Hosting a Book Launch Party

 

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Last month I held my first in-person book launch in 4 1/2 years. Fifty people gathered in The Treehouse at cSpace, which is located in Calgary's former King Edward Junior High School. I had toured the renovated building when cSpace opened in 2017 as an arts and community hub and fell in love with the Treehouse meeting room. Its top floor setting, three walls of windows, and outside deck offer panoramic views of the city. On September 21st the weather was perfect for an evening event.      

View from the Treehouse deck

Prior to the launch, I often wondered if the effort was worth it. After I settled on the venue and date, the first step was sending out invitations. I created a Facebook Event page, invited my Facebook friends who live in Calgary, and kept the page active with comments to stimulate interest and discussion. In one comment I talked about cSpace and urged people to come to the launch to see what this unique building is like. In addition to numerous artist studios, cSpace houses community groups for seniors, indigenous peoples, writers, and those interested in speaking French. 

 

cSpace: The Treehouse is the top floor of the extension on the left-hand side

For friends not on Facebook, I created an invitation, which I emailed to each person. I started out wondering if anyone would come. But eventually enough people said "yes" that I realized I'd get a good crowd. Then new worries set in. Would they enjoy themselves and be glad they came?

During the week before the event, I purchased wine, juice, and snack food: cheese, crackers, vegetables and dip, and desserts.  

I developed a PowerPoint presentation, which focused on Calgary locations that inspired my story. I combined these with readings from the novel interspersed through the presentation. My first reading featured my protagonist Paula Savard in her office in Inglewood, Calgary's oldest suburb. In my mind, Paula works in this four-story brick building on Inglewood's main street. My added touch: the building is rumoured to be haunted.   

 

At this point in the presentation, I discuss my research visit to Calgary Police Headquarters-Westwinds  

For fun, at the end of my talk, I added a trivia quiz. Since the novel takes place in spring 2020 during the first COVID-19 lockdown, the ten trivia questions all related to COVID-19. I took my questions from the COVID timeline that I'd made for the novel to remind me of what was happening in the world on the story's dates. To test your memory, here are my first two trivia questions:

• On what date did WHO (World Health Organization) declare COVID-19 a pandemic? Month, day, year required.
• Shortly after this declaration, what celebrity couple announced in Australia they'd tested positive for COVID-19?   

The questions turned out to be too hard. The winner only got three right and received her prizes, which were priceless during the lockdown: hand sanitizer and a roll of toilet paper. 

I wrapped up the presentation with random draw prizes: two mystery puzzle books and two sets of playing cards because a character in the novel has a gambling addiction that affects the plot. 

Then everyone gathered for conversation, wine, food and drink. I signed books and talked with as many guests as I could. From the buzz in the room and comments afterward, I think people enjoyed the event. 

Was the work and strain I put into launch preparations worth it? I don't know. It's fun to to host a party to celebrate something good in life and now I have these wonderful pictures with friends who made the effort to attend and cheer on my writing. 

 

 

          

 

A Fun and Inspiring Writers' Weekend

                                       Please click this link for author and book information

I'm still recovering from my hectic long weekend at Calgary's When Words Collide Festival for Readers and Writers. After three years of attending the festival online, it was great to see familiar faces in-person, make new connections, and participate in panels in front of live audiences. I also enjoyed spreading the word about BWL and Bouchercon Calgary 2026 at their Merchants' Room tables, which were conveniently located next to each other.  

BWL authors Astrid Theilgaard, Vicki Chatham, and me at the BWL table. 

As usual I especially enjoyed WWC's opening evening keynote addresses. The four Festival Guest Authors were each given twenty minutes to talk about anything they wanted. This year's speeches were intensely personal and brave. Writing coach and international speaker Angela Ackerman shared her struggle with imposter syndrome despite selling almost a million books in ten languages. I'm sure every writer in the room could relate. Stacey Kondla spoke about her stroke, which prompted her successful new career as a literary agent. Nicole Baart, author of "race-to-the finish family dramas," discussed how her need for multiple surgeries during childhood led her to becoming a writer. 

On my seven panels I discussed such topics such as creating characters, writing mental health, fiction in a world with COVID-19, putting your characters in danger, and how to write a series without losing your way (or your mind). About the latter, I confessed my method of combing through my notes and earlier series novels to recall a character's eye colour, age, or divorce date wasn't the most efficient way of keeping track of continuing series characters and suggested authors use a spreadsheet. Fellow panelist Cathy Ace prefers a series bible, which she described as a word document that she searches for a character's pertinent details. Whatever works for each writer. 

At the keynote event, WWC chair Randy McCharles passed the torch (a dragon statue) to the festival's new management, the Alexandra Writers' Centre Society. The AWCS was busy taking registrations for next year's festival in the Merchants' Room. WWC 2024 is already 70 % sold out. AWCS has put together an interesting lineup of Guests of Honour and Special Guest authors. Check their website for updates and to register for When Words Collide Volume Two: Every Chapter Has Another Great Story.

        

Thanks to Diane Bator (above) for organizing the BWL table. Author Layton Park stopped by to chat with Diane and do a table shift. Diane went home with ideas for sprucing up the BWL table next year. Even the Merchants' Room can be inspiring. 

WWC panel with mystery writers PD Workman, BWL author Joan Donaldson-Yarmey, Jonathan Whitelaw, and Cathy Ace. 

                  

BWL Publishing and Escape With a Writer are Heading to When Words Collide August 4 to 6! by Diane Bator

https://bwlpublishing.ca/bator-diane/

For anyone new to my blog, Escape with a Writer is the name of my blog where I have promoted fellow authors since 2018. I actually started it because while raising three kids, working all day, and writing, I never had time to figure out what to blog about! I started doing blogs every Sunday. Lucky for me, I have a lot of great friends who have been happy to share their books and their stories and I soon found myself posting twice a week.

Flash forward to 2022 and I teamed up with a public relations guy who sends me even more authors to share. Currently, Escape with a Writer is up to three days a week and may become a podcast as well! One step at a time, right? After all, I just moved!

Just when things have slowed down and the dust began to settle, I'm facing a whole new challenge. Attending one of the largest writing conferences I've ever been to! As a publisher!

Deep breath. I've got this. It's only When Words Collide, which has been sold out for months. How big could it be?

I started with the website and found the venue. Easy enough to get to. Seems to be lots of parking. One big breath out. Did I mention traffic makes me a bit anxious? Yes, I drove across Canada, but that was pretty much a straight shot. This is me driving in a city and... Taking one highway and one main street. No big deal!

When I get there, I need to set up the table for BWL Publishing. Another deep breath before I find THE VENUE MAP! Whew! No big. I'll keep it handy. This is why I love paper.

So what do I do when I'm not looking after the store? Did I mention it's a conference? I checked out the sessions available and had to sit down. Friday alone there are over 40 sessions! Saturday and Sunday there are about the same. Wow! How on earth is someone supposed to figure out what to attend? I don't see a cloning station on that map!

It seems as though the drive in might be the least of my worries!

Lucky for me, they provide a complete list that tells attendees about EVERY one of the sessions as well as who is leading them. Wait a sec! I know some of these people. Or at least I know their virtual versions from all the Zoom meetings I've attended since 2020. Maybe one solution to my problem is to find all the ones people I know are teaching and start from there. Then I can read the summaries and chose things I'd really like to learn about.

Would I prefer to learn about "Writing Short Mysteries that Sell" or "Murder, Mayhem, or Natural Causes? Inventive Ways to Kill of Characters"? Okay, bad example. I'm a mystery writer!

How about "Protagonists Under Pressure: Putting Your Characters in Danger" or "Why are Zombies Essential to a Writer's Group?" I think I may need to find out the answer to that one! 

Ooh! "Finding Time as a Writer" is on Saturday, but at the same time as "Troubleshooting Your Manuscript." Time for some serious coin flipping!

Back to more urgent matters. I need to pack my books and load the car. 

Now I need to decide which books I should bring.

Next month, I'll let you know how this conference went and fill you in on my next adventure in writing conferences! 

Keep Writing

Diane

Creating a Novel Series Cover Brand

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BWL's Art Director didn't set out to create a cover brand for my Paula Savard Mystery Series. The first cover that Michelle Lee designed for me was for book # 2 of my series, Ten Days in Summer, published in 2017. The process began with me filling out a BWL Cover Art Form (CAF). I provided details about the story, its setting in Calgary, and the two main characters and suggested images related to these. At that time, BWL required that most novel covers include at least one image of a person. 

I plugged keywords into the photo image website, searching for ones that suited my protagonist and the story antagonist, a wannabe cowboy. None were exactly right, especially for Paula, my insurance adjuster sleuth. "Female detective" turned up images of young women peering through magnifying glasses. Paula is fifty-two and doesn't use that prop. Keywords "female insurance adjuster" showed women examining cars. The story involves a building fire insurance claim. I tried "businesswomen" and got images of women sitting in meetings, while Paula spends her time out on the case. 

I selected the best images for Paula that I could find along with images for my antagonist, which included a silhouetted cowboy.  I also suggested images of the Calgary skyline, fires, and a boarded-up house for the burned building. I don't think Michelle used any of the exact images I sent, but she meshed my ideas into a cover that was better than one I could have designed (see cover image above). The fire suggests the heat of summer in the title. 

Two years later, BWL republished A Deadly Fall, book # 1 in the series. During that short time period, book cover fashion moved away from portraying people and toward crisp and intriguing images that evoke a sense of the story. Now BWL's CAF stated that most covers would not include a person. I sent people image suggestions anyway, but I found it easier not to have to focus on finding an image that fit the characters in my head. On my CAF, I suggested images for the Calgary skyline and fall -- fall leaves on water, a path in fall, trees with colourful fall leaves, and falling leaves. Again, I doubt Michelle chose my actual suggestions, but they were her starting point to create this golden cover.   

When the third series book, Winter's Rage, was ready for a cover two years later, we were on our way to a series cover brand. My CAF included a few people image suggestions -- a woman texting, a man in a snowstorm, but I focused on images of the Calgary skyline in winter and winter driving, since this story was about a hit-and-run collision.  For the first time I considered colour. While red, orange, and yellow suited the fall and summer seasons of the first two books, I saw winter as white, blue, and black (night). Michelle came up with a cover that continued the brand with snowflakes and a frozen Calgary. Winter's book cover was blue, with yellow lettering that linked it to the colour of the two earlier books in the series.   

 By book # 4 of my Paula Savard Mystery Series, the series brand was established: Calgary skyline, colours to suit the story season, and additional images related to the season or story. Since bicycles feature prominently in Spring Into Danger, I included bicycle images among my CAF suggestions and chose Calgary skyline images that had a place for a bike or cyclist in the foreground. Here's the cover design for Spring Into Danger, which is scheduled for release in September. 

 I like how the cyclist pops into view. Whenever I look at this cover, I don't notice him until he emerges from the shadows. The book's blue cover with yellow lettering matches Winter's Rage and the covers for the four books have come full circle by including a silhouette on the first and last design. I look forward to seeing Spring Into Danger sitting on a bookshelf.   

When Word Collide Grand Finale

 

 

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I've attended Calgary's When Words Collide Festival for Readers and Writers every year since it began in 2011. That was the year I published my first novel, A Deadly Fall, but I didn't attend to promote the book. I went as a fan of one of their special guest authors Robert J. Sawyer and because a friend coaxed me into going and WWC was an inexpensive, local event. When I arrived at the host hotel, I was amazed at the festival's energy. The founders largely came from the science fiction and fantasy community and they know how to party. While WWC included all genres, it helped to understand the numerous Star Trek references. I attended several dynamic panels and presentations and did a shift at the book sale table, where I met some interesting people and sold copies of my new novel. 

The following year, I volunteered to lead a dialogue workshop, which had a huge turnout. Buoyed by this success, the next year I volunteered to sit on a few panels. WWC is entirely volunteer-run and presented, although the special guest authors receive expense money. The relative equality between authors and fans creates a democratic atmosphere. A highlight for me every year is the opening night's two-hour keynote addresses, where the five or six guest authors each introduce themselves and speak on whatever topic they want. Often the speeches are funny and/or thought provoking.  

My involvement increased when I joined the WWC board and helped develop ideas for panels. We aimed for topics that would appeal to readers of all genres and writers at every stage of the process, from learning the craft to finding a publisher to promoting their books. I met BWL publisher Jude Pittman at WWC 2017 when we chatted in the Merchants' Room. After the festival, I sent her a query and soon became part of the BWL family. 

 

                                 BWL's Nancy Bell and Jude Pittman at When Words Collide 

Connections also occur at WWC social gatherings. The Saturday evening banquet has sold out quickly since the festival started encouraging costumes. Here I am (left hand side) with two other ladies in red at the Roaring Twenties theme banquet.  

      

Then COVID-19 hit. WWC went online in August 2020 and continued with virtual conferences the following two years. I still participated in panels and attended some virtual social events, but not as many as I had previously. Staring at a computer screen wasn't the same as meeting in person. I left the board, feeling I didn't have the tech skills to contribute much of value. Other board members dropped off and the festival's main organizers ran out of steam. They decided to return to the in-person festival in 2023, but this will be the final year for When Words Collide. 

Registration for WWC 2023 has reached its cap of 780 attendees, but this is due to 2020 and later registrations being carried forward to 2023. Spots are expected to open up, so it's worth  putting your name on the waitlist if you're interested in attending.

I'm looking forward to the WWC finale on August 4-6 with bittersweet feelings, but this might not be a complete ending. Rumour has it another group is thinking of reviving the festival or creating something similar next year. This hope in the wings is all the more reason to celebrate When Words Collide's wildly successful thirteen year run this summer. Hats off to you, WWC! It's been grand. 

                                               Me with Special Guest Author Will Ferguson

 

                                    

My Short Stab at Historical Fiction by Susan Calder

 

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One thing I like about writing short stories is the chance to explore genres and characters different from those of my novels. Last fall I completed my first work of historical fiction, a 4,500-word story set during the 1918 influenza pandemic. A Deadly Flu is also my first short whodunit and my first police procedural. I've featured detectives in secondary roles before, but not as story protagonists. 

My idea for A Deadly Flu took root almost two years ago, when the COVID-19 pandemic revived my interest in that earlier virus, which was inaccurately called the Spanish flu. I first heard about the 1918 pandemic on an episode of the 1970s television show, Upstairs Downstairs, when the young wife of the wealthy Bellamy family's son developed a fever and died the same day. 

 During the summer of 2020, I read books and articles about the 1918 pandemic and was struck by its relevance a hundred years later. The prime advice in both pandemics was the same: wash your hands, social distance and avoid crowds. The 1918 Pandemic's second and mostly deadly wave struck my home city of Calgary from October to December 1918. Business, churches and bars closed. People wore masks and lived in fear. 

 Around this time, I was mulling ideas for my fourth mystery novel, to be set during our current pandemic, and wondered if the 1918 flu might provide a parallel backstory. I got the idea of a pharmacist who murders her lover by pouring a medicine that mimicked the 1918 flu's symptoms into his whisky. When he died, the medical profession’s tunnel vision assumed this was another influenza death.

I began writing the backstory as a suspense from the killer’s viewpoint and enjoyed researching Calgary neighbourhoods of the time, along with its streetcar system, fashion, and particulars of the city-wide lockdown. But by the end of the draft, I realized my long ago story wouldn't add enough interest to the contemporary mystery I had in mind. I set the backstory aside and plunged into the current novel. 

                                               Nov 11, 1918 - Calgary WWI Victory parade 

Then the Crime Writers of Canada put out a call for submissions for its 40^th anniversary anthology. Stories had to be set in Canada, feature 'cold' in some way, and be under 5,000 words. I hauled out the backstory and set it during a Calgary cold wave in December 1918, with a detective, rather than a villain, protagonist. A benefit of writing a detective from the early twentieth century is that I didn't have to know about DNA, data bases, and other modern police gadgetry. Since I only had a short space to establish reader connection with my protagonist, I gave him a wound--his wife had died a year earlier in childbirth--and developed a romantic subplot.   

I wrote the story, sent it off, and was thrilled last month to learn A Deadly Flu will be included in the Cold Canadian Crime Anthology, to be released this May. Meanwhile I've been working on my novel-in-progress. Inspired by my historical detective, for the first time in a novel I’m including the viewpoints of two detectives in addition to my insurance adjuster sleuth. I foresee much research into modern police work. One day soon, I’d like to write a historical novel and, perhaps, develop A Deadly Flu into a novella, a genre I haven't tried. That’s another thing I like about writing short stories—they can be stepping stones to future books.   

         

Book Covers Paint Pictures

 

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I like BWL's process for designing book covers. It begins about six months before a book's release, when we authors fill out a Cover Art Form. This includes factual information, such as the book title and author name to appear on the cover, a back cover book blurb, details about the story, keywords for online searches, and -- my favourite part -- ideas for cover images. After we submit the CAF, Art Director, Michelle Lee, designs our covers from purchased stock images. She combines and manipulates the images and adds background and other elements to create covers that hint at the story inside.  

I published my first BWL novel, Ten Days in Summer, in 2017.  At that time, the CAF stated that most of the covers would feature at least one person. When I searched for people images on the stock images website, I discovered a few problems. My main character, Paula Savard, is an insurance adjuster. A keyword search for her gender and job turned up images of women meeting with clients or examining construction sites and damaged cars. In this story, Paula investigates a building fire with a suspicious death. I expanded my search to 'female detective' and got pictures of women holding guns and magnifying glasses. The women looked in their twenties, while Paula was fifty-two. My search for 'professional women in their fifties' unearthed a few possibilities, although none looked like my image of Paula.  

A basic problem with people images on novel covers is that writers and readers form their own images of fictional characters. My searches made me realize that a full picture of Paula might inhibit this reader engagement, although partial images still maintained enough mystery. This explained why rear-view images of women had become popular in novel cover art, but so common they were now considered cliché.  

For the CAF, I chose the best of the images I could find for Paula, plus female images shrouded in mystery -- a woman's legs in cowboy boots, eyes peering through a hole, and a silhouetted woman in a cowboy hat. Since the story backdrop is the Calgary Stampede and the second most prominent character is a self-styled cowboy, I added images of cowboys in silhouette, the Calgary skyline, and fire, for the incident that sets the story in motion. 

I sent the CAF to Michelle, who found images for the cowboy, fire and skyline that were different from the ones I'd suggested. She meshed them together to produce a cover better than any I could have dreamed up myself. 

Two years later, BWL reissued the first book in my Paula Savard mystery series. During this time, the trend in cover design moved away from people to symbolic images. Now the CAF stated that most BWL covers would not feature people unless we insisted. I searched for people images anyway, since I found this fun, but was glad to focus on images related to the story setting and mood. For the new cover of A Deadly Fall, I sent Michelle images of the Calgary skyline, falling leaves, fall trees, and pathways through fall woods. The murder takes place on a Calgary walking path in -- you guessed it - fall. Michelle scored another hit with a cover design of leaves framing the Calgary skyline in glorious fall colours of gold, orange and yellow, along with the red of Calgary's Peace Bridge. 

In February I completed my CAF for Winter's Rage, book # 3 of the Paula Savard mystery series. This time, Paula investigates a hit-and-run collision that resulted in a woman's death. Images of a tire on a snow-covered road, broken windshields, and car headlights in the dark would suit the story, but I wanted this cover to continue the series style. One problem. A Deadly Fall's autumn time frame and Ten Days in Summer's building fire resulted in covers with similar colours. Yellow, orange and red don't evoke winter in Alberta. On the CAF, I suggested we bend the brand and go with white, blue or black winter shades. Michelle agreed. She created a scene of snowflakes falling on the Calgary skyline draped in snow, the Bow River shining ice. Yellow letters echo the two earlier novels.  

The front cover of Winter's Rage gives the first hint of the story. The back cover blurb reveals a little more. You can read what it's all about this August.                      

Where do you get your ideas?

 

                                                                                                                                                                          Please click this link for author, book and purchase information

"Where do you get your ideas?" This might be the number one question readers ask authors.

My quick answer is that ideas pop into my head all the time and they come from everywhere. My personal experience, conversations with other people, places I've lived in and visited, the news, books I've read, TV, movies, perhaps a painting or line of music. 

This winter, I'm editing a novel-in-progress, book # 3 of my Paula Savard mystery series, while mulling ideas for book # 4. With a series, many of the basic ideas are already there. I start with my sleuth, Paula, a fifty-five year old insurance adjuster, and her cast of supporting characters, who impact her personal life and, in some cases, her sleuthing. Paula and most of her family, colleagues and friends live in my home city, Calgary Alberta. I could send Paula to another location for all or part of the next book, but I see her as grounded in Calgary. Unlike me, Paula isn't drawn to travel, although book # 3 presents her with a future travel opportunity. For now, I think her adventures in book # 4 will continue in Calgary. 

 

    An often deserted pathway behind Calgary's Saddledome arena inspired my idea for the murder in the first Paula Savard novel, A Deadly Fall. 

My current novel-in-progress, Winter's Rage, ends in January 2020, with Paula at a crossroads in her life. Book # 4 will begin with her dealing with that situation. I've decided it will take place in spring, since Paula's first three mysteries happened in fall, summer and winter. But which spring will this be? January 2020 was right before COVID-19 changed the world. Will we next meet Paula in spring 2020, as she grapples with the start of the pandemic both personally and at work? Or will it be spring 2021, when the the pandemic is (we hope) nearing its end? I could jump over the virus and set the novel in spring 2022. This would make the time frame more contemporary to my publication date, although I find it hard to envision the post COVID-19 world. What things will return to the old normal and what will be the long term changes? The year I choose for this fourth novel will affect my ideas for it. Thoughts to mull during the winter.

 

Calgary's annual Stampede parade prompted ideas for a major character and an inciting incident in my second novel, Ten Days in Summer. 

  

While Paula got into solving mysteries as an amateur sleuth, I decided her subsequent ventures would come from her insurance adjusting work. Ten Days in Summer starts with a suspicious death resulting from a building fire. Paula naturally becomes involved in the course of investigating the property fire insurance claim. In Winter's Rage, she adjusts a hit and run collision and gradually suspects the fatality was no accident. 

This quiet, suburban Calgary street plays a large role in Winter's Rage.

For book # 4, I'm thinking that burglary could make a good cover up for murder. Last spring, my husband and I bought e-bikes at a local bicycle shop. I was intrigued by the store's booming business. With most of their usual activities shut down for the pandemic, Calgarians sought outdoor activities and many of us updated our old bicycles. That store and the two guys operating it are giving me ideas for the crime that will launch Paula's next mystery.            

I also want to include a ghost in book # 4, because ghosts both interest and frighten me. At the end of Ten Days in Summer, Paula's office moved to Inglewood, Calgary's oldest neighbourhood. Many ghosts lurk in Inglewood, a location for Calgary's haunted walking tours. The ghost rumoured to haunt her historic office building will challenge rational Paula, who doesn't believe in other worldly happenings. 

A ghost walking tour of Inglewood inspired my choice of  this "haunted" building for Paula's office.

All of these bits and pieces, swirling in my mind, will converge into the start of a story, when I eventually sit down and write the novel. As the story moves along, it will pluck more ideas from my usual sources. That's the plan, anyway, and it's how I get my ideas.    

  

E-biking last spring triggered ideas for my next novel 

 

E-Biking Though the Pandemic

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COVID-19 prompted my husband Will and me to buy e-bikes. Our thinking was that with most of our usual activities likely to be gone or restricted this summer, it would be good to expand the ones we'd be able to do. This included cycling. We'd always enjoyed getting out on our twenty-five-year-old bikes and hoped electric bicycles would let us ride longer and farther and handle steeper hills.

I didn't quite know what an e-bike was before I bought one. Since then, I've learned they have motors that provide pedal-assist. You still pedal the same as with a regular bike, but get more for your effort. E-bikes can go up to 32 kilometres per hour (20 mph) to be classified as bicycles, not mopeds. After each use, you plug them in to recharge the battery.

The motor makes e-bikes heavier than regular bicycles. Usually the battery is attached to the frame. We chose models with built-in batteries. They aren't much heavier than our old regular bikes. This will make them easier to load in our car for outings and easier to ride if the battery ever runs out. I'm especially glad we got the lighter bikes after hearing about a friend's holiday in Paris. During her first day of renting a heavy e-bike, it toppled onto her and broke her leg.
 

I chose an upright cruiser style, with a comfortable seat and handy front basket.  

Will and I bought our bikes at a local bicycle store, which has been doing a steady business this spring. Some companies are thriving during the pandemic and I see lineups outside of every bike shop in Calgary, where I live. We walked to the store to pick up our e-bikes, rode them home, and tried them out on our quiet, flat neighbourhood streets. The next day, we went for a longer ride on a city bike path, with a hill I previously couldn't ride all the way up. Half way, I'd have to get off and walk my old bike. On the e-bike, I cruised to the top, passing a group of fit-looking riders in their twenties. What a thrill for a senior citizen! 

Will chose a racier model. We'll enjoy the lunch box on the back for picnics. On a ride to downtown, we had our first look at Calgary's kayak course on the Bow River. 

Calgary enjoyed a couple of weeks of fine weather after we bought our bikes. Will and I took them out every day or two. We conquered numerous hills we'd have struggled with or walked up before. I could still feel the cardio exercise as I pedalled to the crest. We could also do longer rides, to parts of the city we hadn't previously biked to from our home. I returned feeling less tired than I used to from my regular bike rides, although my sore muscles suggested I'd had a workout. 

I'm still cautious about riding a more powerful bike. Wind from the higher speed makes me cooler when I ride. I've had to wear more layers of clothing this spring, but this might make biking on hot summer days more comfortable. My e-bike has nine gears, which are easy to change with the paddles on the handle. The power level button on the frame is trickier to use. I still haven't got the knack of pressing the button 1,2 or 3 times to shift the power up or down while riding. 

Colourful, layered clothing in the cool wind.

E-bikes aren't cheap. Ours were in the lower price range and each one cost more than Will's first car. But with this spring, summer and probably fall of non travel, e-bikes turn staying at home into a vacation. When Calgary's weather warms up again, we plan to load our e-bikes into the van and ride in the rolling countryside, tackling hills with ease. Not much beats coasting to the top, leaving those twenty-somethings in our dust.