Where do you get your ideas?

 

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"Where do you get your ideas?" This might be the number one question readers ask authors.

My quick answer is that ideas pop into my head all the time and they come from everywhere. My personal experience, conversations with other people, places I've lived in and visited, the news, books I've read, TV, movies, perhaps a painting or line of music. 

This winter, I'm editing a novel-in-progress, book # 3 of my Paula Savard mystery series, while mulling ideas for book # 4. With a series, many of the basic ideas are already there. I start with my sleuth, Paula, a fifty-five year old insurance adjuster, and her cast of supporting characters, who impact her personal life and, in some cases, her sleuthing. Paula and most of her family, colleagues and friends live in my home city, Calgary Alberta. I could send Paula to another location for all or part of the next book, but I see her as grounded in Calgary. Unlike me, Paula isn't drawn to travel, although book # 3 presents her with a future travel opportunity. For now, I think her adventures in book # 4 will continue in Calgary. 

 

    An often deserted pathway behind Calgary's Saddledome arena inspired my idea for the murder in the first Paula Savard novel, A Deadly Fall. 

My current novel-in-progress, Winter's Rage, ends in January 2020, with Paula at a crossroads in her life. Book # 4 will begin with her dealing with that situation. I've decided it will take place in spring, since Paula's first three mysteries happened in fall, summer and winter. But which spring will this be? January 2020 was right before COVID-19 changed the world. Will we next meet Paula in spring 2020, as she grapples with the start of the pandemic both personally and at work? Or will it be spring 2021, when the the pandemic is (we hope) nearing its end? I could jump over the virus and set the novel in spring 2022. This would make the time frame more contemporary to my publication date, although I find it hard to envision the post COVID-19 world. What things will return to the old normal and what will be the long term changes? The year I choose for this fourth novel will affect my ideas for it. Thoughts to mull during the winter.

 

Calgary's annual Stampede parade prompted ideas for a major character and an inciting incident in my second novel, Ten Days in Summer. 

  

While Paula got into solving mysteries as an amateur sleuth, I decided her subsequent ventures would come from her insurance adjusting work. Ten Days in Summer starts with a suspicious death resulting from a building fire. Paula naturally becomes involved in the course of investigating the property fire insurance claim. In Winter's Rage, she adjusts a hit and run collision and gradually suspects the fatality was no accident. 

This quiet, suburban Calgary street plays a large role in Winter's Rage.

For book # 4, I'm thinking that burglary could make a good cover up for murder. Last spring, my husband and I bought e-bikes at a local bicycle shop. I was intrigued by the store's booming business. With most of their usual activities shut down for the pandemic, Calgarians sought outdoor activities and many of us updated our old bicycles. That store and the two guys operating it are giving me ideas for the crime that will launch Paula's next mystery.            

I also want to include a ghost in book # 4, because ghosts both interest and frighten me. At the end of Ten Days in Summer, Paula's office moved to Inglewood, Calgary's oldest neighbourhood. Many ghosts lurk in Inglewood, a location for Calgary's haunted walking tours. The ghost rumoured to haunt her historic office building will challenge rational Paula, who doesn't believe in other worldly happenings. 

A ghost walking tour of Inglewood inspired my choice of  this "haunted" building for Paula's office.

All of these bits and pieces, swirling in my mind, will converge into the start of a story, when I eventually sit down and write the novel. As the story moves along, it will pluck more ideas from my usual sources. That's the plan, anyway, and it's how I get my ideas.    

  

E-biking last spring triggered ideas for my next novel 

 

A Few Strange COVID restrictions

 

As the Covid-19 infection shows no sign of diminishing, and people are becoming weary of the restrictions placed on their lives, it might be a time to look at some unusual constraints placed on people around the world, if just to relieve stress. Here then, are ten strange rules adopted by countries.

1)     Weekend-only lockdowns: Turkey has instituted weekend-only lockdowns for all its citizens, while allowing mostly-normal, but restricted, operations during the weekday. However, persons under twenty or over sixty-five who have to stay at home even during weekdays. This supposedly protects the most vulnerable, while allowing for normal economic activities.

 2)   Gender based lock-downs: In Peru, the government has instituted odd lock-down requirements. Men are allowed outside their homes only on Mondays, Wednesdays and Fridays, while women are permitted outside on Tuesdays, Thursdays and Saturdays. Sundays, however, seem to be unrestricted.

 3)      ID card lockdowns: In some parts of Colombia, lockdown days are determined by the numbers on citizen’s ID cards. Presumably, those with fake ID’s are not affected by this rule!

 

 4)   Talking Drones: Kuwait and China have used “talking drones’ to order people to return home. If people doesn’t succumb to the virus, then certainly talking drones will scare them to death!

 5) Immunity Cards: China has introduced “COVID cards” to its citizens. These are to be issued to citizens who tested positive to the virus and have recovered. Presumably, the expectation is that these people have developed antibodies that prevent future infections.

   

6) Pillow Fighting: Brazil has banned pillows on aircraft. No pillows are allowed on airplanes entering, leaving or flying within the country. Perhaps this will reduce viral contamination, but it certainly supports Brazilian pillow sales!

 7) The New York position: The city’s Health Department has some strange advice for couples. It advises the use of “barriers, like walls, that allow for sexual contact but prevent close face-to face contact.” A wall!

       8) Foot Disease. In South Africa, shops are allowed to only sell ‘closed toe’ shoes. The science on toe-related viral transmission remains unclear.

 9)       The Five-Mile rule: The city of Victoria, Australia, has banned its inhabitants from travelling more than five miles from home. Obviously, families that get sick together, stay together.

 10)      Death Deposit: Cambodia requires all foreign visitors to deposit a large sum of money upon entry. $1,500 of the approximately $3,000 deposit goes towards cremation services of unfortunate deceased travelers. Statistics regarding foreign travel to Cambodia are currently unavailable.

Mohan Ashtakala is the author of "The Yoga Zapper," a fantasy, and "Karma Nation," a literary romance (www.yogazapper.com) . He is published by Books We Love, LLC. (http://bookswelove.com/ashtakala-mohan/books) 

I Can't Write the Future Anymore

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On March 10th, I began the third draft of my novel-in-progress, Winter's Rage. Unlike my two previous mystery novels, this story shifts between three viewpoint narrators and two time periods. For reading ease, I placed a header at the start of each chapter with the narrator's name and the story month and year. For the main storyline, the date was January, 2020. But this March I thought, since the book won't be published until next year, why not reset it in 2021 to make the novel more contemporary? Later, I could insert any minimal changes needed or specifics to highlight that future date. I had done this easily for my earlier books to help bridge the time gap between starting a novel and its publication. In fact, draft #2 of Winter's Rage was written months before January 2020.

So I changed the headers for my first few chapters to January 2021, started revising, and realized I couldn't do this. In March, the effects of COVID-19 hit Canada with full impact. International travel shut down. Empty shelves, lineups and changed protocols appeared in grocery stores. Museums, restaurants and group activities closed. Each day brought a new development that I hadn't considered the day before. I couldn't predict what my world would be like the next week, never mind ten months in the future.

Even now, three months later, I don't know what daily life in January 2021 will be like in Calgary, my home city and the setting for my mystery novels. Will we have a vaccine or cure for COVID-19 by then? Probably not, but if I assume this and a miracle happens I'd have to significantly change any story I'd write now. And if COVID-19 is still with us, what rules, guidelines and customs will Calgarians experience in January 2021? Will schools be open, or will students continue to study online? Will we all be wearing masks? In lockdown or moving about fairly freely, keeping our social distance? What percentage of people will be working from home, or be unemployed? Will our economy have collapsed, flattened or revived with a renewed flourish? Will national and international travel be open? Will Canadian snowbirds travel south, as usual, to warm, sunny destinations or hibernate at home?

We can all make guesses, but no one is sure enough about life in Calgary next winter for me to portray it in the novel I'm in the process of finishing now.

I returned to the first chapters of Winter's Rage and reset the date to January 2020, when I and many others lived in the old normal, oblivious to what lay a month or two ahead. As I revised my manuscript, ordinary behaviours I'd included struck me as strange in our current time. Characters shake hands when they meet for business. Some touch people who don't live in their own households. I'm sure they often stand closer to each other than two metres (6.5 feet or, in Canadian terms, about the length of a hockey stick).

Paula, my insurance adjuster sleuth, visits insurance claimants in their homes. No one thinks twice about inviting her into their living room. In an early scene, Paula helps a claimant prepare hot chocolate in his kitchen.  The man is 85, recovering from heart surgery and at high risk for serious complications from COVID-19. He and Paula pass each other mugs, utensils and the can of chocolate powder without hesitation. In these details, my novel and others set at the start of 2020 will chronicle our society immediately before everything changed.

Too close

Winter's Rage is book three of my murder mystery series. Since the first and second novels were set in fall and summer, the one thing I know about book four is that it will take place in spring, to complete the Calgary seasons. Since it won't be published for a couple of years, I'd expected to set the story next year or later. Then I thought, with no travel on the horizon, I might have time to start the first draft this summer, writing by hand on my back yard patio. The novel could take place this spring, while we're experiencing the height of COVID-19 restrictions. Why not portray this unique time in a fictional murder mystery story? The current social mood even fits what I have in mind for Paula at this point her life. Uncertainty. Fears. Isolation from loved ones.

But how can I have dramatic interactions between Paula and suspect strangers when everyone with something to hide has the perfect excuse to tell her, "Stay away, I won't talk to you in person?" How does an insurance adjuster/detective do her job without meeting people face to face? I'd better start researching this before life returns to a new normal and people forget the details of this peculiar time we're living through.

Social distancing on Hunchback Hills, Alberta. In the past, my hiking club would squeeze together for a group photo. 

 

        

E-Biking Though the Pandemic

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COVID-19 prompted my husband Will and me to buy e-bikes. Our thinking was that with most of our usual activities likely to be gone or restricted this summer, it would be good to expand the ones we'd be able to do. This included cycling. We'd always enjoyed getting out on our twenty-five-year-old bikes and hoped electric bicycles would let us ride longer and farther and handle steeper hills.

I didn't quite know what an e-bike was before I bought one. Since then, I've learned they have motors that provide pedal-assist. You still pedal the same as with a regular bike, but get more for your effort. E-bikes can go up to 32 kilometres per hour (20 mph) to be classified as bicycles, not mopeds. After each use, you plug them in to recharge the battery.

The motor makes e-bikes heavier than regular bicycles. Usually the battery is attached to the frame. We chose models with built-in batteries. They aren't much heavier than our old regular bikes. This will make them easier to load in our car for outings and easier to ride if the battery ever runs out. I'm especially glad we got the lighter bikes after hearing about a friend's holiday in Paris. During her first day of renting a heavy e-bike, it toppled onto her and broke her leg.
 

I chose an upright cruiser style, with a comfortable seat and handy front basket.  

Will and I bought our bikes at a local bicycle store, which has been doing a steady business this spring. Some companies are thriving during the pandemic and I see lineups outside of every bike shop in Calgary, where I live. We walked to the store to pick up our e-bikes, rode them home, and tried them out on our quiet, flat neighbourhood streets. The next day, we went for a longer ride on a city bike path, with a hill I previously couldn't ride all the way up. Half way, I'd have to get off and walk my old bike. On the e-bike, I cruised to the top, passing a group of fit-looking riders in their twenties. What a thrill for a senior citizen! 

Will chose a racier model. We'll enjoy the lunch box on the back for picnics. On a ride to downtown, we had our first look at Calgary's kayak course on the Bow River. 

Calgary enjoyed a couple of weeks of fine weather after we bought our bikes. Will and I took them out every day or two. We conquered numerous hills we'd have struggled with or walked up before. I could still feel the cardio exercise as I pedalled to the crest. We could also do longer rides, to parts of the city we hadn't previously biked to from our home. I returned feeling less tired than I used to from my regular bike rides, although my sore muscles suggested I'd had a workout. 

I'm still cautious about riding a more powerful bike. Wind from the higher speed makes me cooler when I ride. I've had to wear more layers of clothing this spring, but this might make biking on hot summer days more comfortable. My e-bike has nine gears, which are easy to change with the paddles on the handle. The power level button on the frame is trickier to use. I still haven't got the knack of pressing the button 1,2 or 3 times to shift the power up or down while riding. 

Colourful, layered clothing in the cool wind.

E-bikes aren't cheap. Ours were in the lower price range and each one cost more than Will's first car. But with this spring, summer and probably fall of non travel, e-bikes turn staying at home into a vacation. When Calgary's weather warms up again, we plan to load our e-bikes into the van and ride in the rolling countryside, tackling hills with ease. Not much beats coasting to the top, leaving those twenty-somethings in our dust.  

               

How a Pandemic Inspired my Writing

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In 2009 my husband Will and I spent a month in Italy. I hadn't been to Europe in fourteen years 

and was eager to return to its history and culture, but a little anxious about the adventure. Shortly before we were due to leave, the swine flu hit Mexico and the United States. Unlike most flus, including the current Coronavirus (COVID-19), the swine flu (H1N1) didn't largely kill the elderly and sick. A strain of the 1918 Spanish influenza virus, many healthy, younger people succumbed to H1N1, which quickly spread to Europe. People talked of a worldwide pandemic. And here we were setting out on a plane into this risky situation. I thought of cancelling the trip. But, out of my anxiety came an idea for a short story. A man, grieving the death of his wife, travels through Italy, worried about catching the swine flu. I'd call the story "Pandemic."

2009 H1N1 (Swine flu) Pandemic - laboratory confirmed cases and deaths

In the Rome airport, I noticed several people wearing surgical masks. This struck me as unusual, but now would be common for travel at any time. When I later wrote the story, I included this detail along with others I wrote in a journal I carried through Rome, Venice, Tuscany and Sorrento. Will and I rented weekly apartments in these locations, as did Tony, my story protagonist. I took photos and made notes about our residences, which were part of the story landscape along with the tourist attractions that Tony, Will and I visited.. "Pandemic's" first turning point occurs when Tony is impressed by Bernini's sculptures in the Galleria Borghese Museum in Rome. Tony thinks, as I did, that he is witnessing genius. How did Bernini make a pinch of skin on a marble thigh look soft and real?

Aside from occasional sightings of surgical masks, I forgot about the swine flu while absorbing Italy's museums, eating pizza and drinking wine in cafes, exploring ancient sites and warrens of medieval streets. After our trip, The World Health Organization declared H1N1/09 a Pandemic. It was tragic for the people who died. They were far fewer in number than those who die annually from a seasonal flu, and this is expected to be the case with COVID-19.

At home, I returned to my novel-in-progress, but Tony's story kept churning through my mind. Eventually, I sat down and wrote "Pandemic," my first work of fiction set in another country. Aided by my photos and journal notes, I found setting descriptions easier to write than ones in my stories set in Canada. Tony's encounter with two sisters while climbing the Leaning Tower of Pisa felt fresher than scenes of people meeting in ordinary, North American restaurants. I've sometimes thought of  "Pandemic" as part story, part travelogue.

In "Pandemic," Tony and the sisters take comical photos of each other 'holding up' the Leaning Tower of Pisa

"Pandemic" isn't published yet. At almost 12,000 words, it's too long for most short story markets and too short for a novella, much less a novel. I've broken "Pandemic" down into four standalone stories, set in the different Italian locations. The Venice standalone is titled "Gondolier Groupies;"  Tuscany is "La Brezza." Still no luck with publication. Now, COVID-19 has prompted me to dust off  "Pandemic" and revise the whole story again.

I find it interesting to work on a story that aligns with the zeitgeist. Today's constant news and worry about a pandemic infuses Tony's actions and the story descriptions. I'd have thought that immersing myself in the fictional world of a crisis similar to COVID-19 might make me anxious about our present situation. Instead, it's a release from concerns of impending disaster, and this is one reason writers write.

In Venice, Tony embarks on an ill-fated adventure with two young women and a pair of gondoliers