Showing posts with label historical novels. Show all posts
Showing posts with label historical novels. Show all posts

Monday, September 13, 2021

The Joy of Flying

 

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When I was ten, my parents took my sister Kate, brother Peter and me on our first trip by airplane. We traveled from New York to Washington DC. We visited museums, the OAS headquarters, and a cathedral. 


But my most vivid memory was of the Lincoln Memorial. My father stood us beside the wall of the north chamber and had us recite the words of Lincoln’s second inaugural address. I did not understand the sense of our sixteenth president’s thoughts about the national trauma that was our Civil War. But I understood the beauty of the sound of his thoughts…



With malice toward none, with charity for all, 

with firmness in the right as God gives us to see the right, 

let us strive on to finish the work we are in,

 to bind up the nation's wounds, 

to care for him who shall have borne the battle 

and for his widow and his orphan, 

to do all which may achieve and cherish 

a just and lasting peace 

among ourselves and with all nations.

I have shared my father’s love of flying ever since that trip.


On September 11, 2001 I was emerging from the subway in lower Manhattan when the first plane hit the World Trade Center. I rushed up the steps of the Federal Courthouse to meet with my fellow jurors, hold each other’s hands, and watch the debris bursting out of the gaping black hole like white doves in flight against an impossibly blue sky.


My father called me from his home in Florida a month later. His printer was broken.  He needed me to help him choose a new one and get it up and running. He was insistent, he’d pay for my flight, my mother was already making me a pie. He needed me right away.


So I boarded a plane, breathing deeply, telling my racing heart that all would be well, that my father needed me.


He didn’t need my help, of course. He needed me to get on a plane, to not let being an eyewitness to another national trauma take away my joy of flying.


Thank you, Daddy.





Thursday, August 5, 2021

Personal Cleanliness and Cosmetics in the 14th Century by Rosemary Morris

 



To see more of Rosemary's work please click on the cover above.

I have written two #classic#fact fiction# novels, Yvonne, Lady of Cassio, Volume One of The Lovages of Cassio set in Edward II’s reign, and Grace, Lady of Cassio, Volume Two, set in Edward III’s reign, (to be published on the 1st of September 2021). At heart I am a historian, so in this and my recent blogs, I am sharing some of my intensive research into times past.



 

Cleanliness Is Next to Godliness

Medieval people believed in the saying ‘cleanliness is next to godliness.’ They thought a spiritually clean person without sin was spared from illness, and the necessity of seeking redemption through God’s mercy.

Bathing

  In an era when there were no anti-perspirants or deodorants people who stank because they neglected personal hygiene would be avoided (to use a cliché) ‘like the plague’.  Men with unsavoury occupations washed in rivers or other natural sources of clean water. Immersing the body in water indoors or outdoors had the benefit of ridding the body from fleas and lice. Mothers or nurses bathed babies frequently and sweetened their linen swaddling with powdered herbs or flower petals mixed with salt. Those in holy orders at abbeys at monasteries bathed between two and four times a year. 

Like royalty, the families of noble men and women, and wealthy merchants bathed in wooden tubs lined with cloths. King John bathed every three weeks. Henry IV bathed on the evening before his coronation. He instituted The Order of The Bath to stress the importance of physical and spiritual purification before a knight made his vows. Some of Edward III’s palaces contained bathrooms with hot and cold running water.

 

Washing

 It took too long to heat water for daily baths. Every morning basins of water were filled for men and women in respectable households to wash their hands and faces. Women attended to children too young to wash themselves. Before and after meals, everyone washed and dried their hands. Every week those in holy orders washed their feet in foot basins. Travellers who went on long journeys, also cleaned their feet in foot basins

 

Hair

Hair was washed in copper basins in water mixed with cinnamon, liquorice, and cumin instead of soap which irritated the skin.

Teeth

 People believed bad breath caused disease. To freshen it they chose one of these spices to chew, cardamon, liquorice, aniseed, cumin, or fennel.

 

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Thursday, July 29, 2021

For Kathy




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This weekend is the Memorial Service for fellow author, Kathy Fischer-Brown. Every evening, as twilight falls and the July fireflies rise from the grass, I realize that her phone number will never again appear on the caller I.D. 

It's important for some writers, many of whom are, by nature, rather solitary creatures, to have another confidant in the same odd line of work to talk to. I'd never had a friend like this before Kathy, so had not realized that I'd like one until I met her. In fact, Jude Pittman, our publisher, got us together, as she'd noted our similar late 18th Century interests. 

It turned out we shared a great deal more than just research and a common interest in the American Revolutionary & Colonial Period, something we only gradually realized.  She was younger than me, and had more of academia than I did, therefore our childhoods and twenties did not occur at exactly the same time or contain the same experiences. It turned out not to matter much, in the end.

I was not able to attend the Memorial Service, so I wrote this for her, kind of drawing a line under the loss, I guess. It's the kind of thing that you experience more and more of as you get "to a certain age," and it seems to me that poetry is as good as any other way to cope.   

 For Kathy


Fireflies rise, cool sparks 

Glow against the black tree silhouettes.

With a glass of Malbec at hand and a phone,

We're off again, sharing visions of the Revolutionary War,

Whether those characters should wear coats of red or blue or green,

Criminals, heroes & villains alike 

Standing on the backs of strong women 

And slaves—




Wild, Wild East of history, both genuine and fake,

Where, beneath trees older than Genesis, 

The First People still told of Thunderbird and the Three Sisters, legends of

Earth Turtle and Beaver, of Brave Muskrat and Trickster Crow.



After a summer supper, calling from the porch,

“How ya Doin’?” she jokes and I laugh at her puns,

Baseball mutters in the background, and

She shares today's vision of a fox, how it paused and

Stared from the green slope of the lawn, down toward the on-again-off again creek.

We discuss fireflies and how,

When we were children,

So much was different; 

We mourn a natural world lost, a place with Monarchs and tadpoles. 



Sometimes she shares memories: 

Our 60's: hers of Baez, Civil Rights, of plays and performances,

Of academia, of camping at Woodstock--her friends had never expected THAT--

And her Mom and baby days, birth stories and death stories, so poignant.

I learned about her research and dreams,

Her quest for recognition a.k.a., The Same Old Writer’s Blues, 

Of Revelations at reenactment nighttime campfires, under a country night sky,

Full of stars dancing,

About working for her father, of jumping into the 'Net in the 90's, and of 

Friends and treasure troves of history found in virtual space-- 

As well as how to cook a duck and create a holy Passover supper. 

Together we nodded, two gray women, agreeing about

The complex knots that tie families everywhere.



Tonight I watch fireflies rise in hazy twilight,

And once more I’ll miss your rambles through Past and Present,

My Dear Friend, 

Your husky voice in my ear, your laughter and sophistication, your wit, 

A delight for all too brief a time.


~~Juliet Waldron 


7/21/21






Thursday, April 29, 2021

Walpurgis Nacht

 



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Walpurgisnacht is said to be named after an early Christian woman (Saint Walpurga, 710-779) who was missionary to the Black Forest German pagans. Like most saint's stories, I take it with a grain of salt. 

More likely, Walpurga was a wise women or, perhaps even a female divinity of place. If you can't at first get rid of those old gods and their generosity with a good time, the early Christians soon found that these local holidays were easily co-opted. Taking over a night of bonfire and dancing is not too hard, but you have to discourage (first with threats and then by fire) the far older fertility rites of liberated sex in the woods. (Imagine! Women running wild!) Among the English, you'll family names of Robinson or Green or Grove are common, and are often said to have had their origins in babies born after a spring fling in the forest. 

This is one of the stories within Roan Rose, whose heroine is born into the just such a peasant community.


For humble farm folk, the older traditions often quietly continued. After all, the New Religion allows you to repent whatever indiscretions you've committed during the night at the next morning's Saint's Day Mass! Alcohol, a good party and warm weather are stimulants to the young who, in all ages, are universally singing "Born to Wild" after any big celebration with the opposite sex present.

This Walpurgisnacht, or Hexennacht, ("witches night,") falls midway between the summer solstice and the equinox and were therefore once commonly named "Cross Quarter" Days. Like Samhain (Halloween/Hallow's Eve) May Eve is considered another "time between" when the "veil between the worlds" is thin. So, besides a party--if you were inclined to celebrate--you might have a picnic or leave food for the spirits of place, or "bring in the May" by decorating your home with flowers and greens just as my mother showed me long ago. These quieter alternatives to that blow-out bonfire are more in order where I live and to the state of my elder body. However, from sundown on April 30th until sunrise on May 1st, the old rule, bar the caveat "'an you harm none" was: Do what you will!  

While researching the habits of 18th Century Vienna, I learned that there, Saint Brigitte was the proper Lady to celebrate on May 1st. The similar name indicates that she may be a form of Brigid, the ancient Celtic triple goddess of artistic creation, rebirth and renewal. In my reading I learned that so many tried to leave the city for picnics and flower picking in the surrounding fields and woods on that day, that there were, by the late 1770's, traffic jams. Once, I read, the Emperor Joseph himself could not get out of town on one particularly carriage-clogged May Day because he did not drive out sufficiently early in the day.  

In My Mozart, the teen heroine has a name day on April 29th. She attends a fateful party in the Vienna Woods with the louche fellow players from her new workplace, a Volksoper, where she dreams of the blazing kiss of Orpheus.


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In Zauberkraft Black, the hero, a little drunk and sorry for himself, stumbles upon just such a party among his tenants the first night of his homecoming from the Napoleonic Wars. He finds a great deal more is going on there than simply drinking and getting lost in the new green woods with a willing farm girl.  How little, this gentleman will find, he has known his own peasants!

 

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It's probably pretty clear by now that I love this holiday and still keep it with flowers, new loaves of bread, and a of wine. On Saturday too I will pick up a few more native plants from a local Conservancy group--all very formal this year because of Covid--and bring them home to my yard. (Please grow, My New Darlings!)

  Welcoming spring and giving thanks for the seasons while whispering a few prayers for a bountiful harvest can't, at any time or place, be a bad thing. These days, Mother Earth is in need of all the good vibes we can send to her.


~~Juliet Waldron

Julietwaldron.com

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Friday, February 12, 2021

Happy Galentine's Day!





Here’s to strong women 
May we know them 
May we be them 
May we raise them. 

What is Galentine’s Day? 

Observed on February 13, the day before Valentine's Day, Galentine's Day celebrates platonic friendships, usually among women. It was created by the character Leslie Knope (Amy Poehler), on the TV series Parks and Recreation as a day exclusively for women. 

Specifically it's the day when she and her female friends leave their husbands or boyfriends or empty houses to have breakfast together and celebrate one another. 
A fake holiday? Maybe. But a fun one! As Amy says…“It’s only the best day of the year!” 

So, who will you celebrate with? Who is the wind beneath your wings? 

Tops for me: 

My 101 year old mom Kitty… kind, generous, hard-working and my model in all things baby-taming! 

my friend Maria with my mom Kitty

my sisters… 2 here and 2 passed over, all ever loved 

The sisters Charbonneau

my daughters, teachers in all things that matter...

with my daughters Abby and Marya

 
my pals…writing sisters, school chums, fellow women’s club members, library boards and other fellow servers in our community.



 

writing pals and sisters...






school chums...


          How rich I am in tremendous women…
I hope you are too!

Friday, January 29, 2021

Mozart's Birthday, 2021


~~Juliet Waldron
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When I began Mozart's Wife, I was madly in love with the composer's music--which conflated to being in love with the man himself. His youthful music is so sensual, so bright and shiny, so full of optimism--it probably sounds like what the flowers must sing to lure the bees. it is green leaf and blue sky music--just the kind to accompany springtime and young love.

Mozart's Wife began like that, full of the romance that bloomed between Mozart and his Stanzi Marie. Pop songs from my own teen years filled my head while I wrote--songs which were likewise full of longing and desire, ones like "I think we're alone now" as the lovers seek a hiding place in which to express their body longings.  

"Little sister don't you do what your big sister done" was the song in Mozart's head, I'm sure, for he'd first loved Stanzi Marie's big sister, Aloysia. This pretty, talented young woman instead  had given herself to an aristocrat who obtained for her the prima donna's roles she craved.

Mozart's height of popularity is on the horizon. He and Stanzi marry, overcoming his father's objections. He composes operas for the court theater and is welcome at the soirees of the rich and famous. Stanzi, hitherto her family's Cinderella, shares in this--she has clothes, maids, lovely apartments, parties--all the perks of having a successful husband. 

Babies come, as they do. A "Blessed event" used to be the euphemism. In the 18th Century, however, childbirth was "travail," a danger through which women passed with trepidation. If she was both lucky and healthy, she might escape unscathed, but death in childbirth was a real hazard. (In my own experience, a gentle, kind family friend disappeared from my childhood when she died in hospital (1953) three days after an apparently uneventful childbirth.) Back in the 18th Century, which had no knowledge of hygiene or germ theory, midwives and doctors alike transmitted puerperal fever and other forms of sepsis from one new mother to another. 

Mozart concealed his acute, feminine sensitivity within his music, only expressing these culturally forbidden aspects of his personality through the female characters in his operas. Although the plots toe the patriarchal line-- i.e., his opera, Cosi fan Tutte--So do they all--these weak women--he certainly endows his female characters with engaging, memorable personalities. There are heroic women, conventional women, mad women, love-sick women, as well as power-hungry, manipulative women, women of wit, of humor and admirable gumption. 

Like his wickedest creation, the rake, Don Giovanni, Mozart knows and loves them all. Once I understood that about him, even the episodes where I conjecture infidelity on his part, have a certain inevitability about them. 

While writing Mozart's Wife, I discovered I did not want to take sides. I understood and loved both my leading characters. 

So Mozart does what men of his century were permitted, stabbing Stanzi to the heart. Being a woman of spirit, and comforted and advised by her cynical sister Aloysia, she hardens her heart and pursues an amour her own.  

In this section of the novel, I moved onto fictional ground, although plenty of rumors from which I drew my inspiration are recorded in letters and diaries of the contemporaries. Meanwhile, there are operas and orchestral pieces being written, some with no buyer in sight, created simply because Mozart's evolving genius compels him. At the same time, there was less recognition and they were falling headlong into debt; there was no stability for the little family. Despair over his faltering fortunes sends Mozart to the bottle.

Babies are born and die, famous and infamous real life characters pass through their lives--Lorenzo DaPonte, the renegade Italian priest and lyricist for Mozart's big three--Cosi fan Tutte, Don Giovanni, The Marriage of Figaro--as well as the real life Casanova. There is also a large cast of musicians, male and female, who sing or play his music. Some were friends, some were false. Some were lovers--of both his music and of the man. And all through these years immortal music was being written.  

While writing Mozart's Wife, I discovered I could not take sides. I understood and loved both my leading characters, despite their failures and flaws. I hope, if you read Mozart's Wife, you will too.

Here is a group of Mozart fans from twenty years ago, at the yearly birthday party I used to have for my hero. We drank syllabub and champagne and consumed all manner of party goodies. We swapped stories that we'd read about Mozart all while listening to his blissful music. Dear friends!




Happy Birthday, Wolfgang Amadeus!



~~Juliet Waldron

http://www.julietwaldron.com

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Monday, December 28, 2020

Nevis Story for Alexander Hamilton's January 11 Birthday

 




Once upon a time, back in the 1950’s, I was a youngster. One, however, who was driven by the same interest in history that still brings me so much pleasure today.



Me, Charlestown, Nevis, 1958

Here’s a picture which I recently discovered in the attic. I remembered it, but didn’t know if it still existed. Old and color faded, it is framed in a way that tells me my mother had it somewhere in her last little home. It has survived our journey which took us from upstate New York, to the U.K., to the West Indies then back to America again. It also survived the fire in her house, one which she inadvertently set while heating milk one night. Plenty of things disappeared during that--books, furniture, pictures, and a good part of the roof. Other possessions were water-damaged or broken after the firemen came to save the house.

I'm very happy this picture has survived, because it was taken on one of those spectacularly good days--one of those days where wishes come true. There I am, sitting on the ruins of a sea wall on a black sand beach, with the remains of a fort behind me. This is Nevis in 1958 and my Mother had taken me to see the birthplace of my hero, Alexander Hamilton.  Besotted with Alexander as I was, this made me the weirdest kid in my school. The term "nerd" had not yet come into being, so what I was did not yet have a put-down label. That's what I was all the same, especially in a world where Elvis Presley reigned, teen heart-throb supreme.

Nevis today

The entire story of our trip to Nevis sounds improbable today, but jet planes were not yet "a thing." It took nine or ten hours to fly from Idlewild airport-now, JFK--to the West Indies. The trip was accomplished in jumps and layovers--to Bermuda, to San Juan, to Antigua, and, from there, hitching up with whatever "puddle jumper" between islands was heading toward your  destination. 

To get to Nevis in those days was not exactly easy. There were a couple of flights a week from St. Kitts, otherwise travel was by ferry. We'd flown into St. Kitts the day before, traveling north again from our base in truly tropical Barbados. 

St. Kitts surprised us. What we saw of it was nearly treeless, mountainous, and cold and windy too. I remember the wind howling around our hotel that night, and Mom and I searching for extra coverings for our beds. 

At the St. Kitt's airport the next day, we arrived to discover that the small plane in which we and two other passengers were to travel was in pieces in the hanger. Would we be able to leave today? Lots of head shaking was the answer to Mom's question. I sat on a bench in the open-to-the-elements waiting room and lost myself in a book. The book was, of course, about Hamilton. Published in 1912, the story was, I've since learned, mostly fictional, though the characterization still rings true. In those days, this used bookstore acquisition traveled with me everywhere.



Afternoon passed. As the sun began to go down, the plane was working again. At last we could start the flight over the narrow strait that lay between St. Kitt's and Nevis, although not without some trepidation about the plane's mechanical worthiness. By the time we arrived at the island, twilight was almost at an end. Our landing lights were men holding torches--kerosene soaked rags on long sticks held aloft.  After a bouncy light plane's landing on green turf, we were there at last.  

This looks a bit more formal than I remember.

We were tired when we reached the guest house Mother had booked in Charlestown. The soft light of kerosene lanterns lit the windows. We'd learn that electricity was a new convenience here, one that came on from 6 a.m. to 6 p.m. every day. Past six, the power was gone and we were in an earlier age.

Charlestown in the 1950's

In the parlor, every surface --a maze of small tables --was covered with a Victorian level of clutter. All the upholstered chairs sported antimacassars. Here another trial lay in wait for us tired travelers. The landlady appeared, declaring that she'd had no idea I was a child--and that she NEVER allowed children in her guesthouse. "Especially not American children!

As you might imagine, my Mom reared back into her frostiest lady-of-the-gentry persona and replied to the effect that her daughter was a model child. Besides, she continued, we'd come here all the way from Barbados because of my interest in Alexander Hamilton and heartfelt desire to see his birthplace. At my mother's nod, I presented my ancient novel, and told the landlady how excited I was to be visiting Nevis, the place of my hero's birth. As much as my mother, I wanted a place to rest my head after a long day of anxiety and uncertainty, but knew I'd have to be as persuasive as possible.

After flipping through the book, the woman handed it back to me and said we could stay overnight. The next morning during a boarding house breakfast where I was careful never to speak unless spoken to and to say "please" and "thank-you," our hostess said she'd decided we could remain. Later in the morning, we went down to the broken seawall in the picture, wearing clothes over our swimsuits, and carrying our towels. In those days, walking around in just a bathing suite was "not done." And there I am, instead of my usual solemn, preoccupied self, wearing a big smile.  


I remember the overcast that often came in the afternoons, as clouds gathered around the volcano. There were black sand beaches which in those days we had mostly to ourselves. I remember bathing in the hot springs in town. Again, clothes over bathing suits, we made our way to the place, led by a tall man who was the caretaker of the ruin of the once famous spa hotel. It had been visited by many famous travelers in the 19th century, but now it had crumbled away to a wall here and there. Blue sky rolled overhead as we inched our way into the hot water. 

I also remember hearing drums, high up on the volcano on a Saturday, sounding down to us from beneath a wall of fog. This was the old time West Indies, before jets made a vacation "down de way" a mere jump from North America.


  Update the car in the background of this picture to a 1940's model, and this would have been a typical scene. The elemental roar and hiss of a gigantic field of cane on a windy day, I'll never forget. I've often wondered if Hamilton ever thought with regret of the tropical world from which he'd come, one so different in climate and vegetation from his adopted home, especially at a time when the earth was going through a cycle of extreme cold. How he must have suffered in those first years in America, just trying to acclimatize, wintering in places like Valley Forge and Morristown! 

So, Happy Birthday, Alexander! It's a bit early to be doing this before January, but here goes, anyway. I've literally spent a lifetime thinking of you.  :)


Hamilton ("Mrs. Washington's ginger tomcat") and me at work, early 2000's


~~Juliet Waldron

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Wednesday, October 28, 2020

My Burford Ghost Story

 

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As a kid, I was traveling with Mom in UK, and staying in one of her favorite places, Burford, Oxfordshire. This is, BTW, 1961. She always stayed in black and white Tudor hotels if at all possible. We hadn't been in England for many days when we entered the interior courtyard of just such a place, driving in our green Morris wagon through the narrow made-for-carriages entryway. 

There was no double room available. After a bit of discussion, they put me upstairs on the 3rd floor which was right under the eaves of this venerable building. A steep stairway went up, and on the way the porter said they only put the young and spry up here.  

Then as now, I was history mad, so I scouted around, really enjoying the feel of the place, the dark beams, the crooked walls, the off-kilter floors, the heavy dark antiques which filled the hallways and public rooms. All this carved, blackened antiquity was new and delightful, the stuff of travel books, and now--I was actually here! After supper, I went up to bed to read, leaving Mom in the salon bar downstairs talking to other guests. 


 The toilet (a.k.a. “loo”) was down the hall, so I'd made a final trip before settling in for the night. There wasn't much light up there, just enough to see the stairwell opening. I knew there were only two other guests staying up on the floor besides me.  

The roof, with beams bare, slanted down over the bed, which was a formidable four poster with carved posts and broad box feet. It, my mother had said was "probably Jacobean." Even if it wasn't, it was making a credible effort to look even older. I remember the smell, too, of polish, of damp and of the ages since the house had been built. Clearly, this room wasn't used often. I finally fell asleep listening to footsteps below coming and going and a blurry mumbling sometimes interrupted by laughter seeping up from the floor below.

 I awoke in the night—and to my distress, I had to go to the toilet, which meant a walk across the hall. I groped around for the light and found my door key. With the key clutched tight, I descended from the high bed. It was very quiet now, just after midnight by the watch I'd set on the nightstand. 

I didn't have the suitcase which contained my bathrobe with me. Dressed only in a flannel nightgown, I didn't want anyone to see me, but when I opened the door, it was now entirely dark in the hallway. That pitiful dim light, I thought, must have gone out.

 Then, just as I finished locking the door behind me, I turned and saw the ghost. I knew enough English History to know this was a cavalier, a fine one, too, with long locks and a trimmed beard which came to a nice Charles I point.  He had high leather gloves and a hat with a red plume. His collar was of lace, and he had on a long waist coat, but no outer jacket. 

 Now, FYI, the English Civil War was not my preferred time period. No, at fifteen, I was an obsessive Ricardian, devouring Paul Murray Kendall's Richard III, and Josephine Tey's The Daughter of Time and historical novels set in the appropriate time period. The doings of the members of the House of York were as familiar to me as were those of my schoolmates. 

Since we'd begun to travel in the UK, if a thing wasn't medieval, well, it was barely worth looking at. In fact, I had been anticipating the next day, when Mom and I were to drive to see what remained of the home of Lord Lovell, who'd been King Richard’s dearest friend. His home was now a ruin beside the nearby River Windrush.

 

The ghost put one hand on his hip. His lips moved and I understood what he said, although there was no actual auditory sensation involved. He said he was an ancestor of mine, who had come here to raise a company to fight for the King, and that he had been waiting for me for a very long time. The oddest thing about him was that he appeared to be almost up to his knees in the floor, no boots were visible.

 At this point, I got scared. Suddenly, I was cold, freezing! I wanted to run but I couldn't move, to shout, but the sound stuck in my throat. 

Then, it changed again. Although I was still standing in the hallway, standing in my nightgown, with that low-wattage electric light illuminating drab yellowish walls, not a single creature, living or dead, was there with me.


 The next morning over breakfast, I told the entire story to Mom, including the fact that the ghost had “stopped at the knees.” My mother got very excited, for she never sees things like that, and has always wanted to. She was terribly interested in what the ghost had said, because she said she had always had such a longing to have a cavalier in the family. I remember saying something annoyingly teenage like "if only he had been a medieval ghost."

 At this point, people at the next table were giving us looks. Then, the host, who’d been  saying good morning to other breakfasters, came by. He moved a chair over to our table and said, sotto voce, "Ah--don't-please--talk about that in the dining room. I'm terribly sorry your daughter was disturbed, but that—fellow--is quite a nuisance, you know. When he’s active we can barely use the third floor--especially that back guest room."

 We leaned heads together over the table and continued the conversation quietly. Our host went on to explain that he’d had a parapsychologist visit, an investigator who’d also, after staying upstairs for a few days, had had an encounter with the third floor ghost, though it hadn't spoken to him. Our host said that the investigator had explained that we only saw the ghost down to the knees because “he is standing on the old floor—the way it was before remodeling,” an event which had apparently taken place just after the last war.

 So that's one of my ghost stories, a thing which happened a long time ago. I have come to doubt this man truly was an ancestor, however. A branch of my mother's family had originally come from the Burford area, but they were probably weavers or something similar, not sword carrying gentlemen. Retelling this tonight, I wonder if this “ancestor” bit was the line the ghost used on all the history-struck teens he met.

 

Juliet Waldron

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Friday, May 29, 2020

Bras, Basics and Blues

                          A-Master-Passion, The Story of Alexander Hamilton and Elizabeth Schuyler


Amelia Bloomer (1818-1894) "When you find a burden in belief or apparel, cast it off!"

If only I could! I begin with a digression.

Amelia Bloomer! How I hate to leave her behind, this strong woman, born in 1818, (while Napoleon was still kicking) who didn't leave off her earthly crusades for temperance, comfortable underwear, and equality for women, until 1894, just a few years short of the death of Queen Victoria. She advocated not only sensible clothing for women, but for Equal Rights for Women. Consider: She was a woman whose ideas were so far "ahead of  her time" that "her time" hasn't yet arrived.

Bras have been around for a long time. We can see them in Minoan paintings and Roman Mosaics. Minoan women appear to have worn a boned garment rather like the much later stays, however they left the breasts bare--perhaps this was only for priestesses or aristocratic women. Sadly, we can't ask them who dressed this way--was it a status thing, or was it garb for priestesses?  



Minoan Lady and entourage

Later, there are Roman mosaics of female athletes in bandeau, fabric strips tied to secure the breasts during strenuous activity.


Let us not forget the medieval "breast bags," which is the laugh line among all these varieties of bosom management.  One of the two medieval sources for the "breast bags" huffily claims such items of clothing were "indecent."  I'd like to see that fella deal with a pair of 46DDs and see how well he got along without some means of protection and support.

The stays and jumps were the body-shapers of the 16th-18th Century, the ideal to make an inverted cone of the upper body. The stays were boned and tailored to cinch the waist and lift the bosom. 

Margaret Wells in stays & Will, husband and security for her bawdy house.
Hulu's Harlots 

Stays were what decent women wore, and are probably the original of "straight laced." Women who had health problems, who were lounging at home, or those termed "loose," wore jumps, which were laced, but were not heavily boned. Jumps were made of a sturdy quilted material and were widely worn by servants who required more freedom of motion and by pregnant women as bellies grew.

Jumps* pictured at 


And on and on I could go--and I will--but would just like to stop here for a moment to say that the jumps are an item of underclothing I'd love to try. After years of enduring various iterations of of the modern brassiere, I've become convinced that this is my dream solution. My most recent attempts to shop for bras during the pandemic--where I cannot visit the fitting room--inspired this article.

After a brief period--Regency, Napoleonic--where young or slender women were released into wrapped corsets--the conservative reaction of the Victorian period came in. This would lead to ever more tailored full body corsets. Whale bone began to give way to metal wire in order to achieve shaping. In the most extreme fashionistas wearing these garments would lead to unhealthy, misshapen vital organs and what appears in fiction of the times as an epidemic of fainting. (And you would faint, too, if you were cinched in like that.) 



Bone, metal, cotton, 1830-35
Brooklyn Museum Collection @
Metropolitan Museum of Art

In 1889 Herminie Cadole of France changed the underwear game with the introduction of a two piece garment. Basically, she'd separated the one piece stay into girdle and brassiere, the later term coined by American Vogue, in 1911. Herminie called her invention a Corset Gorge-one item of underwear for the waist and belly and the other for bust shaping which was supported by the innovation of shoulder straps. 

Consider this:   like a lot of things in a woman's world, not much has changed in the land of underwear. The girdle is rarely worn anymore by girls, but it has made a bang up return lately as the older women of the western world steadily gain weight. Today girdles come in spandex, with "bones" of plastic. 

The Roman bandeau was reborn in the twenties. I remember my grandma telling me how she used to wrap herself up in medical bandages.  This fashion for flat-chested beauty was brief. GMA's story of the twenties was told before the travail of my going bra shopping with her and my Mother. I remember feeling that this event was some dreadful but hallowed middle-class woman's coming of age ritual, this teen age trip to the chilly fitting rooms of a city department store. 

Here my modesty was sacrificed under the eyes of -- not only my august progenitors, but those of a heavy, weary, white-haired sales woman wielding a tape measure. There were humiliations inside this Syracuse store for girls that  A Christmas Story's Ralphie could never know. 

I've had a war on with the brassiere for the last 35 years, a period which covers my transition from middle age to a "senior" body container. During this time, I frankly confess, I've been at least 30+ lbs overweight, much chub settling in my bosom.  

Step for a moment outside the box of culture and ponder all of the above. Why do we women believe we must shape our bodies to some exterior standard?  This belief has been part of human culture in hundreds of ways for thousands of years, this requirement that women must alter their bodies in certain ways, ways which constrain our movements, ways which weaken our muscles, especially the upper body. 

I'd like to "cast off" the burden of the bra, but unless I return to my youthful A cup self, this won't  happen. When cutting the hedge, mowing the lawn--or while playing Rosie the Riveter--a figure like mine needs support--containment--call it what you will. That's why I'm intrigued by those jumps. I suppose they'd be hot, but heck, they also wouldn't dig grooves in your shoulders.




~~Juliet Waldron

https://bookswelove.net/waldron-juliet/

Some sources:

https://en.wikipedia.org/wiki/History_of_bras

http://thedreamstress.com/2013/08/terminology-whats-the-difference-between-stays-jumps-a-corsets/

https://www.amazon.com/Underneath-All-History-Womens-Underwear-ebook/dp/B077YFYWBV/ref=sr_1_5?dchild=1&keywords=underneath+it+all+books&qid=1590719300&sr=8-5


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