The Muse of Nature by Eileen O'Finlan

 

   

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I recently spent a day at the New England Botanic Garden at Tower Hill in Boylston, Massachusetts. I used to have a membership there, but let it lapse during the COVID shut down. I figured I wouldn't be able to go anyway, so there was no sense in paying for something I couldn't use. But a few weeks ago my sister and her friend came to visit from Florida and wanted to go. My niece joined us and the four of us spent a lovely day wandering the gardens and woodland paths.

As I guided them out to the Belvedere, I remembered days that I had spent sitting alone in that Grecian-style structure. Those were days when I'd spend hours writing in my notebook, every so often looking out at the woods, the land below gently falling away, Mount Wachusett rising in the distance above the ribbon of blue that is the Wachusett Reservoir. It seemed that whenever my writing steam began to fade all I had to do was drink in the view for a moment and something would come to mind. Nature has that influence on me. It feeds my soul and my imagination.

As I stood with the others looking out at the view, my hands suddenly itched for a notebook and solitude. 

I think it's time to renew my membership.

View from the Belvedere 

Wildlife Refuge Pond at Tower Hill - Another inspiring location

My Travels in France by Diane Scott Lewis

 

To purchase my novels and other BWL books: BWL

Currently writing a novel that takes place in Brittany, France, I yearn to travel there to research. But with Covid still creeping about, that is impossible. My husband is leery to fly, and I don't blame him

In 2003 we threw caution, and money, to the wind and traveled to France for an important (old) birthday of mine. We stayed in Paris on a quaint cobbled lane. 

 

The novel I was writing at the time involved a young woman in the eighteenth century returning to Paris after the French Revolution. I wanted to walk where she would have walked.

15th century street, the Latin Quarter

Paris was amazing, our room tiny but perfect. We ate in cafes, strolled along the River Seine. Browsed booksellers, visited museums. We chatted with an older Frenchman over cognac. He once lived in California. The entire French experience.

But I didn't ask for ice in my too-warm drink until he did!

We took a tour out to the palace of Fontainebleau on my birthday. It took the sting out of growing older. Now it seems so young!

That evening a French café owner sang "Happy Birthday, Madame," to me over a slice of tiramisu.

Author in front of the palace

My heroine had to go to the Luxembourg palace to ask Napoleon to release her lover. We got to take a tour, sneaking into the back of one that just happened to be going in. It was conducted in French, but we managed.

Luxembourg Palace

Before the journey, I learned just enough French to embarrass my self. But it's true, if you try to speak their language first, they'll chime in with English to help you out-or speed you along.

Napoleon's Senate chair, Luxembourg Palace

A wonderful trip, worth every Euro. We planned to return, but now I want to visit Brittany and Normandy to research the German occupation of WWII. One of these days...

Author and husband near Fontainebleau 

Diane lives in Western Pennsylvania with her husband and one naughty dachshund.

To find out more about her and her books:  DianeScottLewis

Tell M A Story by Janet Lane Walters #BWLAuthor #MFRWAuthor #amwriting #stories

 

I probably drove my parents and grandparets crazy when I was a child. I had a grandfather with a great Cockney accent. He bgfan reading to me when I was an infant. Around the age of four I discovered library andgot my first card. Then I could read for myself. My cry became, Tell me a story. Of the adults in my life, my grandfather and father were the ones who were best at this. Then I grew up and decided to begin writing my own stories.

Each one of us has their own way of writing, a method that works for us. This became evident on Saturday at our writer's meeting. I watched my friends who read for critique frantically searching through their pages to add notes as well as accept those ones we wrote for them to take home. Most of them said when they arrived hom, said they would immediately rewrite the scene. I shook my head. 

What I had read was rough draft and I said so. One of them made a remark about wishing her rough drafts made sense. All I could think about was they must be pansters. There are also plotters. I don't fit any of these categories. I am a planner. I always ahve my blurb written before I write a word of the book. every night when I go to sleep, I hone in on my world and ilently i shout, Tell me a story.  My characters don't even have names or descriptions. When I do is dream of their adventures whether it's what they do, what's happening and slowly the story unfolds.

Then I write a chapter synopsis. I never now how long a book will be when I begin. My dreams at night tell me what the next event will be. Then I start writing focusing mostly on plot. There are two more written drafts after scribbling notes all over the printed out what ever draft I'm on. After the plot draft, I head to the setting draft and then the character draft. Then comes the final revision and the book is done.

Works for my but it's taken fifty plus eyars of writing to get this down to a system.

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A Little Help From My Friend by Eileen O'Finlan

 

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My cat, Autumn Amelia, has developed a new interest - my writing. Or more specifically, anything I'm doing on my laptop. Lately, whenever I'm working she insists on joining me. I'll be typing away, totally "in the zone" with my writing, oblivious to everything around me when suddenly an adorable furry face appears, obscuring part of my screen. She sidles up beside my laptop to take a peek at my work. If she approves, I get a head bonk. If not, a pair of white paws appear on the keyboard to help me out.

I must admit this can be rather bothersome at times. Helpful as she may think she is, the sudden emergence of a long string of random letters across my screen can be a bit disconcerting. Worse is when she hits backspace or delete and I lose what I've written. Once when I left my laptop unattended I came back to find that everything on the screen was upside down. I had to call a techy friend to walk me through putting it rightside up again. It took several steps so I've no idea how Autumn Amelia managed to get it into that condition in the first place. She's obviously very talented.

Lest you think I could ever get mad at her, check out this face. No one could get mad at this face!

Autumn Amelia behind my laptop plotting the right moment to "help" with my writing

She's been known to do a little proofreading, too.

Love, Madness & Mozart

 

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That persistent character who keeps coming back; I think most writers have a few of them. Sometimes they inhabit a book that can’t, or won't, ever be satisfactorily finished. These conundrums are in every writer’s desk drawer and on every hard drive. 

My particular dark horse always returns around her birthday, at the end of April. She’s here, hanging around, just behind the curtains, even during day-light. I’m once again re-re-imagining scenes I’ve already visited many, many times. I’ve journeyed to her world for forty years now.

My Mozart is the first book I ever completed. A satisfactory ending, I think, still eludes me. Like Konstanze of Mozart’s Wife, this young heroine insists on speaking in the first person, which both narrows and deepens her POV. It’s like writing while pinned inside her dress. 

I’ve heard authors talk about having a “channeling” experience with their characters. There are many accounts of automatic writing and spirit dictation, some sounding as if they should be taken with salt. At least that's what my day-light self thinks. However, after the experience of writing this initial, and, perhaps never-to-be-finished story, I believe other-worldly communications can happen. Ordinarily it takes a period of concentration and study to make your characters  ("the dolls") get up and move independently, but in the case of a channeled story, they arrive fully realized, walking and talking.

So here's what I've learned, forty years after my attempt to tell this ghostly story. For a while, at least, after Mozart's death, Miss Gottlieb coped with her tragedies, until, in a final cruel blow, she lost her voice. After that, she appears to have lived on, among of the walking wounded, enduring a life of poverty until her death. Such was the fate of the first Pamina, pure heroine of The Magic Flute.

I'm glad I hadn't known her true ending before I wrote the one for this story. I was willing to follow the fantasy of a limited kind of HEA , not only for my sake, but also, the rational self argued, for marketing reasons.  Any darker ending was too painful--for me, for prospective readers--and, no doubt, for my spirit informant herself.

Wild Tulips 

 

So now it’s tulip-time April, and Green May is on Her way again. Tomorrow is Miss Gottlieb’s birthday, and once more I have glimpses of her spring-time, numinous world, animated by youth, love, and music. It makes sense that the “old” holidays too are upon us, Saint Brigitte’s Day, May Morn, Saint Walpurga’s night, Beltane, and all the other Divine Feminine Maidens who rule the second Cross-Quarter Day of the year.

   

My Mozart is “romance” in the original sense of the word, in the much the same way Romeo & Juliet  may be called "romance." Not romance in the commercial sense, but the old-fashioned bloody insanity of love, the madness which can, so easily, end in tragedy. The true domain of "Romance" is Castle Perilous, which makes drawing a final line under a tale of a hopeless passion so very hard to do. 

~~Juliet Waldron

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How Far to Stretch the Truth in Your Writing, by Diane Scott Lewis

 

“A rich plot with building suspense, the writing is perfect and flows well. I loved this story.”   ~History and Women~

Purchase Ghost Point: Ghost Point

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In the beginning of my writing career I was certain you couldn't move events around to suit your story. But then I read a note in a Sharon Kay Penman novel where she said she moved a battle up six months for dramatic purposes. Then I knew if you listed your 'changes' you should get away with it.

Years ago I wrote a novel that takes place on Saint Helena during Napoleon's final exile. But I wanted a twist at the end where he slips away to America. This was the farthest I've stretched the truth, or changed events, though others have hinted at the possibility, or (later on) written fictional accounts of an escape. Now I've come across a few other novels in which the French Emperor escapes his island prison. I tried to write it to where it made perfect sense and it could have actually happened. Agents at the time were horrified that I would even attempt it. No imagination!

Years later, I reviewed a novel not listed as a fantasy set in the fourteenth century where the heroine is eating tomatoes in England. Tomatoes weren't discovered by Europeans until the New World of the Americas were explored a century later. I asked the author about it. She laughed it off and said she knew.

But no author note? I mentioned in my review that she purposely had anachronisms in her novel.

Could a man survive a ship explosion in the eighteenth century and be lost for years? And the Admiralty determined there were no survivors? Well, you need to make it plausible for the reader. And you're not changing history, only stretching the likelihood that this is possible. Check out my novel, Hostage to the Revolution to find out if you agree. But to get the full story, start with Escape the Revolution.

In my recent novel Ghost Point, I do change history by combining three years of the Oyster Wars over the Potomac River into one season. I needed the drama, the murder, that happened later to enrich my plot. I made certain to mention that events were compressed for dramatic purposes.

In Rose's Precarious Quest, a novel about a woman who strives to be a doctor in the 18th c., but discovers disturbing secrets in her new village, I throw in a touch of magic near the end, though most of the novel is grounded in reality. What powers does that stone ring contain? Did the ring glow that fateful night when the villain chased after Rose's sister, or was it the protagonist's overwrought imagination?

If you want to stretch the truth, or move events around, annotate it in your author notes for readers to see. Make it as plausible as possible.

Diane lives in Western Pennsylvania with her husband and one naughty dachshund.

To find out more about her and her books:  DianeScottLewis

Focused on Story--Reading, Writing, Teaching, Listening by J.Q. Rose #BWLpublishing

Arranging a Dream: A Memoir by J.Q.Rose
Click here to find romantic suspense novels by J. Q. Rose from BWL Publishing

Reading, writing and listening to stories.

The title of my author blog is Focused on Story. I chose the title because I love stories!! Reading them. Writing them. Listening to them. Teaching how to write or record them. 

JQ presenting a life storytelling workshop

I broke into the writing business after we sold our flower shop and greenhouse operation in 1995. (uh-oh..that may be a spoiler if you're reading my memoir, Arranging a Dream!) 

Pumpkins growing in our garden. 

I had written stories and poems all my life. My dream was to write those stories and share them with readers, hoping to enrich their lives with my words. After selling the shop in 1995 and being an empty nester, I had the time to make this dream come true.

 I collected all of my courage to ask the regional newspaper editor, Rich Wheater if he would be interested in having some features on people and businesses in our local area. He asked me to submit an article, so I did. In October, I wrote about a local farm family who raised pumpkins and sold the plump beauties displayed in long lines in the front yard of their farmhouse. Rich accepted the story and many more that I penned about West Michigan. 

I learned a lot about reporting for a newspaper and about writing crisp, to-the-point articles. I did not like it when Rich had to shorten the story to make way for advertisements! That's when I learned all the essentials, such as location, people or business names, time and dates for events, had to be at the beginning of the article. I always appreciated his editing the articles to improve their readability. 

When we decided to make our fifth-wheel camper our home full-time in 1998, I wrote about the RV industry for magazines and newspapers as we meandered across the country. I also wrote for e-zines, now known as online magazines, as a garden editor. The internet became my go-to for research on my articles and for publication.

After a while, I tired of writing non-fiction stories and turned to penning fictional stories, a love of mine since I was in second grade. The result, so far, are three mystery novels and a memoir published by BWL Publishing, as well as self-published non-fiction books and lots of short stories. Making up stories reminds me of the joy of writing and sharing when I was 7 years old. Still a kid at heart.

I am a Life Storytelling Evangelist!

Several years ago, a member of our writers' critique group brought in her grandfather's journal he had written when he lived in London during the 1850s. I was enthralled with his account of life in that era. At that moment, I decided I wanted to record my life story for our kids and for their kids and so on.

5 Reasons to Tell Your Story

That grew from my desire to tell my story to presenting workshops on writing and life storytelling. The biggest hurdle to overcome for many new storytellers is the idea their life story is not worth telling. That is not true.

Our lives are filled with extraordinarily ordinary moments.  Our souls are illuminated by them.  Sharing them around the hearths of our hearts, we become tellers of sacred tales, artists of our lives.         --Dr. Susan Wittig Alberta, Writing from Life

Taking the advice I give to my workshop participants to sit down and write their stories, I combined my experience in non-fiction reporting and my storytelling skills in fiction, to write my memoir. 

Arranging a Dream: A Memoir, the award-winning best-seller, published by BWL Publishing, is a feel-good story about the first year my husband and I purchased and operated a floral shop and greenhouse business in 1975-76. We had no experience in the floral business (or any business for that matter), no friends or family in the town. We gave up our two check income with no guarantee of success, and I had no idea how to design a flower arrangement!!

Reviewers described the memoir as "inspiring, fascinating, and heart-warming."  The book was truly my "heart-work."

Listening to Stories

 Do you remember listening to your teacher read a story to your class? Mrs. Beyer, my 8th grade, yes 8th-grade teacher, always read a story after lunch. Even at 13-14 years old, our class loved listening to her. I had to read the heart-wrenching ending to Charlotte's Web because Mrs. Beyer was so emotional, she couldn't continue. Have you read Charlotte's Web? You'll understand.

When I taught third grade, I made a point to read to my kids after lunch every day. Every year, I read Charlotte's Web, and we all shared a teary moment. 

Audiobooks take the place of my beloved teacher reading the story. Instead, I can listen to amazing stories anytime I wish. I have discovered Libby, an app connected to your local library so you can download audiobooks on your device. I always wonder if I can say I "read" a book when I have actually listened to the audiobook. It makes no difference how I discover a story, just as long as I can read or listen to it.

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Click here to connect online with JQ Rose through her author blog, Focused on Story.

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Celebrate Earth Day on April 22, 2022

Earth Day April 22, 2022
Quote by Rachel Carson

Ready? Set? How to Start a Book! by Vanessa C. Hawkins

 

 Vanessa Hawkins Author Page

I have so much going on this month I think my brain is going to spontaneously combust! Which, now that I think about it, may be for the better because it's been so cold here that a little inner fire may finally warm me up. Has anyone else been enduring the chill winter frost to the point that're holding out on the chance that they may randomly explode in a fiery inferno? Just me? Darn these Canadian winters!

But back to the point, which is that this month has been a flurry of things whirling about my head demanding my attention and seldomly seeing any of it. Why? Well, because I got a new gaming system from my husband and I've been furiously hacking and slashing at baddies all month, but also because I have been trying to get a submission done for a writing contest. 

Now usually, I don't put a lot of effort into writing competitively, but I really just got the gumption to try it out this year. I am pretty cynical about my chances of winning, mostly because I am submitting an erotica and I think the judges may be too stiff to consider it thoughtfully. 

HUR HUR... stiff...

But during my foray into competitive writing, I was asked by a lovely individual-- who reached out to me curious about starting her first book--how to begin writing a story! 

Well... as you can imagine, at first I was flattered. I mean, someone was asking ME how to write a book, which would infer that SOMEONE also THOUGHT I knew how to write one! A human being, who IS real, I'll have you know! Was asking me how to start writing a book because she believed I was learned enough to give advice!

I'm so touched...

But then I wondered... well... how DO you start writing a book, Vanessa? And I had to pause, because honestly I just flew from the seat of my pants when it came to writing. I had an idea--thought up in the shower, or while pretending to poop while my husband looked after our toddler--and then I sat down and let my fingers dredge it up from the pit of my stomach onto some word document that I'd either trash later or let simmer until it condensed into something tangible. 

But... that wasn't very good advice! Oh no, I thought. I'm a fraud! A con! I don't deserve this nice woman's faith! I can't possibly tell her to go have a poop and see what pops in her head... what do I do? 

What Would Picard Do?

So I asked her first what she was writing. It helps to know what genre you're getting yourself into. Conjuring up stories on the John is all well and good, but if you're writing historical non-fiction, you may have to go number two at the library. Regardless, the best thing to do is to have some kind of outline at some point. I've talked about pantsers before, and how some people just write by the seat of their pants--

Ahem... Me.

--but it IS good practice to at least write something down in terms of getting all your ducks in a row. I mean, compiling notes and character profiles and plot points is good, when you want to make sure everything is cohesive in the end. If Scarlet Fortune, the hard-boiled detective, is off to fight crime at the beginning of the book, it may be best to ensure she's not running off in Wonderland to find the white rabbit at the end. 

Does that make sense? ...No? 

Well your story should. So having a basic outline is usually good at some point. Like I said, I tend to start off spontaneously, wait till the plot begins to form into something I can work with, then go back and scribble an outline to build upon. I mean, there are always outliers to this method. Virgina Woolf's stream of consciousness as displayed in her lighthouse book doesn't seem to follow this rule, but I personally hated that novel and wouldn't recommend it to anybody. 

But at least 'Gina finished her book, right George?

I will spontaneous combust before I ever get to read 
Winds of Winter...

 So I suppose the best advice I can give about how to start a novel is to just start it. Write some stuff down, see how you feel about it. Write some more. Erase. Plan some--or not, if that's how you roll. Write more. Succub to your own self-doubt. Cry. Write a lot more. Be proud of what you've accomplished. Finish. Then gulp down a glass a wine of four to celebrate! 

Because ultimately the easiest part of writing a book is writing it. So, sorry if this is bad news bears... but when it comes to editing, publishing, MARKETING--which is the devil, by the way--that's where things get pretty messy, and complicated. 

But writing is art! And art is nebulous. Some people like to draw things and their drawings look like the things they look like, and other people throw up on a canvass and sell that to the highest bidder. 

Shhh... I'm making art...

 So my advice is to just write. Whether you plot it first, have to do eons of research or compile photographs, the most important part of starting a book is making sure all 26 letters of the alphabet are levelled out on the page in some kind of pattern that is at least pleasing to you, the author. Worry about all the other stuff later. 

Because you can do it. 

You can do the thing!  

 

On Writing a Sequel by Vanessa C. Hawkins

 

 Vanessa Hawkins Author Page

You ever look at your Disney movie library and say to yourself, "The Hunchback of Notre Dame 2? Oh hot dog! I think I'll watch that. It's totally better than the first movie!" If so then you should probably get your head checked because even if you've HEARD of that terrible sequel--let alone own it--you ought to know that it was Complete, Utter Garbage with a capital C, U, G!

Complete. Utter. Garbage! The sequel was C.U.G!

But despite the plethora of terrible sequels floating around the known universe, I am not actually here to talk about them. In fact, I am happy to say that I am WRITING a sequel, and I am really, REALLY hoping it's not going to be bad... Because as infamous as some bad sequels are, I'm no where near famous enough to profit off a terrible remake or continuation. 

We'll get George outta the way early this time... 

 So what makes a good sequel? Well, looking at all the terrible content out there, I'd say it's important to stay true to the characters and themes at least. The original Indiana Jones' movies were pretty cool. They were also mostly stand alone adventures. Rocky I to V was good: a continuation but each with an individual plot point. As well as Terminator 2... which was just awesome. 

Wait, Terminator 2? Rocky? Indiana Jones?
Oh God her age is showing...

But these are all movies! Okay, well... Lord of the Rings, Harry Potter and The Witcher books come to mind... though they're all continuations of one big story outline and the sequel I'm writing already kinda... well, concluded...

And it's a romance! 

So what do I do? I suppose I could just NOT write a sequel. It's not like I'm Michael Bay producing sequels for that socks made of silk money...  

*Bad word warning in link*

But there's lots more to say about these characters! And while writing romances isn't bad, writing a sequel to a romance where the love story had already wrapped itself up in the first installment, can produce its own series of obstacles. I hate when its obvious that the author broke up their original couple only to find ways to get them back together in book two. It always seems contrived, or pieced together to keep with the theme. Misunderstandings or arguments are alright, of course--and realistic!--but there must be a better way to tell a story with a romantic subplot other than breaking them up and seeing how they get together THIS TIME. 

#I'vebeenmarriedfor18yearsromancenovels

So I've concluded to just develop the characters more. For example, Scarlet Fortune is a 1920's cop vampire, and Shad is a 400 something year old dragon bootlegger... so there are bound to be some funny anecdotes and hijinks even AFTER they've tied the knot. I also believe in a good antagonist. Going back to The Hunchback of Notre Dame 2--because I had to watch it the other day with my two year old and am still crusty about it-- how do you compare a circus ringmaster narcissist with Monseigneur Claude Frollo: a judge--because Disney couldnt really make him an Archdeacon, the movie was already risky enough--who sings about his lust for Esmeralda: a member of an oppressed minority group?

You can't. 

So I'll make a good villain that will extend on the themes of the first book. Because themes are important and so too are villains.

Eh... not really. But the theme of the meme fit the context.

I'm also trying to tie in some things from the first book. Reuse some old characters that may have been floating around the plot of book one. Facts and places barely used before, could be backdrops for more important things later on. The sequel is pretty much stand alone, I don't think you NEED to read book one to enjoy book two, but I mean, it's more fun if you do. 

Of course, I'm only speaking from a matter of my own opinion, and I am writing this sequel with my co-author who contributes HEAVILY to ensuring there are no continuity errors... but...

SEQUELS ARE HARD! 

And I promise all--or any *cries*--fans out there... That I will honor the original work to the best of my ability and not create C.U.G.

I said I promise I won't write C.U.G!