Friday, January 4, 2019

More Dirt and Foulness in 17th Century London by Katherine Pym




~*~*~*~*~


Later model of Coach with Seat-Box higher & safer

Riding in a coach sounds romantic. I certainly would like to climb into a 17th century ‘chariot’ as Pepys says on occasion. It would be cool. 

I’ve read a few historical fiction novels where the hero seduces the heroine in a carriage as it rolls down a neat cobblestone lane, the coach lanterns slightly swaying. The visual is pretty. It is clean. Flowers scent the air. Unfortunately, some things in these novels aren’t quite correct. 

Most of the middling sort of society did not own horses and until the latter half of Queen Elizabeth I’s reign, my sources say there were no coaches (carts, yes). Everyday folk  foot-slogged wherever they wanted to go. When they finally came onto the scene, you had to be rich to own one

Coaches of the late 16th & early 17th centuries were not like what we see in movies and television. They were heavy, cumbersome boxes attached to solid frames with wheels. They made for a teeth rattling trip.  


Sometimes leather flaps covered the windows. When doors were attached, they were generally ill-fitted. Cold, rain and dirt found their way inside. Travel was uncomfortable and unwieldy. Eventually, the heavy coach was suspended by great leather straps but the swaying this produced caused terrible motion sickness.  

17th century Coachman
During most of the 17th century, the coach had no box-seat. The coachman was forced to sit or stand on a low platform attached to the coach pole. If he sat, there was no place to rest his feet. This put his head very close to the horses’ hooves where a coachman could easily be kicked or splattered with mud and waste. The coachman’s foot could snag a root or an object and be pulled under the chassis, breaking a leg.

If you think of a coachman and postilions in plush livery with lace and shiny boots as they jaunt down a country lane, don’t. They would be mud splattered, the lace, their faces, hats and clothes fouled by the time they reached their destination.

The old Roman roads were in disrepair. Other highways were mud tracks or scratched paths. In springtime, farmers plowed across roads then people, carts and horses brazenly trod over this, crushing seed and new growth. Wheel ruts were deep. Great holes pockmarked thoroughfares that could break a horse’s leg, do irreparable damage to a cart or coach. 
Coach with low, unsafe seat-box


The actual city of London resided within its walls, an area of approximately one square mile. Everything beyond was considered the Liberties or suburbs. City lanes were narrow. As years went by coaches were built taller, wider. (Seat boxes were placed higher, equipped with foot rests.)Their sides and roofs scraped along cantilever houses, destroyed the edges of jutting eaves, knocked off butchers’ displays of hanging meats, pushed over vegetable stands. In London, iron clad wheels were outlawed due to the ear splitting noise and road destruction, but for the most part, this law was ignored.

By 1636, it is suggested upwards to 6,000 coaches rumbled up and down the lanes of London, (which seems excessively over the mark). Gridlock! Another source stated 300-700, which is still pretty darn crowded.  

Coaches fought with pedestrians, merchants with loaded carts, sedan chairs and men and women on horses. They rolled down lanes that were a combination of pavers, cobblestones and dirt, piles of muck and filthy mud running down center kennels. [Men were allowed to urinate on fires and empty their bladders in the street.] Cattle and sheep were herded through town. There were no fenders on the coach wheels. This allowed mud and other foul substances to wash onto the coachman and passengers.

Waterman plying his trade on the Thames
Another mode of dirty travel:
Watermen plied their boats for hire up and down the River Thames. They had a strong guild. They were tough and ornery. You never wanted to cross a wherriman. When they were pressed into service during the 2nd Anglo/Dutch war, soldiers were sent to keep them subdued. Considering the crush of coaches in London, taking a wherry where you wanted to go probably proved to be much faster.

But there were issues. The Thames is a tidal river. When the tide was out, oftentimes you had to walk to the boat on planks of wood spread over mud that held centuries of filth.  London Bridge on the Southwark side of the river held heads of beheaded traitors on pikes. Once the flesh was eaten away, the caretaker would fling the skulls off the Bridge where they sank into river mud.  

The river was used for suicides. Men and women jumped off the Bridge to land willy-nilly on anything flowing beneath. Bodies would bloat up and float for days before the city scavengers could retrieve them. Dogs and rats had a tendency to find their way there, too, where they’d be left to rot.  

The Thames was also a dumping ground, from the Fleet River that was a sewer to anyone who wanted to get rid of something. Your wherriman guided the boat through this sludge to your destination.

Then there was the sedan chair.
Like a fly or a gnat, these little guys buzzed underfoot and added to the congestion. Cramped and closed in, it was a cleaner way to travel once you got into the chair.

Attached by two hefty poles, men at each end of the chair carried you to where you wanted to go. They were the ones who got dirty during the journey, not you, unless somehow a man tripped and the whole chair fell to the ground. I don’t want to go into all the hazards this would cause especially if it had been raining. 

Sedan Chair carried by mules. Nifty way to go.
So, no matter what you did in the 17th century, where you went in London, prepare to get dirty. If you go back in time, go with an open mind.

You’ll find yourself in a rollicking loud place, filled with all sorts of people. Your mind will stagger from the myriad of visuals and powerful scents. Just hope you can safely return to the present where you can take a bath in warm, clean water.


~*~*~*~*~*~

Many thanks to:
Wikicommons, public domain for sedan chairs
Other pictures taken from the book Travel in England, 1925

Travel in England in the 17th century by Joan Parkes, Oxford University Press, London 1925

Old and New London: Westminster and the western suburbs By Walter Thornbury, Edward Walford, Vol IV, London 1891




Thursday, January 3, 2019

Setting Goals





A few years ago when I trained karate, part of the first class of the New Year was 
time to setting goals.We would write one karate goal, one career or school goal, and one personal goal. Since I'm no longer in karate, I now start with a writing goal.

My writing goal:   To write one new novel in 2019

Currently, I have two jobs. I work at a live-stage theatre and am also an author.

My author goal:  To publish two new novels this year - ambitious maybe, but doable!

Personally, I have one goal for the New Year that is starting to come together. I had an MRI on my knee December 23 and got the results December 27. Right now, I'm waiting for an appointment with an orthopedic surgeon to have my knee fixed. 

My personal goal:  To be able to walk five kilometres again in 2019 without pain!

Do any of you set goals for the upcoming year?
What sort of goals do you set?
Do you accomplish them or forget about them by February?

Please check out my newest release:

  
 Diane Bator, Author

Wild Blue Mysteries Book 4: The Painted Lady

The pieces of Christina Davidson's life have built up into place over the past few months, despite the one last secret she's trying hard to hide. When Leo Blue returns to town, then people from her past turn up, her carefully constructed walls begin to crumble and the only people who can help her now are the men of the Wild Blue Detective Agency.
Leo Blue can't escape Packham nor the life of a private detective no matter how hard he tries. Six months after the murder of artist DJ Gage, the prices of Gage's paintings soar. When a woman winds up dead and a forgery is discovered in the local art gallery, Leo has to find a murderer and a forger.

You can find my books at:   Diane Bator, Author






Wednesday, January 2, 2019

Settings - Attention to details by J. S. Marlo


A new year begins and a new story unravels in my head. The first thing I ask myself when an idea takes flight is Where am I going to set that story? To be honest, I'm partial to Canada. First, because I'm Canadian, and second, because of the its changing landscape, cultural diversity, and extreme weather.


There are oceans, beaches, lakes, forests, prairies, mountains, snowy mountains, tundra...but no volcanoes. I like to create fictive small towns within two, or five, or eight hours from an existing real city. That way I can pretend there is an hospital (or no hospital) in my little town, or I can set a charming café next to a library. I can imagine whatever fits the needs of my story instead of relying on an existing town where many of the facilities are set in stone. The Calgary airport is located in the northeast of the city. I can't just pretend it's in the southwest because it's more convenient for my characters. I would get email from my Calgary readers saying "Hey, I live in Calgary. You got the airport wrong". But I can write that my character is driving three hours to catch a flight from the Calgary airport.

For me, a good story blends fiction and reality in such a way that readers can't easily tell where one stops and the other begins.

Once I chose out the Where?, I need to figure out the When? I can play with four seasons, from scorching heat to biting cold. Now depending where or when I set the story, I can add either thunderstorms, snowstorms, northern lights, gentle rain, blizzard, fog, tornadoes, earthquake, mud slides, sinkholes, glaciers, icebergs... Again, I can brew any storms I want, but it should also be realistic. In my little corner of the world, I can't possibly see northern lights at 11pm at the end of June because the sun hasn't set yet, but I could see them around suppertime in December assuming the sky is clear. I'll grant you it's a detail, but it's the kind of details a reader from a northern community will catch.

If you set a story in a real town or a country you've never visited, make sure you get the details (language, customs, time zones, weather, money, distance, etc...) right. Canadian dollars, Australian dollars, and American dollars aren't the same. Canada and Australia have one-dollar and two-dollar coins, but unlike Australians, we called them loonies and toonies. If in a story, a homeless person stops the hero on the sidewalk and asks if he has a toonie to spare for a coffee, the story doesn't take place Down Under. It takes place in Canada!

Over the summer, I was editing my romantic suspense taking place in a nursing home in Northern Ontario. At one point, my editor (who's not Canadian) commented that I needed to be consistent in my units of measurement, that I couldn't switch back and forth between inches, feet, and kilometres. A long conversation followed during which I explained that even though we converted to the metric system in the mid-1970s, we still use both systems in different circumstances. We measure long distances in kilometers but short distances in inches and feet. My son lives 800 kms away but my guestroom is 10'2" x 12'8". We weigh our food in kilograms but people and pets in lbs. My Chrismas turkey was 5.6kg but my granddaughter is 33lbs and my granddoggie is 14lbs 5oz. The indoor and outdoor temperatures are in Celsius but I set my oven in Fahrenheit. It was -33C on Christmas morning (that was cold!) but I cooked my turkey at 325F. Milk comes 1-litre, 2-litre, and 4-litre cartons but when I make a recipe I measure in cups, tablespoons, or teaspoons. It may not make sense, it may not be consistent (actually it is not consistent), but this is an authentic Canadian setting...and this is so much fun to write, so in the end, the inches, the feet, and the kilometres...they all stayed in the final version of my story.

Be creative and have fun writing, but don't forget to pay attention to details.

Happy 2019!
JS

Correction: A dear reader pointed out that we do have volcanoes in Canada, and the last eruption took place about 150 years ago at Lava Fork in northwestern British Columbia. I should have written we do not have any "active" volcanoes. So I stand corrected. My apology!


Tuesday, January 1, 2019

Happy 2019 Everyone

BWL Publishing is proud to introduce our monthly Genre feature page.  January is contemporary romance month and featured below is the book cover of one of the books written by BWL's fantastic group of contemporary romance authors.  Our authors have been writing for decades and they are all experienced professionals who tell fantastic stories.  We invite you to visit our BWL Publishing website where this display is linked to each individual author's display page.  There you will be able to read more information about the book as well as choose to purchase from your favorite bookseller by clicking on the convenient book covers links to multiple book sellers.

http://bookswelove.net 





Monday, December 31, 2018

Priscilla Brown inhabits several houses

Mayor Anna's town and her farm are struggling.
 Is this sexy television entrepreneur financial salvation or major trouble?

Find details of this and my other contemporary romances on

and visit Priscilla Brown at your favourite e-book store

Inhabits all those houses in my head, that is. In my real life, I have just one house, a small house in a small town in New South Wales: the design and appearance of this dwelling, nor any that I have ever lived in, do not appear in any of my novels. Where do I get the ideas for my characters' homes?

In my stories, the only house that owes its presence partly to an existing building is Anna's farmhouse in Sealing The Deal. Some years ago I used to visit this homestead, and my writer's mind stored its appearance, its timber construction and wraparound veranda for possible inclusion in fiction one day.

Other than this, I am not writing about houses I've met. I glean impressions from various sources, including observations while visiting other areas, travelling, magazines, and some of these fragments gel into composite yet incomplete images for my characters to call home.  Such snippets are merely a small part of the final pictures in my head. Imagination personalises the dwelling, ascertaining the size, appearance and location, adding details. Occasionally the character may have a suitable finished place to live when I begin a story's first draft, but usually this evolves as the plot develops. My aim is to create the home, outside and inside, appropriate to the personality and lifestyle of its inhabitant; it should also promote an atmosphere in which the storyline can flourish.

Each of my stories has a notebook, and among pages of scribble I sketch a rough floor plan of the plot's most important house, not attempting to design it anywhere near to scale. I do this to anchor some ideas for the story, perhaps since I don't devise a plot plan, rather let the narrative carry on. In most cases, the original layout needs adjusting to accommodate not only proceeding scenes but the workability of the whole floor. The sketch for Cassandra's cottage in Silver Linings had the bathroom squeezed into a corner with no place for a door, and much too small for the spa crucial for a significant scene; as a result, the kitchen got moved and reduced. (No significant scenes there and not much cooking either.)

When furniture and other objects are necessarily mentioned, their placement and style may or may not be detailed depending on how important these are to a scene; readers may arrange them how they wish. Furniture can suggest a facet of the occupant's taste and lifestyle: colourful or drab, tidy or untidy, overcrowded or short of seats.

The view from the windows may be critical to the storyline as in the ocean panorama from the Caribbean island cottage belonging to Cameron in Where The Heart Is; Cristina must leave the man and the view, but is finding it hard to say goodbye. In Silver Linings, windows are useful to indicate the weather, if it's suitable to go beachcombing on the blustery Southern Ocean beach (or if spending the day in the spa is preferable).


Physical  surroundings are important contributors to a home's overall ambience, and to the 'feel' of a story. Is the dwelling rural or urban, isolated or on a busy street, and how does this particular location affect the character both emotionally and practically? Is there a garden? If so, is it looked after? Anna's caring nature tends to her roses in Sealing the Deal; Cristina's mature Australian garden of flowers and fruit trees contrasts with Cameron's tangle of tropical vegetation.

While the settings of my novels are clear and complete in my head. I try not to over-describe, to allow readers to use their imaginations, thus perhaps feeling they themselves are inhabiting the story.


May 2019 be kind to you. Best wishes, Priscilla


http://bwlpublishing.ca

https://priscillabrownauthor.com

Saturday, December 29, 2018

Ringo Starr and the Truth About an Octopus Garden by Karla Stover

The idea for the song came about when Starr was on a boat belonging to comedian Peter Sellers in Sardinia in 1968. He ordered fish and chips for lunch, but instead of fish he got squid (it was the first time he'd eaten squid, and he said, "It was OK. A bit rubbery. Tasted like chicken.")[2] The boat's captain then told Starr about how octopuses travel along the sea bed picking up stones and shiny objects with which to build gardens.[3] Starr's songwriting was further inspired by his desire to escape mounting hostility among the Beatles; he would later admit that he had "just wanted to be under the sea, too." Uncredited assistance in developing the song's chord changes was provided by Harrison, who can be seen helping Starr work the song out on piano, with Lennon later joining in with drums, in the Let It Be documentary.[

Cat Wrangling For Christmas

Mozart’s Wife Intimate Mozart
aka Mozart's Wife



I'm writing about our primary Christmas present, Tony from Long Island, because this little devil is just about a full time project at the moment. Tony is the new kitty kid in our household, bringing our total to three. His evolving relationships with our older felines is about all that's doing around at our house this past few weeks.

Here's little Tony when he first came, sitting on my knee.

Tony arrived in early December. The agreement between my husband and me was that if I took him from friends who already had one too many cats, he would represent our major "house" gift. He came


When Tony arrived--a long day's round trip for his tender-hearted rescuers from Bayshore--he was still small. However, like the monster in 20 Million Miles to Earth, he's grown by leaps and bounds.



Tony has been assisted in this astonishing growth spurt by lots of Purina Kitten Chow(c) and the testicular rocket-fuel contained in two cute gray and white fuzzy balls placed tidily beneath his ringed smoke-gray tail. The presence of these feline superchargers adds another element of uncertainty to our cat integration story. Our elder cats (both 9 years, one with muscular-skeletal issues and the other with PTSD) can scent that this young tom is in super-hero mode, all strength, activity and wacky, climbing the walls cat-a-tude.


Tony at Doctor Mimnaugh's office for his first check-up


His energy level is a bit much for his humans, too, as we are not getting any younger ourselves. He and Willy-Yum had fun playing for a couple of days, but then, I have come to believe, Willy-Yum over-exerted himself and hurt his already weak and injured back. This left him limping and hissing and most definitely not wanting to be jumped upon. This abrupt rejection, in turn, hurt the kitten's feelings.

With those afore-mentioned super-chargers attached, Tony decided to chase and wrestle with the one who had first been fun to romp with and who now, inexplicably, was refusing. That rough play led to Willy-Yum hiding under the bed and not eating. And that led to his kitty parents, who'd only seen the play part of the new relationship, pushing the panic button and taking Willy to the vet for a blood panel.  After we got the bill, I knew that the "Christmas present" agreement was a realistic one, at least as far as keeping our budget under some semblance of control went.


Willy after an impressive leap onto the dryer

We have learned that Willy was not as strong (or maybe even as young) as we'd thought, and that he did indeed have some lurking physical problems we had not known about before. When you take an elder cat from a Kill Shelter as we had done with him, you're most likely getting a pig in a poke. While Willy is a great lap cat, he'd also been frisky and playful. We'd never expected that the addition of a kitten would be so physically hard on him.

Fortunately, I'd been smart enough to get  new laser for red dot games and a new feather toy, so that I can give Tony some of the exercise he desperately longs for. Years ago, in another age, we might have let this rambunctious boy outside, but this has begun to feel owner irresponsibility. First off, this sweet and absolutely NOT streetwise boy could instantly get himself killed or lost--as in "curiosity killed the ... ".  Besides, who knows what feats of ill-advised daring those testicles might urge him to undertake in the exciting out of doors?

So, until we get those fractious appendages are removed--we are counting down the days to the surgery date--I'm doing a lot of cat wrangling. This means supplying litter boxes all over the house, as well as beds and dishes of food and water in various rooms, and these must be washed and refreshed daily. Sometimes Willy-Yum and I are in my bed room for some private time; sometimes Tony is in his bedroom for a time out; sometimes Kimi has to be carried out of the cellar, is her default PTSD retreat. Afterward, she must be placed gently on the couch, combed and brushed a little and protected until Tony's interest goes elsewhere.

Kimi, our anxious girl

We are making use of the elusive antics of the red dot and the tease toys, too. In short, Kitty Mom and Dad are kept pretty busy, while, at the same time, trying not to be "helicopter parents," and allow the cats to work out things for themselves. It's much like adopting a kid in many ways, this delicate business of integrating another sensitive being into our home.  We're doing our best to be responsible, thoughtful caretakers of all of our animal companions.

While this may all sound a bit over the top, as the little old woman next door used to say about her pets, "They are a whole lotta company." and so they are! And if I'd wanted a "new toy" to entertain me, I've certainly got one in Tony. We've never had a cat who watched T.V. before--I mean ALL television--not just birds and small mammals--Tony watches everything, from cop shows to football games. We have to keep the squirt gun handy in order to prevent him hurling himself into the screen.


He's going to be a great cat, our little Tony the Tiger! We think he's pretty great Christmas present, despite all the work involved. 






~~Juliet Waldron

All my books, from historical fantasy to real, old-fashioned historical novels:


https://www.barnesandnoble.com/s/Juliet+Waldron?_requestid=1854149



Friday, December 28, 2018

New Year’s Resolutions, Tweets, and Confessions for 2019 By Connie Vines

Personally, I don't make many New Year's resolutions because I always end up being one of the 80 percent of people who abandon them by February. It's hard to change habits. and these Twitter tweets prove I’m not the only one.

And, if your New Year's resolution is to simply keep your head above the water in 2019, you're in good company.  I’ve shared a medley of Tweets I found on Twitter Moments.

1. Abby Russell: My New Year’s Resolution this year is to finally throw away those three empty Domino’s Pizza boxes sitting in the bottom of my fridge. This was my resolution last year, too, but 2019 feels like a year for change.

2. Monika:  My new year's resolution is to pretend i have the willpower to magically fix all my problems   **Monika I’m adopting this resolution as my own!”*

3. Introverted Life:  New Year’s Resolution: avoid getting talked to by a stranger while waiting in a line of any kind.

If you I’d to lower the bar for your New Year’s Resolutions, these sure-fire successes:

4 Pet more dogs.


5 Drink more coffee.

However, I must confession that I, too, am a repeat offender when it comes to multiple attempts at New Year Resolutions.

To maintain the illusion of control, I purchase numerous calendars/journals (because my IPhone calendar isn’t always accurate).  To date I have in my possession: a purse size Academic Calendar for my purse, a small calendar for my car, and an elaborate calendar/journal from my husband, “She Lives Life in Her Own Little Fairy Tale” which he purchased at B&N (which I carry with me everywhere).  He also gave me a wall calendar for my office (Yes, he is an enabler), a back-up wall calendar—just in case (of what, I’m not certain).

Obviously, I have a bit of a stationary fixation too.  I have stationary, notebooks and binders, pens and pencils that match.  No, I do not have every color available (I do have self-control, after all). Pink, Purple, and light blue (Cinderella Blue). Since I reside in SoCal, my office has many Disneyland items (photos of which I’ve share on Instagram, FB, and my website). 

2019 is the year I’m evoking Tweet #2 (wink).  Since I’m on Winter Break (and if you’ve studied Numerology, I’m entering a # 7 year—Creative Expression) I’ve begun to sort and organize my house—currently I’m my office.

I’ve also managed to ‘confine’ myself at the gym for 45 minutes 3 – 4 evenings a week.  I’ve substituted green tea for 1/3 of my day coffee consumption. And, I no longer eat “Green Bean Casserole” at family gathering/ church/ school potlucks—nor do I make excuses. Oh, I also ordered a daily food tracking (purse size logs) because I can’t always use my iPhone to log into my Fitness Pal app.

Purchase Connie's eBoosk/ Books
Do you have any confessions about failed Resolutions? 

Any pending New Year’s Resolutions you’d like to share?

Warm Wishes and Happily-Ever-After in 2019,

Connie



Thursday, December 27, 2018

The magic power of deadlines – by Vijaya Schartz

Find Vijaya's medieval fantasy series and other BWL books HERE


Deadlines can make you do what you thought was impossible. The first time I was given a deadline by a publisher, I panicked. It had taken me eighteen months to write my last book, and I only had six months for this one.  But I didn't want to miss this publishing opportunity, so I signed the contract. Then I realized what a great motivator that deadline provided.

Whether it’s a high stakes countdown in an action novel, or a self-imposed goal, or an imperative work time limit, for some reason, our subconscious treats deadlines like a do or die situation. Unlike new year resolutions, which tend to fade by February, deadlines can motivate us all year long.

If my critique partner didn’t come to my living room every week, I might not have my chapter ready, or the floor might not get cleaned as often. The prospect of taking pictures at holiday parties certainly motivated me to lose the three extra pounds I gained in early fall.



This month, I wrote “the end” on the second book in the Azura Chronicles series, making my January 1st deadline, and it’s a good feeling. Last year, without a specific deadline, it took me much longer to write the first book. I discovered that deadlines not only keep me on schedule, but they sharpen my focus on my story and characters. They force me to stay the course. Next to my wall calendar are reminders of my deadlines for next year. Three book releases. And because I have strict publisher deadlines, these books will be released on schedule.

So, instead of New Year resolutions, I suggest you give yourself deadlines. Keep the goals realistic and take control of your life. Using deadlines as a motivator, you will reach your goals, and get a great sense of accomplishment.

As for me, back to my newly finished novel. It’s polishing time, and this is my favorite part of the work. I wish you all a wonderful year in 2019.

ANGEL FIERCE, Book 2 of the Azura Chronicles is coming out in February. In the meantime, you can read ANGEL MINE, Book 1 in the Azura Chronicles series.

What in the frozen hells of Laxxar prompted Fianna to pursue her quarry to this forbidden blue planet? Well, she needs the credits... badly. But as if crashing in the jungle wasn't bad enough, none of her high-tech weapons work. She'll have to go native, after the most wanted felon in five galaxies. It's not just her job. It's personal.

Acielon has never seen an outworlder like this fascinating female, strangely beautiful, and fierce, like the feline predator loping at her side. He always dreamed of exploring the universe, despite the legends... and the interdiction. Is it truly a hellish place of violence, lies and suffering? If it spawned this intriguing creature, it must also be a place of wonders, adventure and excitement.

Fianna's instincts tell her someone is watching. Sheba, her telepathic feline partner, doesn't seem worried... yet, something on Azura isn't quite right.

"... fast-paced space adventure/romance with lots of twists, turns, and enough action to satisfy sci-fi enthusiasts... storytelling is imaginative and action scenes vivid... pleasing happily ever after that sets up a sequel." Ind'Tale Magazine.

Vijaya Schartz, author
Romance with a Kick
http://www.vijayaschartz.com
amazon  -  B&N  -  Smashwords  -  Kobo  -  FB



Wednesday, December 26, 2018

The birth of a book in a writer’s head—Tricia McGill


This and all my other books can be purchased from numerous online retailers


For the past few weeks I might have been getting on with life here in the present, but my mind has been dwelling way back in the past, as research takes over my life once again. For some time people have been asking me when I am going to write a third book in my Settlers series. The early pioneering days in Australia seem to capture the imagination of almost as many folk as the early days of settlement in America. I guess most of my fellow writers are just like me, and can only work out what book to work on next by the voices in our heads urging us to get cracking and get their story down.

For me I have always needed to know who the main characters are going to be, which means finding out from those pesky voices who wants to be the leads. For the hero I had a few choices this time. There was always Carlo O’Shea, brother of Remy (Book 2) and Bella (Book 1), who arrived in the settlement of Sydney Town in the 1820s, or their younger brother Bob, who came out as a free settler later on. Bella and Tiger ended up with eight children so any one of them could be the main character. At one stage I thought of sending Remy or Carlos back to Spain to trace their father’s heritage, but no, my mind refused to leave Australia and decided to force me to remain here and entrench myself back into its past. I guess, in the end, the best and only choice of hero had to be Tim, Bella and Tiger’s eldest son. I was there at his birth so know him well. After all, I created him, know exactly where and when he was conceived and know his parents inside out.

Problem number one fixed, now the female lead must tell me who and what she wants to be. That has been trickier. The story will begin in 1840 when Tim is 21. Unlike his ex-convict father, mother, and uncles, Tim was born free. The Australian continent has changed considerably in the past 15-20 years. Explorers have ventured further inland, forging new roads to traverse, finding new rivers that need bridges built across them. This means a new set of research for me the writer. New South Wales has a different Governor, rules have changed. Port Philip that will become Melbourne is a fledgling city. Travellers are setting off across the country in search of new pastures for their sheep and new lands to claim as their own.

Tim was a small child when his father, Tiger, decided to embark on the tremendous trek across the Blue Mountains with Bella and Tim to set up a sheep property on green pastures around Bathurst so it is inevitable that Tim will have inherited itchy feet—but which direction will he take, and why? And the woman who travels with him will be feisty and a tomboy, I know that much by now. No wilting, tittering, blushing damsel in distress for Tim, she must be his match. Only one small drawback by this time—she simply will not let me know her name—yet. It will probably come to me around five am as many of my other ideas do. Mistress Muse seems to work the best around that hour when I am half-awake. Oh, and there’s just one other small thing missing—a suitable title.

I look forward to my next journey of discovery.

Visit my web page to read excerpts from all my books




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