The Who, What, WHERE, Why and When of Writing - Part 3

June 3 2019

When I started this series of blogs, my first thought for Where was:  Where’s the best place to write?

That question has as many answers as there are writers.

Some people are more comfortable in their same chair at their same desk at the same time every day from the hours of 9am to 5pm. I’m not that dedicated to routine since I have a full time job, three kids, and my life tends to be a bit chaotic at times. I’ve written in many places:

• At work on lunch breaks.
• In waiting rooms at the doctor, the dentist, the hospital, the massage therapist, before and interview, while waiting to have lab work done, and so on.
• While cooking dinner for three hungry kids.
• Out in the park.
• While camping.
• Out at the lake.
• At coffee shops.
• In writing meetings.
• In my backyard.
• With a kid or cat on my lap.
• In a car (not while driving!!)
• While waiting for kids who were in karate classes or music lessons.
• Pretty much any place, anytime, anywhere.

Where isn’t so much a restriction as just doing it. As long as you have something to write with, pen and paper or a laptop, you can write just about anywhere!

My second where I thought of while walking the other day. Where do you want to go with your writing?

Many people write for the sheer pleasure of putting pen to paper and creating worlds that have never existed. Some writers look to Stephen King, J.K. Rowling, Dan Brown, E.L. James and so on and see dollar signs. Yes, it is possible to earn a living at writing. So I heard. I’m not there.

Yet.

As a single parent I’ve had to work full-time to get my kids through school and be content with writing part-time to slowly build my career. Now that I have eight books out, I can build a better social media presence and work with my publisher (Books We Love!) to get more and more name recognition.

Marketing is key!

For anyone who thinks they can write a book, upload it to the Internet, then sit back and wait for the money and accolades to roll in – surprise! It’s a full-time job to sell your books. Books signings, conferences, and the like are all great for boosting your career. Word of mouth helps, but writers want to create a fan base.

Those people who are excited to see when you’ve written something new. But how do you do that? We’ll discuss that later….

Diane Bator

Author of Wild Blue Mysteries, Gilda Wright Mysteries and Glitter Bay Mysteries

Mom of 3 boys and 2 cats and a mouse we still can't find...

     You can order my books through BWL by clicking here!

How to frighten away prospective writers

Fellow authors will recognize the following: Upon first meeting someone who discovers we’re writers, the conversations are quite predictable. First comes flattery: I’ve never met a writer before, or, It must be so exciting, and my favorite, You must be making so much money!

Many conversations end at this point, with people regarding us with admiration while we bite our lower lips, studiously avoiding correcting their exaggerations of any literary or other successes.

But some conversations turn serious, with questions on how to become a writer, an author’s lifestyle, or the craft itself.  These require actual honest answers, but a struggle ensues on how to gently deflate the wild expectations of bright-eyed individuals eager to set off on a journey of artistic expression and personal self-fulfillment.

For these people, I have compiled a list of quotes from well-known authors, which I submit for all to use:

Harper Lee

On how to become a writer:

 “I would advise anyone who aspires to a writing career that before developing his talent he would be wise to develop a thick hide.”

—Harper Lee, WD

“It’s none of their business that you have to learn to write. Let them think you were born that way.”
—Ernest Hemingway

Ray Bradbury

Upon the Author’s lifestyle:

“When I say work I only mean writing. Everything else is just odd jobs.”
—Margaret Laurence

“...I have this one nasty habit. Makes me hard to live with. I write...” – Robert Heinlen

“You must stay drunk on writing so reality cannot destroy you.”
― Ray Bradbury

William Carlos Williams

On the craft of writing:

“I think all writing is a disease. You can’t stop it.”
—William Carlos Williams

“Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven by some demon whom one can neither resist nor understand.”

—George Orwell

“I get up in the morning, torture a typewriter until it screams, then stop.” 
― Clarence Budington Kelland

Finally, if the individual has not run away screaming, we know he or she is ready to take the plunge. Now is the time to give the best piece of advice yet: “Start writing!”

Mohan Ashtakala is the author of "Karma Nation," published by Books We Love.

www.mohanashtakala.com

www.bookswelove.net

Writing for Sanity

Years ago I was fortunate to teach a journaling class as part of a Women's Wellness seminar at a hospital in Edmonton. It was my first time every doing any sort of presentation in front of a crowd and my co-instructor, a minister, had made notes to keep us both on track. On that page of notes was a typo. A mistake. That one little piece of "wrong" struck me as funny and relaxed us both. When I told the story in the session, one woman got very angry at me for "embarrassing" the other woman in front of the crowd. The typo - and our nervousness - wasn't the point of the session.

The entire point was learning to give yourself the freedom to write.

In all fairness, I had asked my partner if I could talk about that tiny mistake as an example of how we don't need to be perfect when we write. We just need to do it. We don't need to be afraid of the mistakes, just write to get the ideas out of our heads. To clear our minds.

Rough drafts, to me, are like journaling. Things come out of our heads, out of our pens, our keyboards and fill the page. Sometimes they make sense. Sometimes they're disjointed scenes of a book that really don't seem to connect until we get them down on paper and find a way to connect them. Sometimes they're even filled with weird typos that make us laugh. But those things aren't meant for an audience, yet sometimes we share them just to give our friends a good laugh. Our finished novels are.

One of the most common complaints I hear in my writing group is that everything has to be perfect and writers will work on Chapter 1 for days, weeks, or even years until it is just right. Then they will move on to Chapter 2 and find they have to go back and change something in Chapter 1, and so on.

My cure for that is simple. Just write the book! Your rough draft doesn't have to be perfect. I just has to be written. Once it's done, then go back and smooth out the rough spots. Remove paragraphs. Add paragraphs. Take out whole chapters. Whatever it takes to get those thoughts out of your head and turn that book into something you can be proud of.

Julia Cameron in The Artist's Way, talks about Morning Pages. Sitting down every morning before you do anything else to "prime the pump." Basically writing all the gunk out of your head so you can go on to form actual thoughts and create your art whether it be writing, creating music, painting or the like.

Whatever you call it, just write to clear your head. For your sanity.
I'll be here writing for mine!

Diane Bator
http://bookswelove.net/authors/bator-diane-mystery/
Author of Wild Blue Mysteries, Gilda Wright Mysteries & Glitter Bay Mysteries

Meditation and Writing

Many writers struggle with their work. Writers block can be traced to structural problems with the piece and, sometimes, the only solution is to rework the plot or to rewrite the character.

Other times, the struggle is within and not with the work. Procrastination, distractions, or just plain lack of motivation are a few of the issues writers deal with regularly. Let’s face it, writing is hard work.

Meditation is one of the solutions given for achieving a state of mind conducive to good writing. Author Jaclyn Paul, in The Write Life[1], gives the following steps for getting started in a meditation practice:

1.   Get comfortable. Find a position you can maintain for five minutes without getting sore or losing circulation.

2.   Set a timer for five minutes and close your eyes.

3.   Bring your attention to your breath. Say the words “inhale” and “exhale” in your mind as you take each breath.

4.   As other thoughts begin to invade (and they will), calmly return to thinking about your breath. The key is to remain objective as you notice the distraction and refocus.

5.   If you get tired of saying “inhale” and “exhale” to yourself over and over, try focusing on your breathing through what yogis call the three-part breath: first, fill your belly and lower abdomen with air. Then, on the next breath, fill your chest as well. Focus on the sensation of your ribs expanding. Finally, feel your collarbone and shoulders lift as your whole torso fills with the third breath. Repeat to your heart’s content.

The benefits include clarity of mind, gaining of focus, lowering of stress and avoidance of distractions, with the end result of an increase of energy and unleashed creativity. In the end, putting words on paper (or screen) is what gets the story going.

Mohan Ashtakala is the author of The Yoga Zapper (www.yogazapper.com), published by Books We Love (www.bookswelove.com).

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[1] https://thewritelife.com/writers-meditation/

Targeting Your Audience by Connie Vines

The ‘how long?’ question has to be one of the most commonly asked by new authors – perhaps even experienced ones, too. It was certainly one of the first to pass my lips when I began to cross genres.

“What’s the age range?” I asked a multi-published at my local OCC/RWA Chapter monthly meeting.
“I’m thinking of aiming for older children,” I told her.
“That would be ages eight to twelve, then. In that case, it should be between 30,000 and 50,000 words.”

The precision of her answer was satisfying, but it also piqued my curiosity.
“Why that particular length?”
“It’s just considered to be the ‘right’ length at the moment for that age range,” she explained. “Not too long, not too short.”

This ‘Goldilocks’ principle is good general advice to keep in mind, but there are also more specific factors to consider that will help you nail the ‘right’ length for whatever genre book you’re writing. While you should work to your natural style, it’s advisable to be aware of and (as much as possible) write to the length that publisher and readers expect (logon to a publisher’s website for ‘publisher-specific’ guidelines.)

Type of book and target audience

You can hone in on a rough idea of ‘how long’ simply by categorizing what kind of book you’re writing and its target audience. Clearly, any six-year-olds without the miraculous intellect of Roald Dahl’s Matilda aren’t going to want to read something the length of A Tale of Two Cities. Similarly, most adults won’t be very interested in a 40-page picture book.

Most of the data I’ll be using throughout this article was sourced from Writer’s Digest  and personal experience.

Children’s picture book: 500–600 words over 32–48 pages.

Children’s chapter book: 1,000–10,000 words.

Middle grade: 20,000–50,000 words.

Young Adult (YA): 40,000–70,000 words.

Flash fiction: 500 words or less.

Short Story: 5,000–10,000 words.

Novella: 10,000–40,000 words.

Novel: Anything over 40,000 words. Anything over 110,000 words is an ‘epic’.

Adult literary and commercial fiction: 80,000–100,000 words is considered to be the ‘Goldilocks’ zone, though you could get away with 70,000 words minimum and 109,000 words max.

Genre

Again, when considering the authority of agents and publishers, “adhering to the expected word count demonstrates that you understand your market.” The ‘right’ answer to ‘how long should my book be?’ is dictated by the audience’s expectations.

Genre has more influence on book length than you might think... 

Here’s a guide to the recommended lengths for genre books.

Sci-fi/Fantasy: 90,000–120,000, anything over 150,000 words might be testing for your readers. As I just touched on above, books in these genres are allowed and expected to run longer than others. This is due to the amount of world building required to introduce a reader to a fictional setting, but be careful not to let this expectation manipulate your natural style.

Historical: As above.

Romance: 50,000–100,000 words. The wide range for this genre is because of the number of sub-genres that it can divide into: supernatural, erotica, historical, ‘chick-lit’, etc.  It’s also worth bearing in mind that longer romance novels seem to be the trend du jour, with bestsellers Twilight and Fifty Shades of Grey both comfortably over 100,000 words.

Crime/Mystery/Thriller/Horror: 70,000–90,000 words.  Suspense is key to all of these genres. Pacing is vital in creating suspense, which means it couldn’t be any more important to nail the word count.

Personal style

While you should certainly keep the data I’ve provided in mind, being too prescriptive about sticking to word counts will only impede your personal writing style. If you end up way under the standard word count, you know that you either need to slow the pace a little or flesh out some underdeveloped areas.

Never, ever loose your 'voice'.  The way each and every author tells a story is unique.  Your readers are downloading your novel or snagging it off a bookseller's self knowing you are a gifted storyteller.  Allow your readers to feel the emotion of first love, see and hear the waterfalls, experience the sweet taste of a huckleberry. . .the possibilities are endless.  Allow your readers to live this adventure--guide them well!

Happy Reading,

Connie


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Writing Companions by Joan Donaldson-Yarmey

http://bwlpublishing.ca/authors/donaldson-yarmey-joan/


My Writing Companions

I first began my writing career with a short story about an injured hawk my son and I found beside the highway. We took him home to our acreage and named him Highway. We nursed him for a few days then set him free. He decided he liked us and moved into the bushes around our acreage.

       This story lead to the publication of historical and travel articles and finally seven travel books. To research these books over the years I travelled and camped throughout British Columbia, Alberta, and the Yukon and Alaska. My travelling companion was a cockapoo dog named Chevy. He inspected attractions with me, hikes trails with me, and waited patiently in my vehicle when I had to go into a building. We would be on the road for a month or more at a time taking pictures, learning history, and meeting people.

       At the end of each trip I’d be glad to get home and begin to unload my vehicle. Chevy would jump out and check the house and yard. I thought he was happy to be home also until I would go into my vehicle and find him lying in his place on the seat. I’d tell him we were home to stay and put him on the ground. I’d gather up more stuff to carry into the house and when I came out for my next load he was once again on the seat. I guess he wasn’t taking a chance that I would leave him. That little guy lived to be seventeen and was a great companion.

       I have had as many as five cats at a time over the years—I’m now down to three. When I am writing, one’s favourite spot is on my lap, another likes to sit on the desk between me and my computer screen, and the third one sits on the floor and talks to me trying to distract my thoughts. But I don’t mind. They are a joy to have.

Writing is Like Gardening by Connie Vines

Gardening and writing are all about the big picture

Now one thing is certain – both activities require a great amount of planning if you wish to be successful.

Gardens are made with planning in mind, especially if you happen to be a person who likes the visual arts.  Writing a novel, short-story, or an article carries the same care, understanding, and patience to gently usher a new life from the soil and see it grow and bloom in the light of day.
Much like lawn care requires trimming and hedging, weed control, and careful gardening, writing requires information gathering, sifting through data, facts and rumors to forge the ideas from all of this into something coherent and easily repeatable by all who read it.

The little details shared between both.

There are plenty of small details to worry about with small seedlings struggling in rain, wind and sunlight to grow and thrive in the light, possibly becoming large and strong plants as time goes by.
Just like this, writing possesses the same attention to detail needed to make sure your works thrive in the long run. Depending on what kind of writing you do, your articles, books or stories will also need to extend their roots toward the very ground that feeds them – the human mind.

Much like plants, your works may one day blossom to become a center of human attention, basking in the sun of popularity and giving fruit for those around them, spreading their ideas like seeds.
Patience is key to growth

Much like the tender beginnings of seedlings need patience, care and love, writing your own work requires the same approach.

The scenes you create, the information you share over the course of time will help become the food for thought of the final form of your work, just like all seedlings need care to become majestic plants. To reach the destination at the end of the road, you will need to walk that road first.
The goal is the fruit of your labors.

You can’t always control the outcome of what you do; it is much the same with writing as it is with plants. Your works won’t always flourish, the conditions may not always be right for them to grow and some will wither and die.


It is inevitable, such is the circle of life, such is the circle of ideas and information around the world. Keep that in mind, keep working hard and even as you fall sometimes, pick yourself up and remember that the end of the road holds the biggest prize you will ever have – your own success.
My latest lesson involved tomatoes. This year I’m trying to grow the Heirloom variety. I’ve never succeeded in growing them in the past, but I so love their colorful, crunchy addition to my salads that I keep on trying. This summer, my Early Girl tomatoes are growing in abundance.  But I’ve again watched helplessly as a late cold snap in May (unheard of her in So. California) turned the health green leafage into curling yellow leaves and the promising green globes into not-so-healthy appearing offerings on the vine.

I asked my local ‘plant guru’ and consulted past journal scribbles (yes, I keep notes about everything 😊).

I planted too early.  I planted too late.  Heirlooms don’t do well in this area.  Go back to planting Beef-Steak tomatoes.

So many suggestions.  So many paths.

What does this have to do with writing novels and short stories for publication? Or with life in general? Everything.

We often believe that, if we have a goal and work hard at it…we should expect to succeed. But in life, as with gardening, events over which we have no control may either enhance or stand in the way of our success.

For tomatoes, if the soil (never plan in the same location year, after year) or weather aren’t right (or disease, vermin, or insects attack the plant), the plants may not develop healthy fruits. I can try to solve the problem, if I ever discover what it is. But I also might be wise to vary my crops in the hope of coming across another vegetable that I can successfully grow with a lot less trauma.
New writers often start out having a vision of a particular story. If that completed novel, novella, or short story doesn’t get snapped up by an agent and immediately sold to a publisher—the author may be tempted to either give up on writing altogether, or spend years agonizing over revisions of the same story.

A senior editor at a major New York publisher once told me that her best advice to novice writers was to, yes, be persistent—work on your craft daily and keep submitting—but experiment with a variety of genres and styles of writing. Because we just don’t know what we’ll be good at.

Besides, we can’t stand around forever, mourning those rotting tomatoes or underappreciated stories.
Much like plants, your works may one day blossom to become a center of human attention, basking in the sun of popularity and giving fruit for those around them, spreading their ideas like seeds.

Keep writing.

Keep gardening.

Keep working hard and even as you fall sometimes, pick yourself up and remember that the end of the road holds the biggest prize you will ever have – your own success.

Happy Reading and Writing,

Connie


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Rejections!

Oh the pain of being rejected! Almost every author has experienced rejection: from literary agents, publishers and editors. Many are cringe-worthy. And if you let it, they can affect your self-confidence. But being rejected happens to every writer, even best-selling ones. Here are a few famous rejections of well-known works:

"Overwhelmingly nauseating, even to an enlightened Freudian...the whole thing is an unsure cross between hideous reality and improbable fantasy. It often becomes a wild neurotic daydream… I recommend that it be buried under a stone for a thousand years." - Lolita by Valdimir Nabukov

"The girl doesn't, it seems to me, have a special perception or feeling which would lift that book above the 'curiosity' level." The Dairy of Anne Frank by Anne Frank

"First, we must ask, does it have to be a whale? While this is a rather delightful, if somewhat esoteric, plot device, we recommend an antagonist with a more popular visage among the younger readers. For instance, could not the Captain be struggling with a depravity towards young, perhaps voluptuous, maidens?" – Moby Dick by Herman Melville

"For your own sake, do not publish this book." - Lady Chatterley's Lover by DH Lawrence

“Do you realise, young woman, that you're the first American writer ever to poke fun at sex" -

Gentlemen Prefer Blondes by Anita Loos

“You’re welcome to le Carré – he hasn’t got any future." - A fantastically incorrect prediction by one publisher, sent to his colleague, upon turning down The Spy Who Came in from the Cold by John Le Carre

"We are not interested in science fiction which deals with negative utopias. They do not sell." -

Carrie by Stephen King

“I am only one, only one, only one. Only one being, one at the same time. Not two, not three, only one. Only one life to live, only sixty minutes in one hour. Only one pair of eyes. Only one brain. Only one being. Being only one, having only one pair of eyes, having only one time, having only one life, I cannot read your M.S. three or four times. Not even one time. Only one look, only one look is enough. Hardly one copy would sell here. Hardly one. Hardly one." - Letter to Gertrude Stein after receiving one of her manuscripts in 1912.

"If I may be frank, Mr. Hemingway — you certainly are in your prose — I found your efforts to be both tedious and offensive. You really are a man’s man, aren’t you? I wouldn’t be surprised to hear that you had penned this entire story locked up at the club, ink in one hand, brandy in the other." - The Sun Also Rises by Ernest Hemingway.

So how to handle rejection? In an interview, Beck McDowell, author of the YA thriller, THIS IS NOT A DRILL, says, “Don’t let the rejection get to you. Don’t take it personally. Keep writing. If one book doesn’t sell, get busy writing another one. Process is more important than product; your efforts are never wasted when you’re teaching yourself to write. Read great books like King’s ON WRITING and Lamott’s BIRD BY BIRD. Read constantly in your genre, marking passages that impress you and studying those that don’t measure up. Attend local and regional writers conferences to hear what agents, publisher, and other authors have to say. Read everything you can find online about making those first few pages sing, researching agents and writing a query letter. But keep going. Keep writing. Keep dreaming. Keep hoping. Break a plate, make a wish, and start a new chapter – in your life and in your work.”

Mohan Ashtakala is author of “The Yoga Zapper –A Novel,” a fantasy novel published by Books We Love.