Excerpt from Terror on Sunshine Boulevard: a Scary Read for Halloween

Terror on Sunshine Boulevard by J.Q. Rose
Paranormal mystery
Click here to find more mysteries by J.Q. Rose released by Books We Love Publishing

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Hello and welcome to the BWL Publishing Insiders Blog.  I'm sharing a short excerpt from my "terrifying" novel that is perfect for a scary Halloween read, Terror on Sunshine Boulevard.

A reader told me she discovered she shouldn't have read Terror on Sunshine Boulevard before bed. She was too scared to turn off the lights and go to sleep!

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Back of the Book: Terror on Sunshine Boulevard by J.Q. Rose

Rescuing a naked woman lying in a geranium bed or investigating mysterious murders are not the usual calls for first responder Jim Hart. He expects slip and fall accidents or low blood pressure emergencies in his retirement community of Citrus Ridge Senior Community and Golf Resort. The ghastly crime scenes turn the winter time fun into a terrifying season of death and mystery when the authorities cannot track down the predator responsible.

Jim and his wife Gloria could escape the horror and grief by returning to their northern home, but concern for their friends and residents keep them in Florida. With the entire community in a dither over the deaths, the Harts participate in the normal winter activities of golfing, dancing, and pool parties with their friends to distract them from the sadness and loss.

Can Jim and Gloria work with the authorities to discover who or what is killing the seniors on Sunshine Boulevard and stop the increasing body count?

                                         

Excerpt: Terror on Sunshine Boulevard by J.Q. Rose, Chapter 8
Warning: This is the chills part of the blog post, not the giggles.

Turning on the warm water in the bathtub, she placed her hand under the faucet to gauge the temperature. When it was just right, she turned the shower on at full force, ready to step in for a relaxing indulgence with the warm water raining over her body.  Before Pamela could step in, she heard Noel’s moan from the bedroom. Terror clutched her throat. Oh, Noel, please don’t have a heart attack now! She yanked open the bathroom door and stood frozen in the doorway. The moonlight through the window added shimmer to the yellow stripes crawling across Noel’s naked body. When a blazing yellow light filled the bedroom, she slammed the bathroom door shut. The animal instinct to escape kicked in. Clambering onto the toilet and stepping onto the granite counter, she yanked the screen off the bathroom window and dove headfirst into the cool night air. She landed face down on top of the flowers in the wood-chipped flower bed below. Pamela’s screams pierced the night as she lay naked among the geraniums....to be continued.  

Do you enjoy being scared? Haunted houses? Horror movies? Scary books?
Please leave a comment below and let us know.

Happy Halloween!!

Click here to connect with J.Q. Rose online.

You are invited to return to the Insiders Blog on Thursday, October 22. 

On October 22,I will be featured as the author of the month and will have the opportunity to talk about how my life experience has influenced my writing.

Click here to join me on Thursday. Thank you.

Hail and Farewell by Helen Henderson

Windmaster Golem by Helen Henderson
Click the cover for purchase information.

 
First I want to say that although the title traditionally applies to someone leaving, that is not really the case. The hail and farewell is to Captain Ellspeth, Lord Dal, and the other characters who I have lived with for many years. With the publication of Windmaster Golem this month, the tale of the Windmaster Novels is over. At least if the characters agree to do so. Let me just say they have not always been cooperative.

As a reader, I love series. Even if no new stories are written, I still have the option of going back, re-reading the tales, and visiting with characters and their world. Things are different as an author. Even though I can technically go back and reread the tales, the special connection that exists between author and characters during the writing process breaks, or at the very least slowly dissipates into non-existence.

I first met Ellspeth as the captain of Sea Falcon. The visit turned interesting when she hired the archmage, Dal, to help unload her cargo. Their adventures continued in Windmaster Legacy. At that time, I thought the series was complete. Then on a clear, star-filled night, two bright lights caught my attention. They reminded me of the legend of of the star-crossed lovers, Pelra and Iol, and I realized there was unfinished business so I chronicled their story. Eventually Dal and Ellspeth said I needed to acknowledge their friends, Kiansel and Brodie. So that I wouln't get on the bad side of two powerful mages, I fulfilled their request.

There has been scientific evidence that when a book is complete, an author can feel the loss as we say goodbye to friends we have lived with for months, years, or sometimes even decades. The emotion can be even stronger when it is a series of books and we know we will never visit the time and place in the same way.

There is one way to help ease the transition ... Start a new book.

~Until next month, stay safe and read. Helen

 

To purchase the Windmaster Novels: BWL

Find out more about me and my novels at Journey to Worlds of Imagination.
Follow me online at Facebook, Goodreads, Twitter.

Helen Henderson lives in western Tennessee with her husband. While she doesn’t have any pets in residence at the moment, she often visits a husky and a feisty who have adopted her as one of their pack.

Author Voice by Nancy M Bell

To learn more aobut Nancy's work please click on the cover above. What is Author Voice? Does everyone have one? What does it do exactly? I found a quote by Richard Nordquist which I thought summed it up quite well. “Voice is the music in writing that makes the meaning clear.” Sounds simple, but of course it’s not. Voice is hard to define and seems to possess chameleon-like characteristics. Changing from one minute to the next. Everyone has an author voice if you write anything at all. Even shopping lists. Some of you will make bullet points for your list, some will list items and where they plan to shop for them, others might categorize the list by price point. It all depends on your personal outlook and how you communicate. So, no matter what, we all have an author or writer’s voice, some of them are just more developed than others. What is Author/Writer Voice? Your voice is in reality the expression of you on the page. A unique collection of your world view, your passions, fears, beliefs and attitudes. A very good friend and mentor told me many years ago that you meet the writer in her books and stories not in her living room. I was young at the time and nodded sagely like I totally understood. It wasn’t until much later and with the seasoning of a few years that I understood what she meant. As writers, we reveal parts of ourselves we would never drag out into the light of day in a conversation or everyday life. Ah, but in our writing we can let those hidden aspects surface and run freely across our pages. Voice is unique to each writer and it’s about having the courage to express yourself on paper. To be a bit more technical: Voice is the unique and individual way an author puts words on paper, a compilation of idioms, syntax, punctuation, development of your characters, dialogue and sentence structure in a body of work. Voice is not choosing to write in first or third person, nor is it a specific technique or style. Voice isn’t about branding. An author’s voice tends to be consistent throughout their work. There will be slight variations depending on the genre an author works in. To complicate things a bit. There is also Character Voice, which exists within the Author Voice. No one wants to read a book with cookie cutter characters who all speak and act in similar ways. So the author must develop the characters in the story and give then each a unique voice, which will inevitably be some part of the author’s own unique voice and outlook. Each character will have their own way of speaking, certain phrasing and ideas they express that drive the story line forward. Every facet of ourselves can be given free rein in our work. Your cast may include authoritative characters, shy, warm, funny, silly, conceited, angry etc. All of these will reflect some part of the author, we can’t escape that fact. Our characters spring from our own wellspring of experience. The trick here is for each character to have a voice that is appropriate to their role in the work, consistent and believable. What is the Function of Voice in our Writing? A well rounded and honed voice makes every word count, set up a consistent thread through the work and speaks to the reader in a way that captures their attention. What is the Difference between Tone and Voice Tone is subset of Voice. Tone is the mood of the story or work while Voice is the personality. So while your voice might be described as ‘serious’ the mood of the individual piece may be quite humorous. In creating a Tone the author sometimes will use jargon or culture specific references. While this might be important if you are writing in a specific genre like Sci-Fi or Chick Lit, you also date your work and limit your longevity. Your writing will be around for years and if you reference a certain movie star or current trend, thirty or forty years from now most readers won’t identify with that. So, don’t be lazy and tell your reader the heroine looked like a Kardashian, or Helen Mirren, or Edward from Twilight. The more diverse your audience becomes the more important it is the you aspire for simplicity and clarity. Avoid slang and culture specific references. The exception to that, is of course, unless you are writing in a genre that your audience will expect it. Just know that you are aiming at a niche audience when you chose to write in that genre. Finding Your Voice Let’s explore how you go about finding that elusive Voice. There are three major elements to consider here: What do you want to communicate about yourself, of in the case of business writing, about the brand you’re representing. If you could ask your readers to describe your work in a few descriptive words, what words would you like to hear from them? What is the purpose of your writing? Your voice will moderate slightly if you are writing a novel, a movie review or an obituary. Decide what you want to convey to your reader. Will you need to use short blunt sentences, or longer descriptive passages? Who is your target audience? This will dictate the style and tone your Voice will acquire. Both of those being subsets of Voice. Take a minute to think about those three points and come up with a few words that apply to your voice. If you’re having trouble with that, think about what you don’t want to say. How is your voice different from anyone else’s? When you have a decent list, start to whittle it down. Scrap any words that aren’t really important, make sure the ones you keep are fairly specific. Pare your list down to four or five words. You can repeat this exercise every once in a while as your descriptors will change as your Voice develops and becomes fuller and multi-layered. Types of Voice Stream of Consciousness: narrative that is made up of the thought process of the characters. Examples are Faulkner’s The Sound and Fury. Character Voice: We spoke about this earlier. Character Voice allows the reader to experience the story from the eyes and POV the character. This can be achieved by the use of third or first person POV, depending on the genre and content of your work. Diana Gabaldon’s Outlander series is a good example of use of Character Voice. When she is writing in Claire’s POV it is first person, but when she switches to any of her other characters’ POV she uses third person. A clever convention to keep the reader from being confused while sub-consciously never letting them forget it is Claire who is the main character of her books. Unreliable Voice: The character speaks directly to the reader in a highly exaggerated and excitable way. This is usually employed in first person POV where the character is biased, childish or ignorant and tries to deceive the reader. This is a Voice that can be quite useful in horror or thriller genres to take the reader deep into the POV of the killer or psychopath. Poe uses this Voice in the Tell Tale Heart. Epistolary Voice: This voice is a narrative one which uses letters or documents to tell the story. It may employ multiple characters’ voices, or no character at all if the author has chosen to tell the story through various documents and letters. Shelley’s Frankenstein uses this Voice. Third Person Subjective Voice: This is a very passive Voice where a narrator relays the thoughts, opinions and feelings of the characters in the story. Hemingway’s Old Man and Sea uses this POV. Third Person Objective Voice: The story is told by a narrator who doesn’t touch on the character’s emotions or thoughts. It supplies an objective and unbiased (except the author’s own ingrained bias) POV. I’ll close with a quote form Rachel Gardner: “So how do you find your voice? You can’t learn it. You can’t copy it. Voice isn’t a matter of studying. You have to find it. And the only place you can find it is within you.”

Past Promotions - Looking Back over the Years #BWLAuthor #MFRWAuthor #Promotions #Interviews

 

Past Promotions

 

Years ago and we’re talking about many of those years, the first promotion I received for a book sale was in the local newspaper, the Butler Eagle where we lived. I was interviewed by a reporter and the article started out with my sale. That took up two lines. Then the post went on to say I was married to Dr. Walters MD. The next two columns were all about him. I still laugh over this. He was so embarrassed.

 

The second took place in the same town. It was on a local television station, with phone in calls from listeners. The first thing was make-up. Since I’m very allergic, I brought mine and endured. The session was for two hours and I wasn’t sure how to fill the time. The host began by asking me questions about my writing and about selling my first of three books. We chatted about writing and how I moved from short stories to novels. Then the forum was open for questions. I thought no one would call. Surprisingly there were a number of calls. Some were from my friends but there were some serious called. I found I really enjoyed helping others find ways to write their stories. When the two hours ended, I was exhausted. I also found I’d created a problem. Though I’d worn a pants suit and boots, I wore panty hose. When I reached the house, I discovered this woman who had been complimented for being so calm during the interview had ripped out both feet of the hose. I vowed I would never do this again.

 

Fast forward a few years, probably fifteen. I was once again asked to do a television interview. This was in a town two and a half hours away. Reluctantly, I agreed. This was not a call in show but I was grilled by a man who thought romance wasn’t real literature. I believe I held my side very well and I challenged him to read one of my books and gave him a copy. Not sure if he read the book But a did receive a nice letter saying I had enlivened his evening.

 

Would I do this again. Maybe.

By the way the first books of all my series are on sale

National Boss Day - good or bad? by J.C. Kavanagh

 

The Twisted Climb 

Book 1 of the award-winning Twisted Climb series

I read on my calendar that today is National Boss Day. I live in Canada and have never heard of this 'national' day, promoted by Hallmark and of course, bosses. I had to chuckle. Boss Day?

And then I had to wonder...  how did National Boss Day come about? I found the answer courtesy of Google and Wikipedia. 

In 1958, a woman by the name of Patricia Bays Haroski from Deerfield, Illinois, wanted to show appreciation for her boss in a special way. It just happens that Patricia's boss was her father and his birthday was October 16, thus Boss Day. Being his daughter and aware of the trials and tribulations of being boss-man and perhaps, a maligned boss-man, she wanted her colleagues to better understand and appreciate the work, dedication and challenges faced by her dad - their boss. The idea must have gone over well because it slowly gained butt-kissing traction, and in 1962, the Illinois Governor officially proclaimed October 16 as National Boss Day.

Now I'm all for a national day - more so when it's a national 'holiday' - but Boss Day? Truly, isn't every day 'Boss Day' when the employee does their job and makes their boss, and therefore the company, look good? Greeting card company Hallmark encourages workers to buy a National Boss Day card (which Hallmark started printing in 1979) so the worker can extol the generosity and fairness of their boss, via the honey-tones of the adjective-laden, bleeding-heart cards.

Let's not destroy the concept, though. Perhaps a reversal? Instead of the employee thanking the boss for being kind and fair, the boss should thank the employee for making his/her job less challenging. I mean, what goes around, comes around - right?

Here's what Mark Stevens, president of the marketing firm MSCO and author of Your Marketing Sucks, says about National Boss Day.

"The dumbest idea I have ever heard of."

Uh huh. I've been my own 'boss' as an author since 2014 when I lost my career job due to business restructuring. Say no more? 

Question for readers: is being bossy the same as being 'bully?' Check out Jayden's character from the award-winning Twisted Climb series and decide if her view of life and her sassy approach to all things not going her way, is bully or bossy. 

Cheers... Happy National Boss Day to me!

J.C. Kavanagh, author of

The Twisted Climb - Darkness Descends (Book 2)

voted BEST Young Adult Book 2018, Critters Readers Poll and Best YA Book FINALIST at The Word Guild, Canada

AND

The Twisted Climb,

voted BEST Young Adult Book 2016, P&E Readers Poll

Novels for teens, young adults and adults young at heart

Email: author.j.c.kavanagh@gmail.com

www.facebook.com/J.C.Kavanagh

www.amazon.com/author/jckavanagh

Twitter @JCKavanagh1 (Author J.C. Kavanagh)

The Evolution of Calendars

 

 

Calendars are intimately tied to the human observation of the Sun and the Moon.  Thus, the universality of calendars is no surprise, appearing in almost every human society, going back to pre-Bronze age cultures. The development of calendars spurred many related disciplines, such as mathematics, religion, astrology and astronomy.

The ancients’ observation of the sun, in relation to the various constellations, gave us the solar year. They noticed that the sun returned to the same position every three hundred and sixty-five (plus a fraction) days. Archeologists believe many Neolithic structures around the world, such as the Pyramid of the Sun in Mexico, Stonehenge in England and several sites in Ancient Egypt to serve this function. “Calendar circles” are remarkable for their profusion: they are found all over Africa, China, India and the Americas.

The other large, observable, heavenly body is the moon. Humans noticed that the moon also appeared at regular intervals; two weeks in a waxing phase and two weeks in a waning one. But a problem arose. The moon took twelve cycles of two-week periods to complete a year—that is, 354 days, while the sun took 365 days. Another problem is that the solar year is roughly 365.25 days long, and this one-quarter day needed accounting. Finally, both the earth’s and the moon’s orbits have been decaying imperceptibly over time, as both are slowly moving away from each other and from the sun.

These issues have dogged societies, affecting things like calculating days of worship, the time to plant crops, and to today’s problems of space flight and satellite positioning.

Early societies arrived at various solutions to these issues. The Hindu calendar, known as Panchanga, combined the lunar and solar calendar, adding an extra month called the Purushottam mas every 32-33 months, based on a complex series of calculations, to align the sun and the moon, and to account for the fractional days in a solar year. Unsurprisingly, many Eastern countries such as Cambodia, Thailand and Sri Lanka follow this luni-solar method. The only differences between these various calendars is their start date. The original Hindu calendar has a starting date of 6,676 BC, corresponding to the start of the current cycle of time known as Kali yuga. In Buddhist countries, the calendar starts at the birth of the Buddha, in 563 BC.

The Persian calendar, introduced by Omar Khayyam in the eleventh century, calculated the length of the year with astonishing precision, as 365.24219858156 days.

The Roman empire used to have a ten-month year, but when Julius Caesar came to power, introduced the Julian calendar, which introduced the leap year, without reference to the moon. While it lead to a more accurate solar calendar, it completely disassociated the moon from calendar-keeping.

The calendar currently used, called the Gregorian calendar, is a version of the Julian calendar, introduced in 1582, and has as its start date the birth of Jesus Christ.

The calendar’s original function was to determine religious observances. Indeed, the word is derived from the Latin ‘calends’ meaning ‘to call out,’ referring to the practice of announcing that a new moon had been sighted. In various cultures, the Islamic, Hindu and the Chinese, the sighting of the moon has religious significance. From the sighting of the moon, in relation to the constellations, came astrology, which posited the influence of these constellations (or spiritual beings associated with them) on human beings and societies. This record of the movement of the heavenly bodies led to the science of astronomy.

The accuracy of calendars are important, not for recording of past, but for projection of future events. The recent use of atomic clocks, which record the passage of time with astonishing precision, are an absolute necessity in today’s life, necessitated by inventions such as cell-phones, satellite communication and interplanetary travel.

This blog started as an exploration of Daylight Savings Time, but deviated into a far more interesting discussion. By the way, remember to put your clocks back by an hour this November 1^st!

Mohan Ashtakala is the author of 'The Yoga Zapper," a fantasy, and "Karma Nation," a literary romance. He is published by Books We Love (www.bookswelove.com)

Sheila Claydon Cover Changes Through the Ages

 

Click here for my BWL page

 

Once, long ago, I wrote under the pen name Anne Beverley, and Golden Girl was my first published book. Then I wrote more books, still as Anne Beverley, until my family eventually persuaded me to stop hiding behind a pseudonym and write under my real name. That earlier book was still out there though, and to say the cover looks dated is an understatement!

Original cover

Then, many books later, the publishing house that owned it closed and the publishing rights returned to me. I sold it on to another publisher on the proviso that it would now be published under my real name. But in the field of publishing things are not always straightforward, so in the end I had to agree to Sheila Claydon writing as Anne Beverley, as well as a new cover. One that was certainly an improvement on the first.

Second edition cover

Then, a few years later, the same thing happened all over again. Another publisher, this time Books We Love, another cover and, finally, Golden Girl published under my own name. By then this book had been out there for a long time, so now it is a vintage romance with characters behaving a little differently than we expect them to in the twenty-first century. The heroine is still feisty though. It just takes her a little longer to get there!

Third edition cover

Now, thankfully, all my books bar one are with BWL Publishing, and I am very happy indeed about that.

In my next blog I will introduce another of those early books together with the covers they have had over the years. In the meantime, if you would like to have a taster of Golden Girl, then go to the Book Snippets page on my Website and let it take you back to what it was like to be a secretary in a large company in London and Paris in 1964. Manual typewriters, desk phones connected to a central switchboard, no screens, hardback dictionaries, shorthand dictation, blotting paper...I could go on. It was a different world except for one thing...people still liked to read romances. And if you would like to let me know which of these is your favourite cover, I'd love to know.