Thursday, August 22, 2019

Writing Sisters of Prophecy by Jude Pittman and Gail Roughton

For book information and purchase details click the link below
http://bookswelove.net/authors/pittman-jude-mystery-romance/


Writing Sisters of Prophecy was an absolute delight.  First of all, we had my own ancestor (so legend says) Mother Shipton from 16th Century England, who delighted in scaring the pants off all the locals and of course the political elite.  Here's just a brief sample of her writings. See if you can decipher the meaning of this one into 21st Century terms.


These states will lock in fiercest strife, 
And seek to take each other's life. 
When north shall thus divide the south 
An eagle build in lion's mouth 
Then tax and blood and cruel war 
Shall come to every humble door.

Gail and I turned Mother Shipton into a time traveling, generation  hopping meddler who pops in and out of the 21st Century while her great, great, great.... granddaughters are trying to sort out their love lives.  Gail and I loved writing this book.  Here are a few samples of what happens in the lives of these modern Shipton women when 16th Century grandma stirs the pot.


Kitty-Kat, there’s a very special lady back in your family tree. A lady with the gift of prophecy. Her name was Ursula, but people called her Mother Shipton. She helped sick people and sad people. Legend says she foretold great wonders, lots of things that’ve come true.

Was she your grandmamma, Mimi?


Lord, no, child, she lived generations ago. Four hundred years ago, in a time when kings and queens ruled. And she’s actually on Poppy’s side of the family, not mine, but I’ve always loved the stories and I’ve always felt very close to her. And that gift of prophecy… it’s passed down through the years in the Shipton family, usually to the women, though not always. A gift from her, a legacy. A connection.

  

First there's Lillian.  She occupied a special place in the family hierarchy. Widowed at a young age, Lillian never remarried and when her older brother died leaving three year old Katherine an orphan, Lillian stepped in to help her mom who was still raising 3 year old Irene. Lillian devoted her life to the family, but she still managed a very successful career in the stock market, so successful that she took early retirement at 40 and thereafter became a full time family trouble-shooter.

     As a professional woman, Lillian had kept the Shipton name, and after she’d retired at forty—she spent her time as a roaming family trouble-shooter. How she always knew which family member needed her and when remained a mystery to all, especially since the Shiptons were a large and far-flung clan, spread over a large geographical area. Sometimes she wasn’t sure herself, but she’d learned long ago not to argue when that inner voice told her, You’re needed. Go.

   

Katherine grew up to become a gifted artist.  So it was that on the verge of marrying her soul mate, after a lucky escape from a very unsuitable fiance, she first encountered Mother. It all started when she decided to paint a portrait of her notorious ancestor as a gift to Mimi.



     Katherine bit her lip. Moment of truth. Time to stop stalling. Of course, it had just been coincidence that the picture talked to her—scratch that. She’d thought the picture talked to her at the precise time she’d seen Quentin for who and what he really was. And it was just coincidence she’d had that damn dream again the night before Quentin’s surprise call out of the blue. Because that hadn’t been a real surprise; she’d always known deep down he’d call. He couldn’t just let go. It wasn’t in him. Still and all, her Quentin epiphany came right after the portrait’s ventriloquist act. The lady in the tower said the portrait had more to tell her. She had to give it a try. 


     She jerked the tarp off the portrait. And waited. Nothing. Of course, nothing. She picked up a brush and loaded the bristles with cobalt blue. 


     With the first stroke, roaring filled the studio. Katherine dropped her paintbrush, slapped both hands to her ears. Well, she’d asked for it. And she’d gotten it. 


     “And about time it is, my girl. ‘Tis stubborn you are.” The same bent crone she remembered stood in front of Katherine’s easel.


     “Why are you here? Why did I see you before? And why am I seeing you now?”


     “You know why, child. In your heart, you know.”


     “What did you do to me last time? To make me cringe when Quentin touched me?”


     “‘Twas nothing I did. You did it yourself. You opened yourself to what you already knew was true. ‘Tis in your blood, ye canna escape it. I just helped a wee bit with the seeing of it.”


     “That had nothing to do with blood. I just finally started putting things together about Quentin.”


     Mother Shipton shook her head. “Stubborn. But then all young folk be stubborn, can’t complain, I was meself. 

 Then there's Irene.  She's engaged to her childhood sweetheart, who just happens to be the current world champion saddle bronc rider and star of the Calgary Stampede. Irene's in a pickle over some dreams she's been having and the young lady's romance is set to go on the rocks.  That's when Mother steps in with more delightful meddling when a friend of Irene's fiance Matt gets up to some dirty tricks.

     Mother floated over the line of motor homes that filled the area behind the barns looking for the one belonging to cowboy Chance Mayfair.


     Not a very nice young laddie, but perhaps after I’ve had a wee chat with him he’ll come up with a whole new change in attitude.


      Mother found the trailer, slid on inside the locked doors and pulled a chair up beside the man sprawled across the folded-out double bed, snoring loudly.


     “So, it’s Chance Mayfair I’ve the pleasure of speaking with today, is it now?” Mother put her mouth next to the young man’s ear and raised her voice to a pitch that would easily summon all the cows on Scotton Moor.


     “Hey! What the hell!” Startled out of a dead sleep, Chance leapt out of bed and towered over the old lady sitting in a chair beside his bed, grinning like a circus clown.


     “How’d you get into my trailer?” Chance bore down on the woman. “You better get the hell outta here or I’ll be calling security to come and drag you out.”


     “You mean like this?” Mother swooped out of the chair, flew across the room and landed on top of the television set in the far corner of the combination living and bedroom.


     “Hey!” Chance tossed his hands in the air. “How’d you do that! What are you doing in here? I may have had a couple of beers last night but I know damn well I didn’t ask no old woman to come on home with me.”


     “Oh, ye don’t like the way I look? Well, if’n that’s all that’s troublin’ you lad, why didn’t you say so? How about I just fix myself up a wee bit.”


     In the blink of an eye the old woman disappeared and a sleek black panther with glowing red eyes and a mouth full of gleaming white teeth crouched in her place.


     “No! Hey! What the hell! Stop it, back! Get away from me!” Chance jumped over the back of the chair where Mother’d previously sat, his face as white as the teeth of the panther.


     The giant black cat morphed into a tiger. “Well now. You don’t fancy that look either?” Mother turned from the tiger back into the old woman and floated down from the TV set to stand on the floor in front of the chair.


     “You’re a witch, aren’t you?”


     “In a manner of speaking. So, are you ready to listen to a few things I’ve got to tell you or do you want me to invite a few more of my friends to pay you a visit?”


     “No! I’m listening. I’m a real good listener. You just go right ahead with whatever it is you want to talk to me about.”


     “There, there, now that’s a sensible laddie. So, first of all, we’re going to have an understanding about the trick you pulled out there in the ring the other day.”


     “What trick?”


     “Did you hear me tell you that I wanted you to listen and not waste my time with any silly denials? As you’ve already figured, I’m one of the immortal kind, and I don’t need you to tell me what you did or didn’t do out there the other night. I know what you did. I know everything you did, and from now on I’m always going to know everything you do. Do you understand me now, or do you need me to call in a few more of my friends to help you clear the cobwebs outta that rather thick head you got perched on top of yer shoulders?”


     “No ma’am. I mean yes ma’am. I mean I understand and I won’t interrupt no more.”


     “Good, then let me tell you what you’re going to do from here on out.”


     Mother spoke for another twenty minutes, and finally, when she’d finished all she had to say, and just to make darn sure Chance Mayfair would have no illusions about who he was dealing with, she took time out to change into what most humans assumed a werewolf looked like. For good measure, she finished with an incredibly ghoulish eight-foot zombie.


     “Oh, it was powerful fun.” Mother laughed as she told Lillian all about it back in the apartment. “I suspect he most ‘probly had to change his drawers and his jeans once I left. I’ve been wanting to try out that Zombie ever since I watched that silly show on Katherine’s television set.”


And that's just a few of the highlights these entertaining characters get up to in Sisters of Prophecy.  I hope I've whet your appetite enough that you'll be tempted to give it a try.  Available from all your popular retailers in eBook and Print and from Audible as an audiobook.

Details here on Jude's BWL Author page.

Wednesday, August 21, 2019

A fight for America, Loyalists must choose or die, by Diane Scott Lewis

FREE on Kindle Unlimited for a short time.

Her Vanquished Land - a revolutionary Gone with the Wind.

In researching the American Revolution, I learned the plight of the loyalists who didn't want to separate from England. They didn't understand how a band of anarchists could form their own country, and desert the motherland. How could they be set adrift in this strange land, to make their own laws, and survive? The rebels were tired of over-taxation and no representation in British Parliament. The loyalists hoped for a compromise.

Eventually, the loyalists were forced to choose: join the rebels, escape or die. Spies abounded on both sides, double agents infiltrated each camp. Both Rebels and Loyalists believed in their cause. A terrible war, brutal bloodshed, resulted.

Many people were confused about which side to join.  My heroine, Rowena, ended up on the wrong side of the war, her family staunch loyalists, her brothers fighting as officers in the British army. She demanded to aid the loyalist cause and spy for the British.
As the rebels gained in battle, her livelihood and home confiscated, Rowena's family had to flee.



Blurb: In 1780, Loyalist Rowena Marsh insists on spying for the British during the American Revolution. As a girl, she must dress as a boy, plus endure devastation and murder as she decodes messages for a mysterious Welshman. The tide has turned in the rebels’ favor. General George Washington appears to be winning. The loyalists are bombarded by threats and lost battles. Rowena stays determined to aid the British cause and preserve her family as they’re chased from their Pennsylvania home.

She struggles with impending defeat and permanent exile, plus her growing love for the Welshman who may have little need for affection. Will the war destroy both their lives?

For further information on me and my books, please visit my website: www.dianescottlewis.org

Purchase Her Vanquished Land HERE

 
 Diane Scott Lewis grew up in California, traveled the world with the navy, edited for magazines and an on-line publisher. She lives with her husband in Pennsylvania.
 

Monday, August 19, 2019

Trash or Treasure? by Stuart R. West

Trash or Treasure? YOU decide by clicking here!
"Chaotic, fun and hilarious." So says Boundless Book Reviews of my Zach and Zora comedic mystery (kinda cozy) series, detailing the wacky antics of a vapid male stripper (Just don't call him that! He's a "male entertainment dancer," after all.) and his very irritable, very pregnant sleuth sister who has to solve murders to get her doltish bro out of trouble.

But, wait, here's another spin...

"Total trash," says an enlightened, anonymous Amazon reviewer.

Out of my 23 books, this was the only one-star review I've ever received. It used to bug me. Until I learned to embrace it, kinda like that tattoo you got in college of Weird Al Yankovic. I began to wear it proudly like a scar of war, proof of my time in the battlefield of writing.

And I don't know about you guys, but honestly, if someone calls a book "total trash," I'm immediately interested to find out more. Call it our car-wreck, lookie-loo culture or the training ground of voyeuristic "reality" TV, or just plain masochism, if someone calls a book trash, sign me up!

The reviewer in question goes on to say (specifically about Bad Day in a Banana Hammock), "I only read the first five pages. The guy wakes up in a strange room with a dead body yet he stops to pose in the mirror an (sic) notice how good he looks...too much for me" 

(Despite how this sounds, the books are a mild PG rating across the board.)
Total trash! Yay!

Hmm. Regardless that it's ludicrous to rate a book one star based on the first five pages (and, yes, I tried to battle the Amazon behemoth on this; a very polite robot responded with a rote reply that had nothing to do with my complaint), I think the real issue is the (sorta) reader didn't think the book was funny. In fact, I'm not even sure Mr. or Ms. Enlightenment even realized it was supposed to be a comedy.

That's okay. Humor is extremely subjective. I cringe at most modern comedy films (Adam Sandler, anyone?) and I know it goes against being a guy, but take the Three Stooges...please! I mean, writing and reading are very subjective, everyone knows that, but humor is really tough. It's impossible to please everyone when it comes to writing humor, so why do I continue to do it? 

Two reasons: A) If I make even a few people laugh and forget their daily grind for a bit, it's worth it.  B) I can't help it. Many times I set out to write, say, a straight horror tale, but then things take a turn for the absurd.

As Steve Martin said, "Comedy isn't pretty."
Quick! Someone notify the Decency Council!
Back to my enlightened critic on Bad Day in a Banana Hammock, I'm not sure if their inability to grasp the humor of the book says something about the reader or my lack of writing skills, but, um...can you possibly read that title and not expect a comedy? Or maybe look at the other reviews? Read the blurb?

I'm reminded of the hullaballoo in the 80's when the remake of the horror film, Cat People, came out. Parents were outraged because they took their children to see it and witnessed gore, sex with animals, nudity, and other fun family topics. It's their own fault. The fact the movie was rated "R" should've probably tipped them off that the subject matter wasn't about cute, lil' kitties. Or maybe they could've read a little bit about the movie. Look at the poster? Nah, too much work.

So, what have we learned here today? Some people like Adam Sandler movies. Don't take your kids to see Cat People (the 80's version, at least). No matter how dumb, drunk and young you are, never ever, EVER get a Weird Al Yankovic tattoo. Oh! And the third book in my ongoing Zach and Zora series, Nightmare of Nannies, in a remarkably timed coinkydink, happens to be on sale this week for the incredibly crazy low price of .99! (Don't worry, you don't need to read them in order). Read it, laugh, or send me hate mail...please!
Funny or not? Accept the challenge!

Saturday, August 17, 2019

What About Series - Janet Lane Walters #BWLPublishing #MFRWAuthor #Series #Writing


What About Series
 Forgotten Dreams (Moonchild Book 5)

I once had a discussion with a friend about trilogies versus series. She believed trilogies were series. I thought series should be beyond three books. Though we never settled the argument, we did talk a lot about series. One of my favorite authors has a long and wonderful series. There’s another book due in this series in January and I did a pre-order for a lot of money. I believe this is book 20 or maybe 21.

During the discussion, we discovered there are many kinds of series. One type focuses on a group of friends and their lives. Many of these are romances.  My series Opposites in Love and the Seduction series fall into this category.
 The Leo-Aquarius Connection (Opposites in Love Book 5)

Opposites in Love and Moonchild series fall into something different. They have Astrological Signs as a foundation. Moonchild also has the same large town or small city, not sure what it is. The use of Affinities in the basis for the YA Series.
 Affinities Escape

Murder and Tea all belong to the same character. So does the YA fantasy series Affinities. But this is many of the characters as they grow and come into their powers.

 Murder and Sweet Tea (Mrs Miller Mysteries Book 6)
So series can be based on a single character and continuing adventures. There are series placed on location. All taking place in the same general area. There are series based on something like astrology, or other like kind of subjects. The great thing about series is keeping them fresh and also knowing when a series might end.

Now some questions I’d like you to give your opinion.

Are trilogies series?
What are your favorite kind of series?
Do you have a series to plug?

Friday, August 16, 2019

Good at The Bad, by J.C. Kavanagh

Book 2 of the award-winning The Twisted Climb series

Peace and tranquility are by-products of sailing. Capturing these serene moments are difficult. You have to choose between ‘leaving’ the moment to concentrate on a photo/recording device, or, still your soul to imprint the moment on your mind.


Georgian Bay art in the sky
 
Imprinting these special moments adds to the hundreds if not thousands of imprints in the playground of your mind. As I write this, I’m on week two of a month-long sailing vacation in Georgian Bay, Ontario. I’ve mentally captured hundreds of images and stored them all over the playground in my mind. Some are on the ladder steps leading to the zipline platform; some are tied to a slim-shady bridge made of vines, and others are stored in the dark recesses of an old wooden cupboard. All patiently waiting for the perfect moment, for the perfect scene, for the perfect character.
 

 

I’m anchored at The Bad River on the northeast side of Georgian Bay. When the weather is bad here, it’s really bad. But when it’s good, it’s an earthly paradise. This is the place that jumped from reality and into the playground of my mind – and then leapt into the pages of my award-winning sequel, The Twisted Climb – Darkness Descends. There you will find the Devil’s Door Rapids. There too, you will find the treacherous waterfall and the great cliff.


Devil's Door Rapids at The Bad River
Georgian Bay, Ontario

My sailboat, Escape Route II,
anchored at the cliffs of The Bad River

Adventures are calling. Who will respond?

 

J.C. Kavanagh
The Twisted Climb - Darkness Descends (Book 2)
voted BEST Young Adult Book 2018, Critters Readers Poll and Best YA Book FINALIST at The Word Guild, Canada
AND
The Twisted Climb,
voted BEST Young Adult Book 2016, P&E Readers Poll
Novels for teens, young adults and adults young at heart
Email: author.j.c.kavanagh@gmail.com
www.facebook.com/J.C.Kavanagh
www.amazon.com/author/jckavanagh
Twitter @JCKavanagh1 (Author J.C. Kavanagh)

Thursday, August 15, 2019

Weird Television Shows






Television has given us some of the strangest ideas in entertainment. Here are eight of the most bizarre shows ever:


1) The most tone-deaf concept: Heil Honey I'm Home! 

Hitler getting his ears chewed off by Eva Braun
A British sitcom, written by Geoff Atkinson and produced in 1990, which was cancelled after one episode. It centers on Adolf Hitler and Eva Braun, who live next door to a Jewish couple, Arny and Rosa Goldenstein. The plot?  Hitler's inability to get along with his neighbours (you think?) It caused controversy when broadcast and has been called "perhaps the world's most tasteless situation comedy".


2) Love me, Love My Car: My Mother, The Car

As its title suggests, My Mother The Car dealt with a talking automobile. Jerry Van Dyke starred as David Crabtree whose mother, Gladys, has been reincarnated as a 1928 Porter car. Announcing the show’s cancellation in May 1966, The Chicago Tribune’s television critic Clay Gowran called My Mother The Car “a horror that defies description.” A total of 30 episodes were broadcast: the last new episode aired on April 5, 1966.


3) Cook and Vomit: Close to the Bone: Surgeons and Chefs

This is pretty much what it sounds like. Chefs, surgeons, a lot of edible anatomy, plus a dose of hard-body doctor windsurfing footage--turns out the show's resident surgeon, Dr. Hu, knows how to cut through both cervical fascia and sick waves. Everyone involved in this is Canadian, and an article from Dr. Hu's medical alma mater reports that the show actually aired on the Canadian Learning Channel in 2004. Good thing restaurants don't provide health care.


Brutal humiliation of Earthlings by Alien Monkey News Anchors
4) Alien Monkey New Anchors: Mikorte Informativo

Think our late-night comedians are harsh? This Mexican news-satire show has hosts that dress as monkeys from another planet and mock what’s going on with Earthlings.




5) Taking on the Russian Police: The Intercept

Who wouldn’t like to receive a brand-new car for free? That was the concept behind this Russian game show. A guest would come on to the show and drive off with a car. Of course, where’s the “game” in that? So the producers added this wrinkle: After you got your car, they would report it stolen to the police. If you avoided the cops for 35 minutes, the car was yours. The show included “losers” getting beaten by Russian cops.


6) Celebrity Executions: Ramez Galal's Prank Show

Paris Hilton on the Bus to Eternity
Ramez Galal, an Egyptian prankster who has the rapid intensity of someone who takes his Red Bull intravenously, is the star of the show and is accompanied by his crew of "sidekick terrorists." A bus full of actors and one mark (usually a celebrity or group of tourists) is hijacked by Galal and his team, who are covered in headscarves and wielding AK47s. The marks are then dragged out of the bus, blindfolded, forced to their knees and told they're about to be executed. Just before the trigger is pulled, Galal reveals himself and the prank.


7) The Bachelor” knock-off, starring Mothers-in-law: Perfect Bride

This show was what can be called the Indian version of Splitsvilla. Like Splitsvilla the male and female contestants were made to stay in a picturesque villa and performed brainless tasks. However, the winning jackpot, in this case, was not a date but a wedding. And the best part, the mothers of the prospective grooms were also to reside with the female contestants of the show and judge them to be worthy or not of their sons. For those who like romance served with a side of awkwardness, with tension thick enough to slice with a knife.


8) The never-ending drug-trip from the ‘70’s: Monkey

Who? What? Where? How? But mostly, WHY?
Attempting to sum up the plot is an exercise in futility, but needs must, so here goes: An immortal
human-monkey hybrid with magic powers who was born from an egg on a mountain top joins a Buddhist monk who’s actually a woman on a pilgrimage to India. They are accompanied by a water monster (Sandy) and a pig monster (Pigsy) and travel around either on a biddable cloud or a shape-changing dragon who serves as the group’s horse. The horse can talk, and is voiced in the English version by Andrew Sachs. From China.



 Mohan Ashtakala is the author of "Karma Nation," a Literary Romance, and "The Yoga Zapper," a fantasy. Check him out at: www.mohanashtakala.com or at Books We Love, www.bookswelove.com

Wednesday, August 14, 2019

A modern Miss and a modern kiss...by Sheila Claydon


Click here for more of my books

With teenage grandchildren I am under no illusion that today's writers have to look to their politically correct credentials if their stories are to pass muster. My goodness how times have changed!

I was first published in the early 1980s when it was still entirely possible for the heroine to be kissed against her will or, through lack of a voice, be coerced into doing something that was anathema. Of course we all know this still happens in real life, in sad situations where women and, more often, young girls remain powerless, but there is no longer any place for this in the sort of escapist romances I write.  Nowadays the heroines are all feisty (and rightly so). They have careers and independence. Their sexual back history is usually alluded to sufficiently to make it clear they are not entirely innocent. They are also prepared to walk away from any romantic liaison that doesn't satisfy them emotionally.

They are, of course, also computer savvy, carry cell phones, drive, often own property and are frequently fearless when faced with either physical or emotional dilemmas.

The only way around this is to write historical romances when life and behaviours were very different, and this became very clear to me when I wrote Remembering Rose, the last book I had published.  It is a story of several romances, one of them being that of Rose who lived in the 1800s. The juxtaposition of Rose's life and that of her great-great granddaughter (researched from historical accounts by real people) is a real eye-opener. I am old enough to remember the attitudes of past times, however, and the practical reasons behind them, whereas modern teenagers and twenty and thirty somethings are not, and why should they be. Life has changed almost beyond recognition and is continuing to do so, and writers have to try to keep up with it.

Lisa, the heroine in that first book of mine, Golden Girl, now republished by Books We Love as a retro romance, is light years away from Rachel, the heroine of Remembering Rose. And so is the storyline. Nobody would ever try to push Rachel around whereas Lisa had to fight off unwelcome advances and suffer in silence when nobody would listen to her voice.

So what does that say about me? Someone who lived in London in the swinging sixties, which, unless you were part of a small coterie of celebrities, were far, far less swinging than history would have us believe! It says I started off as a Lisa but have ended up as a Rachel, something that has happened to many women of my generation but certainly not all. To keep up a writer needs to mix with people of all ages, especially younger ones, and learn from them, or become irrelevant.

I thought of this when I revisited the half written manuscript of my latest novel, the one that has been sleeping on my computer for almost two years while I concentrated on other things. After a hiatus I can feel the need to write stirring again but, because life changes are moving exponentially nowadays, I read it was some trepidation.  What was I going to have to change? Fortunately it looks OK. The language and attitudes are fine and the storyline is still relevant. I am having trouble with moving it forward though because this time there will be teenagers involved as well as the main protagonists who might end up as step parents ( a first for me)...oh yes, and a ghost as well...just like in Remembering Rose. It seems that the village of Mapleby, which is the setting for both books, and for a further one in the future, is haunted...not by ghouls or goblins but by the spirits of past romances. Writing again promises to be an interesting ride.


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