Romantic Subplots are Fun

 

Please click this link for book and author information

I don't write romance novels, but most of my mystery and suspense books have romantic subplots. This shouldn't be surprising since I love Jane Austen's novels, which always centre on romance. A few years ago, while visiting my friend Barb in the UK, we went to Jane Austen's home in Chawton and dressed in costumes of the times. 

Jane Austen had the romance formula down pat - keep the lovers in conflict and separated through the story until the end, when they realize they are right for each other. Their conflict and separation can be caused by external problems (family objections, war, geography) and/or internal flaws.  

In my first novel, A Deadly Fall, my heroine/sleuth Paula struggles with both types of problems. She falls for a man who is a suspect and she's committed to a boyfriend (two external impediments). Internally, she's burned from her recent divorce. As the story progresses, Paula learns she must take risks to find love again. 

In book # 4 of the series, Paula and her current boyfriend are stranded on different continents due to the COVID-19 world shutdown. Their separation challenges their relationship. But the novel's greater romantic subplot belongs to Detective Mike Vincelli, a secondary narrator. Mike is attracted to a coworker, but his fear of failure and reluctance to shake up his comfortable life conflict with his desire to make their involvement personal.

Typically the romantic subplot reflects the protagonist's personal journey in stories that are primarily about other things--finding the treasure, defeating an enemy army, solving a murder. While navigating romantic entanglements, heroes and heroines learn the lessons they need to resolve their problems.    

My current mystery-novel-in-progress, A Killer Whisky, has two romantic subplots. The main one features my two story narrators, Katharine, who witnesses a suspicious death, and Bertram, the detective investigating the case. The story is set in 1918, during the last days of WWI. Katharine's loyalty to her husband fighting in France clashes with her attraction to the attentive detective. Bertram's obstacles are largely internal--he can't move past the deaths of his wife and son. Through the story events, Katharine and Bertram must discover what they want in life and from each other after the war is over.  

A Killer Whisky's second romantic subplot involves two suspects, who are non-viewpoint narrators. Their romance fuels the murder investigation plotline. I find their relationship fun and am curious to see how their romantic subplot works out.

Or doesn't work out.  

When romance is merely a subplot, it doesn't have to follow the romance novel tradition of bringing the lovers together in the end. Actually, my impression is that romance novels today don't require this either. I can't think of book example that breaks the rule but a successful romantic comedy movie springs to mind ** spoiler alert ** My Best Friend's Wedding.

Whatever your current real-life romantic journey -- Happy Valentine's Day! 

 

         Me in Puerto Vallarta with Richard Burton and Elizabeth Taylor. Their grand romance had numerous ups and downs that captured the world's imagination.  

             

Hosting a Book Launch Party

 

Click this link for author, book, and purchase information.

Last month I held my first in-person book launch in 4 1/2 years. Fifty people gathered in The Treehouse at cSpace, which is located in Calgary's former King Edward Junior High School. I had toured the renovated building when cSpace opened in 2017 as an arts and community hub and fell in love with the Treehouse meeting room. Its top floor setting, three walls of windows, and outside deck offer panoramic views of the city. On September 21st the weather was perfect for an evening event.      

View from the Treehouse deck

Prior to the launch, I often wondered if the effort was worth it. After I settled on the venue and date, the first step was sending out invitations. I created a Facebook Event page, invited my Facebook friends who live in Calgary, and kept the page active with comments to stimulate interest and discussion. In one comment I talked about cSpace and urged people to come to the launch to see what this unique building is like. In addition to numerous artist studios, cSpace houses community groups for seniors, indigenous peoples, writers, and those interested in speaking French. 

 

cSpace: The Treehouse is the top floor of the extension on the left-hand side

For friends not on Facebook, I created an invitation, which I emailed to each person. I started out wondering if anyone would come. But eventually enough people said "yes" that I realized I'd get a good crowd. Then new worries set in. Would they enjoy themselves and be glad they came?

During the week before the event, I purchased wine, juice, and snack food: cheese, crackers, vegetables and dip, and desserts.  

I developed a PowerPoint presentation, which focused on Calgary locations that inspired my story. I combined these with readings from the novel interspersed through the presentation. My first reading featured my protagonist Paula Savard in her office in Inglewood, Calgary's oldest suburb. In my mind, Paula works in this four-story brick building on Inglewood's main street. My added touch: the building is rumoured to be haunted.   

 

At this point in the presentation, I discuss my research visit to Calgary Police Headquarters-Westwinds  

For fun, at the end of my talk, I added a trivia quiz. Since the novel takes place in spring 2020 during the first COVID-19 lockdown, the ten trivia questions all related to COVID-19. I took my questions from the COVID timeline that I'd made for the novel to remind me of what was happening in the world on the story's dates. To test your memory, here are my first two trivia questions:

• On what date did WHO (World Health Organization) declare COVID-19 a pandemic? Month, day, year required.
• Shortly after this declaration, what celebrity couple announced in Australia they'd tested positive for COVID-19?   

The questions turned out to be too hard. The winner only got three right and received her prizes, which were priceless during the lockdown: hand sanitizer and a roll of toilet paper. 

I wrapped up the presentation with random draw prizes: two mystery puzzle books and two sets of playing cards because a character in the novel has a gambling addiction that affects the plot. 

Then everyone gathered for conversation, wine, food and drink. I signed books and talked with as many guests as I could. From the buzz in the room and comments afterward, I think people enjoyed the event. 

Was the work and strain I put into launch preparations worth it? I don't know. It's fun to to host a party to celebrate something good in life and now I have these wonderful pictures with friends who made the effort to attend and cheer on my writing. 

 

 

          

 

Inside Police Headquarters

                                        For author and book information, please click this link.

My current novel-in-progress got into police work more than I'd planned when I made two homicide detectives viewpoint narrators. I wrote scenes of them in their workplace from information I recalled from a years ago visit to Calgary Police Service Headquarters - Westwinds, but mostly from my imagination. During revisions of the novel, I made a list of questions I'd ask someone familiar with the place, if I ever had the chance. 

Then a writer-friend mentioned that Calgary homicide detective Dave Sweet had generously answered her questions about her crime novel. I'd enjoyed Dave's presentations on homicide cases at local crime writing events and read his memoir, Skeletons in My Closet. My friend gave me his email address and I wrote to him and asked if he'd mind answering my questions. He replied right away, saying he'd be happy to help. 

I emailed my list to Dave. Again he quickly replied. My first question was my greatest worry: are the homicide and robbery units located in Westwinds?  If they weren't, I'd either have to do a major novel revision or ignore this fact. To my relief, Dave answered yes, both were in the Investigative Services Building on the west side of Westwinds campus. I didn't remember this second building from my visit.  

Evidently, from my questions, Dave got the hint that I was interested in the workplace environment because he offered me a tour of Westwinds, if I was interested. Yes, I was really interested, and the earlier the better. David said the next day would work for him, unless he got a call out before then. I knew once he was hot on a case, I'd lose the opportunity. We arranged to meet the following afternoon at the entrance to the Investigative Services Building. 

In my novel, I'd described a large lobby. Instead, I entered a cozy space, with a few padded chairs and a side room with toys and a computer screen for children who come in with their parents. Dave waved me past the reception desk and into a huge, oval atrium. He explained that CPS bought the building from Nortel in 2009 when the telecommunications company filed for bankruptcy; the rooms along the sides of the atrium had been Nortel's executive offices. CPS converted the building to police use, but this space didn't look like any police stations I've seen on TV. He said they use the atrium for large gatherings and the side rooms for special meetings.   

  

From the atrium, we went to the homicide unit offices. In my novel, I'd given my Detective Mike Vincelli an office with a door. Instead, Calgary detectives work in cubicles. Dave didn't take us in, to protect his colleagues' privacy, but he pointed out a glass enclosed room in the far corner, where the unit's four cold case detectives work. Their windows face west and would have a view of the city skyline and mountain backdrop. My novel had my cold case Detective Novak working in a windowless storage room, which reflected his depressed mood. Now I thought this glass fishbowl office might offer intriguing possibilities.      

Next Dave took me down a corridor to a service elevator, located in Nortel's former delivery dock. This brought us to the holding cells, which I found creepy. The cells were behind solid doors; no looking out through bars. Voices carried between the cells and into the central corridor. Two detainees talked rapidly and loudly. 

"Getting their stories straight," Dave said.  

I looked through a peephole into an empty cell, directly at a toilet. Two narrow benches lined the walls on either side. Dave said they rarely kept people more than thirteen hours, with twenty-fours the maximum before they sent them home or to longer-term facilities. This would be a problem for my book. I'd had the police keep two of my suspects close to forty-eight hours, which I'd thought was the maximum allowable time before laying charges. Could I change this without radically altering my story? 

Sometimes it's better not to know too much. Few readers would notice if I brushed aside this policing fact, but I started contemplating solutions for my novel.    

In the holding area, we went into an interview room, which was smaller and drearier than I'd expected. Cameras in the corners, but no window for outsider viewing. Peeling paint on the greenish walls. The room had an acrid smell. Dave said they let interviewees smoke to not put them on edge. For the same reason, the police don't bring their guns into the room. Interviews are typically one-on-one, although a second detective might sit in or stand outside the door if they anticipate a dangerous situation. 

We left the Investigative Services Building and went outside to the main headquarters building. On the way, we passed a grassy area with benches and a picnic table. In my novel, Novak meets someone connected to the cold case in an outdoor area. I'd need to make some minor changes to the setting. The main headquarters building contains classrooms, training rooms for new recruits, and Westwinds' largest gym, where a recruit class jogged back and forth at an easy pace. Dave said they'd gradually speed up and some would drop out of the pack.   

"They'll never be more fit than they are now," he said. After recruits become full-fledged officers, CPS no longer requires them pass fitness tests. Now that I knew Westwinds had gyms, I could include my line that Novak had never entered one, to illustrate his disinterest in exercise.     

I came home with lots of material to work my novel-in-progress. Many were easy fixes. I'd asked Dave, Do police generally refer to the building as headquarters or Westwinds or something else?  Westwinds usually, he said. In my manuscript, I changed this with a simple word find/replace. For my largest problem, I came up with a (hopefully) good reason for the police to keep one of my suspects for two days, but had them release the other one on time. This involved deleting, shuffling, and changing much material, but I think it improved the overall storyline. 

While my tour gave me extra writing work, it wasn't onerous. I think the new details give my story pizazz. Maybe readers sense when something rings true. And, if nothing else, I found my look inside police headquarters interesting.  

Whisk(e)y -- with an 'e' or not?

                                     

                                      Please click this link to learn about the author and her books

When I heard that BWL Publishing planned to publish a series of Canadian historical mystery novels, I was eager to get involved. In 2021, I wrote a mystery short story set in my home city, Calgary, Alberta, during the second and deadliest wave of the 1918 influenza pandemic. I showed the story to a writer-in-residence, who suggested I turn it into a novel. This intrigued me, but I polished the short story and submitted it to the Crime Writers of Canada 40th anniversary anthology. My story, A Deadly Flu, was accepted and published last spring in Cold Canadian Crime. 

But BWL's plan prompted me to consider how I could expand my 4,500 word story into a 75,000 word novel. I mulled ideas and decided I'd add three new characters to the story: two suspects and female protagonist, Catherine. I'd still keep my original detective protagonist as a secondary narrator. He and Catherine would both have personal story arcs, including a romantic subplot. WWI would also feature more prominently in the novel, as the story built to the November 11th Armistice. 

Confident these additions would give the story sufficient fodder for a novel, I asked BWL if I could write one of the books. The concept for the BWL Canadian Historical Mystery Series is that twelve different authors or author-pairs would write novels set in our ten Canadian provinces and two of our territories. Authors would have free rein over what to write, as long as the novel features a crime, takes place during a real historical time period, and is 70,000-80,000 words to keep the book sizes uniform. BWL assigned me the story set in my home province of Alberta.

The series will be published over a period of almost two years. Since I won't have time to start writing my novel before this summer, I asked for the last publication date, December 2024.  The first  Canadian Historical Mystery comes out this month. Rum Bullets and Cod Fish by H. Paul Doucette, set in Nova Scotia, sounds like roaring fun. "The year is 1924 and Prohibition is spawning a new breed of criminal." An undercover investigator tracks the ringleaders illegally transporting liquor to the US mob. 

Since BWL is promoting the whole series right away, they asked each author to provide a title, story blurb, and suggestions for cover images. Luckily, I have a framework for my novel -- my short story and my ideas for expansion. From this, I came up with a blurb. I also needed a new title. My short story title, A Deadly Flu, was a wink at my first novel,  A Deadly Fall. For a novel I'd want something to distinguish the two books. Words like dead, murder, kill, secrets, and their variations are popular for mystery titles. I also find concrete nouns in titles conjure strong images. The weapon in my story is whisky laced with a lethal drug. I settled on a title, A Killer Whisky.

During this process, I discovered a potential problem with the word 'whisky.' Ireland and the USA spell whiskey with an 'e,' unlike Canada and the rest of the world. My research suggests this might have  been due to Ireland's desire to distinguish its whiskey from Scottish whisky. Did Canada adopt the Scottish spelling because many of our early explorers and fur trade merchants came from Scotland, while whiskey became popular in the US with waves of Irish immigration? That's my best guess. 

I debated changing my title to one that wouldn't confuse American readers, or using US spelling, or making the poisoned drink a non-spelling-controversial liquor, like rum. But whisky is so concrete that I can almost smell it when I hear the word. It's also infamous in western Canadian history. Our fur trade is often called the whisky trade, which caused alcoholism problems for indigenous people. In the end, I decided to stay with whisky and Canadian spelling. Early in the novel, I'll have a character point out the difference between the countries, so US readers won't think I can't spell. 

For images, I suggested  a bottle or glass of whisky, as well as a piano. I plan to start the novel with my protagonist playing the instrument and music will feature through the story. Michelle Lee, BWL's cover designer, worked with my suggestions and created a stunning cover. I love the golden whisky colour against the black background. I can hear the clashing chord as the glass hits the piano keys. The glass of whisky stops the music, like murder.  

 

    

       

                      

 

How to Make a Killing Writing Murder Mystery by Vanessa C. Hawkins

 

 

 Vanessa Hawkins Author Page

    So if you've been keeping track of the Books We Love Website (which... if you haven't, why not?) then you know that the upcoming Canadian Historical Mystery Series is on its way! My book, entitled Twice Hung, is the tenth book in this exciting new venture, and I am excited to tell you a little bit about it. 

It's a murder mystery. 

    No, but seriously, it will be one of the first serious mystery novels that I've wrote, and while I've been doing a ton of research on how to create some good mystery, I have come across a few tips I thought I'd share with ya'll because... well, I luv ya all a bit! 

I was going to pick meme that highlighted how much I loved my blog readers but... 
this meme was way more me...

So NUMBER ONE!

The Victim: Yeah, they may not be around much, but they are still very important to the story. Whether or not your mystery started with their untimely demise, it's important to know about the events that led up to it. Who was your victim and why did someone want them dead? Why were they in the wrong place at the wrong time, and/or what was their relationship to the killer? What is also important was their character. Did they have it coming, or should we sympathize with the newly dead? 

TWO!

The Murderer: This may be the most interesting character in your story, after the main protagonist. Knowing who they are is essential in creating not only a great story, but one that keep readers turning pages. I love gray area people, and by that I mean creating characters (not just antagonists) with a bunch of flaws. I believe its a key to being human and gives writers a way to allow their protagonists to overcome personal obstacles. How is the murderer similar to the protagonist? How are they different? Do we sympathize with them at all? Keep your reader guessing. 

THREE! 

Red Herrings: Mysteries are the most fun when there are plenty of twists involved. However, that sometimes means keeping one step ahead of your readers. Subtle hints are key, but give too many and they may guess the end before it comes. Think George R. R. Martin and Jon Snow... (Maybe that's the REAL reason he hasn't finished the books, because everyone had already guessed the ending.)

FOUR!

Foreshadowing: As mentioned above, suble keys are great, especially when you finally get to the "Ah ha!" moment. If the ending doesn't make sense, or seems out of left field, it's probably because it is, and because you didn't leave enough puzzle pieces for the reader to collect. This can really make or break a mystery for me, because if the ending doesn't seem justified, it just makes me think that the author was too dumb to outsmart me and if that's the case then... wow... really?

... it's possible...

 FIVE!

Beta Readers: Get someone else to read your book when you are done. This applies to anything you write, but is especially important for mystery novels. It's hard to know if the clues you left behind were sufficient or way too obvious, but for a beta reader, they can tell you if they saw the ending from a mile away, or if it didn't pack enough punch. 

So that's it. My sure fire way to create a mystery novel. I'm sure there are way more tips, but these were my integral five. Twice Hung will be out next year, and I am so excited! In the meantime, check out the cover image, and head on over to Books We Love to discover more about the series and read some super exciting blurbs! 

Cheers! 

  

The Novel I Wish I'd Written

 

Please click this link for author and book information

My book club chose the classic novel Rebecca by Daphne du Maurier for our October meeting. This was the third time I'd read the book. I've loved it each time for slightly different reasons. 

I was in my twenties when I first read this story of a young woman who marries a wealthy older man she meets on a holiday in Monte Carlo. His late wife, Rebecca, looms larger-than-life and haunts the tale from beginning to end. Gradually the story builds to a series of plot twists. I didn't see any of them coming, yet I instantly recalled clues the author had planted along the way to make the surprises completely believable. The only author I've read who did this almost as well was Agatha Christie. Literary writers often dismiss such twists as mere plot. In Rebecca, every twist is embedded in character. If the story narrator, her husband Maxim, Rebecca, and all of the secondary characters had been different people, the story and twists wouldn't have happened exactly as they did.  

 

About twenty years later, I started writing mystery novels. Whenever the subject of favourite books came up, I'd say that I couldn't choose my favourite as a reader, but Rebecca was the novel I wished I'd written, mainly for the author's handling of surprise. Perhaps this prompted me to read Rebecca a second time. By then, I'd seen several movie versions and remembered all the twists, but I still found myself gripped by the suspense of what was to come. Fans will recall a scene where the narrator breaks a valuable figurine. As the narrator struggles to cover her action up, I was on the edge of my seat, worried for this sympathetic character.   

This third time reading Rebecca, I was mainly drawn in by du Maurier's writing. The novel struck me as a cross between two other classics written by women, Jayne Eyre by Charlotte Bronte and Pride and Prejudice by Jane Austen, with mystery and suspense thrown into the mix. Rebecca features the grand passion and gothic qualities of Bronte's story, with subtle Austen-like touches of social observation and humour. All three books are about women who fall in love with men who are far superior to them in wealth and social status. I interpret each of the stories as showing how the woman becomes the man's equal. Perhaps this partly explains why these novels resonate with modern readers. 

In addition, on third reading, I realized that Rebecca contains a number of life lessons, about such things as not making assumptions about other people, assuming you know what they are thinking, and speaking out for yourself. In middle age, I read a popular book on cognitive therapy, which is commonly viewed as the most effective psychotherapy method. Everything in the book was already there in Rebecca. I wonder if this is why I easily grasped the therapy concepts and if, subconsciously, I applied them to my life after reading Rebecca when I was young. 

Our book club discussion leader also brought up some modern interpretations of Rebecca that I hadn't heard before. Maybe I'll grasp them if I read the novel a fourth time. You can dive into Rebecca forever it seems and surface with something new.   

When I reached the end of the novel last month, for the third time, I decided to go out on a limb say, Rebecca isn't only the book I wish I'd written, it's my favourite novel ever. Admittedly, I'm the only member of my book club who rated it this high. A couple of people didn't like it. Others had mixed feelings. A surprising number hadn't read the book before. Nobody predicted the twists on their first time. Rebecca is worth reading for that reason alone, and for so many more.                    

Rhododendrons symbolize Rebecca in the story

 

Back to Work

Please click this link for author and book information 

Yesterday I flew home from a trip to Minneapolis. On November 12th I leave for a three-week holiday in Mexico. This gives me a two-month window to write draft # 3 of my novel-in-progress. I have to complete this work to make the deadline for the novel's scheduled release in September 2023. 

It's a challenge for me to think of my writing as work, since I don't come close to making a living from it. But I have to do this in order to finish a long project like a novel. Otherwise I'll let other activities completely consume my time. I wrapped up the first draft of this novel in late May and have given the book little thought since then. A break of almost four months should be good for returning to the story with fresh eyes. I don't regret my travels to Ireland and Ontario and warm summer days spent hiking, biking and hanging out with family and friends, when I could have been writing.        

 

Lake Erie beach with family and friends

While it's hard to drag myself back to the computer, I know from numerous past experiences that once I start I'll soon be into the writing groove again. This helps me avoid procrastination and plunge in, as I would into cold water. Once I'm swimming in the story, I'll need to avoid distractions and limit them to important matters like family, friends, exercise, and volunteer work. Turning off my instant email notification will be essential. I've taken on a commitment to co-chair Calgary's committee to host the Bouchercon mystery convention in 2026. It will be tempting to get sidetracked into concrete organizing tasks that can feel easier than pulling characters out of the air and resolving plot glitches.  

I did use my summer time for some research relevant to the novel. The first draft unexpectedly veered into areas outside my knowledge zone. One of these was the opioid crisis. Drug dealer killings appear frequently in current mystery novels, but I'd thought the subject wouldn't interest me. I prefer to write about ordinary people who kill for personal, social, or psychological reasons; people who might be me or a friend driven by a particular situation. But people like this are the drug dealers in my novel-in-progress. They operate a low-key business out of a bicycle store. During the summer, I read two excellent books on Canada's opioid crisis and now feel capable of handling the topic in a novel.

 

Shopping for e-bikes inspired my novel's storyline

This new book also gets more into police work than the first three novels in my Paula Savard Mystery Series because I made two police officers point of view narrators. This fall I hope to fit in a research visit to Calgary police headquarters and will look for a beta reader or consultant knowledgeable in police work, without letting this research distract me from writing. 

For my last two novels, I discovered a useful trick - those mornings that I wake up early, rather than lie in bed drifting in and out of consciousness, I force myself up, make coffee, turn on my computer, and write while the sun rises outside my window. I'm amazed by how much I can accomplish before the day's usual activities get started.   

In short, I find the key to writing novels is to treat them like work. Don't wait for mood and inspiration. Grab your time at your writing desk, sit down, and do it.  

 

Me not working this summer

      

     

 

Writing for Young Readers

 

Find my books here

Remember the books you loved as a teen?  How they stayed with you like friends all your life? What were they? A beloved series?  A great classic? 

The first book I ever finished in one day was a Nancy Drew Mystery...The Secret at Shadow Ranch. Wow, too many cliff-hanging chapters to put down, even though it had cost me a month of weekly shopping trips for my Aunt Cece in order to buy!

Only a couple of things bothered me about intrepid Nancy and her sleuthing... one: there were never any characters who looked like me featured prominently in the stories and two: Nancy never aged! I was expecting her to get older, but there she was still fresh-faced and sixteen many many adventures later.  Now, I would add three: that she got conked on the head too many times (poor Nancy...amazing that her brain still worked so well!).

Inspired by my love of books like the Nancy Drew series, I have now written my own ... the Linda Tassel Mysteries, featuring a bridge person like myself and inspired by a friend from my Georgia days, Linda is a member of the Snowbird Cherokee people on her mother's side.  She teams up with Buffalo New York transplant Tad Gist to solve mysteries. They meet as high school students. They grow older together as their friendship deepens and turns to love.

It's a great privilege to write for young people... I love thinking that I may be contributing toward decisions to become lifelong readers. 

I hope you'll enjoy my series. The first, Death at Little Mound, just received a first place in the Murder and Mayhem Mystery Awards! The second, Missing at Harmony Festival was published last month. 

Happy Book Birthday!

find my books here

Release days are big evens for authors, editors and publishers...a lovely combination of Birthday (yay, we pushed another one out into the world!), 

Graduation (from a dream, to a seed of an idea, to a storyline with vibrant characters leading the way, and all along, research and rewrite, rewrite, rewrite!)

and Mother's Day, as we, proud mamas. rest and reflect on our accomplishment: this lovely artifact of our storytelling imagination. 

Thank you to all who support the adventures of my Eastern Cherokee Nancy Drew. Oh, the power of a diverse book--you can change everything for one kid and create empathy in 100 more.

Growing a Short Story to a Novel

 

 Please click this link for author and book information

Last fall I wrote a historical mystery short story and showed the first four pages to a local Writer-in-Residence. The WIR's main advice was to turn the story into a novel. I had no clue how I'd do this and she didn't offer suggestions, but I was intrigued by the idea. 

Then this spring BWL decided to publish a collection of Canadian Historical Mysteries. They assigned thirteen of their authors to write a novel set in a specific Canadian province or territory. The collection will have twelve books -- British Columbia is co-authored and Nunavut/Northwest Territories will be reunited in one of the books. I'm delighted to represent my home province of Alberta. 

BWL asked us to provide a working title and novel blurb, which they'll publish in a free guidebook as advance promotion. This got me mulling ways to expand my short story, which was set in Calgary during the 1918 influenza pandemic and told through the viewpoint of a police detective. The WIR's other suggestion was to change the protagonist to a character who was present at the victim's death, to make that aspect of the story more immediate. One of the suspects appealed to me as a point-of-view narrator, but if I let readers enter his thoughts I'd lose him as a suspect. Also, while I like experimenting with male protagonists in short stories, I prefer to write female protagonists for novel-length works. This led to my idea for a new character and protagonist, the sister of that suspect. She will be motivated to solve the crime to know if her brother or someone close to him is guilty of murder. 

I plan to keep my detective as a secondary narrator. His investigations and personal story will add many pages to the book. In the short story, he had a romantic interest in a co-worker. For the novel I'll shift his interest to my heroine to enhance their relationship. She's married, but her husband has been overseas for four years, fighting in The Great War, and she's changed during that time. Her feelings for the detective will create lots of conflict for them both. 

My other idea is to create a new suspect for this longer story; a man who opposes the war. The victim and my heroine's brother are injured veterans, who received early discharges. WWI officially ended November 11, 1918, in the middle of the second and deadliest wave of the influenza pandemic, but most of the Canadian troops didn't return until the following spring. I'd like to make the war more present in the novel than it was in the short story, from the perspectives of those on the home front. 

I'm satisfied these additions and changes will be enough to expand my 4,500 word short story to a 75,000 word novel, the median length of the books in the collection. More importantly, I'm eager to write the larger story to develop these characters and find out what happens to them in the new version. 

In effect, the short story is my novel outline. I'm sure much will change in the process of writing the book. Even whodunnit and why the person done it and how he or she done it are up for grabs. So if you read the short story, don't worry about spoilers.  After I showed the WIR those first pages, the short story was accepted for publication. It appears in the recently released Cold Canadian Crime Anthology, available on Amazon, Kobo, and other sites.

 

A new title will be one definite change for the novel. My short story title "A Deadly Flu" was a wink at my first novel, A Deadly Fall. Two similar novel titles would create confusion. 

Here's the cover for the Canadian Historical Mysteries guidebook, which you will soon be able to download for free to read the twelve novel descriptions. 

                For updates, check out the BWL Canadian Historical Mysteries Page

   

 

Bouchercon World Mystery Convention

                                      Please click this link for author and book information

This winter Tourism Calgary sent me an email out-of-the-blue. They explained they were considering a  bid for the 2026 Bouchercon World Mystery Convention and wanted my help connecting with the Calgary writing community. The bid needed sufficient volunteer support to host this major convention. Tourism Calgary had done an internet search for local mystery writers and my name popped up in various places. They thought the convention could have numerous spinoff benefits for Calgary.  

I'd first heard about Bouchercon at Mystery Writers' INK, a Calgary writing group I belonged to for many years. Members considered it the premiere mystery writing convention in North America. A couple of them attended Bouchercon 2007 in Anchorage, Alaska. They described their experience as a fun mix of learning, book promotion, and travel. Many Bouchercon regulars plan annual holidays around the convention. 

I was excited by the email and agreed to meet online with two Tourism Calgary contacts, and later with them and the Bouchercon administrator. I learned that Bouchercon is huge. Typically about 1,800 people attend. The majority are mystery fans, rather than writers. Bouchercon is usually held in the USA, although Toronto, Canada, has hosted three times and the U.K. twice. In London 1990, P.D. James was Guest of Honour. Nottingham England's Lifetime Achievement Guest of Honour in 1995 was Ruth Rendell (not Robin Hood). Other Guests of Honour through the years have included Sara Paretsky, Ian Rankin, Harlan Coben, Laura Lippman, James Patterson, Michael Connolly, Anne Perry, Karin Slaughter, Anthony Horowitz -- enough name dropping. 

In October 2017, I attended Bouchercon Toronto. Louise Penny was Canadian Guest of Honour. (Each Boucherson has about a half dozen Guests of various descriptions). I moderated a panel on Noir Mystery Novels to a large audience (scary, both the moderator role and the subject matter). Each convention produces a short story anthology, with the proceeds going to a charity. A highlight for me was my story's acceptance in Passport to Murder, Bouchercon Anthology 2017. This earned me a seat at the author signing table.  

The Bouchercon administrator told us their organization provides a wealth of support and experience for host cities, but, in addition, Calgary would require a strong Local Organizing Committee. I provided Tourism Calgary with names of people and local groups to contact, including BWL. Our publisher, Jude Pittman, was instantly on board and will be part of the committee. Tourism Calgary sent a survey to local writers and organizations and the enthusiastic response exceeded everyone's expectations. Calgary is called the volunteer capital of Canada for good reason. The Calgary Public Library, Calgary Wordfest, and the University of Calgary expressed interest in playing roles.   

Tourism Calgary is now preparing a formal bid to host the convention in 2026. In June the Bouchercon administrator will fly to Calgary to assess the city's hotel and convention capacity. If it meets the criteria, I'm told Calgary stands a great chance of winning the bid when the Bouchercon board votes this summer. 

Since I've been with them from the start, Tourism Calgary asked me to chair the Local Organizing Committee. After some angst, I agreed to co-chair with Calgary author Pamela McDowell, my friend for 25 years. Pam and I will be busy, but it will be fun to work together on this big project. 

Looks like Calgary mystery writers and readers are in for exciting years ahead. Stay tuned.     

Bouchercon 2017 was an opportunity to visit Toronto in the fall.