Monday, March 4, 2019

Captain Kidd & Wooden Ships by Katherine Pym


YA for All Ages London 1665



 ~*~*~*~

Capt Kidd in NY Harbor. It was traditional to have wives & lovers aboard before sailing

Research takes me to different eras and locales. One of those places is on a wooden ship slicing through the ocean's heavy swells. I have several books that describe the building of them, their terminologies, but few mention what it was like living on board. Until now...

Oh, I knew ships were crowded. Cages of ducks, geese and chickens lined the main deck rails. Cows and goats were harnessed to masts. Below decks, the magazine and filling rooms sat close together but the powder room was farther astern. Safety, you know, even as ships sometimes spontaneously exploded.
Capt Kidd's New York home
Seamen would often re-use old gun cartridges that, after a while, would deteriorate to a fine dust, and combined with particles of sulphuric and nitric acids found in gunpowder, a highly combustible substance called ‘guncotton’ would form. This friction of dust and gunpowder would cause terrific explosions, sinking the ship and everyone on board. 

Upward to several hundred men crowded onto a vessel. Captain Kidd, the privateer who turned pirate in the last years of the 17th century, had one hundred fifty-two men and boys cheek to jowl aboard his ship Adventure Galley. Men had to sleep in shifts. 

Inaccurate renduring of Capt Kidd
The decks were so short, maybe 5 feet ceilings, everyone had to walk in a permanent crouch. Unless a seaman was given express permission from the captain, no fire could be taken below decks, and unless the decks had gun ports, it was damn dark down there. 

“’No man will be a sailor who has contrivance enough to get himself into a jail,’ observed Samuel Johnson. ‘For being in a ship is being in jail with the chance of being drowned... a man in jail has more room, better food and commonly better company.’

“Every available inch below deck was taken up with water-casks, barrels of salt beef, peas, beer; coils of ropes, bundles of extra canvas;” a private cabin or two, depending on the ship’s rate. These cabins were 4x4 feet. No one could stretch or pace. One had to sleep in the fetal position. 

“For landsmen, novices at this naval dormitory, the smell of that sleep chamber was gagging. Their overworked fellow sailors rarely changed their clothes or bathed; to top off the aroma of vintage sweat, toilet hygiene was rudimentary at best. 

“The ship’s head (i.e., toilet) consisted of a plank with a hole in it, which extended forward from the bow; a sailor perched on it, rode it like a seesaw, and, while doing his business, resembled some gargoyle or perverse bowsprit; the ship’s rail might provide the merest amount of privacy. A man attempting to tidy his ass risked a plunge into the sea.” 

Sailor being flogged

Even as existence such as this seemed pretty unpalatable, it got into the blood of men. Once they found their sea legs and learned the ways of the sea, many wouldn’t leave it for all their stolen treasure. If they didn’t like what their captain did, they could always mutiny, throw the offending captain overboard (as the Henry Hudson’s crew did) and sail away into the stormy sunset. 


~*~*~*~*~

Many thanks to: 

Wikicommons, public domain 

The Pirate Hunter, The True Story of Captain Kidd by Richard Zacks. Hyperio, NY, NY. 2002




Sunday, March 3, 2019

Writing for Sanity


Years ago I was fortunate to teach a journaling class as part of a Women's Wellness seminar at a hospital in Edmonton. It was my first time every doing any sort of presentation in front of a crowd and my co-instructor, a minister, had made notes to keep us both on track. On that page of notes was a typo. A mistake. That one little piece of "wrong" struck me as funny and relaxed us both. When I told the story in the session, one woman got very angry at me for "embarrassing" the other woman in front of the crowd. The typo - and our nervousness - wasn't the point of the session.

The entire point was learning to give yourself the freedom to write.

In all fairness, I had asked my partner if I could talk about that tiny mistake as an example of how we don't need to be perfect when we write. We just need to do it. We don't need to be afraid of the mistakes, just write to get the ideas out of our heads. To clear our minds.

Rough drafts, to me, are like journaling. Things come out of our heads, out of our pens, our keyboards and fill the page. Sometimes they make sense. Sometimes they're disjointed scenes of a book that really don't seem to connect until we get them down on paper and find a way to connect them. Sometimes they're even filled with weird typos that make us laugh. But those things aren't meant for an audience, yet sometimes we share them just to give our friends a good laugh. Our finished novels are.

One of the most common complaints I hear in my writing group is that everything has to be perfect and writers will work on Chapter 1 for days, weeks, or even years until it is just right. Then they will move on to Chapter 2 and find they have to go back and change something in Chapter 1, and so on.

My cure for that is simple. Just write the book! Your rough draft doesn't have to be perfect. I just has to be written. Once it's done, then go back and smooth out the rough spots. Remove paragraphs. Add paragraphs. Take out whole chapters. Whatever it takes to get those thoughts out of your head and turn that book into something you can be proud of.

Julia Cameron in The Artist's Way, talks about Morning Pages. Sitting down every morning before you do anything else to "prime the pump." Basically writing all the gunk out of your head so you can go on to form actual thoughts and create your art whether it be writing, creating music, painting or the like.

Whatever you call it, just write to clear your head. For your sanity.
I'll be here writing for mine!

Diane Bator
http://bookswelove.net/authors/bator-diane-mystery/
Author of Wild Blue Mysteries, Gilda Wright Mysteries & Glitter Bay Mysteries

Saturday, March 2, 2019

The confusing world of idioms by J. S. Marlo


I love idioms. They can be colorful, sarcastic, and more often than none, impossible to translate in a different language. 

The first idiom I encountered in English was When pigs fly. I was in my twenties slowly learning English when one of my friends said it. I understood the when, the pigs, and the fly, but I couldn't figure out how or when she switched the conversation to pink farm animals. She explained, but then she was also surprised we didn't use that expression to say never in French. I told her we do have a similar expression, which also features a farm animal. In French we say Quand les poules auront des dents, which translate to When hens will have teeth
That's when I learned I couldn't translate idioms words for words. At the same time, it was fascinating to discover how two different languages use two different images to convey the same meaning, like:

Love at first sight   is the equivalent to   Coup de foudre (lightning strike) in French.
Once in a blue moon   to   Tous les trente-six du mois (every 36th of the month)
To feel under the weather   to   Ne pas être dans son assiette (not to be in one’s plate)
To mind one’s own business   to   S'occuper de ses oignons (to take care of one’s onions)
To have other fish to fry   to   Avoir d'autres chats à fouetter (to have other cats to whip)
To put in two cents   to   Mettre son grain de sel (to put one’s grain of salt)


It just goes to show that every language is truly unique and meanings can really get lost in the translation.

Happy reading & writing!
JS

Friday, March 1, 2019

BWL Publishing March Releases and Mystery Suspense Features


BWL PUBLISHING'S MARCH RELEASES
Click here to visit website

Enhance your reading experiences by enjoying books from
BWL's authors.  March's feature books are
Mystery and Suspense. For purchase and author information simply Click any book cover
Spider Play
Secrets of Echo Cave  
Ring Around The Rosy

Thursday, February 28, 2019

Writing About the Weather in Fiction by Connie Vines


Writing about the weather in your novel, and writing about it well, is critical for an atmospheric story.
It’s also a great shortcut…

A simple description of storm clouds gathering on the horizon, say, can foreshadow troubled times ahead in the plot, or act as a symbol for the character’s mood. And it can do it in a short space.
It’s easy to forget just how important a part of our everyday lives the weather is.
We think about it so much that we’re rarely conscious of thinking about it at all. But it affects everything.
·         Our mood.
·         Our health.
·         Sometimes even our survival.

Ignoring the weather in the stories we tell just isn’t an option.
In the real world, we chat about the weather even when there’s nothing much to say. Which is fine – small-talk helps to oil the cogs of society. But having two characters in a novel talk about unremarkable weather, or having the narrator describe a perfectly ordinary rain shower, say, can send the reader straight to sleep.
Another problem with writing about the weather is that it’s easy to resort to cliches.
·         The rain lashed down on the rooftops.
·         The heat rose off the tarmac in shimmering waves.
·         The wind made the tree branches dance.
Good descriptive writing should be fresh, original, memorable – even unexpected. But because we talk about the weather all the time (and read so much about it in fiction, too), finding unique and exciting ways to describe thunderstorms or blizzards or perfect summer days can be tough.
WHY WEATHER IS IMPORTANT IN A NOVEL

Here are four reasons why weather matters in fiction.
1. It’s Part of the Setting
Not only that, it’s a crucial part of the setting, particularly when the weather shifts from being ordinary to extreme.
Imagine two characters in a novel, a husband and a wife, driving along a deserted highway. They’re fighting about whose fault it is that they’re lost. Outside, it is…
·         Freezing. Everywhere is white with snow and it’s tough keeping the car on the road.
·         Scorching. It’s the hottest August day on record… and the air conditioning is on the blink.
·         Stormy up ahead. And they’re driving right into it!
·         Foggy. They can barely see the road in front of them.
Each of these conditions would give the scene a totally different feel. But even when the weather is not especially remarkable – a warm summer’s evening, a cold and bright morning in autumn – it still gives scenes very different moods and atmospheres.
But if you don’t mention the weather at all in your writing, not even briefly, an important element will be missing from the mental image in the reader’s mind.
2. It Affects Character
Just as the weather affects our mood in the real world, so it affects the mood of a character in a novel.
·         If a character is feeling blue, a cold and wet day will form the perfect backdrop.
·         If the sun comes out, it’s a sign that their spirits are rising.
The viewpoint character’s mood complements or contrast with the weather outside is just another small way to add dimension to your fiction.
3. It Affects Plot
Even the most ordinary weather can affect the plans of people in the real world and, also, characters in novels.
·         Rain can spoil a wedding.
·         Fog can disrupt travel plans.
·         Drought can play havoc with a prized garden.
Make the elements more extreme and you ramp up the stakes. Writing about extreme weather can be a primary source of conflict in a novel.
4. Weather Is Symbolic
I mentioned earlier that weather can affect a character’s mood. Taking this one step further, you can have it actually symbolize how a character is feeling inside.
Suppose a mother is worried that her young son is late back home. As she stands by the window waiting for him to return, she notices the wind picking up. At this point, she is merely concerned.
One hour later, though, the garden furniture is cartwheeling across the lawn… and by implication, the woman is really starting to panic. The writer doesn’t even need to describe her panic. The scene outside tells the readers everything they need to know about how the woman is feeling inside.
5. Don’t Ignore It
If you can, mention it in every scene. Even if the weather isn’t that important to a scene, still write about it, however briefly.
When Mary left for work the next morning, it was still raining.
It was colder than Frank had expected when he stepped out of the house.
The snow started right after lunch.
There are no fancy descriptions here – no adjectives, no metaphors.
·         It’s raining.
·         It’s cold.
·         It’s snowing.
The reader can then take their experience of rain, say, and use it to imagine a rainy scene.
6. Show, Don’t Tell
When Mary left for work the next morning, the sky was as dark as slate and the icy north wind was blowing the rain straight into her face.
The entire sky was white with snow.
The sound of a dog pawing at the back door waiting to be let inside.

Use the best details you can imagine. Engage all of the senses (how the weather sounds and smells and tastes).
From my historical novel, “Tanayia—Whisper upon the Water


The wind began to blow, hot and restless.  It drowned out the sound of my fists pounding against the door.  It drowned out my cries for help.  I felt clammy, yet the heat of the day was trapped inside the attic.  The heat clawed at my like the talons of a vulture—cruel and without mercy.
Sweat poured down my body.  My legs were heavy with fatigue.  Allowed myself to rest upon the floor.  White spots danced before my eyes like moths.  My head pounded with a wild throbbing pain.
Sister Enid reminded me of Old Woman from my band.  She had appeared to be like everyone else.  She ate, she moved about, she spoke.  Only she wasn’t really like other people.  She was a woman in an empty body.  Old Woman’s sound had been taken from her. . .
Did my details draw you into the scene?  
Did you experience Tanayia's reality?  
Do you have a favorite 'weather scene' in a novel you've read?
Why is it a favorite?
Thank you for stopping by today at BWL Insider Blog.
I hope you enjoyed this month's post :-)
Happy Reading,
Connie 






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