My Novel is an Audiobook

 

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I view audiobooks as a wave of the present. Many of my friends like them for multi-tasking. They listen to books while driving, exercising, or cleaning the house. Book-lovers who develop eye problems with age find audiobooks a godsend. So I was thrilled when BWL was awarded funding to produce a group of Accessible Audiobooks and chose my novel, Ten Days in Summer, to be part of the group. 

BWL's next step was to find a suitable narrator for Ten Days in Summer. They selected Janice McNally, an Ontario narrator and producer. Janice has visited Calgary and attended the Stampede, which forms the backdrop for my novel. She produced a fifteen minute sample for us to approve. BWL and I agreed she sounded great and spoke clearly. Then Janice got down to work. 

Partway through the process, she contacted BWL with a question about how to pronounce the surname of one of my characters, Cynthia Hawryluk. Janice had looked this up on the internet and found several examples, each with a slightly different pronunciation. I'd taken the name from a doctor I had in Montreal and pronounced it like this: Haw (rhymes with cat’s paw, accent on this syllable) ry (short i sound) luk (luck).

Now I did an internet search and discovered that most websites pronounce Hawryluk similar to this. I don't know if my doctor anglicized his name or if I pronounced it wrong all these years. I gave Cynthia this surname because Alberta, the novel setting, has many Ukrainian residents and I assumed the name was Ukrainian. The internet advised me that Hawryluk is equally or more often Polish. 

The bottom line for me was Cynthia Hawryluk is a secondary character in the novel and her surname is only mentioned a few times. Since I'm not invested in the pronunciation, I advised Janice to go with the common one for readers familiar with the name. 

I was impressed with Janice's and BWL's attention to this detail. When Janice finished her work, BWL asked me to listen to the whole audiobook to check for errors. I've never read any of my novels after they were published and relate to actors who never watch their movies. Ten Days in Summer was released in 2017. Since then, I've moved on to three more novels. I cringed at the prospect at looking back at my writing.              

At first it felt strange and uncomfortable listening to someone else's voice telling my story. But less than a chapter in, I got used to it and felt Janice's voice nailed my Paula narrator. I enjoyed revisiting the story, chuckled at my old jokes, and found minimal errors. Three were different pronunciations for friends' names in the acknowledgments. 

Janice posted her view of the experience from her end.

Listening to my novel five years after its publications gave me a broader perspective on the story. Themes popped out. I'd say Ten Days in Summer might appeal to readers interested in the following:

Whodunnit stories

Psychology and effects of hoarding

The Calgary Stampede - Yahoo!

Ordinary people who murder

Social class 

Family relationships

Mothers and daughters

Trust

How human connection eases the pain

Baby boomers

Grown children and aging parents

Finding love and romance in middle age

I'm currently working on the fourth novel in my Paula Savard Mystery series and was thinking it would be the last. But, to my surprise, listening to Ten Days in Summer, book # 2 in the series, gave me an idea for a new direction for Paula, should she and I choose to take it. 

If you're looking for a Christmas present, here's a bonus offer from audible. 

Happy Holidays and my best wishes for a happy and healthy 2023. 

 

                                                                      I enjoyed a pre-Christmas holiday in Mexico

Book Covers Paint Pictures

 

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I like BWL's process for designing book covers. It begins about six months before a book's release, when we authors fill out a Cover Art Form. This includes factual information, such as the book title and author name to appear on the cover, a back cover book blurb, details about the story, keywords for online searches, and -- my favourite part -- ideas for cover images. After we submit the CAF, Art Director, Michelle Lee, designs our covers from purchased stock images. She combines and manipulates the images and adds background and other elements to create covers that hint at the story inside.  

I published my first BWL novel, Ten Days in Summer, in 2017.  At that time, the CAF stated that most of the covers would feature at least one person. When I searched for people images on the stock images website, I discovered a few problems. My main character, Paula Savard, is an insurance adjuster. A keyword search for her gender and job turned up images of women meeting with clients or examining construction sites and damaged cars. In this story, Paula investigates a building fire with a suspicious death. I expanded my search to 'female detective' and got pictures of women holding guns and magnifying glasses. The women looked in their twenties, while Paula was fifty-two. My search for 'professional women in their fifties' unearthed a few possibilities, although none looked like my image of Paula.  

A basic problem with people images on novel covers is that writers and readers form their own images of fictional characters. My searches made me realize that a full picture of Paula might inhibit this reader engagement, although partial images still maintained enough mystery. This explained why rear-view images of women had become popular in novel cover art, but so common they were now considered cliché.  

For the CAF, I chose the best of the images I could find for Paula, plus female images shrouded in mystery -- a woman's legs in cowboy boots, eyes peering through a hole, and a silhouetted woman in a cowboy hat. Since the story backdrop is the Calgary Stampede and the second most prominent character is a self-styled cowboy, I added images of cowboys in silhouette, the Calgary skyline, and fire, for the incident that sets the story in motion. 

I sent the CAF to Michelle, who found images for the cowboy, fire and skyline that were different from the ones I'd suggested. She meshed them together to produce a cover better than any I could have dreamed up myself. 

Two years later, BWL reissued the first book in my Paula Savard mystery series. During this time, the trend in cover design moved away from people to symbolic images. Now the CAF stated that most BWL covers would not feature people unless we insisted. I searched for people images anyway, since I found this fun, but was glad to focus on images related to the story setting and mood. For the new cover of A Deadly Fall, I sent Michelle images of the Calgary skyline, falling leaves, fall trees, and pathways through fall woods. The murder takes place on a Calgary walking path in -- you guessed it - fall. Michelle scored another hit with a cover design of leaves framing the Calgary skyline in glorious fall colours of gold, orange and yellow, along with the red of Calgary's Peace Bridge. 

In February I completed my CAF for Winter's Rage, book # 3 of the Paula Savard mystery series. This time, Paula investigates a hit-and-run collision that resulted in a woman's death. Images of a tire on a snow-covered road, broken windshields, and car headlights in the dark would suit the story, but I wanted this cover to continue the series style. One problem. A Deadly Fall's autumn time frame and Ten Days in Summer's building fire resulted in covers with similar colours. Yellow, orange and red don't evoke winter in Alberta. On the CAF, I suggested we bend the brand and go with white, blue or black winter shades. Michelle agreed. She created a scene of snowflakes falling on the Calgary skyline draped in snow, the Bow River shining ice. Yellow letters echo the two earlier novels.  

The front cover of Winter's Rage gives the first hint of the story. The back cover blurb reveals a little more. You can read what it's all about this August.                      

Where do you get your ideas?

 

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"Where do you get your ideas?" This might be the number one question readers ask authors.

My quick answer is that ideas pop into my head all the time and they come from everywhere. My personal experience, conversations with other people, places I've lived in and visited, the news, books I've read, TV, movies, perhaps a painting or line of music. 

This winter, I'm editing a novel-in-progress, book # 3 of my Paula Savard mystery series, while mulling ideas for book # 4. With a series, many of the basic ideas are already there. I start with my sleuth, Paula, a fifty-five year old insurance adjuster, and her cast of supporting characters, who impact her personal life and, in some cases, her sleuthing. Paula and most of her family, colleagues and friends live in my home city, Calgary Alberta. I could send Paula to another location for all or part of the next book, but I see her as grounded in Calgary. Unlike me, Paula isn't drawn to travel, although book # 3 presents her with a future travel opportunity. For now, I think her adventures in book # 4 will continue in Calgary. 

 

    An often deserted pathway behind Calgary's Saddledome arena inspired my idea for the murder in the first Paula Savard novel, A Deadly Fall. 

My current novel-in-progress, Winter's Rage, ends in January 2020, with Paula at a crossroads in her life. Book # 4 will begin with her dealing with that situation. I've decided it will take place in spring, since Paula's first three mysteries happened in fall, summer and winter. But which spring will this be? January 2020 was right before COVID-19 changed the world. Will we next meet Paula in spring 2020, as she grapples with the start of the pandemic both personally and at work? Or will it be spring 2021, when the the pandemic is (we hope) nearing its end? I could jump over the virus and set the novel in spring 2022. This would make the time frame more contemporary to my publication date, although I find it hard to envision the post COVID-19 world. What things will return to the old normal and what will be the long term changes? The year I choose for this fourth novel will affect my ideas for it. Thoughts to mull during the winter.

 

Calgary's annual Stampede parade prompted ideas for a major character and an inciting incident in my second novel, Ten Days in Summer. 

  

While Paula got into solving mysteries as an amateur sleuth, I decided her subsequent ventures would come from her insurance adjusting work. Ten Days in Summer starts with a suspicious death resulting from a building fire. Paula naturally becomes involved in the course of investigating the property fire insurance claim. In Winter's Rage, she adjusts a hit and run collision and gradually suspects the fatality was no accident. 

This quiet, suburban Calgary street plays a large role in Winter's Rage.

For book # 4, I'm thinking that burglary could make a good cover up for murder. Last spring, my husband and I bought e-bikes at a local bicycle shop. I was intrigued by the store's booming business. With most of their usual activities shut down for the pandemic, Calgarians sought outdoor activities and many of us updated our old bicycles. That store and the two guys operating it are giving me ideas for the crime that will launch Paula's next mystery.            

I also want to include a ghost in book # 4, because ghosts both interest and frighten me. At the end of Ten Days in Summer, Paula's office moved to Inglewood, Calgary's oldest neighbourhood. Many ghosts lurk in Inglewood, a location for Calgary's haunted walking tours. The ghost rumoured to haunt her historic office building will challenge rational Paula, who doesn't believe in other worldly happenings. 

A ghost walking tour of Inglewood inspired my choice of  this "haunted" building for Paula's office.

All of these bits and pieces, swirling in my mind, will converge into the start of a story, when I eventually sit down and write the novel. As the story moves along, it will pluck more ideas from my usual sources. That's the plan, anyway, and it's how I get my ideas.    

  

E-biking last spring triggered ideas for my next novel 

 

Featured Author Susan Calder

https://bookswelove.net/calder-susan/

I am BWL Publishing Inc. author Susan Calder. I've published three mystery/suspense novels, which you can view and purchase by visiting my BWL Author Page.

I’ve loved mystery novels since I read my first Bobbsey Twins book when I was eight years old. From the kid sleuth twins I progressed to Nancy Drew, Trixie Belden and, later, Agatha Christie whodunnits and Daphne Du Maurier dark suspense. I wrote my first mystery novel, A Deadly Fall, as a classic whodunnit combined with a coming-of-middle-age story. My amateur sleuth, Paula Savard, age 52, stumbles into investigating the murder of her childhood friend. The story events shake up Paula’s personal and professional life and lead her in new directions.

On the principle of ‘write what you know,’ I set the novel in my home city, Calgary, and created a protagonist similar to me. Paula was my age at the time I wrote A Deadly Fall. Like me, she grew up in Montreal and moved west to Calgary for opportunity. She’s an insurance adjuster; I worked as an insurance claims examiner. But as our shared traits diverged, Paula became her own person. She's divorced; I’ve now been married for 42 years. She has two grown up daughters; I have two sons. She enjoys sports and risk. I like reading and run from danger. 

Here’s Paula with the novel’s prime suspect, her murdered friend's husband. He’s invited Paula to lunch to learn what her friend had told her about him.  

Paula would reassure him and make it clear her friend had told her nothing. He would be on guard, but, perhaps, less guarded than he’d be with a cop. There was a chance he’d slip.

He was waiting for her reply. His face said, ‘Yes, no, either way, I don’t care’ while his hand opened and closed into a fist, opened and closed against his shaking leg. He was hanging on her answer. Saying ‘no’ would close the door. After talking with the police, she could cancel.

“I can do lunch tomorrow,” she said. “Where? What time?”

“Your choice,” he said.

She thought of a nearby restaurant. “Do you know Lily’s Café?”

“I’ve heard of it.” 

“Noon. I’ll give you directions.”

While writing A Deadly Fall, I realized that an insurance adjuster would make a good series detective. Adjusters are skilled in investigative work. They visit accident and crime scenes, interview witnesses and study forensic evidence to determine what really happened. Insurance claims could also reveal cover-ups for murder. Was the building fire an accident? Did an arsonist set the blaze to collect the building insurance? Or to kill a person sleeping inside?

A suspicious house fire is the subject of my second Paula Savard mystery novel, Ten Days in Summer. Paula investigates the fire from the property insurance angle. In the course of her work, she gets to know the family living in the house and gradually unearths their secrets. I set this novel during Calgary’s annual wild west festival, The Calgary Stampede. For ten days each July, Calgarians cut loose, wear cowboy hats and boots, party, line dance, and cheer on the daily rodeo and chuckwagon races. Paula’s mother from Montreal is visiting her this summer. Paula takes her to the Stampede parade, which kicks off the festival. In the midst of the revelry, business intervenes, when an insurance claimant/suspect returns Paula’s phone message to set up a meeting.  

Stampede Parade

       

Belly dancers, in halters and pantaloons, whisked guns out of their holsters. They twirled the pistols around their fingers and shot imaginary bullets into the air.

“A blend of the old and new Calgary,” Paula said to her mother, who was seated on the lawn chair beside her. Over the past few years, Paula had noticed more and more newcomers’ floats and acts in the Stampede Parade. Today, Asian, Muslim and Caribbean communities would march with descendants of the original pioneers.

Her cell phone rang. Brendan Becker.

“Great of you to call,” he said. “I’ve been bugging my sister Cynthia to contact the insurance company.”

The belly dancers moved on. A bow-legged man wearing riding chaps bounded toward Paula and her mother. He moved his arms in circles.

“Cynthia refused –”

“YAHOO,” the cowboy shouted.

“YAHOO,” the crowd answered.   

“YEE-HAW.”  

“YEE-HAW.” Paula’s mother joined in.

“You sound like you’re at the parade,” Brendan said against a backdrop of trombones.

“You too?” Paula said.

          

While working on his second mystery novel, I got an idea for a different suspense/mystery story. Calgary engineer Julie Fox travels to California to search for her mother who abandoned Julie when she was a child. This novel, To Catch a Fox, would alternate between five viewpoint characters. As the story progressed readers would understand the harm and danger the two 'bad guys' plan for Julie. 

My husband Will and I researched setting descriptions on two holidays in Southern California. Yes, writing can tough sometimes. Julie stayed in the Airbnb apartment Will and I rented in Santa Monica. All of us rented bicycles from a shop on the boardwalk. Julie questioned a clerk in the shop.

  

Julie hesitated, feeling foolish to hope the clerk could provide any information about her mother; yet how wonderful, how easy would it be if he did.

He looked up, his eyes bleary red, and asked what type of bike she wanted.

From her waist pouch, Julie pulled out the three pictures of her mother she’d brought. “I’m looking for this woman, who once worked in a bike shop in Santa Monica.”

“This shop here?”

“I’m not sure. It was in the late 1980s. Was this place operating then?”

The man’s grin revealed a gold front tooth. “Beats me. I only bought the joint two years back.” He picked up the pictures.

“Could you put me in touch with the previous owner?”

“Not likely. He’s dead.”

Bike shop on the Santa Monica boardwalk

After BWL published To Catch a Fox in 2019, I returned to my mystery series. I’m currently working on the third Paula Savard book, Winter’s Rage. Paula investigates a hit and run collision that killed a woman and seriously injured her husband. Was it an accident? Or a pretext for murder? The insured vehicle owner, an eighty-five-year old man recovering from heart surgery, insists he wasn’t driving. 

    “I can’t tell you more than what I told the police,” he said. “Them showing up at my door yesterday was the first I’d heard of anything.”

“Our insurance perspective is different from that of the police.” Paula had explained over the phone that she was the independent adjuster assigned to the claim, but repeating that could insult him, and rightly. So far, he’d impressed her as being mentally on the ball.  

He leaned forward, lines flaring from his nose bridge. “When they talked about my car being in an accident, you could have knocked me down with a feather. I haven’t driven for two months. Doctor’s orders.” He rapped his chest with his gnarled hand. “I was sitting right here, reading, that whole evening until I went to bed.”

“At what time?”

“About 9:30, my usual these days.”

“It was your birthday,” she said. 

“At my age, that’s nothing to celebrate.”  

Every book publication is something to celebrate. BWL has scheduled Winter’s Rage for publication in February 2021. After the celebrations, I'll move on Paula Savard mystery # 4, which will be set in spring, the season of hope.         

             

My front yard this spring