Can an Online Writers' Conference Work?

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In August I attended the inaugural online When Words Collide Festival for Readers and Writers. Before COVID-19, the in-person WWC had been going strong for nine years in my home city of Calgary. I'd attended each year, but had doubts the online version would provide the same energy, networking, and learning opportunities. As a result, I didn't give the weekend my best effort, but it made me see the potential for such online experiences.  

My first inkling an online festival/conference might work came during the Zoom test for presenters. I had volunteered to sit on two panels. Like most of the festival, they took place on the Zoom platform. At the test, I recognized familiar faces in the screen boxes, many of them people I only see yearly at WWC. One of them sent me a private 'hello' through the chat feature. She added that she was excited about the weekend. I replied with a less enthusiastic, 'It will be different.'   

 Different it was when I checked into my first panel on the festival weekend, 10 minutes ahead of time, as advised in the presenter guidelines. The virtual Zoom meeting room was already full of people discussing brain chemistry as related to writers' block. This wasn't my topic. Had I received the wrong meeting invitation? Then an attendee in one of the squares started rambling incoherently. The Zoom host said the person was a troll and deleted him from the meeting.  

Trolls, I learned, are people who join pubic Zoom meetings solely to be disruptive. Anticipating this, the WWC organizers posted meeting links only one day ahead, but trolls still found them. This year WWC made the festival free and available to everyone, largely because they were new to the online game and didn't know if the whole event would tank. If there's an online festival next year, they'll be more confident of the quality and will charge a fee, to discourage attendees who aren't serious.  

   

My computer isn't able to give me a virtual background on Zoom - this one would be fun! 

It turned out that my panel followed the one on brain chemistry in the same Zoom meeting room. Once my panel began, I found it comfortable to answer questions, which were channeled through a  moderator. Her face filled the screen, making me feel like we were having a conversation, although I missed looking out at an audience of people to get their responses. It's hard to read faces in small boxes, plus most attendees turned off their video, so only their names appeared, and some Zoom hosts preferred to show only the panelists.  

                                                       A Zoom panel might look like this

 A benefit of online festival/conferences is attendees and presenters can come from anywhere in the world. One of WWC's most popular presenters zoomed in from Greece. If you've always longed to attend a conference held far away, you can go without the cost of airfare, hotel and meals, which can add up to far more than the fee for a conference weekend. 

Another benefit of this year's online WWC is that most of the sessions were recorded. The organizers are gradually reviewing them and posting them on Youtube and other formats. 

At the festival, WWC held several Zoom socials and parties, which I stayed away from. This was a mistake. People who went said they were fun and sometimes broke into into smaller groups, so everyone had a chance to get to know a few people well. As with most things, you get back what you put in. If you register for an online conference or festival, I'd advise treating it as though you were there in person. Get involved with as much as possible, including evening parties, which you can now attend dressed in pajamas from the waist down. 

The WWC online festival was a huge effort and accomplishment to pull off. Feedback was positive. Some attendees said it was the best online writers' conference they'd been to since COVID-19 began. Others said they liked it as much as the previous years' in-person festivals. WWC is committed to hosting a festival next August and and are planning to return to an in-person event, but with online components. Based on this year's experience, a hybrid event would combine the best of both festival worlds. But if COVID-19 is still fully with us, WWC will be ready with an improved online version, hopefully without trolls. I'll be there with enthusiasm, because I know now, if I give it my best, an online writers' conference or festival can match the in-person experience.             

 

   

Writing and reading in times of... Whatever this is. by Diane Bator

Writing and reading in times of... Whatever this is....

By Diane Bator

There have been hundreds if not hundreds of thousands of blogs and articles written already about how readers and writers are coping with the Covid crisis. Lately, I've found myself on several virtual lectures and meetings discussing what our world looks like as authors.

Do we have the same struggles with concentrating while our world is in a constant state of change?

Are any of us immune to what happens outside our front doors on a daily basis?

Are we staying sane or losing our marbles in solitude?

Our local library had to cancel our Open Mic night featuring local authors. Instead, we each recorded ourselves doing short readings for library staff to air that night. As well, the continued their Storytellers Series in the same way. Each month an author or local celebrity is doing a 20 minute chat for library patrons. I'm looking forward to trying my hand at doing my first video this week.

Toronto Sisters in Crime held their first ever Zoom meeting last month, which was a blast! I was grateful for the opportunity to be a part of this because physically joining in the meetings is difficult. What a great time we had talking about what we are or are not currently writing. We commiserated about the struggle with inspiration now that we have all the time we need. Like all meetings lately, the mood was heavy until then talk turned to what we're watching on Netflix. It was helpful to hear of mystery series I've never read or seen. I left that meeting feeling much lighter and not so worried about creating when I didn't have the energy for it. Darned if right after I got off the meeting, one of the shows we talked about was on television. Vera. I'm a fan!

Another great discussion I got to listen to was put on by the Writers' Trust of Canada   https://www.facebook.com/writerstrust/  Five great Canadian authors gave some great advice to writers of all levels. On this call was Tanya Talaga (the moderator), Eden Robinson, Heather O'Neill, Michael Crummey, and Miriam Toews. The chat was filled with comments about Eden's amazing laugh but my best takeaway from the whole thing was the sense that they are all dealing with the same day-to-day struggles we all are. And they're keeping a sense of humor about it all!

As authors, they are used to solitude and working alone, but the loneliness is a whole other thing. All of them are fortunate to be self-isolated with family members and have lots of human interaction via digital means. Where Michael and Heather are working as normal, keeping their routine as usual. For the rest, there are family members and things they have to work around.

One very funny moment was when Eden admitted her biggest challenge was eating her own cooking. Since she's traveled so much before this all hit, she was used to eating out all the time. The general consensus was that cooking takes up an awful lot of writing time!

Heather pointed out that stories written BC (Before Covid) would not reflect the changes in society we currently see, but she feels there will be a demand for literature and the voices we all have in order for things to feel normal again. As for writers who want to know how to become published, there are as many different routes to becoming a published writer as there are writers.

The best advice they all had for fellow writers the reminder that we all need to sit for long periods of time "doing nothing." It's been said that 95% of writing is staring out the window. Of course, that nothing time gives us space to create before we put our thoughts on paper. The second best was simply:  Stay Optimistic and Keep Writing!

Diane Bator
Author of Wild Blue Mysteries, Gilda Wright Mysteries, Glitter Bay Mysteries
and the NEW upcoming Sugarwood Mysteries!

Setting a Novel in Canada -- or Not?

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Does setting a novel in Canada limit your readership to Canadians? Over the years, I've heard this question at Canadian writing conferences and other places where aspiring writers gather. Invariably, someone comments that he sent a query to an agent or publisher in the USA and was told Canadian stories don't sell. The implication is that Canada holds little interest for readers outside our country. 

Even Canadians might prefer reading about far away locations. I've been guilty of this, especially when I travel and want to learn about the country I'm visiting. A novel set in my destination gives me a flavour for the place and its history better than a guidebook.

I also recall hearing that a common feature of blockbuster novels is a variety of international settings. Author Dan Brown nailed that formula.  

But others argue that Canada might be exotic to those who live far from here. They cite writers who have found great success with their stories set in Canada. Louise Penny has a US publisher and an international audience for her mysteries that take place in a Quebec village. L.M. Montgomery's classic Anne of Green Gables is beloved across the world. Japanese tourists trek to modest Prince Edward Island to visit Anne sites. 

Readers of Britain's Rough Guide travel guidebooks and tours voted Canada the second most beautiful country in the world for 2019. Wouldn't that mean they'd want to read about people in this beautiful land? If Anne and PEI can charm the world, why not my home province of Alberta?  

Japanese movie poster

I went ahead and set my first novel, Deadly Fall, in Calgary, where I live. This made setting research easy.  My mystery sleuth Paula's drives the route pictured below in the book's opening chapter. I've driven and walked across this bridge numerous times. 

Paula works out in a former church converted to a gym in Calgary's inner city suburb Kensington. In the real world it's a sporting goods store. 

Book #2 of my Paula series, Ten Days in Summer, continued with my Calgary setting. This time Paula investigates a murder against a backdrop of The Calgary Stampede. My research included attending our annual Stampede parade. 

I was really sneaking peeks at the police offers present, since Paula's homicide contact, Mike Vincelli, is on crowd control duty during the parade scene in the book. 

My third novel, To Catch a Fox, is a departure from my mystery series and single Canadian setting. Julie Fox, a Calgary engineer, must travel to a new location, to search for her mother who took off when Julie was a child and hasn't been heard from since. I settled on southern California for the novel's alternate location because it was far enough from Calgary for Julie's mother to get lost in, yet convenient as well as enjoyable for me to visit twice to research. 

Santa Monica beach - Julie jogs along this boardwalk

In some ways, I find it easier to write about less familiar settings since I'm seeing the place with new eyes and am more likely to come up with fresh descriptions. 

At the San Diego zoo, bird of paradise plants are on the lookout, like Julie the pursuing and pursued fox

While I like writing about different places, I'm back to Calgary for my current novel-in-progress, the third book in my Paula series. I love travel, but lean toward writing about places I know well and deeply.   

And for those curious about the other countries that made the Rough Guide readers' list of the world's most beautiful countries for 2019, here they are:

1. Scotland
2. Canada
3. New Zealand
4. Italy
5. South Africa
6. Indonesia
7. England (UK regions were judged as countries) 
8. Iceland
9. United States
10. Wales (Do the British love their country's beauty best, or have not many travelled elsewhere?)

Calgary in winter - beautiful, eh?

Lucy Maud Montgomery and Prince Edward Island by Joan Donaldson-Yarmey

 

http://bwlpublishing.ca/authors/donaldson-yarmey-joan

 
I started my writing career as a travel writer, researching and writing seven travel books about the attractions, sites, and history along the backroads of Alberta, British Columbia, the Yukon, and Alaska. While working on them I realized what a beautiful country I live in. Since then I have switched to writing fiction but I still love to travel. 2017 was Canada’s 150^th birthday and to celebrate it my husband and I travelled in a motorhome from our home on Vancouver Island on the Pacific Ocean to Newfoundland on the Atlantic Ocean. The round trip took us nine weeks and we were only able to see about half of the sites and attractions along the roads.
       I have decided to write about the scenery, attractions, and history of my country. This post is about Lucy Maud Montgomery.

The Confederation Bridge connects Borden-Carlton, Prince Edward Island, with the rest of Canada at Cape Jourimain, New Brunswick. It is the longest bridge in the world that crosses ice-covered water and was completed in 1997 at a cost of $840 million.

 

 

 

     We paid our toll and drove the bridge over the 12.9 kilometre wide Northumberland Strait. We headed to Green Gables in Cavendish in the Prince Edward Island National Park. One of the most famous writers in the world was from Prince Edward Island. Lucy Maud Montgomery was born on November 30, 1874 in New London, PEI. Her ancestors came from Scotland in the 1770s and her grandfathers were members of the provincial legislature for years. Her mother died of tuberculosis when Lucy was 2 and Lucy spent a much of her childhood with her maternal grandparents on the Macneill homestead in Cavendish. Her father moved west in 1887 and remarried. Lucy joined him but felt out of place and soon returned to PEI and her grandparents. She also spent time with her extended family on her mother’s side and her paternal grandfather.
     However, her grandparents weren’t very affectionate and Lucy felt lonely and isolated. This led her to reading an abundant number of books and using her imagination to write her own stories. She started with poetry and journals when she was nine years old and had her first poem, On Cape Le Force, published in the Charlottetown Patriot in November 1890. She started writing short stories in her mid-teens. She first published them in local newspapers then sold them to magazines throughout Canada and the United States.
     Lucy studied to be a teacher and began teaching in a village school in the late 1890s. She was also writing and selling her works so that when her grandfather died in 1898, she was able to leave her teaching position and move in with her grandmother. Between then and 1911 she wrote and sold poems and stories and also worked in the post office on her grandmother’s homestead.
    Her first novel, Anne of Green Gables, was published in 1908 and was an instant bestseller. She got her idea from other novels written by women like Little Women and from a story she read about a couple who had arranged to adopt a boy but were sent a girl. The book sold more than 19,000 copies in the first five months and was reprinted ten times in the first year. It is still in print after more than a century. Lucy wrote two sequels, Anne of Green Gables: Anne of Avonlea (1909) and Anne of the Island (1915) plus five more Anne books over her lifetime. She had a total of twenty books, over five hundred short stories, and one book of poetry published before she died in 1942.
     In her private life,  Lucy had many suitors over the years and became secretly engaged to a distant cousin named Edwin Simpson in 1897. This ended with she began a romance with a farmer named Hermann Leard. Leard died in 1899 from influenza and Lucy threw herself into her writing. Lucy married a minister, Ewen Macdonald, after her grandmother died in 1911 and they moved to Ontario where Ewen had a parish. They had two sons, Chester and Stuart, and a third one who was stillborn. They moved to another village in 1926 and then, after Ewen was admitted to a sanatorium in 1934 and he resigned his parish, they moved to Toronto in 1935. Ewen died in 1943.
     The Green Gables House has been restored to match the descriptions in Lucy Maud Montgomery’s books. I toured through the historic site, seeing the exhibits in the Green Gables house and strolling the Haunted Woods and Balsam Hollow trails that were mentioned in her books.

     Prince Edward Island also boasts have Canada’s smallest library. It is one room with shelves of books along the walls and a table and chairs in the centre.