Killing Them Softly by Diane Bator

 

Click on the cover to see more! 

The week of May 10 to 13, I had the pleasure of being on a mystery writer panel courtesy of the Crime Writers of Canada and the Ontario Association of Library Technicians. In fact, there were several panels running over four days and great opportunities to virtually meet other authors and hear their stories.

My own schedule didn’t allow me to watch the first four panels, but it was fun to be a part of the Killing Them Softly: Cozy Mysteries panel. 

As a moderator, Lynn McPherson was right on top of everything. The questions, the time, and any questions and comments from the audience of about 40 members. We each answered not only prepared questions, but a few extras, which worked out well since we were missing one of the panelists. Those who were featured were: Lynn McPherson (Izzy Walsh Mystery series), Diane Bator (Glitter Bay Mysteries, Gilda Wright Mysteries, etc), Ginger Bolton (Deputy Donut Mystery series), Winona Kent (Jason Davey Mysteries), Peter Kingsmill (our missing author of Awan Lake series).

One of the first questions was: What is a cozy mystery? According to author Ginger Bolton: https://cozy-mystery.com/Definition-of-a-Cozy-Mystery.html

·       Cozy mystery readers are intelligent people looking for a “fun read” that engages the mind, as well as provides entertainment.

·       The crime-solver in a cozy mystery is usually a woman who is an amateur sleuth.

·       The cozy mystery usually takes place in a small town or village. The small size of the setting makes it believable that all the suspects know each other.

·       Although the cozy mystery sleuth is usually not a medical examiner, detective, or police officer, a lot of times her best friend, husband, or significant other is.

·       The local police force doesn’t take the amateur sleuth very seriously.

·       More and more, cozy mystery books are being written as parts of a series. The reader becomes emotionally involved and connected with the reoccurring characters.

·       The characters are likeable.

·       Cozy mysteries are considered “gentle” books… no graphic violence, no profanity, and no explicit sex. Most often, the crime takes place “off stage” and death is usually very quick.

·       Sex (if there is any) is always behind closed doors. It is implied…. at most!

·       Cozy mysteries tend to be fast-paced, with several twists and turns throughout each book.

·       The cozy mystery puts an emphasis on plots and character development.

One of the other things we established during the panel was that many cozies have pets, usually cats and dogs, who sometimes help the amateur sleuth to solve the case. (for examples, Audra Clemmings has her dog Drake in my book Drop Dead Cowboy.)

As well, most cozies involve bed and breakfasts; anything to do with food; crafts such as quilting, knitting, and sewing; fashion and small shops (like Vintage Sage in my Glitter Bay Mysteries); and libraries or bookstores. A few, like my Gilda Wright mysteries that feature a martial arts school, have main characters who have jobs in the community such as carpenters, hairdressers, baristas, event planners, real estate agents, and more!

Secondary characters in a cozy are fun to write. They can serve not only as a second set of eyes and ears for the sleuth, but as comic relief when the going gets tense. Sometimes, they can also the one who keeps the amateur sleuth going when they may be ready to give up and have a hand in solving the crime. Or at least be the lookout while the sleuth wraps things up.

The number one thing a good amateur sleuth needs, however, is a solid reason for wanting to solve the crime. Whether it be because the victim was someone they knew, they want to be a police office and figure a little practice is a good thing, or someone they know is suspected of the crime and they are driven to prove their innocence.

We had some very interesting panels that offered an amazing lineup of authors:

Clearly Canadian: All Canadian settings, eh? with Ann Shortell, Dave Butler, Susan Calder, Rosemary McCracken, David Poulsen, Iona Whishaw.

Nuances of Crime: Suspense, Thriller and Noir with Del Chatterson, S.M. Freedman, Hannah Mary McKinnon, C.S. O'Cinneide, Joanna Vander Vlugt.

The Long and the Short of It: Writing short stories and novellas with Judy Penz Sheluk, M.H. Callway, Barbara Joyce-Hawryluk, Merrilee Robson, Melissa Yi.

Law and Order: Police Procedurals with Desmond Ryan, Jen. J. Danna, Ardelle Holden, Jim Napier, Garry Ryan.

Killing Them Softly: Cozy Mysteries with Lynn McPherson (Izzy Walsh Mystery series), Diane Bator (Glitter Bay Mysteries, Gilda Wright Mysteries, etc), Ginger Bolton (Deputy Donut Mystery series), Winona Kent (Jason Davey Mysteries), Peter Kingsmill (our missing author of Awan Lake series).

Whodunnit: The Mystery Panel with Cathy Ace, J.J. Dupuis, Ann Lambert, Ross Pennie, Robert Rotenberg.

Make 'Em Laugh: Comic Relief to Comic Caper with Melodie Campbell, Alexis Koetting, Michael Michaud, Caro Soles, Gabrielle St. George.

True Crime…can be stranger than Fiction with Nate Hendley, Norm Boucher, Dean Jobb, Lorna Poplak.

Evening Panel with Gail Bowan, Brenda Chapman, Vicki Delany, Barbara Fradkin, and moderator Melodie Campbell.

Watch for my newest book coming in August 2021...

Gilda Wright is back! This time she needs to catch a killer who nearly murders the man she loves!

What a Day for a Daydream by Diane Bator

 

I used to be an avid reader and a prolific daydreamer. I’m not sure which made me a better writer, but the two did conspire to actually make me a writer. Daydreaming was the way I originally created stories. As a kid, I would go off into the hayfields and pick strawberries on sunny afternoons. It was during those lazy summer days with my fingers and tongue stained red that I would daydream about appearances on the Oprah Winfrey show, starring roles in plays and musicals, and being an author.

By the time I got home, I was ready to pencil those fun, meandering stories onto loose-leaf paper. Sometimes, I’d share them with my friends or my mom. Most of the time, however, I’d tuck them away and keep them to myself. Little treasures that lived in my own mind and in a shoe box under my bed.

As I grew up and went off to college, the daydreams matured and took on longer lives of their own. I longed to be an author, but it was one of those things that people only did for fun. I was actually told that “writing isn’t a career” and to get a real job.

Sadly, I believed it and stopped daydreaming.

I got married and had kids. Then a funny thing happened.

The daydreams came back. I have to say daydreaming with kids can be a lot of fun, especially stomping through the woods on a hike--which became a quest with sticks in place of swords. Or camping in a tent while the rain fell around us. I wrote stories about kids being turned into mice, little blue hippos in the wild, and even stories about bullies in schools. The stories we wrote were just for fun. I’d never even thought to publish them. Those stories and poems were created just for my kids.

One day, I dusted off some of those old stories I’d written in college. I still wasn’t ready to share them. They went back into a drawer. Instead, I went for long walks and discovered new daydreams. More vivid and detailed with more twists and turns. Daydreams that led to stories, which then became books.

This time, I chose to follow my heart – and my daydreams.

And I became a published author. Many times over with no end in sight.

All because of a daydream I had as a kid that one day I’d write books.

I still haven’t been on the Oprah show, though.

Find many of my daydreams at:  

http://bookswelove.net/bator-diane/

http://penspaintsandpaper.com

http://dbator.blogspot.ca/

Going Off Script (Part 2) by Diane Bator

 

Introducing: 

All That Shines

Book 2 in Glitter Bay Mysteries

Sage Miller is knee deep in fashion designers—whether she wants them in her new vintage boutique or not.

One winds up dead.

Another isn’t what he seems.

A third is treasure hunting.

Sage is stuck in the middle trying to solve a murder before the grand opening of Vintage Sage, which involves a fashion show she’d rather not be part of.

Join in the fun! Buy links are on my BWL Publishing page: http://bookswelove.net/bator-diane/

More of Going Off Script...

This year has been a busy one for me! Not only do I have a beautiful new novel to add to my list, but I've been taking a playwriting course. The great thing with taking a sidestep from novel writing to playwriting, is that I enjoy writing dialogue to help propel the story along.

My first playwriting class was more of a basic overview of scripts. One thing I learned was that actors and directors don't like to be told what to do, so keep stage direction to a minimum. As part of a play I'm currently working on, I'm reading The Glass Menagerie by Tennessee Williams. The stage directions make up nearly half the script! I was surprised.

After the first class, we had to write a 1-2 page scene. I had fun with that and got great feedback. I'd share, but I plan to work on it and create a whole new play from it. Okay, maybe a teeny bit. So far it doesn't have a title:

 

Frank:            Did you hear those kids? For god sake, they’re more worried about some fancy wedding than the fact she isn’t even listening to a word he says.

Carrie:           What did you say, dear?

Frank:            Really? I’m two feet away from you and you didn’t hear a word I said.

Carrie:           That’s not true. I heard you ask if I heard those kids. That’s when I tuned you out.

Frank:            And why did you tune me out?

Carrie:           Because I saw cheesecake on the menu and started to daydream about eating it only I realized I should just end up rubbing it on my stomach and thighs since that’s where it would end up anyway.

Frank:            You’re right. That does sound much better than what I was saying. Please, go on.

I have to admit, it was a bit weird hearing and seeing other people read my words for the first time. It was a fun experience and I was absolutely giddy hearing their feedback. What a great boost for the heart and soul!

While I love writing books, mysteries in particular, writing for stage is a whole different beast. With books, writers can add the details they envision. Each movement or look, the color and placement of the furniture, the things they want the audience to see. Plays are staged at the discretion of the director and performers and can be open to interpretation.

Week two, we were asked to submit 4-5 pages that were the beginning of a play. I took a deep breath and submitted the one I’ve been toying with since January 2020 called Secrets That Haunt Them. A murder mystery complete with a ghost.

Week 3, they read my few pages of my play. I heard lots of great feedback. The only concern was there were a lot of characters. Anything more than 5 or 6 characters becomes an expensive production. Mine has 7. It was fun to hear it brought to life though! At the end of class, we were invited to submit a monologue. I didn't send one. Instead, I started on a whole new play...

After Week 4, my confidence was up there a little. While I haven't received critique from my instructor, I did get feeback from the Artistic Director of the theatre where I work. I have some work to do - after all, it is my first play ever! - but overall he loved it. The concept of having too many characters came up again so the next step is to clean it up and submit it back to him so we can set up a workshop. 

Workshopping a play is lining up some great actors to read the lines while the playwright sits back and makes edits like crazy if they hear lines are too tough to follow or say, take out things that aren't funny, or even add in ideas from the director or actors as the playwright thinks will benefit the performance. We sort of did that in Week 2 & 3 with the lines I wrote above. I have to admit it was both cool and nerve-wracking to hear people read my writing aloud. 

Hopefully, we'll be able to perform it on stage one day. For now, I'm enjoying the launch of All That Shines and will get to my edits for the play soon.

This may be the start of a whole new path along my writing journey!

Have a fabulous day!

Diane Bator 

Going Off Script (Part 1) by Diane Bator

 

I've worked in theatre for over 4 years now and have met some amazing performers. I have also often thought of writing a script. I mean I've written a lot of books so how hard could it be? Last year, I actually started to write two plays but set them aside because of timing. Not many play performances going on.

Enter 2021.

January 4, I attended a virtual Write In and the leader of the group is a playwright. Cool.

January 6, my boss who is the Artistic Director in our theatre, asks if I've done any more with those scripts I started what seems like 10 years ago... We set up a meeting.

January 11, I get an email about a workshop with a playwrite whose work I admire. I sign up instantly. It seems this New Year isn't content with all the edits I'm currently doing. There is more to pile on my plate!

I have one thing going for me in the script department. I've always been better at dialogue than detail. I'm not ashamed to admit it takes several edits to add in a little extra oomph to my novels. Take All That Shines, book 2 in my Glitter Bay Mysteries that I am currently editing. My lovely beta reader asks, "How big is this room? That's a lot of stuff inside. Maybe you need to rethink this."

One thing with writing for stage: you have limited space where you can place your furniture, props, and performers. With novels, you can use the entire world--or even other worlds--to move things around at your leisure and whim.

Something both plays and novels do have in common is the basic 3 Act Layout. They both have a beginning, a middle, and an end. Both need to have more than one storyline going on to keep the audience/reader's interest. Both also need to keep the action moving along. No lulls allowed.

With playwriting and plays in general, one thing to be kept in mind is how superstitous theatre people are. For example:

• Never ever say the work MacBeth in a theatre. It is that Scottish play. If anyone does say it, they should exit the theatre, spin around in a circle three times, and spit. 
• No live flowers on stage.
• Whistling backstage is a jinx.
• Peacock feathers onstage are bad luck.
• Say "break a leg" instead of "good luck.
• Mirrors onstage are bad luck.
• Always turn on a ghostlight before leaving the theatre.

With those things in mind, I've set off to write a play about a ghost haunting a theatre. Yes, there is a ghostlight involved and some superstitions could come into play. (yup, bad pun!) I also have a couple great mentors to help me write and later workshop my play.

My workshop began January 26 and runs until February 16. I'll fill you in on how it all goes!

Have a great month until we meet again!

Diane Bator

https://www.bookswelove.com/bator-diane/

Voodoo Dolls in Small Town Ontario by Diane Bator

Who would have thought you would see Voodoo Dolls in the window of a shop in small town Ontario, Canada? Audra Clemmings certainly didn't! Part of my inspiration for the voodoo dolls in Miss Lavinia's shop window was helping out with a Haunted Dojo every year while I worked at a karate school (something that still might appear in my Gilda Wright Mystery series!) A bigger part of my inspiration was a trip to New Orleans this past Christmas.
Part of me wished I'd bought one to bring home.
The rest of me was scared to!

When Audra discovers voodoo dolls in the window of Miss Lavinia's shop near Halloween, she isn't too concerned. Until she finds one in a box of Halloween decorations that looks just like her father. A quick trip to Miss Lavinia's shop, reveals a perfectly innocent explanation. Miss Lavinia is a natural healer and uses them to continue healing her patients long after they have left her shop.
Audra is satisfied with that explanation until one of those patients is found dead...

My attempt at making string voodoo dolls with keychains attached! 

Not all voodoo dolls are used for evil or black magic. Most rituals are intended for the well-being of the intended person. Miss Lavinia uses voodoo dolls as a medium for prayers and healing. She added items of her patients clothing and hair when she could obtain them and used anointing oils such as lavender and eucalyptus among others to enhance the power of her healing and send a clear message. 

Although voodoo dolls can be energized to create malice and ill-will, doing bad only gives bad results. It can also lead to depression, conflicts, and bad luck for the user. So far, that hasn't happened in my Sugarwood Mystery series, but who knows?

Outline for a fabric voodoo doll...or chalk outline depending on how you look at things!

Just as in all forms of ritual, some healers use different colors of dolls to obtain different results:

     White – positive, purification, or healing.

     Black – can be used to dispel negative energy or summon it.

     Yellow – for success and confidence.

     Purple – for the spirit realm, balance, or mental exploration

     Red – for love, attraction, or power.

     Green – for growth, wealth, money, and fertility.

     Blue – for love and peace.

I guess my little red and blue voodoo doll is all about the love and peace. Maybe I'll hang him up near my computer as a good omen. Since the other one is currently unadorned, I'll have to find some string for him soon.
Or keep him as a Mummy. LOL!

Have a safe and happy October!

Diane Bator

Drop Dead Cowboy and other Diane Bator mysteries!

AHA Moments in Writing by Diane Bator

A-ha moments. Writers have had them.
In fact, we've ALL had them at some time or another.

For writers, we've all had sections of a story where we just can't move past a certain hurdle, or even if we do the story just doesn't work for us. It's not really writer's block, but just a niggly feeling that the book we are writing isn't quite working but we can't put our finger on why even after the entire manuscript is complete.

While working on Written in Stone, my current works in progress scheduled for release in November 2021, I've had one little part of the story that hasn't seemed right for months. How to create a fire that doesn't damage the structure of a building. I was so focused on that ONE detail, that I didn't even look at the rest of the book for a bigger, more glaring issue. The main character's entire background and how it affects the plot of my novel.

By definition, an aha moment is a point where an important insight, choice or decision is made. I think of it as a release from what some people call Writer's Block. Oddly enough, my own aha moment came this weekend while digging in rocks on the shores of Lake Huron where I look for seaglass. (I suppose lakeglass would be a more suitable term.) With my hands busy, my mind wandered.

I wasn't even thinking about the book at the time, yet it rushed at me like a large wave and solved a couple of the big problems with one opening scene that explained yet not overwhelmed the reader with information while jetting the story along smoothly. Yes, I made notes when I could, then later sat and wrote out the entire chapter. My next step is to add them to the novel and see how well it works and what other changes I need to make.

That solved one problem. Now I need to go back through the entire novel to make it flow.
I also have to figure out what to do with all my seaglass!

Have a wonderful day and let your creativity flow!

Diane Bator

This is a Pandemic, Not a Writing Retreat by Diane Bator

Yay! My new Sugarwood Mystery book came out June 1st! (Click on the cover to order Drop Dead Cowboy!)

On June 10, I was supposed to be taking my oldest son Nick, who is turning 25 this month, out to Alberta and B.C. to spend time with my brother Darryl, who is turning 50. Pretty memorable milestones but we won't be celebrating the way we wanted to be. This year, I will have to send them both love from a distance. Of course we planned to see other family and drive through the Rockies from Edson to Osoyoos, but that will have to wait.

There are so many things we haven't been able to do over the past several months. Of all the things I've really noticed is that my creative process took a holiday for the first seven weeks. Hearing those great words "this is a pandemic, not a writing retreat" helped. As much as we're isolated and some of us alone (except for a couple of cats who are starting to get on my nerves!) we're all dealing with the same situation.

What does my creative process look like right now?

Since I struggled to write for so many weeks, I turned to a previous addiction. Counted Cross Stitch. I've done many over the years until my kids got older and I focused my time on writing more than other pursuits. This one is called Sandcastle Dreams and it was kind of fun to take pictures every time I worked on it and share them on Instagram. No one else knew what the picture would look like, which made it even more fun.

  

Lucky for me, I have another one squirreled away and will start that one soon.

As for writing, I've been working from home since mid-March so my days begin with a few phone calls and emails as well as a daily Zoom chat. After that, I started off staring at the walls feeling numb. Once the wave of numbness passed, I began to listen to writing and other videos. It gave me a sense of camaraderie to hear how other authors and playwrights felt the same way. Slowly, I regained my sense of self.

I discovered I can attend virtual meetings that I could never attend in person due to scheduling. I am even attending a Left Coast Crime event this Saturday that I wouldn't have attended. Though I talked to other writers and listened to their stories, I just couldn't get back to writing my own.

Then I took a bath.

Suddenly, this character took over the second book in my Glitter Bay series and I couldn't stop her! She wasn't my original main character, Laken, but her sister Sage who has become my protagonist for All that Shines. Within two weeks, I'm on Chapter 7 and still going.

Since my routine has been altered, I've decided to make my time work for me without putting as much pressure on myself as I used do. I get up when the cats tell me it's time to get out of bed--usually by seven o'clock--then have coffee and breakfast while they go back to sleep. I do my work in the morning while my older cat, part Siamese, walks around me meowing because he wants my full attention, or to go outside, or a treat...  After lunch, if it's not nearly 40 degrees Celsius and my shoes won't melt on the sidewalk, I'll take a brisk walk before I sit down to write, listen to a lecture or two, read a book, or work on my website or the newsletter I'm struggling to set up.

Currently, I'm reading before bed every night to take my mind off the day's events. I have a huge stack of books from writers I've met and work with so reviews are due when I'm done each one. That's not a bad thing. In times like these, we all need to help each other and give each other what support we can.

How are you all faring?
Are you reading, writing, or have you found other creative outlets to keep your hands busy?
I'd love to hear about it.
Whatever you're doing, stay out of trouble and have fun!

Diane Bator
https://bookswelove.net/bator-diane/

http://penspaintsandpaper.com

http://dbator.blogspot.ca/

Collectibles & Inspiration by Diane Bator

I just had to share my new logo before I launch into my blog post today.
Like many other authors, my road to being published has not been an easy one, but I've always stayed true to what I love to write and to myself. I'm so grateful for everyone at BWL Publishing, especially Judith Pittman who has received so many of my crazy emails, and Michelle Lee who creates amazing covers!
I printed off two copies of this logo to hang on my wall. I figure it will take several days to actually sink in and a few pinches to my arms to make it real!
Now on with the blog....

I recently realized I collect news stories the way some people collect coins, dolls, or books. They help motivate me and get my creative juices flowing. How can you not be inspired as a mystery writer to read, "Man in ICU after pharmacy mistakenly gives him opioid"?

Or "She said her husband drowned during vacation. Police say she killed him."

Or "Twin acquitted of murder in Hawaii crash that killed sister."

Or "Woman thought her house was haunted until she found her ex-husband living in the attic."

In fact, a news story about a woman's disappearance helped fuel The Bookstore Lady where the main character is on the run from the mobsters she was working for. While Katie wasn't so good at hiding, she managed to eek out a whole new life.

Sometimes, I get caught up in the idea of an outline or a story line that I get stuck and not sure how to move on with a novel. So I surf the web and stumble across one of these headlines. There are usually some great nuggets to help me move forward. For example the one about the woman and her ex-husband is already entwined in a story line for an upcoming Glitter Bay mystery.

Aside from collecting news stories, I also collect lines. One of my favorite was one I used in my novella Murder on Manitou. "I was a drinker with a writing problem." I make it a habit to write down lines I hear whether on television, in a coffee shop, or at work. In fact, I have dozens of napkins, slips of paper, and post-it notes filled with one-liners. Eventually, most of them find their way into my novels and I forget where I heard them or even as prompts for writing meetings.

Here are a few examples of lines I've heard, or read, that caught my attention:

"I like to keep my mind active by plotting revenge." (Who? Me?)

"It's kind of like dating your ex-husband." (Sort of goes with the first one...)

"I can't go to Hell. Satan has a restraining order against me." (Again. No comment.)

"Creativity is one drug I can't live without." (Okay, this is just me on a daily basis.)

"When I found out I had cancer, I turned vegan." (Yup, this one is making it into a book!)

Even images on the Internet or television don't go unnoticed. Things like a dog pulling a little girl away from a lake or cats hiding items beneath the couch. In any good mystery, evidence is not always in plain sight. What if the cat or dog hid it? What if the cat knocked a fishbowl into a crime scene? Any number of scenarios can arise from a single sentence, a news story or even a silly cat video?

Writers, what sort of things trigger ideas for you? Are you flattered when people "borrow" your best lines or a bit put out?

Have a wonderful week!

Diane Bator

My First Writer's Conference by Diane Bator

 

This feels a bit like an essay I did once in school.  What I Did This Summer by Diane Bator. Remember those? Only this one is about something I did for the first time as a published writer. I attended a writer's conference. Yes, it's taken me eight novels to finally get to one!

I've read about friends traveling to conferences all over the place but was lucky that the Writers' Community of York Region sponsored one in Newmarket, Ontario this past weekend. This was the first event the WCYR had ever hosted and it was well attended by over 100 writers from all over Southern Ontario.

We started the day in the atrium of the Newmarket Town Hall with coffee and muffins and received a great new folder to take notes in. After a few brief words from on of the coordinators, we broke into groups for our chosen morning sessions.

My first session was with romance novelist Zoe York, author of more than 50 romance novels. She discussed Marketing for Genre Fiction. A lot of writers in the room were either looking to publish a novel or had published 1 or 2 novels. The one thing I found most interesting were the questions she gave us to think about no matter where we were at in our journeys.

1. What genre do you want to be writing and what type of books do you want to write? ie. genre, heat level, setting, tone, etc.
2. What are the next 5 books you want to write?
3. Can you group thematically or do they exist in the same world? Explain that world in a common theme in a sentence or two. ie. small town romance with sexy cowboy.
4. On a blank piece of paper, list all of your work to date, published or unpublished, finished or in draft/dream stage.

One of the other things they offered throughout the day were 20 minute Blue Pencil Meetings. The opportunity to sit with a fellow writer or editor and ask them questions as well as getting feedback on their novel. I passed on this chance for this conference, but other writers I chatted with were happy with the feedback they received.

Lunch was simple, soup and sandwiches along with some yummy chocolate chip cookies for dessert. While we ate, we were also able to purchase raffle tickets and enter them to win several beautiful baskets donated by sponsors, including the writing group I belong to. Draws were made at the end of the day. I didn't win any, but the woman who drove me to the conference did!

After lunch we were treated to a keynote speech from Terry Fallis, author of The Best Laid Plans and two-time winner of the Stephen Leacock Medal for Humour. He is a huge fan of being a Plotter when he writes his books. In fact, he plans them in great detail before he writes something I don't think I could ever do! I'm part plotter, part pantser. One thing he said that surprised many people in attendance was that he still works full time. After writing seven novels and receiving many awards, he still must hold a 9-to-5 job.

I was a bit concerned about the afternoon session. The handouts we'd received the week before suggested a very academic-style of session. Luckily, Kate Freiman, author of romantic fiction, was entertaining and the whole afternoon was more interesting than I expected. She discussed blending genres and story structure. Hard to believe I was the only self-professed mystery writer in the room.

Back in the main banquet room afterward, winning tickets were drawn for the gift baskets then my friend and I left. On the way out the door, we received a swag bag with some bookmarks and the like as well as three books. These were mine!

1. Lac Athabasca (a play) by Len Falkenstein
2. Doc Christmas by Neil Enock
3. Mad Men and Philosphy, which is an anthology.

Yay! More new-to-me authors!

I have one year until the next (fingers crossed!) York Writers Conference. I may do some searching and find a couple more I can fit into my schedule. 

In the meantime, I won't quit my day job, but I won't stop dreaming and writing either!

Looking for more New-to-You authors or familiar authors? Visit my blog every Sunday for Escape with a Writer Sunday at https://dbator.blogspot.com/

Feel free to check out my books at http://bookswelove.net/authors/bator-diane-mystery/

Diane Bator

author of Wild Blue Mysteries, Gilda Wright Mysteries, & Glitter Bay Mysteries.

The Who, What, Where, Why and WHEN of Writing - Part 5 by Diane Bator

 

By Diane Bator

Today we’re at the end of my original list of the five Ws of writing. We’ve already gone through:

Who – as in Who are YOU as a writer?

What – for What do you want to write?

Where – location, location, location.

Why – what drives you?

This blog post is brought to you by When. When can mean a couple of things, the best time of day to write or the best time of your life to start writing. Let’s start with the time of day, shall we?

Some writers swear they are the most creative early in the morning. In order to be at their best, they start the day by doing Morning Pages as per Julia Cameron in her book The Artist’s Way. Julia describes Morning Pages as “three pages of longhand writing, strictly stream-of-consciousness.” (The Artists Way, page 10.) A lot of writers I know use this time to clear the noisy thoughts from their minds so they can focus on the task ahead. Their creative writing. Some writers even find ideas come from this flow of consciousness, sometimes while they sip their morning coffee or tea.

For me personally, I used to get up before I awoke my kids for school when they were younger and was happy even when I only had time to write a page or two out on my back porch. Now, I’m able to carve out time in the morning before my full-time job since my kids are much older. At least a couple days per week, I will use my half hour lunch break to write as well and like to keep a couple evenings open to create as well.

Recently someone on social media asked how old you have to be to become a writer. That created a whole new conversation and received a lot of answers. Some not so nice as people are bound to be online. It did prompt me to do a little digging.

I’ve been a storyteller and writer since I was young and still have handwritten stories and poems from when I was a teenager when my first two poems were published. I was about 15 years old.

There are no real age limits to writing or even being published. The youngest person I discovered online was Dorothy Straight who wrote her books at age 4 and was published her book “How the World Began” at age 6 in 1964. The oldest was Jim Downing who published “The Other Side of Infamy” in 2016 at the age of 102!

A few of the more famous authors published at various ages are:

·       Age 21 – Victor Hugo and Mary Shelley (Frankenstein)

·       Age 22 – Margaret Atwood and Ray Bradbury

·       Age 24 – Ernest Hemingway and Jack London

·       Age 28 – Jack Kerouac

·       Age 30 – Agatha Christie and Mark Twain. It is also interesting to note Stephen King had published Carrie, Salem’s Lot, and The Shining all before the age of 30.

·       Age 41 – Maya Angelou

·       Age 50 – Bram Stoker (Dracula)

·       Age 57 – Anna Sewell (Black Beauty)

·       Age 66 – Frank McCourt (Angela’s Ashes)

I belong to a writing group and love that our ages range from 25 to mid-eighties. Some are published, some have been working on the same books for many years, and some just attend to write and learn. We all have that one common love though: Writing. It has no age limit, education, or socio-economic limits.

All you need is a pen and paper to get started…

DianeBator

Author of Wild Blue Mysteries, Gilda Wright Mysteries and Glitter Bay Mysteries

Mom of 3 boys and 2 cats and a mouse who is too smart for mousetraps...

The Who, What, WHERE, Why and When of Writing - Part 3

June 3 2019

When I started this series of blogs, my first thought for Where was:  Where’s the best place to write?

That question has as many answers as there are writers.

Some people are more comfortable in their same chair at their same desk at the same time every day from the hours of 9am to 5pm. I’m not that dedicated to routine since I have a full time job, three kids, and my life tends to be a bit chaotic at times. I’ve written in many places:

• At work on lunch breaks.
• In waiting rooms at the doctor, the dentist, the hospital, the massage therapist, before and interview, while waiting to have lab work done, and so on.
• While cooking dinner for three hungry kids.
• Out in the park.
• While camping.
• Out at the lake.
• At coffee shops.
• In writing meetings.
• In my backyard.
• With a kid or cat on my lap.
• In a car (not while driving!!)
• While waiting for kids who were in karate classes or music lessons.
• Pretty much any place, anytime, anywhere.

Where isn’t so much a restriction as just doing it. As long as you have something to write with, pen and paper or a laptop, you can write just about anywhere!

My second where I thought of while walking the other day. Where do you want to go with your writing?

Many people write for the sheer pleasure of putting pen to paper and creating worlds that have never existed. Some writers look to Stephen King, J.K. Rowling, Dan Brown, E.L. James and so on and see dollar signs. Yes, it is possible to earn a living at writing. So I heard. I’m not there.

Yet.

As a single parent I’ve had to work full-time to get my kids through school and be content with writing part-time to slowly build my career. Now that I have eight books out, I can build a better social media presence and work with my publisher (Books We Love!) to get more and more name recognition.

Marketing is key!

For anyone who thinks they can write a book, upload it to the Internet, then sit back and wait for the money and accolades to roll in – surprise! It’s a full-time job to sell your books. Books signings, conferences, and the like are all great for boosting your career. Word of mouth helps, but writers want to create a fan base.

Those people who are excited to see when you’ve written something new. But how do you do that? We’ll discuss that later….

Diane Bator

Author of Wild Blue Mysteries, Gilda Wright Mysteries and Glitter Bay Mysteries

Mom of 3 boys and 2 cats and a mouse we still can't find...

     You can order my books through BWL by clicking here!