The Joy of The End by Eileen O'Finlan

 

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Two of most writers favorite words are "The End." That's not because we don't like writing. Most of us love it. It's because "The End" represents that the first leg of a very long and often arduous process is finally finished. It can take months or even years to be able to type those words. For those of us who write in genres that take a tremendous amount of research before a single word of the story gets written, it may be even longer. 

It is not, however, truly the end for the author. The first draft is just the beginning. Once those glorious words have been typed, the author enters the next phase of the writing process - revisions. The first draft is only that, the first of what could eventually be many drafts before the book is finally done. I completely rewrote Kelegeen at least three times before it was truly finished.

Recently, I typed "The End" on the first draft of my current work in progress, an historical novel to be titled The Folklorist. Upon seeing those words appear on the screen, I felt as though a huge weight had been lifted from me. I would not have been surprised to find myself floating around the room (okay, I would have been surprised, but maybe not that much). 

I knew perfectly well that it was not really the end. I'm now slogging through revisions, fixing problems, looking for any issues with pacing or continuity. Given that The Folklorist has a dual timeline, something I've never written before, it is especially challenging. But I'm up for a challenge, and, honestly, I've been delighted to find that the timelines held together on the first draft much better than I expected. 

So if there's still so much more work to do after the first draft has been completed, why is typing "The End" such a big deal? It's because of what it represents. An entire body of work has been completed. The author who likely had plenty of doubts, writing crises, writer's block, and general hair-pulling moments liberally sprinkled amongst times of pure writing joy, can finally say that a complete story has been written. The obstacles were overcome. "I did it!" may ring through the air.

Yes, there will be things to fix, add, delete, whatever. But a whole story emerged despite the times it threatened to keel over and die. And that is a feeling to which very few things can compare.

                                                        

Writers, Authors and a Bookstore - Barbara Baker

 

Writing is a solitary process. So, when you get a chance to meet up with writer friends and participate at a bookstore author event you jump on a plane and fly to Ontario.

First stop, the Stephen Leacock Museum in Orillia, Ontario. My friend goes into the office. “I know the museum isn’t open, but she’s come all the way from Calgary.” She points at me. “Is there a chance we can take a look?”

“Of course,” the cheery lady says. “Give me five minutes. I’ll open it for you.”

I grin at my persuasive friend, and she winks back.

While we wait, we head to Leacock’s Boathouse. Painted figures resembling characters from Sunshine Sketches of a Little Town align the pathway.

And then we’re off to check out Leacock’s home. With no one else around we’re able to take our time and read all the plaques. 

        Stephen Leacock facts:

        - 1869-1944 born in England, 10 siblings, family moved to Ontario in 1876, father became an alcoholic and abandoned the family in 1878.

        - Leacock was a teacher, political scientist, writer, humourist (best known English-speaking humourist of his time).

        - In 1900 he married Beatrix Hamilton, an actress. They had one son, Stephen Lushington.

        - Leacock’s colleagues warned him his reputation would be ruined if he published humour. Beatrix encouraged him to publish it regardless of what others thought.

        - In 1990, while completing upgrades on the Leacock house, love letters from Beatrix were found in a secret panel in the bedroom closet. They were written before she died of breast cancer in 1925 at 46 years old. The letters tell of their love story and depict a side of Leacock few people were privy to.

        - Beatrix passed away before the house was complete.

                 Okay, enough Leacock trivia. We’re off to meet the others. There’s much to catch up on so a simple supper of nachos and fixings, red wine, Hawkins Cheezies (no substitutes) and assorted chocolates carry us late into the night. My cheeks hurt. Tears fall. Weight is lifted off shoulders. Exhausting good fun.

Early the next morning we leave in the rain, headed for Uxbridge, Ontario for the Independent Book Store celebration at Blue Heron Books. I get to promote my book, hang with authors and try to appear unterrified.

 

At the bookstore, I get a name tag which helps me remember who I am when fear nails my tongue to the roof of my mouth. I pull up my big girl panties and approach authors, ask them questions about their book(s) and writing journey. It’s not a walk in the park for anyone – this book writing gig. It’s hard work. A lot of hard work. 

From a distance, I watch Canadian bestselling author, Terry Fallis chatting. He’s relaxed. Smiles like it’s not painful. I want to go over and tell him I follow his newsletters and enjoy reading how his career didn’t just fall in his lap. But I’m too shy. He’s…well, he’s Terry Fallis. I can only hope in my lifetime to look that comfortable. Be that confident. Did I mention he’s a two-time winner of the Stephen Leacock Medal for Humour? How awesome is he?

I recognize two authors chatting in the kid’s section. I approach and say, “Would it be okay if I hang with you gals?” They smile and say, “sure” in unison.

Time flies and then it’s over. I leave with a bag full of new books and notice my friends purchase my books and discreetly slip them into their bags. I’m a lucky lady to have them as friends.

On the drive home, the rains stops. The sun shines. The chatter continues. 

We make plans to put together an anthology of our short stories and publish them in a book. It’ll be a lot of work. But I know there will be another trip to Ontario to review the hardcopy draft. I can hardly wait. 

You can contact me at: bbaker.write@gmail.com

Summer of Lies: Baker, Barbara:9780228615774: Books - Amazon.ca

What About Me?: Sequel to Summer of Lies : Baker, Barbara: Amazon.ca: Books

 

 

When Your Novel Takes a Wrong Turn

 

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I'm a believer in plowing through a novel's first draft without pausing to revise along the way. When I start writing a book, reaching 'the end' is a daunting prospect. Since reworking existing material is easier than tackling a blank page, it can become an avoidance tactic. It might also be a waste of time if I discover I have to delete or radically rewrite a scene after I know what the whole story is about. 'Write and revise later' worked for my first four books. It didn't for my current novel-in-progress.

My first problem with the process occurred when a scene I wrote fell flat and I felt a need to revise it before moving forward in the story. This happened again a few scenes down the road. In one case, my point of view detective narrator needed a partner for the scene. I threw in a random police officer, but found he added nothing to the story. I went back and made him a 'she.' To my surprise, sparks flew between her and my detective, who is at a crossroads in his life. Their romance has become a subplot in the novel and a key aspect of his personal story arc. 

I tell myself that modifying my usual approach and following my instinct to jump in and revise comes from having a few novels under my belt; that I now know earlier in the process what a story needs to avoid more complicated revision later. How's that for self-justification? 

Around the manuscript's 3/4 point, I realized that a number of scenes in the third quarter would work better if they were set in different locations. This time I stuck with my usual approach since most of the other material would remain the same. Instead of revising the scenes, I made an outline for the changes I plan to make. They will move a critical plot point earlier in the story, but I think the outline can deal with this change. Revising the wayward scenes would have benefits, but I really want to finish the first draft this spring.   

Then, a few chapters later, a long scene fell completely flat, when the story should be building to a thrilling climax. I puzzled over what to do and decided I'd taken a wrong turn at the 3/4 mark. I had shifted the story focus to a character who is much talked about but hadn't made a personal appearance in the novel. I assumed that since my main characters cared deeply about him, readers would too. But I think readers only engage with the characters they meet in the literary flesh. This might be one reason they tend to be less interested than the writer in characters' backstories. 

My solution to this problem will be to go back three chapters, to the point where I veered off track. I'll revise most of the scenes and cut the 2,000 word flat scene. Ouch. But I need to know what happens in these chapters to figure out my characters' paths to the climax and denouement.  

Each novel has its own journey. This work-in-progress has gone in directions I didn't expect, in terms of character development, subject matter, and writing process. I've found it a challenge to adapt, without steering off course.

 

               

Myers-Briggs for Writers by Mohan Ashtakala

 

 The Myers-Briggs Type Indicator (MBTI) has long been a favorite among authors. In fact, the first novelist to use the Indicator was Katherine Cook Briggs, its founder, as a better way to understand her characters.

The MBTI, by way of personality tests, categorizes individuals into sixteen different archetypes, based on Carl Jung’s idea of cognitive functions. The personality test measures the extent of the test-taker’s adherence to the following characteristics: Introvert (I) or Extrovert (E); Sensor (S) or Intuitive (I); Feeler (F) or Thinker (T); and Judger (J) or Perceiver (P.) Each of these sixteen archetypes is assigned a four letter label, and personality traits are ascribed to each such archetype.

But the MBTI is much more than a description of different personality archetypes. Its examination of cognitive functions—Sensing, Intuition, Feeling and Thinking; allows for deeper exploration and “fleshing Out” of characters, especially when combined with “external” characteristics such as Introvert, Extrovert, Judger or Perceiver.

Sometimes, authors run into the problem of multiple characters who, despite outward appearance, all think and act the same way. The MBTI is useful because it allows writers to go beyond characters with whom they are familiar, based on personal experience. By using the MBTI, writers can create primary or secondary characters who would be true to their “character,” in terms of how they think and act. Genuinely diverse characters are important in creating believable tension, an important function in novel-writing.

As one may expect, the MBTI has shown usefulness in many areas, especially in Human Resource departments in the corporate world.

There are critics of the MBTI. Specifically, some find the number of categories to be limited, and perhaps, not fully useful in describing the enormous number of personalities that exist in real life. Of course, pigeon-holing a character into one archetype or another can be misleading. But, since MBTI is one of the earliest personality type indexes, a lot of literature and studies exist regarding the various personality types. This rich repository of information, if well-understood, can help authors create characters who, while showing distinct personalities, are believable and consistent in their words and deeds.

 

Mohan Ashtakala (www.mohanauthor.com) is the author of The Yoga Zapper, a fantasy, and Karma Nation, a literary romance. he is published by Books We Love (www.bookswelove.com.) 

 

What is a ‘grammar nazi?’ Mohan Ashtakala

 

The use of the lower-case word ‘nazi,’ to describe an extremely authoritarian person, came into vogue in the 1950-60’s. It found popular usage in the description of fanatics of all kinds, such as ‘surf-nazis,’ whose zeal in the search for a perfect wave knew no bounds. More recently, audiences were introduced to the ‘soup nazi,’ an ill-tempered restaurant owner who had the habit of throwing customers out of his establishment, in the Seinfeld television series.

A grammar nazi is one who is obsessed with the formal rules of grammar. They are also eager to point out these ‘errors’ in others’ writings. Grammar nazis are usually amateurs with strong opinions on the usage of the rules of grammar. They are not to be confused with professional editors who wield a pen with the same expertise that a Japanese chef uses his trusty knife. The editor’s intent is to help the author refine his or her craft; the grammar nazi is more interested in proclaiming his or her expertise, especially on social media.

One of the issues is that grammar nazis accept only Standard English, while ignoring many other forms of English, such as Black or Asian English. Another defining characteristic of this type is the pointing out of inconsequential errors, usually done by mistake, while diverting attention from the plot itself.

All writers, even editors, make the occasional mistake. It happens. But it would be a mistake to judge writing only by its strict adherence to the rules of grammar. More important to most writers is the ability to create interesting characters, a compelling plot and the construction of well-written sentences.

We have all come across grammar nazis. My experience is that it never pays to engage in an argument or even a discussion with them. It is a losing proposition and only serves to encourage them in spouting further grammatical rules. Best to continue writing!

 

Mohan Ashtakala (www.mohanauthor.com is the author of The Yoga Zapper, a fantasy, and Karma Nation, a literary romance. He is  published by Books We Love (www.bookswelove.com)

Spotlight: Seven Aprils Wins at the Chanticleer International Book Awards

 

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Community, that’s what we creatives crave when we come out of our focused, turtle habitats!

Thankfully, there are organizations that provide a nudge out of our shells.  When I was considering entering my World War II romantic suspense novel Watch Over Me in the Chanticleer International Book Awards, I consulted with some writer friends about the organization.  “Oh, a great group with a wonderful small conference every year in the beautiful Pacific Northwest!” I was told.  And … CIBA knows how to throw a party!” They were right on both counts!  (Thank you Janet Oakley and Michelle Cox!)

Fast forward a few years and two conferences later. Not only did Watch Over Me achieve First in Category status in the Chatelaine Award for Women’s Fiction, but at this year’s virtual conference, held via ZOOM, I was delighted to hear: “Congratulations to the Grand Prize Winner of the LARAMIE Book Awards for Western, Civil War, Pioneer, First Nation Novels and Americana Fiction: “Seven Aprils by Eileen Charbonneau!” 

My cheering squad of husband Ed, daughter Marya and baby grandson Desmond were on hand. My tiara was in place! Our favorite bubblies flowed!

Here’s a glimpse at some of the topics covered in this years Chanticleer Book Conference:

• Virtual Author Events: How To Pivot from LIVE to VIRTUAL for Book Launches, Book Clubs, and Book Events
• Book to Film Panel Discussion 
• The Critical Role Authors Play in Fostering a Better Society 
• Writing and Selling Children’s Books
• Voice Driven Technology and the Future of Publishing 
• How to Create a Sustainable and Compelling Series 
• Don’t be Left OUT and OFF the Airwaves – Intro to Podcasting 
• Historical Fiction–how to both fictionalize real characters and realize fictional ones 
• Collaborating with Other Authors 
• Writers: Improve Your Productivity and Your Health by Correcting Posture 

Sound great?  It was!!  So, I encourage my author friends of all genres to stick your necks out, enter your books in award competitions, and come out of your shells once in awhile and join with readers, industry folks and fellow authors to celebrate our crazy but wonderful business!

Why I Write by J.Q. Rose

Dangerous Sanctuary by J. Q. Rose

Cozy Mystery

Pastor Christine Hobbs never imagined she would be caring for a flock 

that includes a pig, a kangaroo, and a murderer.

Find more mysteries by J.Q. Rose at BWL Publishing

Welcome to the BWL Insiders Blog. You'll find a variety of blog articles written by the BWL Publishing authors. Please take your time and visit them.

Thoughts on Why I Write by J.Q. Rose

I’ve been writing non-fiction articles since 1996 and mystery novels since 2006. Sometimes when stories aren't flowing onto the keyboard, I wonder why I write. 

Ready to write!
Image by Free-Photos from Pixabay 

When I wrote non-fiction articles, I really enjoyed meeting the folks I interviewed or delving into the story of a business or place to visit. I wrote for me in a sense of learning about new places and great personalities I met along the way. Yes, I wanted to inform, educate, and entertain readers with my stories and derived satisfaction when my articles really helped the reader.

When I began writing fictional stories, it definitely was fun for me to escape the real world and develop characters and their situations to amuse myself. I delighted in posing the question “what-if” as I expounded on the plight of the beleaguered characters. Chasing down all possibilities and pushing them further was like a game. But the most challenging part of the game was trying to wind up all the loose ends to make sense of the story. I relished discovering the ways to use my wits to win the game. I hoped the reader would play along with me.

About two years ago we attended a concert by Joseph Martin, a master pianist and composer of sacred music. When he played the piano, the music was so beautiful, tears surprised my eyes. Emotions of joy, inspiration, power, thankfulness filled the night as Mr. Martin shared his mastery of the piano and his anthems sung by our church choir. One selection after another fed my heart. What a gift he had for blessing others with his music.

The grand piano played only the way Joseph Martin can!
Photo courtesy of freedigitalphotos.com by nuchylee

Joseph Martin--Master of the Pia

As I listened, I realized this is what I want to do for readers. If a reader finishes my book, and the story is one she will remember for the entertainment, the surprises, the humor and the emotions that played through her as she read, then I have accomplished my reason for writing.

Readers, what are you looking for in a book?

Writers, why do you write books?

Please leave a comment below. 

We'd love to read your thoughts on this topic.

Thank you.

Click here to connect and like JQ's Author Facebook page.

Lucy Maud Montgomery and Prince Edward Island by Joan Donaldson-Yarmey

 

http://bwlpublishing.ca/authors/donaldson-yarmey-joan

 
I started my writing career as a travel writer, researching and writing seven travel books about the attractions, sites, and history along the backroads of Alberta, British Columbia, the Yukon, and Alaska. While working on them I realized what a beautiful country I live in. Since then I have switched to writing fiction but I still love to travel. 2017 was Canada’s 150^th birthday and to celebrate it my husband and I travelled in a motorhome from our home on Vancouver Island on the Pacific Ocean to Newfoundland on the Atlantic Ocean. The round trip took us nine weeks and we were only able to see about half of the sites and attractions along the roads.
       I have decided to write about the scenery, attractions, and history of my country. This post is about Lucy Maud Montgomery.

The Confederation Bridge connects Borden-Carlton, Prince Edward Island, with the rest of Canada at Cape Jourimain, New Brunswick. It is the longest bridge in the world that crosses ice-covered water and was completed in 1997 at a cost of $840 million.

 

 

 

     We paid our toll and drove the bridge over the 12.9 kilometre wide Northumberland Strait. We headed to Green Gables in Cavendish in the Prince Edward Island National Park. One of the most famous writers in the world was from Prince Edward Island. Lucy Maud Montgomery was born on November 30, 1874 in New London, PEI. Her ancestors came from Scotland in the 1770s and her grandfathers were members of the provincial legislature for years. Her mother died of tuberculosis when Lucy was 2 and Lucy spent a much of her childhood with her maternal grandparents on the Macneill homestead in Cavendish. Her father moved west in 1887 and remarried. Lucy joined him but felt out of place and soon returned to PEI and her grandparents. She also spent time with her extended family on her mother’s side and her paternal grandfather.
     However, her grandparents weren’t very affectionate and Lucy felt lonely and isolated. This led her to reading an abundant number of books and using her imagination to write her own stories. She started with poetry and journals when she was nine years old and had her first poem, On Cape Le Force, published in the Charlottetown Patriot in November 1890. She started writing short stories in her mid-teens. She first published them in local newspapers then sold them to magazines throughout Canada and the United States.
     Lucy studied to be a teacher and began teaching in a village school in the late 1890s. She was also writing and selling her works so that when her grandfather died in 1898, she was able to leave her teaching position and move in with her grandmother. Between then and 1911 she wrote and sold poems and stories and also worked in the post office on her grandmother’s homestead.
    Her first novel, Anne of Green Gables, was published in 1908 and was an instant bestseller. She got her idea from other novels written by women like Little Women and from a story she read about a couple who had arranged to adopt a boy but were sent a girl. The book sold more than 19,000 copies in the first five months and was reprinted ten times in the first year. It is still in print after more than a century. Lucy wrote two sequels, Anne of Green Gables: Anne of Avonlea (1909) and Anne of the Island (1915) plus five more Anne books over her lifetime. She had a total of twenty books, over five hundred short stories, and one book of poetry published before she died in 1942.
     In her private life,  Lucy had many suitors over the years and became secretly engaged to a distant cousin named Edwin Simpson in 1897. This ended with she began a romance with a farmer named Hermann Leard. Leard died in 1899 from influenza and Lucy threw herself into her writing. Lucy married a minister, Ewen Macdonald, after her grandmother died in 1911 and they moved to Ontario where Ewen had a parish. They had two sons, Chester and Stuart, and a third one who was stillborn. They moved to another village in 1926 and then, after Ewen was admitted to a sanatorium in 1934 and he resigned his parish, they moved to Toronto in 1935. Ewen died in 1943.
     The Green Gables House has been restored to match the descriptions in Lucy Maud Montgomery’s books. I toured through the historic site, seeing the exhibits in the Green Gables house and strolling the Haunted Woods and Balsam Hollow trails that were mentioned in her books.

     Prince Edward Island also boasts have Canada’s smallest library. It is one room with shelves of books along the walls and a table and chairs in the centre.

Meditation and Writing

Many writers struggle with their work. Writers block can be traced to structural problems with the piece and, sometimes, the only solution is to rework the plot or to rewrite the character.

Other times, the struggle is within and not with the work. Procrastination, distractions, or just plain lack of motivation are a few of the issues writers deal with regularly. Let’s face it, writing is hard work.

Meditation is one of the solutions given for achieving a state of mind conducive to good writing. Author Jaclyn Paul, in The Write Life[1], gives the following steps for getting started in a meditation practice:

1.   Get comfortable. Find a position you can maintain for five minutes without getting sore or losing circulation.

2.   Set a timer for five minutes and close your eyes.

3.   Bring your attention to your breath. Say the words “inhale” and “exhale” in your mind as you take each breath.

4.   As other thoughts begin to invade (and they will), calmly return to thinking about your breath. The key is to remain objective as you notice the distraction and refocus.

5.   If you get tired of saying “inhale” and “exhale” to yourself over and over, try focusing on your breathing through what yogis call the three-part breath: first, fill your belly and lower abdomen with air. Then, on the next breath, fill your chest as well. Focus on the sensation of your ribs expanding. Finally, feel your collarbone and shoulders lift as your whole torso fills with the third breath. Repeat to your heart’s content.

The benefits include clarity of mind, gaining of focus, lowering of stress and avoidance of distractions, with the end result of an increase of energy and unleashed creativity. In the end, putting words on paper (or screen) is what gets the story going.

Mohan Ashtakala is the author of The Yoga Zapper (www.yogazapper.com), published by Books We Love (www.bookswelove.com).

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[1] https://thewritelife.com/writers-meditation/