Sunday, August 28, 2016

How an Author Gets her Kicks on “Route 66” by Connie Vines

Having lived a great deal of my adult life in the Inland Empire, were the
famous Route 66 runs right through my backyard. One lazy Saturday morning I decided to set out and see what I could find on a brief stint down the historic road from Rancho Cucamonga to San Bernardino (I’ll save the drive to Santa Monica for a future post). The people I met and the stories I heard in these short four hours of my morning about the people and families that have built their lives on this road, are stories I’d like to share with you. While so much of the history has died in the commercialization of the area (I can’t help but think about the movie “Cars”) here are the spotlights that I saw from the stretch of Route 66 that starts in Rancho Cucamonga, California, USA and ends at the city of San Bernardino.



Everyone one recognizes The McDonald restaurant logo, but did you know that there is a museum, too?


In 1940, Dick and Mac McDonald opened McDonald’s Barbecue Restaurant in San Bernardino, California, at 14th st. and E st. They had a staff of 20 carhops and a 25 item menu that included barbecue ribs, beef, and pork sandwiches. They soon became the #1 teen hangout in the San Bernardino.

In October of 1948, the brothers took the plunge (against the advice of all their customers) and closed their successful restaurant, terminated all their carhops, reduced their menu to cheeseburgers, hamburgers, milkshakes, and fountain sodas, and reorganized their kitchen in order to specialize in speed of service, simplicity of menu, and low prices. Their revolutionary thinking forever changed the restaurant industry.



This 1,718 seat auditorium was built in 1928 and is a perfect example of the architecture and style of the time. It is a beautiful building, even better when it’s lit up at night, that has been renovated on the inside to become a modern theater that is still in use today.  Link to the events.


 

The approach of the mighty sprawl of metropolitan L.A. doesn't mean the ride's over. Just past San Bernardino, as the cityscape takes over, this kid-friendly motel is the best of the three remaining "wigwam" motels that appeared in the '30s, '40s, and '50s. And even if you ignore their infamous sign ("Do it in a teepee"), it's worth stopping for a night. Each concrete room is well kept up and faces a palm-dotted lawn with a pool. The drive continues to the Wigwam Motel, which is one of the most well know landmarks on this part of Route 66.


While I do not plan on every bit of research I found on my adventure, I can capture the ‘flavor’ of the experience.  Historical, Contemporary, YA cookbook?  An author is always game for a new writing adventure.

Happy Reading,

Connie

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Saturday, August 27, 2016

Series: What to write next? - by author Vijaya Schartz

The Curse of the Lost Isle, a romantic medieval fantasy series, was twenty years in the making and is coming to a close. Of course, I wrote many other novels for various publishers in multiple genres during that time, since that series did not find a publisher right away, and required a great amount of historical research. As I am writing the last novel, Book eight, Angel of Lusignan, scheduled for release around the holidays, I realize with nostalgia that it has been a long labor of love. I’m going to miss living in that world.

As to what comes next, I’m still debating. I like writing in different genres and I have a habit of mixing them, which creates marketing nightmares for my publishers. But I like my stories to be original, different and unique. I write what I would want to read. In the Curse of the Lost Isle (from BWL), featuring a family of immortal ladies with Fae gifts, I mixed authentic legends with known history and romance. In the Ancient Enemy series, I mixed science fiction with romance, and several of my characters have paranormal abilities… sometimes created through technology. 
 
I also wrote a few contemporary romances, but always with a twist, like reincarnation, a mystery, or a thriller element. Whether writing about the past, the present, or the future, my main constants are action, adventure, and romance. I also have a predilection for cats, as they pop up as secondary characters almost everywhere (except in medieval times, but I do have a major dog character in Damsel of the Hawk). 
 

I would also like my next project to be a series. Like a reader, after I fall in love with a created world, I enjoy spending time in it. But I may choose to make these series shorter. Maybe three or four books, not six or eight like in my two latest series. It’s difficult to promote Book seven or eight to new readers who haven’t read any of the other books… even if it’s a standalone. 



Standalone is another requisite of mine. I like my series to be readable out of order, so each book should be a complete story as much as possible. As a reader, I hate cliffhanger endings and would never do that to my readers. I had to cut longer books into two parts before, not by choice, and although I still gave the first book a satisfying ending, I couldn’t tie up all the loose ends or resolve all the conflicts at the end, since that happened in the second book. It deeply bothered me. From the reviews, I know it bothered a few of my readers as well.

Now, for the time and place: Medieval? Futuristic? Contemporary? Post apocalyptic? On a space station? On an alien planet? In an alternate universe? I have used all of these in the past. Is there any other option?

As for the characters, I have a predilection for strong, kick-butt heroines. I also really enjoyed writing immortals. I once flirted with the idea of writing a series featuring angels, and I am still considering it. They could be fallen angels seeking redemption, or guardians of the human kind. Or, they could be aliens, alien/human hybrids, or AI (artificial intelligence).

So, my new writing project should definitely be a series with strong heroines, romance, action, adventure, and cats (you can never have too many of those). Each novel should be a complete story, and the series should lend itself to a different hero and heroine for each story. So, the constant would be the world in which the characters evolve.
 
In other words, writing a series revolves around creating a world in which strong, captivating characters can fight for what is just and good, and in the process, find their happily ever after. Writing this post helped me order my thoughts. Starting next year, look for the start of a new sci-fi romance series involving strong kick-butt heroines and gorgeous aliens with angel power. Now, back to finishing the Curse of the Lost Isle medieval series. 
 

 
Vijaya Schartz
Blasters, Swords, Romance with a Kick
http://www.vijayaschartz.com
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Friday, August 26, 2016

How fashion has changed—or has it? Tricia McGill

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Fashion has played a large part in my life. Before my focus centered on writing I worked in the fashion industry for many years. My book A Heart in Conflict is set in the world of fashion and because of my past it was obvious that at least one of my books should feature the industry that was part of my life for so long.

It all began when I was a child. I guess it seemed inevitable that I turn to fashion as a trade as my mother was an expert seamstress and to be honest I can’t recall ever wearing a dress as a child that was not made by her or two of my eldest sisters who later took over the task. Joan was a pattern maker and also forelady of a clothing factory. It was she who more or less coerced me into fashion. I fought against it for a year after leaving school and argued that I did not wish to work in a factory. But a position in the cutting room where she worked became vacant and between her and my mother I was convinced to give it a try. Just as a side note, I wanted to work in stables or kennels. Ah,
Joan was the glamor girl
of the family-note the shirred
bathers (they were passed
down to me)
 that dream was never to reach fruition. My eldest sister was an expert embroiderer and so all my dresses from an early age were decorated with her wonderful smocking, a tradition that has more or less died out, as most of this type of work is now done by machines.

Joan would bring home fashion books and I spent many happy hours cutting out the ladies and lining them up for my impromptu fashion parades. My favorite of all time were the paper doll books. Not a birthday or Christmas went by when I was not given one of these books. I just loved changing the outfits to suit the occasion. On trying to find pictures to illustrate this I learned that the designs and dolls still exist but are certainly more elaborate than my early gifts. My sisters made me a rag doll and she got many a change of outfit, and hairstyle. Her hair was fashioned from thread wound around a book and stitched to her
head.
The color and length was changed regularly as the whim took me. How I wish I had kept that cherished childhood love, but like many childhood mementos she disappeared. Once we reach teenage there are too many other intrusions. I did keep my old china doll for years and only parted with her
a short time ago when she finally fell apart.  I have kept the dress she wore and her bootees, as both were made by my eldest sister for her first child.
A early book of paper dolls.
I was so used to my sisters and mother making their own clothes that it didn’t seem unusual to me. Once I began in the cutting room, fabric became easily available so therefore I also made all my own clothes. For many years I didn’t possess a shop bought dress. I do have an admission to make here, for I cannot lie, I am not a good seamstress like my mother or sisters. Yes I can make a pattern from scratch and of course sew the garment up but I become impatient when it actually comes to the putting it together part. My mother had a Singer treadle machine, electric of course by now, a far cry from her early one that had to be hand driven. I learned to sew on that, and have never been without a sewing machine since I married and left home.

After my arrival in Australia I opened my own business for a while. Another sister came along with me as she is the expert sewer. It was fun while it lasted and some of the customers were dears who were always up for a chat while being fitted. I learnt many a family secret. Mind you, there were the hard to please women whose figures fluctuated with their tempers. There is nothing worse than having a bridal gown finished only to find that the bride has lost or put on weight suddenly, either through binge eating or fast dieting.

Aunt Flo (pictured) was also in the industry. This pic was taken circa 1040.



My dear little shop-note my
dogs always came to work
with m
This was in the days before all the rules and regulations began to make life difficult for starting up a small business. I simply rented a shop, got my husband to decorate it, bought some fabric, and away I went. Until one day an officious looking man carrying a clip board came into the shop wondering if I had registered. Registered? Er, well no. But this was soon rectified as he was a gentleman and soon explained how to go about it. It was hard work in that little shop, and long hours, and so I returned to the factory. I loved my work, even though it was often tough going at change of season times when everything was always wanted yesterday.
Note my sketch on the wall.
See, we did wear knee high
boots and mini skirts then.


They say what goes around comes around, this is so true in the world of fashion. I don’t
Alma Cogan
mean haute couture which is at times bizarre in order to be different and outstanding. But as far as the average woman and what she is wearing today, my sister and I often nudge each other and say, “Remember that outfit I had that was just like the one this woman on the TV has on.”  Yes, we went through the maxi phase and the mini phase, the high boots and the strappy sandals and high wedge phase, the high-busted and the dropped waistline. Even the full skirt with layers and layers of stiff petticoats beneath, favored by swing dancers, was a trend we endured. The older ones among you will recall Alma Cogan who wore the really full skirt, and so we followed suit. I just Googled Alma and would you believe heard a snip from one of my all-time favorite songs by her, “Little things mean a lot.” Sorry, I digressed to shed a tear. Even my wedding dress was full-skirted, with yards and yards of tulle.

  I think Bridal gowns have undergone the most changes. The bride of the 40s or 50s wouldn’t have
worn a strapless gown. Most brides had a long train and carried elaborate bouquets.
  
One thing that always disappointed me and my sisters was our parent’s lack of wedding photos. Our mother never talked about her wedding day, in 1914 or thereabouts, and it is likely they had a civil ceremony where she wore a suit that she would have made herself, like this one in the picture. She would have also made her hat. 




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