What is a ‘grammar nazi?’ Mohan Ashtakala

 

The use of the lower-case word ‘nazi,’ to describe an extremely authoritarian person, came into vogue in the 1950-60’s. It found popular usage in the description of fanatics of all kinds, such as ‘surf-nazis,’ whose zeal in the search for a perfect wave knew no bounds. More recently, audiences were introduced to the ‘soup nazi,’ an ill-tempered restaurant owner who had the habit of throwing customers out of his establishment, in the Seinfeld television series.

A grammar nazi is one who is obsessed with the formal rules of grammar. They are also eager to point out these ‘errors’ in others’ writings. Grammar nazis are usually amateurs with strong opinions on the usage of the rules of grammar. They are not to be confused with professional editors who wield a pen with the same expertise that a Japanese chef uses his trusty knife. The editor’s intent is to help the author refine his or her craft; the grammar nazi is more interested in proclaiming his or her expertise, especially on social media.

One of the issues is that grammar nazis accept only Standard English, while ignoring many other forms of English, such as Black or Asian English. Another defining characteristic of this type is the pointing out of inconsequential errors, usually done by mistake, while diverting attention from the plot itself.

All writers, even editors, make the occasional mistake. It happens. But it would be a mistake to judge writing only by its strict adherence to the rules of grammar. More important to most writers is the ability to create interesting characters, a compelling plot and the construction of well-written sentences.

We have all come across grammar nazis. My experience is that it never pays to engage in an argument or even a discussion with them. It is a losing proposition and only serves to encourage them in spouting further grammatical rules. Best to continue writing!

 

Mohan Ashtakala (www.mohanauthor.com is the author of The Yoga Zapper, a fantasy, and Karma Nation, a literary romance. He is  published by Books We Love (www.bookswelove.com)

Say it with flowers...by Sheila Claydon

Click here for my BWL page

Weather-wise, I don't know what the winter of 2020/21 was like in the rest of the world, but in the UK it was cold and wet, and the dreariness dragged on into spring. When the sun should at least have been trying to shine it stayed tucked away behind a blanket of grey cloud, and the rain kept on falling. The outcome, where I live on the northwest coast, was overflowing ponds, puddles everywhere, and, as the weather warmed slightly, lush grass and greenery. No flowers though. Everything was waiting for the sun to break through. Then it did, and my goodness the wait was worth it.

Too eager to show off, many of the plants burst into bloom before their time so that late winter, spring and the beginning of summer plants have been fighting for space all at once. And the growth is like nothing I've ever seen. Everything has doubled in size thanks to all that winter rain so that gardens are full to overflowing with colour and foliage. 

Waking up in the morning and stepping outside into all that beauty and colour makes every minute of the day worth living. Memories of that long winter are fading fast as another and then another plant bursts into bloom. And eating lunch outside under a pergola drooping with roses and honeysuckle, or drinking coffee in our tiny courtyard where the dramatic leaves of hosta provide a backdrop to pansies, pinks, and campanula is an absolute joy. 

In case you haven't realised it yet, I love flowers! My mother was a florist, which probably accounts for some of it at least, and my book Bouquet of Thorns pulls everything together. I know how to care for flowers because she showed me. I know how florists work because I watched her. And when I married I discovered that my mother-in-law was not only a keen gardener but someone who wanted to share her expertise and knowledge, so my garden now pays tribute to both of them. It has flowers that were originally cuttings from my grandmother's garden, there are plants my mother-in-law bought, planted for me and showed me how to care for, and the tubs and displays, while not as beautiful as the ones my mother would have planted, are as close as I can get. 

In Bouquet of Thorns, Sarah is trying to establish her own flower shop. Unfortunately she also has to manage her brother's run down wine bar when he is awarded a travelling scholarship. Working long hours, using the profits from her own business to prop up the wine bar, and trying to pacify her disgruntled boyfriend, she is too tired to think straight as she lurches from one catastrophe to the next. And even worse is the fact that Sean Marlow, with his Viking warrior beard and piercing blue eyes, always seems to be at the bottom of them.

It's a story about love amongst the flowers. What could be better?

The Company of Writers

 

   My site at BWL Publishing

             

     

Mercies of the Fallen has just been awarded First Place in the Laramie and Chatelaine Awards!

I love the company of writers! In my office bookshelves are framed photos of treasured author friends I've met all over the world.  We sometimes meet at conferences, at writing classes or library-started critique groups. My latest writer friends are co-entrants in writing awards... we have congratulated and supported each other through long lists and short lists notifications. We've happily shared announcements of making it to finalist levels, then attended award ceremonies together.

Even when it's in the same category, we don't consider ourselves in competition with each other... no one can tell your story but you. We read, review and enjoy each others' work. When we're together, we eagerly talk shop, method and survival in a difficult profession.

I hope you'll find a community of fellow writers or readers who will become lifelong friends!

Book Covers Paint Pictures

 

                  Please click this link for book, author and purchase information.

I like BWL's process for designing book covers. It begins about six months before a book's release, when we authors fill out a Cover Art Form. This includes factual information, such as the book title and author name to appear on the cover, a back cover book blurb, details about the story, keywords for online searches, and -- my favourite part -- ideas for cover images. After we submit the CAF, Art Director, Michelle Lee, designs our covers from purchased stock images. She combines and manipulates the images and adds background and other elements to create covers that hint at the story inside.  

I published my first BWL novel, Ten Days in Summer, in 2017.  At that time, the CAF stated that most of the covers would feature at least one person. When I searched for people images on the stock images website, I discovered a few problems. My main character, Paula Savard, is an insurance adjuster. A keyword search for her gender and job turned up images of women meeting with clients or examining construction sites and damaged cars. In this story, Paula investigates a building fire with a suspicious death. I expanded my search to 'female detective' and got pictures of women holding guns and magnifying glasses. The women looked in their twenties, while Paula was fifty-two. My search for 'professional women in their fifties' unearthed a few possibilities, although none looked like my image of Paula.  

A basic problem with people images on novel covers is that writers and readers form their own images of fictional characters. My searches made me realize that a full picture of Paula might inhibit this reader engagement, although partial images still maintained enough mystery. This explained why rear-view images of women had become popular in novel cover art, but so common they were now considered cliché.  

For the CAF, I chose the best of the images I could find for Paula, plus female images shrouded in mystery -- a woman's legs in cowboy boots, eyes peering through a hole, and a silhouetted woman in a cowboy hat. Since the story backdrop is the Calgary Stampede and the second most prominent character is a self-styled cowboy, I added images of cowboys in silhouette, the Calgary skyline, and fire, for the incident that sets the story in motion. 

I sent the CAF to Michelle, who found images for the cowboy, fire and skyline that were different from the ones I'd suggested. She meshed them together to produce a cover better than any I could have dreamed up myself. 

Two years later, BWL reissued the first book in my Paula Savard mystery series. During this time, the trend in cover design moved away from people to symbolic images. Now the CAF stated that most BWL covers would not feature people unless we insisted. I searched for people images anyway, since I found this fun, but was glad to focus on images related to the story setting and mood. For the new cover of A Deadly Fall, I sent Michelle images of the Calgary skyline, falling leaves, fall trees, and pathways through fall woods. The murder takes place on a Calgary walking path in -- you guessed it - fall. Michelle scored another hit with a cover design of leaves framing the Calgary skyline in glorious fall colours of gold, orange and yellow, along with the red of Calgary's Peace Bridge. 

In February I completed my CAF for Winter's Rage, book # 3 of the Paula Savard mystery series. This time, Paula investigates a hit-and-run collision that resulted in a woman's death. Images of a tire on a snow-covered road, broken windshields, and car headlights in the dark would suit the story, but I wanted this cover to continue the series style. One problem. A Deadly Fall's autumn time frame and Ten Days in Summer's building fire resulted in covers with similar colours. Yellow, orange and red don't evoke winter in Alberta. On the CAF, I suggested we bend the brand and go with white, blue or black winter shades. Michelle agreed. She created a scene of snowflakes falling on the Calgary skyline draped in snow, the Bow River shining ice. Yellow letters echo the two earlier novels.  

The front cover of Winter's Rage gives the first hint of the story. The back cover blurb reveals a little more. You can read what it's all about this August.                      

Writing 300 Words a day Will Give you a Novel in a Year, by Karla Stover

                                                                                                                                    I am a slow writer. Once upon a time, I would have been in good company: Margaret Mitchell spent ten years writing Gone With the wind; J.R.R. Tolkien spent seven years working on The Hobbit,  and Maya Angelou took fifteen years to write the final book of her autobiography. But when I read about others ( should there be an apostrophe?) writing habits, I realize I can't do the same. Of course, most of them were men where cooking, cleaning, yard work, dog walking--chores in general don't get in the way. However, I am always thinking. Does that count?  Right now, I am seven thousand words into Parlor Girls, my next book for BWL. Since it's a historical novel based on fact, there is always research to do. Here's an example: my protagonists have just arrived at a boarding house circa 1885. First I found one which fit what I wanted. I looked at the street and the neighbors. Then I went inside (virtually )and looked at the reception area. Up the stairs to a bedroom and once again, I had to research until I found one meeting my requirements. Another time, it took me a whole afternoon to find an appropriate toilet and then what to call it. Of course, I could have made it all up but I'm not comfortable with that; one reason is that I hate it when I'm reading something and a setting doesn't feel real to me. 

I decided to research the "slow writing" issue and found two comments, the first:

 “Not presently ready to begin writing” means you haven't done enough pre-writing to enable you to write under the framework “the words that I am writing are the words the reader will be reading.” ... Many writers who write painfully slow do not do the necessary pre-writing. It's not part of their process." https:academicmuse.org

Well, that isn't nice. I moved onto the second:

"To write slowly is to write deliberately, and often the best way to write 1,000 words in an hour is to sit down with the intention of giving yourself more time and writing 300. Slow writing also has greater clarity, because your thoughts have time to form. Writing fast works when you know exactly what you want to say," https://alifeofproductivity.com

Much better.

The johnfox.com says, "It is the fast writer who uses language in a utilitarian manner. The slow writer prizes the texture of language, and all the richness that creates language." 

Now, we're talking.

I have had two dental procedures recently, and after the shots (why hasn't someone invented a way to make them less painful?) I just zoned out and mentally worked on what was next in my book. Then, I came home and wrote my thoughts. Another thing I've discovered is to work on what I want to say when I can't sleep or when I am super depressed from missing my parents and my brother. It keeps the pain of their loss pushed away.

Here's what two of the best writers had to say:

"Go wisely and slowly. Those who rush stumble and fall." William Shakespeare. Hah! So said the man wrote wrote at least 38 plays and 150 poems.

And to paraphrase Ernest Hemingway, "I don't want to empty the well of my writing." Since he wrote 9 short story collections, 9 non-fiction books, 10 novels / novellas, among many other things, his well must have been deeper and fuller than mine is.

At least I'm doing better than Anna Sewell (one book, Black Beauty) Edgar Allen Poe (one novel, The Narrative of Arthur Gordon Pym of Nantucket ) and Emily Bronte ( just the one book, Wuthering Heights.) She did have a good excuse, though; she died.

That's it. That's all I have to say. It's time to fold the laundry, sweep the floor and move the hose. Then I'll get back to my book.