Yay! |
Unless they are as weird as you... which means potential friends! :D |
...and then she screamed as the killer KILLED HER! KILLED HER TO DEATH! |
See? It's real! That's my face in the banner. |
Yay! |
Unless they are as weird as you... which means potential friends! :D |
...and then she screamed as the killer KILLED HER! KILLED HER TO DEATH! |
See? It's real! That's my face in the banner. |
What did this $%@! just say?! |
Next to the toilet... for reading and when tissue is scarce! |
Sometimes she was the one holding the *squirtgun filled with pee* and sometimes it was me. |
That's not true. Please sit with us! You can read a few pages! You can... wait, where are you going? |
Always pick rock... nothing beats that! |
Tara: This makes it out to be that one of us sucks... Me: Leave me alone, I have low self-confidence! |
I can pinpoint the taking off point for every story I write, and it can sometimes be something that happened months or even years before that has been quietly sitting and waiting for its chance to shine. At other times it is almost instant. Take Reluctant Date for example. It is set mainly in an (anonymised) place where I had such a wonderful holiday that much of its geography and ambience is lifted directly from that experience. It didn't take me long to decide to find a heroine either. She more or less leapt at me from a magazine article about dating websites. I find that once I am focused on a story everything else seems to fall into place. I'm not sure if it's because I am looking or whether the characters are just out there waiting until I decide to tell their story!!
In Kissing Maggie Silver it was the photo of an interesting looking girl in an advertisement that started it. That, and yet another holiday where a countryside ranger took us on a trek. I just put them together. Whereas Mending Jodie's Heart was triggered by a house, a horse, and a bridle path!
As they say, every picture tells a story. And I can remember why I wrote every single one of my books just by looking at the cover. A sepia photo for Remembering Rose, a cruise from NewZealand to Australia for Cabin Fever, a magazine article for Finding Bella Blue, and so on and so on.
Now, however, it is time to write a new book but one that is part of a trilogy, a follow-on from Remembering Rose and Loving Ellen. This makes it a little more difficult as part of the story is already there so whatever my trigger is, it has to fit with the previous two books. And that's where old ideas come in. The ones I've had on the back burner waiting until I'm ready. And this time the trigger is another photo, but not of a person. It is of an old and derelict watermill.
The mill is at least 600 years old. I came upon it unexpectedly a few years ago when I was walking my dog in woodland, and I was so intrigued by the fact that none of the local people seemed to know anything about its history, that I took several photos and stored them away for future use. And now seems to be the right time for it to take its place in my next book. Those who have read the first two books in the trilogy will already know quite a lot about the village of Mapleby. What they won't know, however, is how times are changing for the villagers, and the old mill has quite a lot to do with that.
It's half written. It hasn't got a title yet, and it won't be published until June next year, but without the old mill it might not have happened at all. So here's to story triggers and to the writers who recognise them and store them until the time is right. In the meantime, I have to get back to my writing.
After 17 months of making videos and appearning on Zoom calls and podcasts, I did my first In-Person event at our local library! I was so excited to stand in front of a group of people again and talk about Writing What You Know and my two new books, All That Shines and Dead Without Remorse. It was so inspiring for me to chat with novice writers after the session who loved the advice I gave and came away feeling totally motivated to write their first book. In return, I came home excited to continue to write and work with other writers to make their dream a reality.
So what do I mean by "write what you know"?
Novice writers have been given that advice for many years and, a lot of the time, they have no idea what it really means. They get stuck in a box of thinking you can only write your life - which most of us feel is a pretty dull subject! Whether it be about your current job, your lifestyle, or your own life experiences.
That's only partially correct.
I was stuck in that same rut until I read one simple paragraph written by Natalie Goldberg on page 48 of Writing Down the Bones:
"Writers live twice. They go along with their regular life, and are as fast as anyone in the grocery store, crossing the street, getting dressed for work in the morning. But there's another part of them they have been training. The one that lives everything a second time. That sits down and sees their life again and goes over it. Looks at the texture and details."
I belive it is in those textures and details that we truly write what we know.
No matter what genre you write, there are always sights, smells, tastes, textures, and sounds that we as writers can add to build the setting and tension and to create a realistic backdrop for our books.
If your book takes place on a spaceship deep among the stars, you already know what the darkness looks like. You can describe what metals feel like, look like, and even sound like when you knock on them or grind them together. Is it shiny and sterile? Is it an old ship with panels falling off to reveal internal circuitry?
When writing a fantasy novel, you have likely walked through forests and are familiar with the sights and sounds of birds, trees, and babbling brooks. While you might not have seen a dragon before, you can compare one to a lizard, just on a grander scale and with wings that could cause serious damage to a cottage.
For mystery and even paranormal writers, we've all been alone inside a building before. Bring in that sense of dread and suspense where you have no idea what's around the next corner. Have your character hear a sound that they can't identify. Their heartrate would speed up and their hands grow clammy because they have no idea who - or what - is in the building with them.
Bring in the simple things: The smells in the air before or after a rainfall. The taste of coffee, or what passes for coffee or strange herbal teas in their worlds. The rustle of leaves as the wind blows. The texture of shiny or matte metals. The creaking of wood on a pirate ship. Snow falling on your face.
Can you write about your job? Why not? As long as you're not giving out top secret information, you can fictionalize places, people, and events. Writing the bitter truth about easily idenifyable people will put you in the realm of non-fiction. It can also open you up to a lawsuit! Think before you publish.
I believe very strongly in writing what you know when it comes to creating stronger fiction. I even have a simple formula for it.
Take one part imagination
Add one part reality
Blend in a flowing, believable way
That engages your readers
Repeat in the next story or novel.
Thank you for joining me today!
You can learn more about me and my books at http://bookswelove.net/bator-diane/ and at my website https://dianebator.ca/
Diane Bator
I know, I know... I only have one... and it's in my room. |
There's a PlayStation 5 now?! |
Ahem! You weren't supposed to laugh at that... |
We would the blog be without George? |
Where are my fan fiction or didn't finish my work in progress BUCKS? *cries* |