen Beetle imply, but the Senna? Senna is an herbal laxative. An advertisement for the Senna shows it going really fast, which tickles my off-beat sense of humor. But an herbal laxative seems a really odd name for a car even if  "driving,ca/auto-news calls" it one of the best car names of all times.  


Spitfire works, so do Thunderbird and Mustang, but Mulsanne? Mulsanne is a specific corner on the Le Mans racing circuit. Does everyone but me know that?


Most sports teams have good names--names that hint at where their home is--think Houston Astros reference its NASA Space Center, the Milwaukee Brewers, a nod to the city's brewing history, and the Indiana Pacers which honors the city's harness racing past. Seattle has a new semi-pro football team but they're the Dragons. I don't know of any dragons in Seattle and there are so many cool things that could have been acknowledged--the Cohos (a salmon) the Roosevelts (an elk) or the Fishers, an extremely feisty mammal often found in Mt. Rainier. Now the city is getting a hockey franchise and is thinking about calling it (them?) the Crackens. Not even Google seems to knows what a Cracken is.


Authors have to be careful to chose names that tell us about the character even before we begin reading. Jay Gatsby, Dorian Gray, Holly Golightly all work. Freesia Summers is just awful. I wonder if the author chose it because freesias are hard to grow. 


The website, "name-generator.org.uk" will come up with names based on parameters the user puts in, i.e. sex, character type, nationality, birth year. Peyton, Emery, and Riley are considered weak male names. I don't know any weak female names, and would I say if I did--especially during Women's History Month?


So go ahead Jane, be meek. And be strong Virginia or Grace or Diana. According to your name, you have to bre and we who write will recognize that.

P.S. When Montalbán was asked by David Letterman on Late Night with David Letterman what Corinthian Leather was, "the actor cheerfully admitted that the term meant nothing."

Tuesday, March 10, 2020

Soap Bubble Rhetoric


While going through some old writing files, I came across this meandering essay and thought I’d share.

Soap Bubble Rhetoric
Reading my latest copy of a writer’s magazine reminds me I haven’t written anything for quite a while. Anything does not include bill paying, completing rebate forms and make grocery lists.
            Oh, I have lots of ideas. That’s why I’m writing on top of the washer instead of folding clothes. Regardless of the fact I punched the hot button for a load of bright colors, when an idea bubbles forth, I grab a pen.
            As an educator, I have developed numerous ideas and activities that mu students love, so I have been sending queries to educational publishing companies and periodicals. But alas, I can decorate the laundry room with rejections slips. The most ingenious states, “due to a paper shortage, we must return your manuscript.”
            Why is there never a laundry shortage?
            While I may run out of stain remover, I always have another publishing company on my list. So I begin again. Some of my articles have been accepted, but I haven’t gotten paid in the traditional cash method. Many educational journals are forums for professional advancement and writers contribute articles in return for a byline and a few contributors’ copies. While that is fine up to a point, I’ve found it difficult, if not embarrassing, to pay my grocery bill with a copy of my latest published article:
            “Oh, you got published (finally). That will be $41.50 please.”
            Now I shouldn’t be wishy-washy. In addition to contributor’s copies, some educational publications do pay contributors in merchandise. But have you ever tried to use an apron that says, “Teachers are neat” to barter for bleach?
            I pour fabric softener in for the next load and a fantastic idea materializes. I realize I’m writing for the wrong market. Instead of submitting to educational publications, perhaps I can interest soap manufacturers in putting little activities on the sides of their soapboxes to keep kids busy at the Laundromat. Little Bobby can help mom pour soap into the washer and get fun games like “How many words can you make out of Proctor & Gamble?” or a word search for items of clothing washed only in cold water.
            I could create entertaining stories as inserts for detergent boxes with titles like “Soap Bubbles Whisk Grass Stains in Water Polo Finals,” or “Detergent Detectives Collar the Dirt Ring.”
            My hands negligently fold socks as I mentally assemble my next dirt fighting, biodegradable creative effort. The washer gyrates in the background, unaware of my neglect as my mind floats away on a soap bubble.

Barbara Baldwin


Don’t forget to visit the Books We Love website at http://www.bookswelove.com/ for their March contest. Find 4 leprechauns on the authors’ pages, submit their names and win some great prizes! Contest is open until March 17.

Sunday, March 8, 2020

Catching and holding attention by J. S. Marlo



Last weekend, I visited the Police Museum in Calgary. There was an helicopter hanging from the ceiling, a motorcycle, a police cruiser, a jail cell, uniforms, weapons, forensic evidence, the canine unit, and so much more for FREE (https://youthlinkcalgary.com/)

I was chasing a five-year-old who enjoyed locking her uncle, auntie, and grandma in the  jail cell and the police cruiser, so I didn't get to read about the exhibits, programs, and history as much I would have liked, but it was fun. I will go back.

Let me tell you about the bench in the jail cell. It wasn't kind to my bottom. No cushion at all! Sitting in the back of the police cruiser was a big more comfy, but not roomy. There was no legroom, and I'm not a tall woman. It struck me as funny what the police in movies say when they push a beefy 300lbs suspect into the back seat. First, I can't imagine a man that size fitting on the back seat, and second, they should warn him to watch his knees and legs, not his head LOL  They were bars in the windows and the doors didn't open from the inside, so we were at the mercy of a very mischievous little girl.

Before we left, I bought earrings from the museum.  They have a gun attached to a pair of handcuffs. The perfect earrings for a writer who can't help but kill at least one person per book. In all honesty, I'm not sure I will wear them on a daily basis, but I will wear them at my next book signing later in March.


Book signings are interesting events. I get to meet people, but after the initial greeting, something aside from books needs to hold their attention to move the conversation along. At my first book signing, the manager of the book store suggested I mingled with the customers. I thought great idea so I got sticky nametags.

Well, lots of people talked to me...to ask where they could find a certain book. Needless to say, the "nametag" idea didn't work as planned. Most people saw me as another employee.

At the following book signing, I stayed closer to my book display, I still wore a nametag, but I also colored my hair purple and blue. My hair was a great ice breaker, so I've kept coloring it ever since. Now I'm eager to see if these earrings will catch anyone's eyes.

Happy reading...and don't get arrested reading and driving!
JS


 

Saturday, March 7, 2020

Thinking Ahead by Eileen O'Finlan


One hundred years ago women won the right to vote in the United States. It’s hard to believe we couldn’t vote until 1920, but that’s the fact. It was a long, hard fought battle, one for which American women owe gratitude to the suffragettes who made it happen.

For several years an idea has been simmering in my brain for a novel set during the struggle for American women’s voting rights. As with many of the yet-to-be-written multitude of novels floating around in my head, scenes from this one play themselves out in my mind every so often. I don’t think this will be the next novel I write (after Erin’s Children, my novel in progress, and sequel to Kelegeen), but certainly it is in the top three currently germinating in my imagination.

As with all good historical fiction, there will be lots of research before and during the writing. Though I may not start the actual writing for a while, when a research opportunity pops up I’m certainly not going to ignore it.

This afternoon I will be attending an event at the Worcester Historical Museum entitled “Suffragist Tea with History At Play”. The play, “How Long Must We Wait?” is a “multi-modal performance art piece detailing the struggle for women’s right to vote and equality” according to the Worcester Historical Museum’s website.

Despite being way ahead of my schedule regarding research for my future novel, I’m not about to pass it up. Something like this might not be available when I’m “officially” ready to start my research. Notes can be kept, memories held, videos replayed (History At Play’s website appears to have videos of many past performances). As an author of historical fiction, research is a high priority. When an opportunity comes my way, I’ll grab it while I can. No need to wait!



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